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The Studies of HKIFF: an Overview of a Burgeoning Field of Its Establishment in the Current Years
The studies of Hong Kong International Film Festival (HKIFF) : Title an overview of a burgeoning field of its establishment in the current years Author(s) Law, Pik-yu Law, P. E.. (2015). The studies of Hong Kong International Film Festival (HKIFF) : an overview of a burgeoning field of its Citation establishment in the current years. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Issued Date 2015 URL http://hdl.handle.net/10722/223429 The author retains all proprietary rights, (such as patent rights) and the right to use in future works.; This work is licensed under Rights a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. The Studies of HKIFF: An Overview of a Burgeoning Field of its establishment in the current years The University of Hong Kong Department of Sociology Assignment / Essay Cover Sheet1 Programme Title: Master of Social Sciences in Media, Culture and Creative Cities – MSocSc(MCCC) Title of Course: SOCI8030 Capstone Project Course Code: SOCI8030 Title of Assignment / Essay: The Studies of Hong Kong International Film Festival (HKIFF): An overview of a Burgeoning Field of its establishment in the current years Student Name: LAW, Pik Yu Eugenia Student Number: 2013932305 Year of Study: Year 2 Date of Resubmission2: Plagiarism Plagiarism is the presentation of work which has been copied in whole or in part from another person’s work, or from any other source such as the Internet, published books or periodicals without due acknowledgement given in the text. Where there are reasonable grounds for believing that cheating has occurred, the action that may be taken when plagiarism is detected is for the staff member not to mark the item of work and to report or refer the matter to the Department. -
Co-Production Forum
CO-PRODUCTION FORUM 1 CONTENT PITCH SESSION : GAP FINANCING SESSIONS PITCHER BAYO BAYO BABY KANAKI FILMS - SPAIN 4 by Amaia Remírez & Raúl de la Fuente PITCHER BIRDS DON’T LOOK BACK SPECIAL TOUCH STUDIOS - 5 by Nadia Nakhlé FRANCE DIRTY LAND PITCHER BRO CINEMA - PORTUGAL 6 by Luis Campos PITCHER DREAMING OF LIONS PERSONA NON GRATA 7 by Paolo Marinou-Blanco PORTUGAL PITCHER AN ENEMY POKROMSKI STUDIO - POLAND 8 by Teresa Zofia Czepiec PITCHER FIRES CODE BLUE PRODUCTION D.O.O. - 9 by Nikola Ljuca MONTENEGRO PITCHER THE GLASS HOUSE DIRECTORY FILMS - UKRAINE 10 by Taras Dron PITCHER OUR FATHER THIS AND THAT PRODUCTIONS 11 by Goran Stankovic SERBIA PITCHER SOULS ON TAPE VILDA BOMBEN FILM AB 12 by Carl Javér SWEDEN PITCH SESSION : UP : UP-AND-COMING PRODUCERS PITCHER ARTURO’S VOICE MATRIOSKA - ITALY 14 by Irene Dionisio PITCHER AUTONAUTS OF THE COSMOROUTE IKKI FILMS - FRANCE 15 by Olivier Gondry & Leslie Menahem PITCHER CLEAN CARTOUCHE BVBA - BELGIUM by Koen Van Sande 16 PITCHER THE FURY RINGO MEDIA - SPAIN 17 by Gemma Blasco GROUND ZERO PITCHER RADAR FILMS - UKRAINE 18 by Zhanna Ozirna PINOT FILMS - POLAND PITCHER IN BETWEEN 19 by Piotr Lewandowski PITCHER SHINY NEW WORLD MAKE WAY FILM - NETHERLANDS 20 by Jan van Gorkum THREE SONGS CORTE A FILMS - SPAIN PITCHER 21 by Adrià Guxens PITCHER THE VIRGIN AND THE CHILD PLAYTIME FILMS - BELGIUM 22 by Binevsa Berivan PITCHER ZEJTUNE (UNTITLED GHANA PROJECT) LUZZU LTD - MALTA 23 by Alex Camilleri TIMETABLE 24 PITCH SESSION : GAP FINANCING SESSIONS 3 BAYO BAYO BABY - FICTION SPAIN Every night Aminata patrols the streets of Freetown searching for girls being exploited by pimps. -
List of Films Considered the Best
