THE WORLD in TECHNI Race Isn't Supposed to Matter Anymore
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Tom Jennings
12 | VARIANT 30 | WINTER 2007 Rebel Poets Reloaded Tom Jennings On April 4th this year, nationally-syndicated Notes US radio shock-jock Don Imus had a good laugh 1. Despite the plague of reactionary cockroaches crawling trading misogynist racial slurs about the Rutgers from the woodwork in his support – see the detailed University women’s basketball team – par for the account of the affair given by Ishmael Reed, ‘Imus Said Publicly What Many Media Elites Say Privately: How course, perhaps, for such malicious specimens paid Imus’ Media Collaborators Almost Rescued Their Chief’, to foster ratings through prejudicial hatred at the CounterPunch, 24 April, 2007. expense of the powerless and anyone to the left of 2. Not quite explicitly ‘by any means necessary’, though Genghis Khan. This time, though, a massive outcry censorship was obviously a subtext; whereas dealing spearheaded by the lofty liberal guardians of with the material conditions of dispossessed groups public taste left him fired a week later by CBS.1 So whose cultures include such forms of expression was not – as in the regular UK correlations between youth far, so Jade Goody – except that Imus’ whinge that music and crime in misguided but ominous anti-sociality he only parroted the language and attitudes of bandwagons. Adisa Banjoko succinctly highlights the commercial rap music was taken up and validated perspectival chasm between the US civil rights and by all sides of the argument. In a twinkle of the hip-hop generations, dismissing the focus on the use of language in ‘NAACP: Is That All You Got?’ (www.daveyd. -
New Album from Rap MC Talib Kweli 11-22
New Album from Rap MC Talib Kweli 11-22 Written by Robert ID2069 Wednesday, 02 November 2005 08:22 - One of hip-hop’s highly charged and talented rap MC’s Talib Kweli will release his new CD "Right About Now...," thru KOCH Records and Blacksmith Music on November 22nd. The album features fellow hip-hop and rap artists Jean Grae, Mos Def, Papoose and others also features 12 all new tracks. The first singles "Who Got It," produced by Kareem Riggs, and "Fly That Knot" are reacting simultaneously at urban radio right now. Kweli states, "''Right About Now'' sums up this project. Usually when my music comes out, the people hear where I was a year ago. This project represents where I am right now." Rap artist Talib Kweli is currently co-headlining The Breed Love Odyssey Tour (sponsored by PlayStation and House of Blues) with Mos Def. The national tour continues through the end of the year and also features Jean Grae, Pharoahe Monch and Medina Green. Kweli is a member of legendary groups Black Star (with Mos Def) and Reflection Eternal (with super producer Hi-Tek), as well as a successful solo artist, and has established himself as one of the most skilled artists in hip-hop today. Kweli ranks among the most respected MCs in the game -- even garnering reverence from multi-platinum artist Jay-Z in his song "Moment of Clarity" on the platinum release "The Black Album." With lyrics that range from the classic battle rap to emotionally charged, socially conscious commentary, Kweli is an intelligent wordsmith who has the knack for bridging the gaps between hip-hop fans of all types. -
Xavier Newswire Volume XCV Published Since 1915 by the Students of Xavier University Issue 28
Xavier University Exhibit All Xavier Student Newspapers Xavier Student Newspapers 2010-04-21 Xavier University Newswire Xavier University (Cincinnati, Ohio) Follow this and additional works at: https://www.exhibit.xavier.edu/student_newspaper Recommended Citation Xavier University (Cincinnati, Ohio), "Xavier University Newswire" (2010). All Xavier Student Newspapers. 