Rio Arriba County Comprehensive Plan
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Studies of HKIFF: an Overview of a Burgeoning Field of Its Establishment in the Current Years
The studies of Hong Kong International Film Festival (HKIFF) : Title an overview of a burgeoning field of its establishment in the current years Author(s) Law, Pik-yu Law, P. E.. (2015). The studies of Hong Kong International Film Festival (HKIFF) : an overview of a burgeoning field of its Citation establishment in the current years. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Issued Date 2015 URL http://hdl.handle.net/10722/223429 The author retains all proprietary rights, (such as patent rights) and the right to use in future works.; This work is licensed under Rights a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. The Studies of HKIFF: An Overview of a Burgeoning Field of its establishment in the current years The University of Hong Kong Department of Sociology Assignment / Essay Cover Sheet1 Programme Title: Master of Social Sciences in Media, Culture and Creative Cities – MSocSc(MCCC) Title of Course: SOCI8030 Capstone Project Course Code: SOCI8030 Title of Assignment / Essay: The Studies of Hong Kong International Film Festival (HKIFF): An overview of a Burgeoning Field of its establishment in the current years Student Name: LAW, Pik Yu Eugenia Student Number: 2013932305 Year of Study: Year 2 Date of Resubmission2: Plagiarism Plagiarism is the presentation of work which has been copied in whole or in part from another person’s work, or from any other source such as the Internet, published books or periodicals without due acknowledgement given in the text. Where there are reasonable grounds for believing that cheating has occurred, the action that may be taken when plagiarism is detected is for the staff member not to mark the item of work and to report or refer the matter to the Department. -
Brian Bird Reports That When Calls the Heart Has Been Renewed by Hallmark for a Second Season, Story on Page 3 More Film, TV and Book News
A Publication Dedicated To Christian Film and TV Stars and Their Many Fans Volume 11 Number 2 This publication is going out to those who have expressed an interest in the great influence film and TV can have on Christianity. Published by Point North Outreach, Inc., a not for profit organization. Brian Bird reports that When Calls The Heart has been renewed by Hallmark for a Second Season, Story on Page 3 More Film, TV and Book News God's Not Dead Review Page 2 A Needed TV Renaissance, Interview with Brian Bird Page 3 Return to the Hiding Place, Interview with ReAnn Ring Page 7 The Ability To Love Never Dies, Review of My Dream Beside Me Page 9 Make a Joyful Noise, Column by Nancy Stafford Page 10 The Good Book, Review of an innovative Film Page 11 Having a Child's Heart, Interview with Ann Ault Page 12 Jenny L. Cote is back with Number 5 in her Epic Series Page 14 Coming Events: Western Film Fair and Gideon Page 15 Kerri Pomarolli Gives Us A Guide for Devotions & Survival, Review Page 16 Screenplay by New Writer wins Dove Award Page 16 Worth Seeing More Than Once very instrumental. The film also makes use of the Christian singing group, Newsboys, and they God's Not Dead too are significant to the plot. There was a glaring over sight in the last Pure Flix turned out a professional motion issue we need to correct now. Nothing was said picture that can stand with the best of the big about a great film that is still running, God's Not studios and is Oscar quality in our opinion. -
… … Mushi Production