Create account Log in Article Talk Read View source View history Search List of films considered the best From Wikipedia, the free encyclopedia Main page This list needs additional citations for verification. Please Contents help improve this article by adding citations to reliable sources. Featured content Current events Unsourced material may be challenged and removed. (November Random article 2008) Donate to Wikipedia Wikimedia Shop While there is no general agreement upon the greatest film, many publications and organizations have tried to determine the films considered the best. Each film listed here has been mentioned Interaction in a notable survey, whether a popular poll, or a poll among film reviewers. Many of these sources Help About Wikipedia focus on American films or were polls of English-speaking film-goers, but those considered the Community portal greatest within their respective countries are also included here. Many films are widely considered Recent changes among the best ever made, whether they appear at number one on each list or not. For example, Contact page many believe that Orson Welles' Citizen Kane is the best movie ever made, and it appears as #1 Tools on AFI's Best Movies list, whereas The Shawshank Redemption is #1 on the IMDB Top 250, whilst What links here Star Wars Episode V: The Empire Strikes Back is #1 on the Empire magazine's Top 301 List. Related changes None of the surveys that produced these citations should be viewed as a scientific measure of the Upload file Special pages film-watching world. Each may suffer the effects of vote stacking or skewed demographics. -
Brian Bird Reports That When Calls the Heart Has Been Renewed by Hallmark for a Second Season, Story on Page 3 More Film, TV and Book News
A Publication Dedicated To Christian Film and TV Stars and Their Many Fans Volume 11 Number 2 This publication is going out to those who have expressed an interest in the great influence film and TV can have on Christianity. Published by Point North Outreach, Inc., a not for profit organization. Brian Bird reports that When Calls The Heart has been renewed by Hallmark for a Second Season, Story on Page 3 More Film, TV and Book News God's Not Dead Review Page 2 A Needed TV Renaissance, Interview with Brian Bird Page 3 Return to the Hiding Place, Interview with ReAnn Ring Page 7 The Ability To Love Never Dies, Review of My Dream Beside Me Page 9 Make a Joyful Noise, Column by Nancy Stafford Page 10 The Good Book, Review of an innovative Film Page 11 Having a Child's Heart, Interview with Ann Ault Page 12 Jenny L. Cote is back with Number 5 in her Epic Series Page 14 Coming Events: Western Film Fair and Gideon Page 15 Kerri Pomarolli Gives Us A Guide for Devotions & Survival, Review Page 16 Screenplay by New Writer wins Dove Award Page 16 Worth Seeing More Than Once very instrumental. The film also makes use of the Christian singing group, Newsboys, and they God's Not Dead too are significant to the plot. There was a glaring over sight in the last Pure Flix turned out a professional motion issue we need to correct now. Nothing was said picture that can stand with the best of the big about a great film that is still running, God's Not studios and is Oscar quality in our opinion. -
… … Mushi Production
1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … Mushi Production (ancien) † / 1961 – 1973 Tezuka Productions / 1968 – Group TAC † / 1968 – 2010 Satelight / 1995 – GoHands / 2008 – 8-Bit / 2008 – Diomédéa / 2005 – Sunrise / 1971 – Deen / 1975 – Studio Kuma / 1977 – Studio Matrix / 2000 – Studio Dub / 1983 – Studio Takuranke / 1987 – Studio Gazelle / 1993 – Bones / 1998 – Kinema Citrus / 2008 – Lay-Duce / 2013 – Manglobe † / 2002 – 2015 Studio Bridge / 2007 – Bandai Namco Pictures / 2015 – Madhouse / 1972 – Triangle Staff † / 1987 – 2000 Studio Palm / 1999 – A.C.G.T. / 2000 – Nomad / 2003 – Studio Chizu / 2011 – MAPPA / 2011 – Studio Uni / 1972 – Tsuchida Pro † / 1976 – 1986 Studio Hibari / 1979 – Larx Entertainment / 2006 – Project No.9 / 2009 – Lerche / 2011 – Studio Fantasia / 1983 – 2016 Chaos Project / 1995 – Studio Comet / 1986 – Nakamura Production / 1974 – Shaft / 1975 – Studio Live / 1976 – Mushi Production (nouveau) / 1977 – A.P.P.P. / 1984 – Imagin / 1992 – Kyoto Animation / 1985 – Animation Do / 2000 – Ordet / 2007 – Mushi production 1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … 1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … Tatsunoko Production / 1962 – Ashi Production >> Production Reed / 1975 – Studio Plum / 1996/97 (?) – Actas / 1998 – I Move (アイムーヴ) / 2000 – Kaname Prod. -