592. https://www.exhibit.xavier.edu/student_newspaper/592 This Book is brought to you for free and open access by the Xavier Student Newspapers at Exhibit. It has been accepted for inclusion in All Xavier Student Newspapers by an authorized administrator of Exhibit. For more information, please contact [email protected]. April 21, 2010 XAVIER NEWSWIRE Volume XCV Published since 1915 by the students of Xavier University Issue 28 Midwest Masala Blogging from the dugout Aly Cabrera brings you the Sports Editor Scott Mueller chats with ALWAYS ONLINE: full color and flair of Midwest Xavier baseball player Drew Schmidt Masala. about his insider blog. xavier.edu/ FEATURE, pg 12 SPORTS, pg 8 newswire inside @ SAC books concert WCB moves up BY JOHN SCHROECK Features Editor in MBA rankings Although the 2010 Spring Concert, featuring hip-hop duo BY DOUG TIFFT cruiting,” Assistant Dean for Reflection Eternal, is arriving Editor-in-Chief MBA Programs Jennifer Bush late in the semester, the Student said. “Most people think about an Activities Council has been work- Flanked by names such as MBA for two years before com- ing for nearly a year to bring high- Harvard, MIT and Wharton, the ing to school, so getting prospec- caliber talent to Xavier’s campus. Williams College of Business tive students to recognize our “Concert co-chairs junior MBA program was placed in the programs and think of them so Megan Belden, sophomore Hattie top-25 in four different degree highly is very important.” DeLisle and the rest of the con- programs in the 2010 U.S. -
Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy
Illinois State University ISU ReD: Research and eData Theses and Dissertations 3-2-2017 On My Grind: Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy Evan Nave Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the African American Studies Commons, Creative Writing Commons, Curriculum and Instruction Commons, and the Educational Methods Commons Recommended Citation Nave, Evan, "On My Grind: Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy" (2017). Theses and Dissertations. 697. https://ir.library.illinoisstate.edu/etd/697 This Dissertation is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. ON MY GRIND: FREESTYLE RAP PRACTICES IN EXPERIMENTAL CREATIVE WRITING AND COMPOSITION PEDAGOGY Evan Nave 312 Pages My work is always necessarily two-headed. Double-voiced. Call-and-response at once. Paranoid self-talk as dichotomous monologue to move the crowd. Part of this has to do with the deep cuts and scratches in my mind. Recorded and remixed across DNA double helixes. Structurally split. Generationally divided. A style and family history built on breaking down. Evidence of how ill I am. And then there’s the matter of skin. The material concerns of cultural cross-fertilization. Itching to plant seeds where the grass is always greener. Color collaborations and appropriations. Writing white/out with black art ink. Distinctions dangerously hidden behind backbeats or shamelessly displayed front and center for familiar-feeling consumption. -
Mood Doom Mp3, Flac, Wma
Mood Doom mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Doom Country: UK Released: 1998 Style: Conscious MP3 version RAR size: 1715 mb FLAC version RAR size: 1828 mb WMA version RAR size: 1822 mb Rating: 4.2 Votes: 743 Other Formats: ASF MP3 APE AHX AUD FLAC VOC Tracklist Hide Credits 1 Esoteric Manuscripts 4:03 2 Info For The Streets 3:50 3 He Is DJ Hi-Tek 0:40 4 Karma 3:18 5 The Vision 4:56 6 Tunnel Bound 4:38 Nuclear Hip-Hop 7 4:18 Featuring – Talib Kweli 8 Another Day 3:11 Sacred - Pt.1 9 4:48 Featuring – Talib Kweli Peddlers Of Doom 10 4:59 Featuring – Talib Kweli 11 Millennium 3:45 12 Babylon The Great 0:27 Peace Infinity 13 3:50 Featuring – Talib Kweli Secrets Of The Sand 14 3:21 Featuring – Dirty Irby* Illuminated Sunlight 15 5:02 Featuring – Sunz Of Man Industry Lies 16 2:41 Featuring – Talib Kweli 17 No Ordinary Brother 0:32 Cincinnati 18 3:46 Featuring – Homeskillit 19 Insights 3:21 Companies, etc. Copyright (c) – Cup Of Tea Records Mastered At – Master Cutting Room Credits Mastered By – Duncan Stanbury Producer – Hi-Tek (tracks: 2 to 4, 6, 11, 15 to 18), Jahson (tracks: 1, 5, 7 to 10, 12 to 14, 19) Notes © Cup Of Tea Records 1998 14 King SQ, Bristol, BS2 8JH Distributed by Vital ● Made in England COT CD 020 www.cupoftearecords.co.uk Barcode and Other Identifiers Barcode (Text): 5 016554 092021 ⟩ Matrix / Runout (Mirrored): C9605 COT CD 020 ▪ Mastering SID Code (2x, Mirrored): IFPI L123 Mould SID Code: IFPI 2332 Other (Dotted): 0 : 1 Other (Mirrored): AIMBUS Rights Society: ASCAP Other versions Category Artist -
