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Between the World and Me the World the Beautiful Struggle and Me Between the World and Me
--------------~----------------i r f I I BY TA-NEHISI COATES Between Between the World and Me the World The Beautiful Struggle and Me Between the World and Me ' 1. Ta-Nehisi Coates SPIEGEL & GRAU NEW YORK --- ----------- ------- ---------· ~---1;·_.,,. ! Between tlze World and Me is a work of nonfiction. Some names and identifying details have been changed. Copyright© 2015 byTa-Nehisi Coates For David and Kenyatta, All rights reserved. who believed Published in the United States by Spi~gel & Grau, an imprint ofRandom House, a division ofPenguin Random House LLC, NewYork. SPIEGEL & GRAU and the HOUSE colophon are registered trademarks ofPenguin Random House LLC. The title of this work is drawn from the poem "Between the World and Me" by Richard Wright, from Wliite Man Listen! copyright© 1957 by Richard Wright. Used by permission ofJohn Hawkins & Associates, Inc., and the Estate ofRichardWright. Grateful acknowledgment is made to the following for permission to reprint previously published material: Chris Calhoun Agency: Excerpt from "Ka' Ba" by Amiri Baraka, copyright© Estate ofAmiri Baraka. Reprinted by permission ofthe Chris Calhoun Agency. John Hawkins & Associates, Inc., and the Estate ofRichardWright: Excerpt from "Between the World and Me" from Mite Man Listen! by Richard Wright, copyright© 1957 by Richard Wright. Reprinted by permission ofJohn Hawkins & Associates, Inc., and the Estate ofRichard Wright. Sonia Sanchez: Excerpt from "Malcolm" from Shake Loose My Skin by Sonia Sanchez (Boston: Beacon Press, 1999), copyright © 1999 by Sonia Sanchez. Reprinted by permission ofSonia Sanchez. ISBN 978-0-8129-9354-7 eBook ISBN 978-0-679-64598-6 Printed in the United States ofAmerica on acid-free paper randomhousebooks.com spiegelandgrau.com 19 18 17 16 15 14 Book design by Caroline Cunningham And one morning while in the woods I stumbled suddenly upon the thing, Stumbled upon it in a grassy clearing guarded by scaly oaks and elms And the sooty details of the scene rose, thrusting themselves between the world and me. -
Tater Tot” Snodgrass, 3, Has Spent Most of His Life in the Hospital with Leukemia
Project1:Layout 1 6/10/2014 1:13 PM Page 1 Baseball: County rivals Citrus, CR meet on diamond/B1 SATURDAY TODAY CITRUSCOUNTY & next morning HIGH 84 Partly cloudy, LOW warm with a sea breeze. 61 PAGE A4 www.chronicleonline.com FEBRUARY 27, 2021 Florida’s Best Community Newspaper Serving Florida’s Best Community $1 VOL. 126 ISSUE 142 NEWS BRIEFS House to vote on relief bill Citrus County “The bill would allow the ad- designed to “quickly notch some Dems mull minimum wage plan rescue ministration to execute its plan to wins for the president’s buddies,” COVID-19 update change the course of the COVID- said Rep. Jason Smith, R-Mo., top According to the Florida ALAN FRAM boost the minimum wage. 19 pandemic,” it said. “And it Republican on the House Budget Department of Health, Associated Press A virtual party-line House vote would provide Americans and Committee. 29 positive cases were re- was expected on the COVID-19 re- their communities an economic That’s making the fight a show- ported in Citrus County WASHINGTON — A $1.9 trillion lief measure, which embodies bridge through the crisis.” down over which party voters will since the latest update. package aimed at helping the President Joe Biden’s push to Republicans have lined up reward for approving added Two new deaths were country rebuild from the pan- flush cash to individuals, busi- against the plan, calling it an over- federal spending to combat the reported, for a total of 397. demic seemed headed toward nesses, states and cities. -
The Black Arts Enterprise and the Production of African American Poetry
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE The Black Arts Enterprise and the Production of African American Poetry The Black Arts Enterprise and the Production of African American Poetry Howard Rambsy II The University of Michigan Press • Ann Arbor First paperback edition 2013 Copyright © by the University of Michigan 2011 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2016 2015 2014 2013 5432 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Rambsy, Howard. The black arts enterprise and the production of African American poetry / Howard Rambsy, II. p. cm. Includes bibliographical references and index. ISBN 978-0-472-11733-8 (cloth : acid-free paper) 1. American poetry—African American authors—History and criticism. 2. Poetry—Publishing—United States—History—20th century. 3. African Americans—Intellectual life—20th century. 4. African Americans in literature. I. Title. PS310.N4R35 2011 811'.509896073—dc22 2010043190 ISBN 978-0-472-03568-7 (pbk. : alk. paper) ISBN 978-0-472-12005-5 (e-book) Cover illustrations: photos of writers (1) Haki Madhubuti and (2) Askia M. Touré, Mari Evans, and Kalamu ya Salaam by Eugene B. Redmond; other images from Shutterstock.com: jazz player by Ian Tragen; African mask by Michael Wesemann; fist by Brad Collett. -