Tabla 1:Festivales Y Premios Cinematográficos
Tabla 1:Festivales y premios American Choreography Arts and Entertainment Critics cinematográficos Awards, USA Awards, Chile http://www.imdb.com/Sections/ American Cinema Editors, USA Artur Brauner Award Awards/Events American Cinema Foundation, Ashland Independent Film USA Festival American Cinematheque Gala Asia-Pacific Film Festival 2300 Plan 9 Tribute Asian American Arts 30th Parallel Film Festival American Comedy Awards, Foundation 7 d'Or Night USA Asian American International American Film Institute, USA Film Festival - A – American Independent Film Asianet Film Awards Festival Aspen Filmfest A.K.A. Shriekfest American Indian Film Festival Aspen Shortsfest ABC Cinematography Award American Movie Awards Association for Library Service ACTRA Awards American Screenwriters to Children AFI Awards, USA Association, USA Athens Film Festival, Georgia, AFI Fest American Society of USA AGON International Meeting of Cinematographers, USA Athens International Film Archaeological Film Amiens International Film Festival ALMA Awards Festival Athens International Film and AMPIA Awards Amnesty International Film Video Festival, Ohio, USA ARIA Music Awards Festival Athens Panorama of European ARPA International Film Amsterdam Fantastic Film Cinema Festival Festival Atlanta Film Festival ASCAP Film and Television Amsterdam International Atlantic City Film Festival Music Awards Documentary Film Festival Atlantic Film Festival ASIFA/East Animation Festival Anchorage International Film Atv Awards, Spain ATAS Foundation College Festival Aubagne International -
Directing Change Full Booklet Size
The Sixth Annual Directing Change Program and F ilm Contest To keep up with the latest updates, visit: www.facebook.com/DirectingChangeCA CALLING ALL YOUNG FILMMAKERS SHORT FILMS THAT WILL BE USED TO RAISE AWARENESS AND CHANGE AGENTS! MAKE A DIFFERENCE AND WIN CASH PRIZES BY CREATING SUICIDE PREVENTION • MENTAL HEALTH MATTERS AND HELP YOUNG PEOPLE SUBMISSION CATEGORIES: ACROSS CALIFORNIA. ANIMATED SHORT • THROUGH THE LENS OF CULTURE • SANAMENTE SUBMISSIONS ARE DUE MARCH 1, 2018. Visit www.DirectingChangeCA.org for contest rules and educational resources. Table of Contents 1. Directing Change Getting Started 2. Program and Contest Rules 3. Regional Map 4. Submission Check list 5. Suicide Prevention Category 6. Suicide Prevention Fact Sheet 7. Mental Health Matters Category 8. Mental Health Fact Sheet 9. Through the Lens of Culture Category 10. Animated Short Category 11. SanaMente Category 12. Entry Form 13. Release Forms For questions or technical support contact [email protected]. www.DirectingChange.org Directing Change – How to Get Started 1. Bookmark our new URL- www.DirectingChangeCA.org • And follow us on social media to receive notifications and announcements about the program and post questions to the Directing Change team. If at any time you are 2. Review the contest rules and FAQ experiencing an The contest is open to young people in California in two groups: emotional crisis, are • Middle and High School students (grades 7-12) thinking about suicide • Youth and young adults ages 14-25 who are submitting in partnership with a college, or are concerned about university, community-based organization, program, club or other agency. -
City Research Online
City Research Online City, University of London Institutional Repository Citation: Nadavulakere, S.S. (2008). International Film Festivals as Field-Configuring Events. (Unpublished Doctoral thesis, City University London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/8591/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] International Film Festivals as Field-Configuring Events ShivasharanS. Nadavulakere Thesis submitted in fulfillment of the requirementsfor PhD in Management City University, London Faculty of Management Cass Business School October 2008 I'\ To Anushri, my love Chapter Contents Page Dedication ii ....................................................................................... List Tables & Figures of .................................................... -