I'm an African, Never Was an African-American": the Romanticization of Africa in American Hip Hop I'm a African, Never W
K. Jeffery Leon 1 “I'm an African, Never was an African-American": The Romanticization of Africa in American Hip Hop I'm a African, never was an African-American Blacker than black I take it back to my origin … No I wasn't born in Ghana, but Africa is my momma And I did not end up here from bad karma – dead prez, “I’m A African” “The idea behind Black August is to facilitate the international cultural exchange between youth across the globe while supporting and promoting social consciousness and positive self- expression. What we got were a bunch of Yanks jerking off on the tits of Mother Africa.” – Niren Tolsi1 South Africa, August 2001. Against the backdrop of the United Nations’ World Conference Against Racism summit, several prominent hip-hop artists arrived in South Africa ready to perform a series of shows known as the Black August tour. The tour, hosted by the Malcolm X Grassroots Movement, was intended to bring awareness of Black political prisoners to audiences worldwide, as well as foster a cultural exchange of ideas and music. On the roster to perform were artists such as dead prez, Talib Kweli, Common, and Black Thought (emcee of The Roots), and they were primed to bring a fantastic show to South Africa. However, the tour imploded. The American rappers were seen by audiences as insulting and patronizing, “dispensing vague pieties about loving the motherland, and stamping across the stage to lecture the crowd about racism and reparations in the United States” (Chang 449). South African critics had a field day, as evident by the opening quote from Niren Tolsi. -
Information Pack
INFORMATION PACK Dash Arts Unit 1 Toynbee Studios 28 Commercial Street London, E1 6AB Tel: 0207 377 6606 www.dasharts.org.uk Dash Arts Arabic Series In May 2010 Dash Arts, under the Artistic Direction of Josephine Burton and Tim Supple, launched the Dash Arabic Series: four major new commissions of work by artists from the Arabic-speaking world of theatre, contemporary dance and music. The series which will run over two years has been created in collaboration with venues including Sadler’s Wells, the Barbican, and the Roundhouse. Four years in the planning, these events of international significance will be accompanied by a wider programme of talks, films, participation projects and cafes. The Dash Arabic Series will be a vital celebration of Arabic artistic identity which will challenge pre-conceived notions of Arabic culture, offering new perspectives and unheard voices. Beginning in May 2010 at Sadler's Wells with Babel(words), a new work by Sidi Larbi Cherkaoui, Damien Jalet and Antony Gormley, the Dash Arabic Series will continue with Lyrical Alliance, a night of Arabic hop-hop at the Roundhouse, and at the Barbican with a major event in celebration of the unrivalled icon of Arabic song - Oum Kalsoum. The Dash Arabic Series will culminate in the autumn of 2011 with an epic production of One Thousand and One Nights / Alf Layla wa-Layla, dramatised and directed by Tim Supple, commissioned by Toronto’s Luminato Festival where it will have its world premiere. Dash Arts & Roundhouse present Lyrical Alliance Featuring Talib Kweli Premiere: Roundhouse, 16th October 2010, Doors 7pm Tickets £22.50 Lyrical Alliance is collaboration between leading hip hop artists from the Arab world alongside the cream of European hip hop with featured artists from the UK and US headline act Talib Kweli. -
Pre-Pedidos: 01 - Mayo - 2020
