Chapter 12 Personality
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Imaginal Processes of College Students Reporting Different Jungian Personality Types
THE IMAGINAL PROCESSES OF - COLLEGE STUDENTS REPORTING DIFFERENT JUNGIAN PERSONALITY TYPES By JEANNE KIENZLE A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 1985 ACKNOWLEDGMENTS Financial, material, and emotional support for my research project was provided through the generosity of Gerd Wartenberg, Anita Kienzle, Jennie Hooper, David Long, Bill Abbuehl, and Jean Larson. I wish to thank David Lane and Harvey Patterson for their friendship, dependability, humor, and consistently supportive attitude toward my work. I would like to express great appreciation to Mary McCaulley, Marilyn Holly, and April O'Connell for their theoretical inspiration and per- sonal encouragement of my professional goals. Also, I wish to thank Joe Wittmer for his special effort to help me meet the time deadline for my dissertation. I am indebted to Doug Johnson and Tom McCullough for their solidarity and willingness to help me with all the difficult practical details of my research. I am deeply grateful to Barbara Smerage for her professional competence, personal understanding, and cheerful support during the preparation of the manuscript. Finally, I wish to thank my dear friend Gerd Wartenberg for his loving endurance of our long separations necessary for me to complete my graduate studies and for his insight into my dreams and fantasies throughout our years together. ii TABLE OF CONTENTS Page ACKNOWLEDGMENTS i i ABSTRACT vi CHAPTERS -
An Essay on Salvador Dalí's Portrait of Pablo Picasso in the Twenty
Picasso Is Tiresias, Me Too: An Essay on Salvador Dalí’s Portrait of Pablo Picasso in the Twenty-first Century A Jean-Pierre Amsallem, très amicalement. By Vicent Santamaria de Mingo Dalí once said that the explanation of his paintings had to be either extremely longwind- ed or totally non-existent. I believe this was no mere boutade and that the painter was right to say so, for, unlike Picasso who was much more prolific with palette and brush, each of the Catalan artist’s pictures involved a long process of reflection and was the outcome of much aforethought. As Gala was wont to say, in Dalí’s canvases each image responds to a concept. This is why we might argue, without fear of being mistaken, that Dalí is first and foremost a conceptual artist and that his deepest motivation is always of a cognitive, and never purely esthetic, kind. This, basically, is what sets him apart from Picasso, as he took it upon himself to point out: “Unlike those of Picasso, my paintings are not esthetic arrangements intended to indulge the gaze. Until recently they have been psychopathological documents. Now I’m entering a new phase which combines the mythology of the individual with esthetic tradition.”[1] These declarations were made in 1941, at a time when Dalí found himself far away from Spain and had broken all ties with the Surrealist Group. The distinction between my- thology and esthetics relates to the separation between form and content, which had been propounded by the Catalan on various occasions in the 1930s, and he would later reaffirm this when justifying his “new” artistic ideas, claiming that “I violently advocate tradition—in form, not in content, obviously.”[2] As for picture-making procedures, from the publication of The Secret Life of Salvador Dalí (1942) onwards he cultivated the image of a “classical” artist who was defending academic tradition, but in the mean- time he went on thinking about the same psychoanalytical themes that had fascinated him during his surrealist phase. -
Self-Organizing Nature
I SELF-ORGANIZING NATURE First Principle of the Jungian Paradigm The psyche, through the process of psychic compensation, is self-regulating. In contrast to the conflict model of the Freudian Paradigm in which the struggle between the conscious and unconscious is ongoing and as such experiences no respite but that which comes through the intervention of the ego, within the Jungian Paradigm, the psyche as a total system is re- garded as being self-regulating. The psyche, according to the assumptions of the Jungian Paradigm, is held to be, in this manner, not only capable of maintaining its own equilibrium, but also of bringing about its own self- realization. Such self-regulation is more typically referred to by Jungians as psychic compensation. The paradigmatic progression from the Freudian notion of a psyche in conflict with itself to the Jungian understanding of a self-regulating psyche constitutes, as already noted, a noncumulative break. Jung, we should, therefore, not be surprised to know, even prior to his association with Freud, was already in possession of what would prove to be some of the key pieces of the answer to his yet unformulated question—the question of the self-regulatory psyche. “As far back as 1907,” Jung writes in “Gen- eral Aspects of Dream Psychology” in The Structure and Dynamics of the Psy- che, “I pointed out the compensatory relation between consciousness and the split-off complexes and also emphasized their purposive character.”1 Going back further still, we see that Jung’s 1902 dissertation delivered be- fore the Faculty of Medicine at the University of Zurich touches no less on this question. -
