03 June Newsletter
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Eloquence Releases: Summer 2017 by Brian Wilson
Some Recent Eloquence Releases: Summer 2017 by Brian Wilson The original European Universal Eloquence label replaced budget releases on DG (Privilege or Resonance), Decca (Weekend Classics) and Philips (Classical Favourites). Like them it originally sold for around £5 and offered some splendid bargains such as Telemann’s ‘Water Music’ and excerpts from Tafelmusik (Musica Antiqua Köln/Reinhard Goebel 4696642) and Mahler’s Das Lied von der Erde (Janet Baker, James King, Concertgebouw/Bernard Haitink 4681822). Later most of the original batch were deleted – luckily the Mahler remains available – and production switched to Universal Australia but the price remained around the same. More recently changes in the value of the £ mean that single CDs now sell for around £7.75 but the high quality of much of the repertoire means that they remain well worth keeping an eye on. Many, but not all, of the albums are available to stream or download and I have reviewed some in that form and others on CD. Be aware, however, that the downloads often cost more than the CDs and invariably come without notes – which is a shame because the Eloquence booklets are better than those of many budget labels. THE TUDORS Lo, Country Sports Anonymous Almain Thomas TOMKINS Adieu, Ye City-Prisoning Towers Thomas WEELKES Lo, Country Sports that Seldom Fades Nicholas BRETON Shepherd and Shepherdess Michael EAST Sweet Muses, Nymphs and Shepherds Sporting Bar YOUNG The Shepherd, Arsilius’s, Reply John FARMER O Stay, Sweet Love Giles FARNABY Pearce did love fair Petronel Michael -
Britten Connections a Guide for Performers and Programmers
Britten Connections A guide for performers and programmers by Paul Kildea Britten –Pears Foundation Telephone 01728 451 700 The Red House, Golf Lane, [email protected] Aldeburgh, Suffolk, IP15 5PZ www.brittenpears.org Britten Connections A guide for performers and programmers by Paul Kildea Contents The twentieth century’s Programming tips for 03 consummate musician 07 13 selected Britten works Britten connected 20 26 Timeline CD sampler tracks The Britten-Pears Foundation is grateful to Orchestra, Naxos, Nimbus Records, NMC the following for permission to use the Recordings, Onyx Classics. EMI recordings recordings featured on the CD sampler: BBC, are licensed courtesy of EMI Classics, Decca Classics, EMI Classics, Hyperion Records, www.emiclassics.com For full track details, 28 Lammas Records, London Philharmonic and all label websites, see pages 26-27. Index of featured works Front cover : Britten in 1938. Photo: Howard Coster © National Portrait Gallery, London. Above: Britten in his composition studio at The Red House, c1958. Photo: Kurt Hutton . 29 Further information Opposite left : Conducting a rehearsal, early 1950s. Opposite right : Demonstrating how to make 'slung mugs' sound like raindrops for Noye's Fludde , 1958. Photo: Kurt Hutton. Britten Connections A guide for performers and programmers 03 The twentieth century's consummate musician In his tweed jackets and woollen ties, and When asked as a boy what he planned to be He had, of course, a great guide and mentor. with his plummy accent, country houses and when he grew up, Britten confidently The English composer Frank Bridge began royal connections, Benjamin Britten looked replied: ‘A composer.’ ‘But what else ?’ was the teaching composition to the teenage Britten every inch the English gentleman. -
An Annotated Catalogue of the Major Piano Works of Sergei Rachmaninoff Angela Glover