Tom Jennings
12 | VARIANT 30 | WINTER 2007 Rebel Poets Reloaded Tom Jennings On April 4th this year, nationally-syndicated Notes US radio shock-jock Don Imus had a good laugh 1. Despite the plague of reactionary cockroaches crawling trading misogynist racial slurs about the Rutgers from the woodwork in his support – see the detailed University women’s basketball team – par for the account of the affair given by Ishmael Reed, ‘Imus Said Publicly What Many Media Elites Say Privately: How course, perhaps, for such malicious specimens paid Imus’ Media Collaborators Almost Rescued Their Chief’, to foster ratings through prejudicial hatred at the CounterPunch, 24 April, 2007. expense of the powerless and anyone to the left of 2. Not quite explicitly ‘by any means necessary’, though Genghis Khan. This time, though, a massive outcry censorship was obviously a subtext; whereas dealing spearheaded by the lofty liberal guardians of with the material conditions of dispossessed groups public taste left him fired a week later by CBS.1 So whose cultures include such forms of expression was not – as in the regular UK correlations between youth far, so Jade Goody – except that Imus’ whinge that music and crime in misguided but ominous anti-sociality he only parroted the language and attitudes of bandwagons. Adisa Banjoko succinctly highlights the commercial rap music was taken up and validated perspectival chasm between the US civil rights and by all sides of the argument. In a twinkle of the hip-hop generations, dismissing the focus on the use of language in ‘NAACP: Is That All You Got?’ (www.daveyd. -
Biography Etheridge Knight Was a Man of Mystery. According To
Biography Etheridge Knight was a man of mystery. According to Sanford Pinsker, “Knight is the kind of poet who gives poetry a good name.”1 Fran Quinn, a close friend of Knight’s said that Knight is “the kind of person that a lot of rumors are going to gather around.”2 One thing that is certain is the he managed to produce a body of work that is to this day considered some of the finest of American poetry. Etheridge Knight was born on April 19, 1931, in Corinth, Mississippi. He grew up in Paducah, Kentucky. Knight only attended school until he had finished the eight grade. It was during this period that his problems with drug and alcohol use began, although this was also when he was introduced to the art of toasting. Toasts are traditional oral forms of narratives, often focusing on “drugs, sex, illegal activities, and violence.” After he dropped out, he ended up joining the army in 1947. Knight saw active duty in Korea and served until he was discharged in 1951 after suffering a shrapnel wound.3 In 1960 he was arrested for what was officially called armed robbery.4 Knight had distracted a clerk at a convenience store and taken $12 out of the register. When the police picked him up a few blocks away, he was found to have a knife in his pocket. The whole incident had been caught on the store’s security camera, and despite never having drawn the weapon, Knight was convicted of armed robbery and made into an example by the judge; who sentenced him to one year in prison for each dollar taken. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
New Album from Rap MC Talib Kweli 11-22
New Album from Rap MC Talib Kweli 11-22 Written by Robert ID2069 Wednesday, 02 November 2005 08:22 - One of hip-hop’s highly charged and talented rap MC’s Talib Kweli will release his new CD "Right About Now...," thru KOCH Records and Blacksmith Music on November 22nd. The album features fellow hip-hop and rap artists Jean Grae, Mos Def, Papoose and others also features 12 all new tracks. The first singles "Who Got It," produced by Kareem Riggs, and "Fly That Knot" are reacting simultaneously at urban radio right now. Kweli states, "''Right About Now'' sums up this project. Usually when my music comes out, the people hear where I was a year ago. This project represents where I am right now." Rap artist Talib Kweli is currently co-headlining The Breed Love Odyssey Tour (sponsored by PlayStation and House of Blues) with Mos Def. The national tour continues through the end of the year and also features Jean Grae, Pharoahe Monch and Medina Green. Kweli is a member of legendary groups Black Star (with Mos Def) and Reflection Eternal (with super producer Hi-Tek), as well as a successful solo artist, and has established himself as one of the most skilled artists in hip-hop today. Kweli ranks among the most respected MCs in the game -- even garnering reverence from multi-platinum artist Jay-Z in his song "Moment of Clarity" on the platinum release "The Black Album." With lyrics that range from the classic battle rap to emotionally charged, socially conscious commentary, Kweli is an intelligent wordsmith who has the knack for bridging the gaps between hip-hop fans of all types. -