Psyche and History in Shelley and Freud Brent Robida Clemson University, [email protected]
Clemson University TigerPrints All Theses Theses 5-2009 Psyche and History in Shelley and Freud Brent Robida Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Part of the English Language and Literature Commons Recommended Citation Robida, Brent, "Psyche and History in Shelley and Freud" (2009). All Theses. 576. https://tigerprints.clemson.edu/all_theses/576 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. PSYCHE AND HISTORY IN SHELLEY AND FREUD A Thesis Presented to The Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Master of Arts English by Brent Robida May 2009 Accepted by: Dr. Brian McGrath, Committee Chair Dr. Lee Morrissey Dr. Art Young ABSTRACT The comfortable thought is over in our psychical relation to Percy Shelley and Sigmund Freud because the line of reasoning it invokes is chaotic, if only because trying to define psyche and history leads to chaotic conclusions, especially at the beginning of the twenty-first century. Shelley and Freud recognized this and were able to channel it into their art, myth, fable, allegory. The events of their lives, their History, produces itself from chaos (Freud writes across two World Wars, Shelley under the shadow of the French Revolution, Jacobin massacres and Napoleonic wars), which means its producer is chaotic, Divine Chaos, Miltonic Chaos, but chaos it still remains. There is no systematic order to their thought except that systematic order escapes all Thought, true thought, at least. -
Chapter 2 Personality Preferences
43 CHAPTER 2 PERSONALITY PREFERENCES Emotional competence is the research domain on which this research is based. This chapter focuses on the discussion of personality preferences as a variable that influences the emotional competence of individuals. Personality preferences are discussed from the paradigmatic perspective of the Analytical Psychology of Carl Jung. By discussing the personality theory (more specifically, the Psychological Type theory) of Carl Jung (1921, 1959, 1971, 1990) and the MBTI Personality Type theory of Myers and Briggs (Myers, 1987), the researcher attempts to organise observations of people by providing some kind of underlying framework for classifying and describing individual behaviour. The aim is to determine what aspects of personality enable certain individuals to be more emotionally competent than others. This is in line with step 1 of phase one of the research method as described in chapter 1 (refer to point 1.8). This chapter also aims to address the first research question stated in chapter 1 which relates to the theoretical conceptualisation of the construct personality preferences. In this chapter then, the construct personality preferences will be explored by examining the basic literature and research on personality and personality preferences. An integrated model of personality preferences from the perspective of Analytical Psychology will be proposed to enable the researcher to explain the theoretical relationship between the variables personality preferences, self-esteem, and emotional competence. Finally, the theoretical research implications for leader development and the field of Industrial and Organisational Psychology will be discussed. 2.1 PARADIGMATIC AND CONCEPTUAL FOUNDATIONS The discussion of the paradigmatic and conceptual foundations that follows, aims at a broader understanding of the constructs personality and personality preferences from the paradigmatic perspective of Analytical Psychology. -
An Analysis of Existential Psychology Arthur Erwin Wolfgarth University of Nebraska at Omaha
University of Nebraska at Omaha DigitalCommons@UNO Student Work 6-1961 An analysis of existential psychology Arthur Erwin Wolfgarth University of Nebraska at Omaha Follow this and additional works at: https://digitalcommons.unomaha.edu/studentwork Part of the Psychology Commons Recommended Citation Wolfgarth, Arthur Erwin, "An analysis of existential psychology" (1961). Student Work. 125. https://digitalcommons.unomaha.edu/studentwork/125 This Thesis is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Student Work by an authorized administrator of DigitalCommons@UNO. For more information, please contact [email protected]. AN ANALYSIS OF EXISTENTIAL. PSYCHOLOGY by Arthur Erwin Wolfgarth A Thesis Presented to the Graduate Faoulty of the Department of Psychology University of Omaha In Partial Fulfillment of the Requirements for the Degree Master of Arts June 1961 UMI Number: EP72773 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dtsssrtslioni Publishing UMI EP72773 Published by ProQuest LLC (2015). Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 PREFACE The purpose of this thesis is to trace the thread of existential psychological thought from its first system atic statements in Denmark through its expansion in Europe to its influence in contemporary thought in the United States, This study begins with S^ren Kierkegaard who cast existential expression into molds that have not broken to the present day. -
Schopenhauer Between Freud, the Buddha and Idealist Aesthetics