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2003 An Annotated Catalogue of the Major Piano Works of Sergei Rachmaninoff Angela Glover Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY SCHOOL OF MUSIC AN ANNOTATED CATALOGUE OF THE MAJOR PIANO WORKS OF SERGEI RACHMANINOFF By ANGELA GLOVER A Treatise submitted to the School of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Spring Semester, 2003 The members of the Committee approve the treatise of Angela Glover defended on April 8, 2003. ___________________________________ Professor James Streem Professor Directing Treatise ___________________________________ Professor Janice Harsanyi Outside Committee Member ___________________________________ Professor Carolyn Bridger Committee Member ___________________________________ Professor Thomas Wright Committee Member The Office of Graduate Studies has verified and approved the above named committee members. TABLE OF CONTENTS Abstract………………………………………………….............................................. iv INTRODUCTION……………………………………………………………………. 1 1. MORCEAUX DE FANTAISIE, OP.3…………………………………………….. 3 2. MOMENTS MUSICAUX, OP.16……………………………………………….... 10 3. PRELUDES……………………………………………………………………….. 17 4. ETUDES-TABLEAUX…………………………………………………………… 36 5. SONATAS………………………………………………………………………… 51 6. VARIATIONS…………………………………………………………………….. 58 BIBLIOGRAPHY…………………………………………………………………. -
Evensong Live 2015
The Choir of King’s College, Cambridge Final Logo Brand Extension Logo 06.27.12 EVENSONG LIVE 2015 STEPHEN CLEOBURY CONDUCTOR TRACK LIST TRACK EVENSONG LIVE 2015 1 Loquebantur variis linguis – Thomas Tallis 05:12 Stephen Cleobury conductor, Choir of King’s College, Cambridge 2 Videte miraculum – Thomas Tallis 10:04 Stephen Cleobury conductor, Choir of King’s College, Cambridge 3 Ave Maria – Robert Parsons 04:17 Stephen Cleobury conductor, Choir of King’s College, Cambridge 4 Magnificat – Giles Swayne 04:17 Stephen Cleobury conductor, Choir of King’s College, Cambridge 5 Totus Tuus – Henryk Górecki 09:44 Stephen Cleobury conductor, Choir of King’s College, Cambridge QUATRE MOTETS POUR LE TEMPS DE NOëL – Francis Poulenc 6 I. O magnum mysterium 02:51 Stephen Cleobury conductor, Choir of King’s College, Cambridge 7 II. Quem vidistis pastores dicite 02:40 Stephen Cleobury conductor, Choir of King’s College, Cambridge 8 III. Videntes stellam 02:38 Stephen Cleobury conductor, Choir of King’s College, Cambridge 9 IV. Hodie Christus natus est 02:24 Stephen Cleobury conductor, Choir of King’s College, Cambridge 10 Hear my prayer – Felix Mendelssohn 10:39 Stephen Cleobury conductor, Tom Pickard treble, Douglas Tang organ, Choir of King’s College, Cambridge 11 Hear my words, ye people – Sir Charles Hubert Hastings Parry 14:35 Stephen Cleobury conductor, Daniel D’Souza bass, Douglas Tang organ, Choir of King’s College, Cambridge 12 Antiphon (from Five Mystical Songs) – Ralph Vaughan Williams 03:30 Stephen Cleobury conductor, Douglas Tang organ, Choir of King’s College, Cambridge 13 Litanies – Jehan Alain 05:35 Tom Etheridge organ Total Time 78:26 Recorded at 44.1kHz 24-bit PCM in the Chapel of King’s College, Cambridge, by kind permission of the Provost and Fellows, between May 2013 and March 2014. -
A Conductor's Guide to Alec Roth's "A Time to Dance" Eric Z
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 3-11-2019 A Conductor's Guide to Alec Roth's "A Time to Dance" Eric Z. Rubinstein Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Education Commons, Music Performance Commons, Music Practice Commons, and the Other Music Commons Recommended Citation Rubinstein, Eric Z., "A Conductor's Guide to Alec Roth's "A Time to Dance"" (2019). LSU Doctoral Dissertations. 4822. https://digitalcommons.lsu.edu/gradschool_dissertations/4822 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. A CONDUCTOR’S GUIDE TO ALEC ROTH’S A TIME TO DANCE A Dissertation Submitted to the Graduate Faculty of Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Eric Z. Rubinstein B.M., State University of New York College at Fredonia M.M., Michigan State University May 2019 TABLE OF CONTENTS LIST OF TABLES ………………………………………………………………………………iv LIST OF FIGURES ……………………………………………………………………………....v ABSTRACT ……………………………………………………………………………………..vi INTRODUCTION Need for This Study ………………………………………………………………......…..1 -
