Choral & Organ Awards Booklet
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Dame Emma Kirkby Soprano
Dame Emma Kirkby Soprano Originally, Emma Kirkby had no In 2009 BIS issued a compilation entitled expectations of becoming a professional "The Artistry of Emma Kirkby", drawing on singer. As a classics student at Oxford and nine CDs in all. then a schoolteacher she sang for pleasure in choirs and small groups, In 1999 Emma was voted Artist of the Year always feeling most at home in by Classic FM Radio listeners; in 2000 she Renaissance and Baroque repertoire. She received the Order of the British Empire, joined the Taverner Choir in 1971 and in and 2007 saw her appointed a Dame 1973 began her long association with the Commander of the Order of the British Consort of Musicke. Emma took part in the Empire. She was delighted in June 2008 to early Decca Florilegium recordings with return to her alma mater, Oxford both the Consort of Musicke and the University, and receive an Honorary Academy of Ancient Music, at a time when Doctorate of Music. Most surprisingly of most college-trained sopranos were not all, BBC Music Magazine, April 2007, in a seeking a sound appropriate for early survey of critics to find “The twenty instruments. She therefore had to find her greatest sopranos”, placed Emma at own approach, with enormous help from number 10. While such media flurries Jessica Cash in London, and from the can be discounted as parochial, partial, directors, fellow singers and controversial, and outdated as soon as instrumentalists with whom she has they appear, she was pleased at the worked over the years. recognition this implied for an approach to singing where ensemble, clarity and Emma feels privileged to have been able to stillness are valued alongside the more build further long-term relationships with usual features of volume and display. -
The Making of the Victorian Organ Nicholas Thistlethwaite Index More Information
Cambridge University Press 978-0-521-34345-9 - The Making of the Victorian Organ Nicholas Thistlethwaite Index More information Index ABBREVIATIONS archt architect(s) ob organ builder(s) orgt organist r register PC Parish Church For locations of particular organs, the reader should also consult section 3 of the List of References (pp. 548-64). Italics denote the page reference of a stop list. Abbott & Smith (ob) 291, 299, 300, 391 Ashton-under-Lyne, St Michael and All Angels: Aberdeen, Music Hall 335 Hill 1845: 189, 197, 198, 199, 205, 244, 367, 522 action 31-2, 94, 230, 233-5 case: 247, 248, PI. 32 Adams, Thomas (orgt) 60-1, 89, 90, 97, 104, 165 Attercliffe (S. Yorks), Christ Church 351 aeoline (r) 378 Attwood, Thomas (orgt) 49, 104, 164, 185 AlfretonPC (Derbys) 51 Avery, John (ob) 4, 56, 97 Alkmaar, Holland 211 diagonal bellows 26 Allen, Charles (ob) 52, 99-101, 305 duplication of open diapason 11,12 see also: Everingham, Catholic Chapel keyboards 35 Allen, William (ob) 49, 52 pedal pipes 15, 16, 19, 20 Allom, Thomas (archt) 339 retention of cornet 13 Alton, Revd Henry 426 Amersham, St Mary 101 Bach, Johann Sebastian (orgt) 14, 141, 281, 341, Amsterdam, Holland 128, 210 342, 343 Andrews, Joseph (ob) 300 organ works: influence on Gauntlett 188; see also'. Forster & Andrews influence on Hodges 153; influence on Antigua Cathedral 57 design of Pedal Organ 103, 105, 190; antiquarianism 324, 327 performance 89, 103, 153, 172-5, Table Antwerp, Belgium 175 16, 183, 272, 273, 520—1; publication 168— Armitage (Staffs), Mission Church 238 72, Table 15; recovery 105, 164-72, 181, Arnold, Dr Samuel (orgt) 17 182 Arundel (Sussex): Banfield, John (ob) 260, 299 RC Cathedral, 237, 244, 524 Barker, Charles Spackman (ob) 125, 416 St Nicholas 13, 17 career 356, 530 Ashridge (Herts) 9, 11, 238, 444 compensating bellows 355, Fig. -
Blackburn Cathderal Newsletter
1 Howard was your editor’s most generous host when he (JB) and Lords Lieutenant, High Sheriffs and Mayors round every was invited to lead a Master-Class for the choristers of Chichester corner – yet Howard looked after his own guest superbly. In and Winchester Cathedrals at the Southern Cathedrals’ Festival in other words, he is not only supremely efficient (as we in Chichester last summer. Blackburn know) but also a most gracious and generous Howard lives in the Close, right next door to the Deanery, in a friend. It was a most happy visit. most delightful ‘Tardis’ house which is considerably bigger inside Although Howard than out. From one of his three guest bedrooms there’s an has three assistant unparalleled view of the cathedral. His garden, too, is exquisite. vergers, yet he is always on call through his mobile phone. He dealt with at least one crisis most calmly and efficiently: the loudspeaker system had a glitch, which had to be rectified before a major service. Within half an hour all was well, and no one, apart from Howard and his assistant, knew what he had done. Even though he was rushed off his feet during the four very It was such privilege for your editor to lead a 75-minute busy days of the Festival – for not only were there two visiting Master Class with the choristers of Chichester and cathedral choirs, Winchester and Salisbury, but also their Girls’ Winchester, for they were so talented, so professional and choirs, and clergy of those two cathedrals plus a visiting orchestra, so co-operative. -