1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … Mushi Production (ancien) † / 1961 – 1973 Tezuka Productions / 1968 – Group TAC † / 1968 – 2010 Satelight / 1995 – GoHands / 2008 – 8-Bit / 2008 – Diomédéa / 2005 – Sunrise / 1971 – Deen / 1975 – Studio Kuma / 1977 – Studio Matrix / 2000 – Studio Dub / 1983 – Studio Takuranke / 1987 – Studio Gazelle / 1993 – Bones / 1998 – Kinema Citrus / 2008 – Lay-Duce / 2013 – Manglobe † / 2002 – 2015 Studio Bridge / 2007 – Bandai Namco Pictures / 2015 – Madhouse / 1972 – Triangle Staff † / 1987 – 2000 Studio Palm / 1999 – A.C.G.T. / 2000 – Nomad / 2003 – Studio Chizu / 2011 – MAPPA / 2011 – Studio Uni / 1972 – Tsuchida Pro † / 1976 – 1986 Studio Hibari / 1979 – Larx Entertainment / 2006 – Project No.9 / 2009 – Lerche / 2011 – Studio Fantasia / 1983 – 2016 Chaos Project / 1995 – Studio Comet / 1986 – Nakamura Production / 1974 – Shaft / 1975 – Studio Live / 1976 – Mushi Production (nouveau) / 1977 – A.P.P.P. / 1984 – Imagin / 1992 – Kyoto Animation / 1985 – Animation Do / 2000 – Ordet / 2007 – Mushi production 1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … 1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … Tatsunoko Production / 1962 – Ashi Production >> Production Reed / 1975 – Studio Plum / 1996/97 (?) – Actas / 1998 – I Move (アイムーヴ) / 2000 – Kaname Prod. -
Directing Change Full Booklet Size
The Sixth Annual Directing Change Program and F ilm Contest To keep up with the latest updates, visit: www.facebook.com/DirectingChangeCA CALLING ALL YOUNG FILMMAKERS SHORT FILMS THAT WILL BE USED TO RAISE AWARENESS AND CHANGE AGENTS! MAKE A DIFFERENCE AND WIN CASH PRIZES BY CREATING SUICIDE PREVENTION • MENTAL HEALTH MATTERS AND HELP YOUNG PEOPLE SUBMISSION CATEGORIES: ACROSS CALIFORNIA. ANIMATED SHORT • THROUGH THE LENS OF CULTURE • SANAMENTE SUBMISSIONS ARE DUE MARCH 1, 2018. Visit www.DirectingChangeCA.org for contest rules and educational resources. Table of Contents 1. Directing Change Getting Started 2. Program and Contest Rules 3. Regional Map 4. Submission Check list 5. Suicide Prevention Category 6. Suicide Prevention Fact Sheet 7. Mental Health Matters Category 8. Mental Health Fact Sheet 9. Through the Lens of Culture Category 10. Animated Short Category 11. SanaMente Category 12. Entry Form 13. Release Forms For questions or technical support contact [email protected]. www.DirectingChange.org Directing Change – How to Get Started 1. Bookmark our new URL- www.DirectingChangeCA.org • And follow us on social media to receive notifications and announcements about the program and post questions to the Directing Change team. If at any time you are 2. Review the contest rules and FAQ experiencing an The contest is open to young people in California in two groups: emotional crisis, are • Middle and High School students (grades 7-12) thinking about suicide • Youth and young adults ages 14-25 who are submitting in partnership with a college, or are concerned about university, community-based organization, program, club or other agency. -
Channel 4 and British Film: an Assessment Of
Channel 4 and British Film: An Assessment of Industrial and Cultural Impact, 1982-1998 Laura Mayne This thesis is submitted in partial fulfilment of the requirements for the award of the degree of Doctor of Philosophy of the University of Portsmouth. September 2014 i Abstract This thesis is an historical investigation of Channel 4’s influence on the British film industry and on British film culture between 1982 and 1998. Combining archival research with interview testimony and secondary literature, this thesis presents the history of a broadcaster’s involvement in British film production, while also examining the cultural and industrial impact of this involvement over time. This study of the interdependence of film and television will aim to bring together aspects of what have hitherto been separate disciplinary fields, and as such will make an important contribution to film and television studies. In order to better understand this interdependence, this thesis will offer some original ideas about the relationship between film and television, examining the ways in which Channel 4’s funding methods led to new production practices. Aside from the important part the Channel played in funding (predominantly low-budget) films during periods when the industry was in decline and film finance was scarce, this partnership had profound effects on British cinema in the 1980s and 1990s. In exploring these effects, this thesis will look at the ways in which the film funding practices of the Channel changed the landscape of the film industry, offered opportunities to emerging new talent, altered perceptions of British film culture at home and abroad, fostered innovative aesthetic practices and brought new images of Britain to cinema and television screens. -