Newly Added Materials in the Libraries May 2013
Newly Added Materials In the Libraries May 2013 Call Number Author Title Publisher Enum Publication Date Archives ARCHIVES. AS36.M34 R63 Robinson, Delores A. Perceptions of the food insecure : does direct 2012 2012 (Delores Ann). authority construct understanding? / ARCHIVES. E184.G3 W544 Will, Werner H., 1931- From the Oder to the Bitterroot : memories of an W. H. Will, 2011 2011 uncommon life / ARCHIVES. G74 .G85 2011 Guillèn, Mario A. S. Feasibility study of expanding dairy production in 2011 (Mario Alfredo Solìs). Ocosingo, Chiapas, Mexico / ARCHIVES. HB74.5 .M36 Mantobaye, Examining the socio-economic impacts of the Chad- 2012 2012 Moundigbaye. Cameroon oil and pipeline project / ARCHIVES. HM477.M34 Goldberg, Justin M. Internalizing empathy : the influence of social 2012 G65 2012 (Justin Mathew). morality on attitudes towards animal rights / ARCHIVES. HM477.M34 Hynek, Melissa D. Influences of social and cultural capital on 2012 H96 2012 academic achievement in the eighth grade / ARCHIVES. HV9955.I32 Pass, Angelique M. Illinois domestic violence services : the male victim 2012 P37 2012 (Angelique Marie). dilemma / ARCHIVES. HV9955.I32 Zigterman, J. Zach Public perceptions of the Plainfield Police : an initial 2012 Z54 2012 (Jeremiah Zachary). characterization / ARCHIVES. JA88.I32 B35 Balogun, Emmanuel A. Nigeria and the creation of ECOWAS : conceiving 2012 2012 (Emmanuel Adebola). a possible theory of sub regional state behavior / ARCHIVES. JA88.I32 S65 Smith, Christopher L. Inclusion of the Department of Defense in 2012 2012 (Christopher Lee). interagency reform legislation / ARCHIVES. LB1027 .M37 Martin, Debbra (Debbra Place for fine arts : a study of Illinois administrators' 2012 2012 Louise). attitudes, participation in and support of the fine arts in K-12 education / ARCHIVES. -
Emma Kirkby Soprano Anthony Rooley Lute
THE UNIVERSITY MUSICAL SOCIETY OF THE UNIVERSITY OF MICHIGAN Emma Kirkby Soprano Anthony Rooley Lute THURSDAY EVENING, NOVEMBER 4, 1982, AT 8:30 RACKHAM AUDITORIUM, ANN ARBOR, MICHIGAN The English Orpheus A Contention between Hope and Despair ...................... JOHN DOWLAND Fantasia ............................................. ALFONSO FERRABOSCO Grief, keep within ........................................... JOHN DANYEL Pavan ....................................................... FERRABOSCO Thou Mighty God .............................................. DOWLAND Semper Dowland, semper dolens ................................. DOWLAND Sweet birds deprive us never ................................ JOHN BARTLETT INTERMISSION Come, shepherds come \ Perfect and endless circles are! ............................... WILLIAM LAWES Love I obey J I rise and grieve } The Lark J ..................................... HENRY LAWES A tale out of Anacreon j Stript of their green \ What a sad fate J .......................... HENRY PURCELL When first Amintas sued for a kiss) Mr. Rooley: London, Decca, Hyperion, and L'Oiseau Lyre Records. Miss Kirkby: Decca and Hyperion Records. Twelfth Concert of the 104th Season Special Concert About the Artists Anthony Rooley studied for three years at the Royal Academy of Music where his love of history and philosophy led him to study the music of the Renaissance. He owned his first lute in 1968 and later combined it with voice and viol to form The Consort of Musicke, one of today's leading specialist Renaissance ensembles. The ensemble covers all the major secular music of the period 1450-1650, with special emphasis in recent years on the English repertoire circa 1600. One major project to emanate from the Consort is a 21-record set of the "Complete Works of John Dowland," which has received accolades from critics throughout the world. In addition to the Consort, which is nearly a full-time concern, Mr. -