CLICK AQUÍ PARA VISITAR EL INDICE CON TODOS LOS LISTADOS DISPONIBLES descuento del 9% para pedidos de este listado recibidos hasta el 08 - mayo - 2020 inclusive PRE-PEDIDOS: 01 - MAYO - 2020 12.20 € DE:TUNED VARIOUS ARTISTS - DE:10.01 (AS ONE, SENSURREAL & JEDI KNIGHTS) 11.10 € ASGDE020C 12" TECHNO / BREAKS Release: 05 - June - 2020 BEL | REPRESS | 180 grams | Full Colour Sleeve | Clear Blue Vinyl | Limited | The Belgian party organisation and record label De:tuned mark their 10th anniversary with the first outing A1 > elsewhere *As One* of their 10 x 12'' series. 'DE:10.01' kicks off with a special treat from the 90s golden era: on offer a welcome combination of previously unreleased DAT material by Kirk Degiorgio and expertly affectionate As One A2 > new brand design *Sensurreal remix treatments of both original Sensurreal and Jedi Knights (Mark Pritchard and Tom Middleton) work, (As One rmx)* pure bliss. The artwork of the first 9 collectable releases of the series forms a 3 x 3 poster display. De:tuned have called on designer Kevin Foakes (Openmind, DJ Food, Ninja Tune) to create all graphic work. This B1 > solina *Jedi Knights (As One kickstarter for the series is mastered by Matt Colton (Alchemy Mastering) and pressed on 180 gr vinyl. A rmx)* separate digital version of every release will be available from the usual digital shops. Stay tuned! 12.20 € DE:TUNED VARIOUS ARTISTS - DE:10.02 (SUN ELECTRIC, HIGHER INTELLIGENCE AGENCY & DEEPCHORD) 11.10 € ASGDE021C 12" TECHNO / TECH-DUB / Release: 05 - June - 2020 BEL AMBIENT | REPRESS | 180 grams | Full Colour Sleeve | Turquoise Vinyl | Limited | A1 > every now and then *Sun De:tuned continue to celebrate their 10th anniversary with this second EP of the series and dive deep Electric* down into the ambient techno world. -
Talib Kweli, the Blast (Video Version) * Has an Extra Verse Not on the Album
Talib Kweli, The Blast (Video Version) * has an extra verse not on the album [Talib Kweli] (Vinia Mojica) Yeah, you pronounce my name (Kweli), any questions? I bring many blessings with my man Hi-Tek and he from the Natti (Natti) We make the sky crack, feel the fly track, get your hands up like a hijack Fist in the air for (Kweli), keep 'em there like Natural mystic or smoke when they spliffs lit It's a revolutionary (party), they ask me what I'm writing for I'm writing to show you what we fightin for Say Taleeb or Talib (Kweli), if it's hard try spelling it phonetically If not then just let it be like Nina Simone you probably (ably) don't listen B Even when we suffer loses I account the victory Sometimes it's far and between I'm sad to say it got my brain crowded like sunset on a Saturday I know my son wept 'cause his dad's away Stop crying be strong is what I had to say to my little man named Amani (mani) Chorus: repeat 2X Start the party, my crew hot feel these two shots Like the blast from a double barrel shottie (shottie) It's got to be, your man Hi-Tek and Kweli Who make you rock your body (body) [Hi-Tek] I remember when it all started Back in the day when me and moms first parted Hi-Tek from the beginning I stayed advanced A young chameleon -- adapt to any circumstance Peep game nigga, never been a lazy nigga Stayed on my hustle, concentrate to get the paper bigger Stay focused while other cats stay hopeless While niggas stay high I stay lower, Stacking my chips to get a foreclosure, this shit ain't over Going for the gusto, keep -
Mos Def-Initely a Hip-Hop Classic
Tuesday] November 9, 1999 23 I SIGNAL Mos Def-initely a hip-hop classic Micheal Carter Black on Both Sides shows Mos troversy on one song in particular. Contributing Writer DePs ability tocapture your attention "Rock and Roll." On this track Mos lyrically as well as displaying his rips into several "legendary" musi musical depth by playing live iastru- cians, and proclaims that due credit ments on the soulful track "UMI says" was not giving to the true creators of It is a special occurrence when and " May-December [Mos plays the rock and roll music. He declares, an artist comes along and not only congos, drums, bass and xylophone]. "Elvis Presley ain't got no soul. Bo captivates a musical genre, but also DJ PrcmierXH keys, Shawn J Period. Diddley is rock and roll, you may dig demands the attention of a generation Ali Shahced Muhammad and DJ on the Rolling Stones but they didn't ofhuman beings. The Beatles, Jimmy handle the production on the album. come up with that sh'ton their own". Hendrix, Aretha Franklin, James The second track, entitled "Hip- The entire album is 18 tracks Brown, Marvin Gaye all accom Hop," produced by Diamond for long and keeps your attention plished these feats. Unfortunately D.I.T.C., comes roaring at the listener. from beginning to end. The feel though this past decade, or better yet, "My restlessness is my nemesis, its of Black on Both Sides can be "generation X" is better known for a hard to really chill and sit still com summed up with this verse from legacy of increased violence, tension mitted to page I write a rhyme some the Primo blessed track "Math and the overall loss of direction po times won't finish for days" through ematics." litically, socially and musically.There his lyrics the listener can feel Mos "There's one universal law. -