Concerts Streaming on Demand
CONCERTS STREAMING ON DEMAND ‘PURE PLEASURE’ THE GUARDIAN | BBC MUSIC MAGAZINE THE INDEPENDENT | THE TIMES INSPIRING AUDIENCES WITH PASSIONATE PERFORMANCES www.armonico.org.uk Registered charity no. 1103159 These recordings were made possible by generous support from the Weston Culture Fund and the Arts Council / DCMS Culture Recovery Fund Streaming VICTORIA REQUIEM on Demand The final work by Tomas Luis de Victoria, and his greatest and final polyphonic work, his requiem or ‘Officium Defunctoum’ is an intensely expressive masterpiece. The mass in six parts was written in 1605 for the funeral of the daughter of Spanish Emperor Charles V and represents the pinnacle BRAND NEW of both Victoria’s art and Spanish Renaissance polyphony. Possibly the STREAMING ON DEMAND most human of all musical settings of the Requiem Mass, the emotional RELEASE DATE: 08 MARCH 21 | £7.50 While we’re waiting in the wings to return to the concert hall, gravitas of the text is communicated www.armonico.org.uk/ondemand Armonico Consort is bringing the music to you and crucially, with profound sensitivity. keeping our musicians in work. Streaming We are launching a brand new series of performances which will be available to on Demand stream on demand for you to enjoy from your own living room. The concerts NAKED BYRD I & II have been beautifully filmed and feature some of the choir’s favourite early music Armonico Consort presents an repertoire, starting on Monday 8 March with the glorious Renaissance masterpiece atmospheric performance of the music Victoria’s Requiem and our hugely successful Naked Byrd I programme. -
Volume 44 Number 4 Oct Nov Dec 2018
THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC ODEAN POPE PHIL MINTON SKETY SCOTT ROBINSON STEVE COHN KEIKO JONES MONTREAL JAZZ FESTIVAL 2018 INTERNATIONAL JAZZ NEWS CD REVIEWS BOOK REVIEWS DVD REVIEWS OBITUARIES Volume 44 Number 4 Oct Nov Dec 2018 New Releases on CNM Records POCKET ACES, CULL THE HEARD (CNM032) - OUT NOW. - Pocket Aces emerged from the jazz trio tradition; where each voice balances the others through contrast, and surprise. Although freely improvised, the music of Pocket Aces is consciously compositional, given to bouts of form, groove, and crafty melodies. Distillation of ideas with a premium on space and tone provides a strong coherence as the trio navigates the familiar and unfamiliar. HOFBAUER/ROSENTHANL QUARTET, HUMAN RESOURCES (CNM033) - RELEASE DATE NOV. 9 THE HOFBAUER/ROSENTHAL QUARTET, unites four imaginative improvisors from Boston’s eclectic jazz scene. There’s a non-hierarchal notion of the ensemble in this project, an ideal of equality and a selfless determination built into every musical inclination, as they unabashedly swing at the intersection between the clarity and control of bop and the brash freedom of the avant-garde. ERIC HOFBAUER QUARTET, PREHISTORIC JAZZ VOL. 4: REMINISCING IN TEMPO - OUT NOW. Reimagining of the rarely heard 1935 long form Duke Ellington composition. "It's a musical jungle gym for the guitar fan, a close listening to Hofbauer's note choices and abstract connections to the song's structure is absolutely required listening." - Paul Acquaro, Free Jazz Blog. All Albums on Bandcamp.com, Amazon.com or Erichofbauer.com - Visit erichofbauer.com for album details, audio samples, press and more. -
International Choral Bulletin Is the Official Journal of the IFCM
2011-2 ICB_ICB New 5/04/11 17:49 Page1 ISSN 0896 – 0968 Volume XXX, Number 2 – 2nd Quarter, 2011 ICB International CIhoCral BulBletin First IFCM International Choral Composition Competition A Great Success! Results and Interview Inside Dossier Choral Music in Malaysia, Indonesia, Singapore and Macau 2011-2 ICB_ICB New 5/04/11 17:49 Page2 International Federation for Choral Music The International Choral Bulletin is the official journal of the IFCM. It is issued to members four times a year. Managing Editor Banners Dr Andrea Angelini by Dolf Rabus on pages 22, 66 & 68 Via Pascoli 23/g 47900 Rimini, Italy Template Design Tel: +39-347-2573878 - Fax: +39-2-700425984 Marty Maxwell E-mail: [email protected] Skype: theconductor