A Guide to Franz Schubert's Religious Songs
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by IUScholarWorks A GUIDE TO FRANZ SCHUBERT’S RELIGIOUS SONGS by Jason Jye-Sung Moon Submitted to the faculty of the Indiana University Jacobs School of Music in partial fulfillment of the requirements for the degree Doctor of Music in Voice December 2013 Accepted by the faculty of the Indiana University Jacobs School of Music in partial fulfillment of the requirements for the degree Doctor of Music in Voice. __________________________________ Mary Ann Hart, Chair & Research Director __________________________________ William Jon Gray __________________________________ Robert Harrison __________________________________ Brian Horne ii Copyright © 2013 by Jason Jye-Sung Moon All rights reserved iii Acknowledgements I would like to express my deepest gratitude to my committee chair and research director, Professor Mary Ann Hart, for the excellent guidance, caring, patience, and encouragement I needed to finish this long journey. I would also like to thank Dr. Brian Horne, who supported me with prayers and encouragement. He patiently corrected my writing even at the last moment. I would like to thank my good friend, Barbara Kirschner, who was with me throughout the writing process to help me by proofreading my entire document and constantly cheering me on. My family was always there for me. I thank my daughters, Christine and Joanne, my parents, and my mother-in-law for supporting me with their best wishes. My wife, Yoon Nam, deserves special thanks for standing by me with continuous prayers and care. I thank God for bring all these good people into my life. -
MARCH, 2007 First Church in Oberlin, United
THE DIAPASON MARCH, 2007 First Church in Oberlin, United Church of Christ Oberlin, Ohio Cover feature on pages 30–31 recording artist) as well as performances series: March 18, Bach birthday con- of Buxtehude’s organ and choral works cert; April 22, Eastertide concert; May THE DIAPASON by David Rothe and Scarlatti sonatas 20, members of the Santa Barbara AGO A Scranton Gillette Publication played on harpsichord, fortepiano, mod- chapter. For information: Ninety-eighth Year: No. 3, Whole No. 1168 MARCH, 2007 ern piano and organ by Robert Bowman. <www.trinitysb.org>. Established in 1909 ISSN 0012-2378 Bowman will also lead a performance of J. S. Bach’s Musical Offering. For infor- The Cathedral of the Madeleine, An International Monthly Devoted to the Organ, mation: <[email protected]>. Salt Lake City, continues its music the Harpsichord, the Carillon and Church Music series: March 18, Founders Day concert The Church of St. Ignatius Loy- (Pärt, Berliner Mass; Rachmaninov, ola, New York City, continues its music Vespers); May 18 and 20, The series: March 14, Michel Bouvard; May Madeleine Festival Concert (Bernstein CONTENTS Editor & Publisher JEROME BUTERA [email protected] 10, Paul Halley, Andrew Henderson, and Ives). For information: 847/391-1045 and Renée Anne Louprette, works for <www.saltlakecathedral.org>. FEATURES organ, piano, and harpsichord by Paul Daniel Pinkham (1923–2006): Halley. The choir and orchestra are fea- The Church of the Covenant, A Memoir tured on March 28, music of Wagner Cleveland, Ohio, has announced its by James McCray 20 Associate Editor JOYCE ROBINSON [email protected] and Mendelssohn (Symphony No. -
Durham E-Theses