Rap As It Reaches a Mass Audience
University of Pardubice Faculty of Arts and Philosophy Images of African-American Masculinity in Hip Hop Music Petra Filipová Master thesis 2011 Prohlašuji: Tuto práci jsem vypracovala samostatně. Veškeré literární prameny a informace, které jsem v práci využila, jsou uvedeny v seznamu použité literatury. Byla jsem seznámena s tím, že se na moji práci vztahují práva a povinnosti vyplývající ze zákona č. 121/2000 Sb., autorský zákon, zejména se skutečností, že Univerzita Pardubice má právo na uzavření licenční smlouvy o užití této práce jako školního díla podle § 60 odst. 1 autorského zákona, a s tím, že pokud dojde k užití této práce mnou nebo bude poskytnuta licence o užití jinému subjektu, je Univezita Pardubice oprávněna ode mne požadovat přiměřený příspěvek na úhradu nákladů, které na vytvoření díla vynaložila, a to podle okolností až do jejich skutečné výše. Souhlasím s prezenčním zpřístupňením své práce v Univerzitní knihovně. V Pardubicích dne 24. března 2011 Petra Filipová ACKNOWLEDGEMENTS: I would like to express my gratitude to Mgr. Šárka Bubíková, Ph.D. for her valuable guidance throughout the process of writing my thesis. Furthermore, I would like to thank my parents for their lifelong help and support. Abstract The thesis deals with depictions of African-American masculinity in hip hop music. It analyzes the ways black masculinity is portrayed in hip hop and what stereotypes the images generate. The analysis essentially targets the lyrical content of commercial rap as it reaches a mass audience. The initial part focuses on rap’s recurrent themes and attempts to identify the stereotypes it supports. The following chapters try to explain the origin of the narrow portrayals, considering both American and African-American socio-cultural background. -
Various Soundbombing II Mp3, Flac, Wma
Various Soundbombing II mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Soundbombing II Country: Benelux Released: 2000 MP3 version RAR size: 1867 mb FLAC version RAR size: 1191 mb WMA version RAR size: 1612 mb Rating: 4.3 Votes: 850 Other Formats: AU WAV MMF MP4 DXD AHX RA Tracklist Hide Credits 1 – Intro 1:58 2 –Beat Junkies (Any Man Intro) 1:04 Any Man 3 –Eminem 2:53 Producer – Da Beatminerz B-Boy Document 99 4 –The High & Mighty Featuring – Mad Skillz, Mos DefProducer – DJ Mighty 4:08 Mi 5 –Beat Junkies (WWIII Intro) 1:01 –Pharoahe Monch & Shabaam WWIII 6 3:30 Sahdeeq Producer – Lee Stone Stanley Kubrick 7 –R.A. The Rugged Man 3:32 Producer – Capital The Crimelord 8 –J-Live & Prince Paul A Message From J-Live & Prince Paul 0:49 9 –Kid Capri & Beat Junkies (Crosstown Beef Intro) 0:49 Crosstown Beef 10 –Medina Green 4:31 Producer – Plug Won –Marley Marl, Pete Rock & Beat 11 (7XL Intro) 0:57 Junkies 7XL 12 –Sir Menelik 3:50 Featuring – Grand Puba, Sadat XProducer – DJ Spinna Chaos 13 –Reflection Eternal 4:12 Featuring – BahamadiaProducer – Hi-Tek 14 –Dilated Peoples & Tash Soundbombing 3:05 Brooklyn Hard Rock 15 –Thirstin Howl III 1:25 Producer – Smitty , Thirstin Howl III Mayor 16 –Pharoahe Monch 3:29 Producer – Lee Stone 17 –Beat Junkies (Patriotism Intro) 0:39 Patriotism 18 –Company Flow 5:09 Producer – EL-P 19 –Q-Tip & Beat Junkies (1-9-9-9 Intro) 1:23 1-9-9-9 20 –Common / Sadat X 4:10 Producer – Hi-Tek When It Pours It Rains 21 –Diamond* 2:04 Producer – Diamond* 22 –Mos Def & Beat Junkies A Message From Mos Def & The Beat Junkies 1:07 Next Universe 23 –Mos Def 3:06 Producer – Hi-Tek 24 –Beat Junkies (Every Rhyme I Write Intro) 0:44 Every Rhyme I Write 25 –Shabaam Sahdeeq 3:56 Featuring – Cocoa BrovazProducer – Nick Wiz On Mission 26 –Reflection Eternal 4:17 Producer – Hi-Tek 27 – Outro 3:59 Credits DJ Mix – Babu, J-Rocc* Notes Track #4 contains a sample from "Polarized" by Joe Thomas.