Abstract Taiwanese Identity and Transnational Families
ABSTRACT TAIWANESE IDENTITY AND TRANSNATIONAL FAMILIES IN THE CINEMA OF ANG LEE Ting-Ting Chan, Ph.D. Department of English Northern Illinois University, 2017 Scott Balcerzak, Director This dissertation argues that acclaimed filmmaker Ang Lee should be regarded as a Taiwanese transnational filmmaker. Thus, to best understand his work, a Taiwanese sociopolitical context should be employed to consider his complicated national identity as it is reflected in his films across genres and cultures. Previous Ang Lee studies see him merely as a transnational Taiwanese-American or diasporic Chinese filmmaker and situate his works into a broader spectrum of either Asian-American culture or Chinese national cinema. In contrast, this dissertation argues his films are best understood through a direct reference to Taiwan’s history, politics, and society. The chapters examine eight of Lee’s films that best explain his Taiwanese national identity through different cultural considerations: Pushing Hands (1992) and Eat Drink Man Woman (1994) are about maternity; The Wedding Banquet (1993) and Brokeback Mountain (2005) consider homosexuality; The Ice Storm (1997) and Taking Woodstock (2009) represent a collective Taiwanese view of America; and Crouching Tiger, Hidden Dragon (2000) and Lust, Caution (2007) reflect and challenge traditions of Taiwan Cinema. The eight films share three central leitmotifs: family, a sympathetic view of cultural outsiders, and a sympathy for the losing side. Through portraying various domestic relations, Lee presents archetypal families based in filial piety, yet at the same time also gives possible challenges represented by a modern era of equal rights, liberalism, and individualism – which confront traditional Taiwanese-Chinese family views. -
Why Documentaries Matter Recognised As an Innovative Cultural Form
RISJ CHALLENGES CHALLENGES Documentaries have for many decades inhabited the schedules of public Why Documentaries Matter Why broadcasters. They have chronicled the lives and institutions of western democracies. In the past two decades, however, documentaries have become Why Documentaries Matter recognised as an innovative cultural form. Instead of being exclusively funded by television channels, documentaries receive money from a number of sources, including film funds, private investors and foundations. Rather than observing, documentaries are now thought capable of changing the world. Is this what they really do? How do we define a documentary? What does it mean to be the ‘author’ of a film? Nick Fraser has been editor of the BBC’s Storyville series since 1997; here he looks at the history of documentaries, showing how definitions of documentaries have changed – and how fragile is their funding. If we want good documentaries, he concludes, we have to find ways of encouraging their creators. “Nick Fraser writes about documentaries with unique authority. Not only has he made some good ’uns, he has commissioned more than practically anyone else on earth (for the BBC’s Storyville) and - as this book shows - he Nick Fraser has watched docs from their earliest days. His ideas on what the growth of the web and the decline of public service broadcasters mean for doc-makers are informed, imaginative and challenging.” Brian Lapping Chairman and Executive Producer, Brook Lapping “The rise of documentaries over the past two decades owes more to Nick Fraser than to any other single person. For so many of us who make non-fiction films, Nick’s peerless brand of tough love and mischievous curiosity have inspired us to aim higher as we try to promote greater understanding of the major events and issues of our time.” Eugene Jarecki Documentary film maker “This expert lament is beautifully written. -
Download Film in Ireland. the Role of the Arts Council