A Hip-Hop Copying Paradigm for All of Us
Pace University DigitalCommons@Pace Pace Law Faculty Publications School of Law 2011 No Bitin’ Allowed: A Hip-Hop Copying Paradigm for All of Us Horace E. Anderson Jr. Elisabeth Haub School of Law at Pace University Follow this and additional works at: https://digitalcommons.pace.edu/lawfaculty Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Horace E. Anderson, Jr., No Bitin’ Allowed: A Hip-Hop Copying Paradigm for All of Us, 20 Tex. Intell. Prop. L.J. 115 (2011), http://digitalcommons.pace.edu/lawfaculty/818/. This Article is brought to you for free and open access by the School of Law at DigitalCommons@Pace. It has been accepted for inclusion in Pace Law Faculty Publications by an authorized administrator of DigitalCommons@Pace. For more information, please contact [email protected]. No Bitin' Allowed: A Hip-Hop Copying Paradigm for All of Us Horace E. Anderson, Jr: I. History and Purpose of Copyright Act's Regulation of Copying ..................................................................................... 119 II. Impact of Technology ................................................................... 126 A. The Act of Copying and Attitudes Toward Copying ........... 126 B. Suggestions from the Literature for Bridging the Gap ......... 127 III. Potential Influence of Norms-Based Approaches to Regulation of Copying ................................................................. 129 IV. The Hip-Hop Imitation Paradigm ............................................... -
The Black Plumb Line: Re-Evaluating Race and Africanist Images in Non-Black Authored American Texts
The University of Southern Mississippi The Aquila Digital Community Dissertations Summer 8-2011 The Black Plumb Line: Re-evaluating Race and Africanist Images in Non-Black Authored American Texts LaShondra Vanessa Robinson University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Literature in English, North America Commons, and the Literature in English, North America, Ethnic and Cultural Minority Commons Recommended Citation Robinson, LaShondra Vanessa, "The Black Plumb Line: Re-evaluating Race and Africanist Images in Non- Black Authored American Texts" (2011). Dissertations. 663. https://aquila.usm.edu/dissertations/663 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi THE BLACK PLUMB LINE: RE-EVALUATING RACE AND AFRICANIST IMAGES IN NON-BLACK AUTHORED AMERICAN TEXTS by LaShondra Vanessa Robinson Abstract of a Dissertation Submitted to the Graduate School of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2011 ABSTRACT THE BLACK PLUMB LINE: RE-EVALUATING RACE AND AFRICANIST IMAGES IN NON-BLACK AUTHORED AMERICAN TEXTS by LaShondra Vanessa Robinson August 2011 This study evaluates Africanisms (representations of racialized or ethnicized blackness) within three contemporary non-black authors’ texts: Jewish American Saul Bellow’s novel Henderson the Rain King, white southerner Melinda Haynes’ novel Mother of Pearl, and Nyurican poet Victor Hernández Cruz’s works “Mesa Blanca” and “White Table.” Though not entirely unproblematic, each selection somehow redefines black identity and agency to challenge denigrated representations of Africanist people and culture. -
Guide to African American History Materials in Manuscript and Visual Collections at the Indiana Historical Society
Guide to African American History Materials in Manuscript and Visual Collections at the Indiana Historical Society Originally compiled as a printed guide (Selected African-American History Collections) by Wilma L. Gibbs, 1996 Revised and updated by Wilma L. Gibbs as an online guide, 2002 and 2004 Introduction Personal Papers Organizations, Institutions, and Projects Communities Education Race Relations Religious Institutions 15 July 2004 Manuscript and Visual Collections Department William Henry Smith Memorial Library Indiana Historical Society 450 West Ohio Street Indianapolis, IN 46202-3269 www.indianahistory.org Introduction This guide describes manuscript and visual collections in the William Henry Smith Memorial Library of the Indiana Historical Society (IHS) that document the experiences of African Americans in Indiana. In 1982, a collecting effort was formalized at the Historical