9/10/2015 Articles Consciousness, Literature and the Arts Archive Volume 6 Number 3, December 2005 ___________________________________________________________________ Concepts of Liberation: Schopenhauer between Freud, the Buddha and Idealist Aesthetics. By Stephan Atzert The University of Queensland Introduction In Schopenhauer's philosophy a model of the unconscious is conceptualised, developed into an aesthetic theory and – among other trajectories – set in relation to his appreciation of Indian religious thinking. Despite the fact that Schopenhauer's ideas do not hold a place in the current philosophical canon which would be comparable to that of Kant, Hegel and Nietzsche, they have been very influential. In order to trace the scope as well as the impact of Schopenhauer's model of the unconscious, this article discusses Schopenhauer's reception by Sigmund Freud, as well as parallels between Schopenhauer and Buddhism. The topic of liberation from suffering provides a thematic focus for our enquiry, which ranges from Freud's eclectic use of the term nirvana to Schopenhauerian and Buddhist conceptualisations of liberation and of aesthetic appreciation. It will be shown that Buddhist concepts are helpful to critically understand Schopenhauer's ideas, just as the texts of Schopenhauer serve to historicise Freud's theories. Even though the bases of the two comparisons differ significantly, Schopenhauer's comprehensive and systematic description of the human experience provides their unifying framework. Schopenhauer's concepts were a decisive and largely unacknowledged influence on Freud's metapsychology. This will be outlined in “Schopenhauer and Freud”, the next section, followed by a discussion of Freud's use of the term “nirvana principle”, which led de Silva to believe that “in the philosophy of Schopenhauer may be present, a link between Buddhism and Freud” (de Silva, 1973, 187). -
Nietzsche, Lacan, and the Sinthome of Tragic Wisdom
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 4-14-2020 1:30 PM Language After God: Nietzsche, Lacan, and the Sinthome of Tragic Wisdom Dylan J. Hughes The University of Western Ontario Graduate Program in Theory and Criticism A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Dylan J. Hughes 2020 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Continental Philosophy Commons Recommended Citation Hughes, Dylan J., "Language After God: Nietzsche, Lacan, and the Sinthome of Tragic Wisdom" (2020). Electronic Thesis and Dissertation Repository. 6961. https://ir.lib.uwo.ca/etd/6961 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Supervisor Pero, Allan The University of Western Ontario This dissertation/thesis is available at Scholarship@Western: https://ir.lib.uwo.ca/etd/6961 Abstract Jacques Lacan’s psychoanalytic theory of the “sinthome” and Friedrich Nietzsche’s tragic philosophy of self-overcoming are deeply complementary theories of linguistic subjectivity, each describing the transformative potential of a kind of art at the centre of the inherently symptomatic experience of language. Lacan’s final seminars reimagine the psychoanalytic symptom as the potential site where each subject might forge a sinthome: a singular structure of creative agency in the experience of desire and truth. Nietzsche’s tragic philosophy works to uncover the problematically aesthetic and creative character of reality, suggesting that one must affirm and cultivate such creativity in order to overcome the tragic character of existence. -
49 PERSONALITY THEORIES: a COMPARATIVE ANALYSIS Abstract the Type of Organization Existing in a Society Defines the Development
PERSONALITY THEORIES: A COMPARATIVE ANALYSIS Omoregbe Omorodion and Festus Osayande Abstract Personality is a growing and dynamic entity that influences the behavior of people, and one of the objectives of organizational leaders is to ensure that they manage the resources at their disposal, especially human resources, to achieve organizational goals in the most effective and efficient manner. However, human beings are very complex; owing to the discrepancies in personalities. This paper provides an appraisal of the various theories of personality. These theories tend to have two things in common: they attempt to explain and understand the characteristics, traits and behavioral tendencies that are shared by individuals, also, personality theories also attempt to explain the differences in observable individual personalities. Lastly, the theories are not without criticisms. Psychoanalytic theory explains hidden personality dynamics rather than searching for identifiable patterns of behavior that describe basic dimensions of personality. The criticism underlying the evaluation of trait personality is that personality traits are not stable and enduring and is ever-changing, tailored to the particular role or situation. Some psychologists believe that the humanistic theory concepts are vague and subjective that they are not scientific description of personality rather a description of personal values and ideals of the school of thought. The social-cognitive perspective focuses so much on the situation that it fails to appreciate the person’s inner traits. Seldom in life does a single perspective on any issue give a complete picture of another human being. Human personality reveals its different aspects when it is viewed from different perspectives, and each perspective can enlarge our vision of the whole person and helps in the management of organizational staff. -
Death Drive in Psychoanalysis Versus Existential Psychotherapy