Durham E-Theses Benjamin Britten, Herbert Howells, and Silence as the Ineable in English Cathedral Music PAULEY, JOHN-BEDE How to cite: PAULEY, JOHN-BEDE (2013) Benjamin Britten, Herbert Howells, and Silence as the Ineable in English Cathedral Music, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/9499/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 ABSTRACT Benjamin Britten, Herbert Howells, and Silence as the Ineffable in English Cathedral Music John-Bede Pauley Silence’s expressive potential came to the fore in twentieth-century arts and letters as never before. Its role in Christian theology and spirituality has a much longer history, but by the beginning of the twentieth century, its expressive potential had not been significantly recognized in liturgical choral music. This study examined the relationship between twentieth-century musical silence and the expression of silence as the ineffable in Anglican choral music (referred to as English cathedral music or ECM) of the middle of the twentieth century. -
Modesto Symphony Orchestra to Present Pianist Stephen Hough Virtual Recital January 14
MODESTO SYMPHONY ORCHESTRA Contact: Caroline Nickel [email protected] FOR IMMEDIATE RELEASE / JANUARY 5, 2020 From left to right: Stephen Hough (Jiyang Chen), (Sim Canetty-Clarke) Download photos and bios from MSO’s Press Room MODESTO SYMPHONY ORCHESTRA TO PRESENT PIANIST STEPHEN HOUGH VIRTUAL RECITAL JANUARY 14 MODESTO, CA - The Modesto Symphony Orchestra (MSO) will present a virtual recital featuring renowned pianist Stephen Hough and hosted by Associate Conductor Ryan Murray on Thursday, January 14 at 7:00 pm. The virtual performance will feature a variety of works by Bach, Schumann, and Liszt. “We were lucky to have Stephen Hough perform with us last February before the start of the pandemic. He performed Rachmaninoff’s Piano Concerto No. 2 with a special encore each night and just dazzled the audience—some of our patrons even came back for his second performance,” said Caroline Nickel, President and CEO of the Modesto Symphony Orchestra. “Stephen is such a talented pianist, and we were thrilled to hear he had a recital that we could share with our community.” This will be the MSO’s sixth free virtual event in its MSO at Home series. This recital will be shown live on the MSO’s YouTube channel. Recordings of this recital and other past MSO events will be available to watch at ModestoSymphony.org. All MSO virtual concerts are free of charge to help bring music to the community. MODESTO SYMPHONY ORCHESTRA, MSO at Home: Stephen Hough in Recital Hosted by Ryan Murray Thursday, January 14, 2021 at 7:00 pm on the Modesto Symphony’s YouTube channel Stephen Hough, piano Ryan Murray, host PROGRAM Bach, arr. -
Grand Music Gracious Word
Grand Music Gracious Word OCTOBER 2011 / YEAR A Sing For Joy is a production of St. Olaf College. by Pastor Bruce Benson, host y Sing For Joy colleagues and room on trucks and planes for delivery of recorded tell me it is time to remind programs to radio stations across the country. So if you Myou that music and money are willing and able to share the music of the faith with are not mutually exclusive. In the realm of popular others, we think a few dollars given to Sing For Joy is a music, we all know that very well. Music is big business. great gift on your part. We can’t use the money to buy And I’m sure you also know that when it comes to either the Gospel or music; but we can and will use it to bringing music to our radio stations around the country share both. Thank you. and around the world, the one depends upon the other. That is, the music depends upon the money. Peace be with you, In a way, it is strange that money and music have anything to do with each other because anyone who tried to put a dollar fi gure on the worth of music would be ridiculed. The worth of music can’t be measured in A special note from our communications coordinator: dollar amounts. Likewise, nobody tries to teach children “the value of a buck” by comparing it to music. Hello good folks, A dollar might get you a hot-dog or a 16 ounce soft The truth is, Sing For Joy doesn’t often ask “outright” drink or a city bus ride, but how much music will it get for money.