Society to address the concern for the paucity of records available for doing research on the history of African Americans in the state. The purpose of that effort continues to be to collect, process, preserve, and disseminate information related to the history of black Hoosiers. The Archivist, African American History is available to answer and direct research questions from the public. Indiana Historical Society members can receive Black History News & Notes, a quarterly newsletter that publicizes library collections, relevant historical events, and short papers pertaining to Indiana’s black history. Preserving Indiana’s African American heritage is a cooperative venture. The Society needs your help in providing information about existing records in attics, basements, and garages that can be added to the library’s collections. As more records are collected and organized, a more accurate and complete interpretation of Indiana history will emerge. -
AUDRE LORDE: Dream of Europe 90000> SELECTED SEMINARS and INTERVIEWS 1984–1992
ISBN 978-0-9997198-7-9 AUDRE LORDE: dream of europe 90000> SELECTED SEMINARS AND INTERVIEWS 1984–1992 9780999 719879 AUDRE LORDE AUDRE : dream of europe dream of AUDRE LORDE: dream of europe elucidates Lorde’s methodology as a poet, mentor, and activist during the last decade of her life. This volume compiles a series of seminars, interviews, and conversations held by the author and collaborators across Berlin, Western Europe, and The Caribbean between 1984-1992. While Lorde stood at the intersection of various historical and literary movements in The United States—the uprising of black social life after the Harlem Renaissance, poetry of the AIDS epidemic, and the unfolding of the Civil Rights Movement-- this selection of texts reveals Lorde as a catalyst for the first movement of Black Germans in West Berlin. Lorde’s intermittent residence in Berlin lasted for nearly ten years, a period where she inspired many important local and global initiatives, from individual poets to international movements. The legacy of this “Black, lesbian, mother, warrior, poet” has been well persevered by her colleagues in Germany. It is an erotics of friendship that allowed Lorde and her collaborators EDITIONSKENNING to develop a strong sense of political responsibility for each other, transforming alliance and love Edited, with an afterword between women into tools for social change. These selected writings lay bare struggles, bonds, and by Mayra A. Rodríguez Castro Preface by Dagmar Schultz hopes shared among Black women in a transnational political context. POETRY | POLITICS KENNING EDITIONS POETRY | POLITICS KENNING EDITIONS AUDRE LORDE Lorde_Dream-draft.indd 2-3 11/14/19 8:39 AM DREAM OF EUROPE SELECTED SEMINARS AND INTERVIEWS: 1984-1992 Edited, with an afterword, by Mayra A. -
Individualism and Commitment in American Life Berkeley: University of California Press, 1985, 1996, 2008 by Robert N
A Dialogue on Habits of the Heart: Individualism and Commitment in American Life Berkeley: University of California Press, 1985, 1996, 2008 By Robert N. Bellah, Richard Madsen, William Sullivan, Ann Swidler, Steven M. Tipton The Center for the Study of Democratic Institutions, University of California, Santa Barbara February 21, 1986 Part I “Transforming American Culture” Habits’ conclusion, chapter 11 Part II “Social Science as Public Philosophy” Habits’ appendix In 1959, former Yale Law School Dean and University of Chicago President Robert M. Hutchins (1899- 1977) founded The Center to approach the ideal of “a community of scholars” discussing a wide range of issues – individual freedom, international order, ecological imperatives, the rights of minorities and of women, and the na- ture of the good life, among others. The Center closed in 1987. The Center Magazine Editor Paul McDonald and Editorial Assistant Helen I. Wells edited and published a heavily edited version of the dialogue in two issues of the magazine: September/October 1986, Volume 19, Number 5, pp. 1-15; and November/December 1986, Volume 19, Number 6, pp. 18-23. Since the tensions among the participants in this dialogue are illuminating, even in 2013, and since The Center Magazine version is not easily accessible, Samuel C. Porter, Ph.D., transcribed audio tape recordings of the dialogue purchased from The Center in 1986. Porter also annotated and lightly edited the transcript for readability. Donald J. McDonald, the Center’s Acting Director, moderated this dialogue. DIALOGUE PARTICIPANTS Robert N. Bellah, University of California, Berkeley Ford Professor of Sociology and Comparative Stud- ies Noah benShea, Center Fellow, author, poet, philosopher, and a former dean at the University of California, Los Angeles M.