Psychology and Behavioral Science International Journal ISSN 2474-7688 Mini Review Psychol Behav Sci Int J Volume 8 Issue 1 - December 2017 Copyright © All rights are reserved by Pari Tirsahar DOI: 10.19080/PBSIJ.2017.08.555726 Death Drive In Psychoanalysis versus Existential Psychotherapy Pari Tirsahar* University of Tutor, UK Submission: November 15, 2017; Published: December 05, 2017 *Corresponding author: Pari Tirsahar, University of Tutor, London, UK, Email: Introduction In by [6] says that the In Greek myth, the demon of death was the son of Nix (god Civilisation and Its Discontents S Freud pleasure principle determines the purpose of life thus being of the night) and Erebus (god of darkness) and a twin to Hypnos analogous to the reality principle. But then Freud realized that time 1920 in Beyond the Pleasure Principle, according to which (sleep). The term ‘death drive’ was coined by Freud for the first could not explain with the pleasure principle, and that led him to ‘Thanatos‘ is posited opposite of Eros, the creative and productive there were three conflicting facts in the human mind that he another principle which he found beyond the pleasure principle, drives, sexuality and survival. In classic psychoanalytic theory and this in turn led him to the concept that later became known the death drive (Thanatos) is seen as a drive towards self- as the death drive. destruction and death. The death drive forces mankind into risky and self-destructive behaviors that could lead to death S Freud [1]. The death drive can be related to the work of the German was the paradox of PTSD in working with traumatized soldiers The first conflicting problem Freud was confronted with philosopher Arthur Schopenhauer who in his book The World who had participated in World War I. -
Psychoanalysis and "The Discipline of Love"
University of New Orleans ScholarWorks@UNO English Faculty Publications Department of English and Foreign Languages 2000 Psychoanalysis and "The Discipline of Love" Nancy Easterlin University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/engl_facpubs Part of the English Language and Literature Commons Recommended Citation Easterlin, Nancy. "Psychoanalysis and 'The Discipline of Love'." Philosophy and Literature 24.2 (2000): 261-279. This Article is brought to you for free and open access by the Department of English and Foreign Languages at ScholarWorks@UNO. It has been accepted for inclusion in English Faculty Publications by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Nancy Easterlin 261 Nancy Easterlin PSYCHOANALYSIS AND “THE DISCIPLINE OF LOVE” n the past three decades, psychological approaches to literature, Iincluding feminist interpretations, have been overwhelmingly psy- choanalytic, and this is still the case even as cognitive psychology emerges as a relevant and fruitful secondary field for literary scholars. The dominance of psychoanalysis holds true for Wordsworth scholar- ship, an area in which, given the poet’s developmental concerns, psychological orientations seem particularly apropos. Unfortunately, Freud’s most basic assumptions about infant experience, still credited in various forms by Lacanian and many feminist scholars, are no longer accepted by developmental psychologists, who regard the infant as a self-organizing system engaged in a fundamentally productive and social relationship with his primary caregiver, usually his mother. By contrast, psychoanalysis, which opposes union with the mother in the state of primary narcissism to separation and individuation, envisions the mother- infant relationship as paradigmatically conflicted. -
Psychoanalytic Theory Used in English Literature: a Descriptive Study by Md
Global Journal of HUMAN-SOCIAL SCIENCE: G Linguistics & Education Volume 17 Issue 1 Version 1.0 Year 2017 Type: Double Blind Peer Reviewed International Research Journal Publisher: Global Journals Inc. (USA) Online ISSN: 2249-460x & Print ISSN: 0975-587X Psychoanalytic Theory used in English Literature: A Descriptive Study By Md. Mahroof Hossain Z.H. Sikder University of Science & Technology Abstract- Psychoanalysis is one of the modern theories that are used in English literature. It is a theory that is regarded as a theory of personality organization and the dynamics of personality that guides psychoanalysis. It is known that the closet connection between literature and psychoanalysis has always been deployed by the academic field of literary criticism or literary theory. Among the critical approaches to literature, the psychoanalysis has been one of the most controversial and for many readers the least appreciated. In spite of that it has been regarded one of the fascinating and rewarding approach in the application of interpretative analysis. This psychological interpretation has become one of the mechanisms to find out the hidden meaning of a literary text. It also helps to explore the innate conglomerate of the writer’s personality as factors that contribute to his experience from birth to the period of writing a book. The goal of psychoanalysis was to show that behaviour which was caused by the interaction between unconscious and unco-nsciousness. The proposed work titled ‘Psychoanalytic theory used in English Literature: A Descriptive Study’ aims to explore where psychoanalysis has been used by the author’s in his/her literary works in English literature.