Channel 4 and British Film: an Assessment Of
Channel 4 and British Film: An Assessment of Industrial and Cultural Impact, 1982-1998 Laura Mayne This thesis is submitted in partial fulfilment of the requirements for the award of the degree of Doctor of Philosophy of the University of Portsmouth. September 2014 i Abstract This thesis is an historical investigation of Channel 4’s influence on the British film industry and on British film culture between 1982 and 1998. Combining archival research with interview testimony and secondary literature, this thesis presents the history of a broadcaster’s involvement in British film production, while also examining the cultural and industrial impact of this involvement over time. This study of the interdependence of film and television will aim to bring together aspects of what have hitherto been separate disciplinary fields, and as such will make an important contribution to film and television studies. In order to better understand this interdependence, this thesis will offer some original ideas about the relationship between film and television, examining the ways in which Channel 4’s funding methods led to new production practices. Aside from the important part the Channel played in funding (predominantly low-budget) films during periods when the industry was in decline and film finance was scarce, this partnership had profound effects on British cinema in the 1980s and 1990s. In exploring these effects, this thesis will look at the ways in which the film funding practices of the Channel changed the landscape of the film industry, offered opportunities to emerging new talent, altered perceptions of British film culture at home and abroad, fostered innovative aesthetic practices and brought new images of Britain to cinema and television screens. -
Abstract Taiwanese Identity and Transnational Families
ABSTRACT TAIWANESE IDENTITY AND TRANSNATIONAL FAMILIES IN THE CINEMA OF ANG LEE Ting-Ting Chan, Ph.D. Department of English Northern Illinois University, 2017 Scott Balcerzak, Director This dissertation argues that acclaimed filmmaker Ang Lee should be regarded as a Taiwanese transnational filmmaker. Thus, to best understand his work, a Taiwanese sociopolitical context should be employed to consider his complicated national identity as it is reflected in his films across genres and cultures. Previous Ang Lee studies see him merely as a transnational Taiwanese-American or diasporic Chinese filmmaker and situate his works into a broader spectrum of either Asian-American culture or Chinese national cinema. In contrast, this dissertation argues his films are best understood through a direct reference to Taiwan’s history, politics, and society. The chapters examine eight of Lee’s films that best explain his Taiwanese national identity through different cultural considerations: Pushing Hands (1992) and Eat Drink Man Woman (1994) are about maternity; The Wedding Banquet (1993) and Brokeback Mountain (2005) consider homosexuality; The Ice Storm (1997) and Taking Woodstock (2009) represent a collective Taiwanese view of America; and Crouching Tiger, Hidden Dragon (2000) and Lust, Caution (2007) reflect and challenge traditions of Taiwan Cinema. The eight films share three central leitmotifs: family, a sympathetic view of cultural outsiders, and a sympathy for the losing side. Through portraying various domestic relations, Lee presents archetypal families based in filial piety, yet at the same time also gives possible challenges represented by a modern era of equal rights, liberalism, and individualism – which confront traditional Taiwanese-Chinese family views. -