CONTENTS Page Preface 2 Executive Summary 3 Section 1: The Context 9 Section 2: Analysis of the Current Situation 19 Section 3: Conclusions and Recommendations 22 Appendices: Appendix 1: Opinions Expressed During the Consultation 29 Appendix 2: The Case Studies 38 Appendix 3: Bibliography 48 Appendix 4: List of People Consulted 50 Appendix 5: Terms of Reference 51 PREFACE This report was prepared in response to an invitation from the Arts Council/An Chomhairle Ealaion to undertake a strategic review of its role in the development and support of film in Ireland. The progress of the review was guided by a Steering Group chaired by Laura Magahy with Vie Merriman and Pat Murray Mary Hyland, the Arts Council's Film and Communications Officer was responsible for the management of the project. For Erika E King Associates, the two international case studies were undertaken by David Bruce, and Erika King undertook the research and writing of all material relating to Ireland. The Council took the decision in May 1997 to instigate the strategic review with the focus on current Arts Council film policy and support, in the context of the presence of other policy players. It has been undertaken with a view to refining/redefining the role of the Council as an agency for the support and development of film as an artform. EXECUTIVE SUMMARY 1. Section One: The Context 1.1 The Arts Council/An Chomhairle Ealaton was given the power to support film as one of the artforms within its remit by the 1973 Arts Act and it has had a continuous involvement in its development since that time. -
Springseason 2015
FRÜHLINGSSEASON 2015 Plastic Dungeon ni Deai wo Shokugeki no Owari no Motomeru no wa Re-Kan! Memories Machigatteiru Darouka Souma Seraph Doga Kobo J.C.Staff J.C.Staff Pierrot Plus Wit Studio caffeine FFF FFF Crunchyroll Vivid Ore Vampire Ninja Slayer Kekkai Sensen Denpa Kyoushi Monogatari!! Holmes from Animation Madhouse Bones studio! cucuri A-1 Pictures Trigger AoiSora (D) Vivid Kaitou DamDesuYo Viewster Nagato Yuki-chan Kyoukai no Yamada-kun to Show by Rock Punch Line no Shoushitsu Rinne 7-nin no Majo Satelight Brain’s Base Bones MAPPA Liden Films caffeine FFF orz Crunchyroll Crunchyroll (D) Gunslinger Eikoku Ikke, Houkago no Ame-iro Cocoa Kumi to Tulip Stratos Nihon wo Taberu Pleiades A-1 Pictures Brain’s Base Bones Fanworks Gainax Crunchyroll AoiSora (D) --- Viewster (D) Crunchyroll (D) 2 Mikagura Gakuen Takamiya Jewelpet Hibike! Triage X Kumikyoku Nasuno Desu Magical Change Euphonium Doga Kobo DAX Production Studio Deen Xebec Kyoto Animation Chihiro Commie Ai-dle Chyuu Crunchyroll (D) Battle Spirits Urawa no Etotama Arslan Senki Ongaku Shoujo Burning Soul Usagi-chan Encourage Films, Sanzigen, Liden Sunrise Harappa Studio Deen Shirogumi Films Crunchyroll (D) Shomentoppa Crunchyroll (D) Kaitou Peachcake (D) BAR Kiraware Aki no Kanade Yasai J.C:Staff Gathering Mori caffeine 3 TOP ANIME # Titel Bewertung 1. Shokugeki no Souma 7,26041667 2. Aki no Kanade 6,82926829 3. Ninja Slayer From Animation 6,54444444 4. Kekkai Sensen 6,40833333 5. Hibike! Euphorium 5,77205882 6. Denpa Kyoushi 5,76666667 7. Arslan Se nki 5,75000000 8. Plastic Memories 5,62765957 9. Eikoku Ikke, Nihon w o Taberu 5,56060606 10. -
Pre-Screenings
BUFF #36 · MALMÖ MARCH 23–29 2019 · THEME THE FUTURE BUFF MALMÖ FILM FESTIVAL FAMILY WEEKEND AT PANORA · MEET THE DIRECTORS · HANGOUT AT SPEGELN FILM LITERACY · PRE-SCREENINGS · INDUSTRY SEMINARS GALA OPENING · ASTRID LINDGREN CONTENT THE FUTURE This year’s theme: The Future 4 How it works! 6 LOOK OUT FOR A year with BUFF 8 AND CULTURE THESE SYMBOLS! Hangout at Spegeln 10 Family Weekend at Panora 12 “I want everyone to experience how happy one can be from watching film from morning to night!” said Renata Competition – Best Children’s Film 14 Centenari Åhlander when she started BUFF in 1983. Just Competition – Best Young think: that was 36 years ago and today the parents of People’s Film 18 the children sitting in the audiences were BUFF children Symbol for fi lms that are followed by discussion. Competition – Best Short Film 20 For the Youngest 22 themselves back then! After an autumn and winter of newspaper headlines THEME SERIES such as “Falling subsidies hit children in vulnerable The Future 25 areas”, “Culture schools in small municipalities threat- Symbol for short fi lm screened For Real 28 ened with closure” and “Don’t cut down on children’s before the main feature. Smile 30 culture!”, it is finally time to invite everyone to the Edgy 32 children and young people’s film festival in Malmö. Astrid Lindgren 34 Autumn and winter weren’t only a time of slashed The Classic Series 36 budgets. They were also the time when Greta Thunberg, Film & Talks 38 16, stood up and said ‘Stop!’ about the climate. -