Why Documentaries Matter Recognised As an Innovative Cultural Form
RISJ CHALLENGES CHALLENGES Documentaries have for many decades inhabited the schedules of public Why Documentaries Matter Why broadcasters. They have chronicled the lives and institutions of western democracies. In the past two decades, however, documentaries have become Why Documentaries Matter recognised as an innovative cultural form. Instead of being exclusively funded by television channels, documentaries receive money from a number of sources, including film funds, private investors and foundations. Rather than observing, documentaries are now thought capable of changing the world. Is this what they really do? How do we define a documentary? What does it mean to be the ‘author’ of a film? Nick Fraser has been editor of the BBC’s Storyville series since 1997; here he looks at the history of documentaries, showing how definitions of documentaries have changed – and how fragile is their funding. If we want good documentaries, he concludes, we have to find ways of encouraging their creators. “Nick Fraser writes about documentaries with unique authority. Not only has he made some good ’uns, he has commissioned more than practically anyone else on earth (for the BBC’s Storyville) and - as this book shows - he Nick Fraser has watched docs from their earliest days. His ideas on what the growth of the web and the decline of public service broadcasters mean for doc-makers are informed, imaginative and challenging.” Brian Lapping Chairman and Executive Producer, Brook Lapping “The rise of documentaries over the past two decades owes more to Nick Fraser than to any other single person. For so many of us who make non-fiction films, Nick’s peerless brand of tough love and mischievous curiosity have inspired us to aim higher as we try to promote greater understanding of the major events and issues of our time.” Eugene Jarecki Documentary film maker “This expert lament is beautifully written. -
Lo Hobbit-La Desolazione Di Smaug PB-ITA
New Line Cinema e Metro-Goldwyn-Mayer Pictures Presentano Una Produzione Wingnuts Film Ian McKellen Martin Freeman Richard Armitage Benedict Cumberbatch Evangeline Lilly Lee Pace Luke Evans Ken Stott James Nesbitt e Orlando Bloom nel ruolo di ‘Legolas’ Musiche Howard Shore Co-prodotto da Philippa Boyens Eileen Moran Armi, Creature e Trucco Effetti Speciali Weta Workshop Ltd. Effetti visivi e animazioni Weta Digital Ltd. Supervisone Effetti Visivi Joe Lettieri Montaggio Jabez Olssen Scenografie Dan Hennah Direttore della fotografia Andrew Lesine Acs,Asc Produttori esecutivi Alan Horn Toby Emmerich Ken Kamis Carolyn Blackwood Prodotto da Carolynne Cunningham Zane Weiner Fran Walsh Peter Jackson Basato su un romanzo di J.R.R. Tolkien Sceneggiatura Fran Walsh Philippa Boyens Peter Jackson Guillermo Del Toro Diretto da Peter Jackson Durata: 2 ore e 41 minuti Sito: www.HobbitIlFilm.it FB: https://www.facebook.com/LoHobbitIlfilm Twitter: https://twitter.com/lohobbitfilm YouTube: http://www.youtube.com/warnerbrostrailers I materiali sono a disposizione sul sito “Warner Bros. Media Pass”, al seguente indirizzo: https://mediapass.warnerbros.com Dal 12 Dicembre al Cinema Distribuzione: WARNER BROS. ENTERTAINMENT ITALIA Ufficio Stampa Warner Bros. Entertainment Italia Riccardo Tinnirello: [email protected] Emanuela Semeraro: [email protected] Cinzia Fabiani: [email protected] Antonio Viespoli: [email protected] Dal regista premio Oscar® Peter Jackson arriva, “Lo Hobbit: La Desolazione di Smaug” il secondo film della trilogia dall’adattamento del popolare capolavoro senza tempo, The Hobbit, di J.R.R. Tolkien. I tre film narrano la storia ambientata nella Terra di Mezzo, 60 anni prima di “Il Signore degli Anelli” portato in scena sul grande schermo da Jackson e dal suo team, una trilogia campione d’incassi culminata con la vittoria dell’Oscar® di “Il Signore degli Anelli: Il Ritorno del Re”.