Revija Katalog 53.Pdf
Što je gdje? What is where? Kako se snaći u katalogu? Pogledaj sadržaj! 3 How to navigate the catalog? Look at the content! Tko je tko u priređivačkom odboru 4 Who's who in the Organizing Committee Dobrodošli u Rijeku! 5 Welcome to Rijeka! Domaćini nam dragi 8 Our dear hosts Tko to tamo sudi? Stručni ocjenjivački sud! 10 Selection jury members – let’s meet the judges! Tko to tamo sudi? Međunarodni ocjenjivački sud djece! 32 Who's that judge? An international jury of children! Gdje? Kako? Kada? Zašto? Revijski program! 40 Where? How? When? Why? Festival program! 92 veličanstvena 42 The 92 magnificent Pronađi svoj film! Revijske projekcije 92 Find your film! Festival screenings Popratni program 98 Side program Festival o pravima djece 108 Children's Rights Festival Revijski marketing 110 Festival marketing Traži, traži, pa ćeš naći! Adresar. 114 Look and you shall find! The Address book. Zzzzz... statistika 117 Zzzzzz... Statistics Popis prijavljenih filmova 121 Submitted films Bez njih ne bi bilo niti nas: partneri i sponzori 127 There would be no us without them: Partners and sponsors Glavni i odgovorni za ovo što držite u rukama. Impressum. 128 Responsible ones for what you are holding in your hands. Impressum. 53. Revija hrvatskog filmskog stvaralaštva djece 53rd Croatian Children’s Film Festival Tko je tko u priređivačkom odboru Dobrodošli u Rijeku! Welcome to Rijeka! Who’s who in the Organizing Committee Pozdravna riječ gradonačelnika Rijeke Welcoming word from the mayor of Rijeka Priređivači / Organizers: Kada smo krajem 2008. godine otvarali za javnost When we opened Art-kino Rijeka for the public in – Hrvatski Filmski savez, Zagreb Art-kino Croatia želja nam je bila da ono posta- 2008, we wanted to make it Rijeka’s cultural focal – Art-kino, Rijeka ne riječko kulturno žarište posvećeno filmu i point dedicated to film and audiovisual media. -
Animagazin 3. Sz. (2019. Május 24.)
Nyári szezon 2019 Összeállította: Hirotaka Anime szezon 027 Araburu Kisetsu no Otome-domo yo. Arifureta Shokugyou de Sekai Saikyou BEM manga alapján light novel alapján original Stúdió: Stúdió: Stúdió: Lay-duce Asread, White Fox Production I.G, LandQ Studios Műfaj: Műfaj: vígjáték, dráma, romantika, akció, kaland, fantasy, Műfaj: iskola, shounen, slice of life pszichológiai démonok, horror, természetfeletti Seiyuuk: Seiyuuk: - Fukamachi Toshinari, Seiyuuk: Kuwahara Yuuki Mao, Kenshou Ono Leírás Ajánló Leírás Ajánló Leírás Ajánló A lányok a középsu- Akár a felnőttéválás mi- A 17 éves Nagumo Ha- Megint egy isekai, a vál- Adott három szörny: Egy kis darkos démo- li irodalom klubjában sze- kéntje is lehet a téma ebben jime egy hétköznapi otaku. tozatosság kedvéért. És most Bem, aki úgy néz ki, mint egy nos akció, lehet ebből egész retnék jobban megismerni az animében, de valószínűleg Azonban egy iskolában alvós éj- egy egész osztály kerül át. gengszter, Bero, mint egy fiú izgalmas anime is, de félő, egymást, így válaszolnak azért itt is a szórakozásé lesz szaka során felfordul az élete, Ekkora kreativitás a világon és Bera, mint egy boszorkány. hogy a klisé tengerébe veszik. egy kérdésre: Mi lenne az a főszerep. Szóval nem lesz mivel az egész osztály egy fan- nincs. Ahogy társai esetében, Ők az igazság bajnokaiként Mindenesetre a stílus nem új, az egy dolog, amit halálod vakbélgyulladás komolyságú. tasy világba kerül. Hősökként itt is egy futó regényt adaptál- tetszelegnek, és remélik, em- huszadik századi közeg jazzel előtt tennél? Az egyik lány A manga még fut, az író maga kezelik őket, és küldetésük az nak. A White Fox a cuki lányok berré válhatnak.