Printed by Imprimerie Paul Daxhelet, B 4280 Avin, Belgium Editor Emerita Jutta Tagger The views expressed by the authors are not necessarily those of IFCM. Editorial Team Michael J. Anderson, Philip Brunelle, Submitting Material Theodora Pavlovitch, Fred Sjöberg, Leon Shiu-wai Tong "When submitting documents to be considered for publication, please provide articles by CD or Email. Regular Collaborators The following electronic file formats are accepted: Text, Mag. Graham Lack – Consultant Editor RTF or Microsoft Word (version 97 or higher). ([email protected] ) Images must be in GIF, EPS, TIFF or JPEG format and be at Dr. Marian E. Dolan - Repertoire least 350dpi. Articles may be submitted in one or more of ([email protected] ) these languages: English, French, German, Spanish." Dr. Cristian Grases - World of Children’s and Youth Choirs ( [email protected] ) Reprints Nadine Robin - Advertisement & Events Articles may be reproduced for non-commercial purposes ([email protected] ) once permission has been granted by the managing Dr. -
R.N.D. Royal Naval Division
I RN.D.I Copyright© Leonard Sellers, 1998. ISSN. 1368-499X It might not always be possible to trace the copyright holders of all the material I will quote, and I would be pleased to hear fromany such persons to whom this applies. The picture on the frontcover is Commander Walter SterndaleBennett of the Drake Battalion. Please read the article on him in this issue of the R.N.D. pages 572 to 599. I would like to thank Commander R.D. SterndaleBennett for hispermission allowing me to reproduce this photograph. The R.N.D. is produced and designed at Honeysuckle House, 17a Bellhouse Road, Eastwood, Leigh-on-Sea, Essex. SS9 5NL. (Telephone 01 702 521550) Ctl'RJ�TMTI� 6'R,eeTIN6� TO flkbRe11<ve'R� Of Ttte'R.N.®. Wi�tirn front. TO TI-IE REGIMENT A CHRISTMAS MESSAGE. By Lieutenant A.P. Herbert Hawke Battalion. The winters on the Western Front resulted in terrible conditions on both officers and men. In this poem A.P. Herbert shows that even under th.e most trying of circumstances steps were taken to acknowledge that it was Christmas. So Christmas comes and finds you yet in Flanders, And all is mud and messiness and sleet, And men have temperatures and horses glanders, And Brigadiers have trouble with their feet, And life is bad forCompany-Commanders, And even Thomas' s is not so sweet. 511. Now cooks for kindle-wood would give great riches, And in the dixies the pale stew congeals, And ration-parties are not freefrom hitches, But all night circle like performing seals, Till morningbreaks and everybody pitches Into a hole some other person's meals. -
Graham Ross Conductor/Composer
Graham Ross Conductor/Composer Ikon Arts Management Ltd “To say he’s impressive would be an understatement” 2-6 Baches Street London N1 6DN The Telegraph +44 (0)20 7354 9199 [email protected] Website www.grahamross.com www.ikonarts-editionpeters.com Contact Hannah Marsden Email [email protected] Graham Ross has established an exceptional reputation as a sought-after conductor and composer of a very broad range of repertoire. His performances around the world and his extensive discography have earned consistently high international praise, including a Diapason d’Or, Le Choix de France Musique and a Gramophone Award nomination. As a guest conductor he has worked with Aalborg Symfoniorkester, Australian Chamber Orchestra, Aurora Orchestra, European Union Baroque Orchestra, Orchestra of the Age of Enlightenment, Royal College of Music Symphony Orchestra, and Salomon Orchestra, making his debuts in recent seasons with the BBC Concert Orchestra, BBC Singers, DR Vokal Ensemblet (Danish National Vocal Ensemble), London Mozart Players, London Philharmonic Orchestra and Malaysian Philharmonic Orchestra. He is co-founder and Principal Conductor of The Dmitri Ensemble, and, since 2010, Fellow and Director of Music at Clare College, Cambridge, where he directs the internationally-renown Choir. Highlights in the 2019/20 season include concerts with the Choir of Clare College in Shanghai, Hong Kong, Macau, the Netherlands, Germany, and across the UK, and return engagements to BBC Singers, Aalborg Symfoniorkester and DR Vokal Ensemblet. In recent seasons Graham Ross's work has taken him to Sydney Opera House, Hong Kong, Malaysia, Singapore and across the USA, Canada and Europe. At the age of 25 he made his BBC Proms and Glyndebourne debuts, with other opera work taking him to Jerusalem, London, Aldeburgh and Provence. -
May 2018 List
May 2018 Catalogue Issue 25 Prices valid until Wednesday 27 June 2018 unless stated otherwise 0115 982 7500 [email protected] Your Account Number: {MM:Account Number} {MM:Postcode} {MM:Address5} {MM:Address4} {MM:Address3} {MM:Address2} {MM:Address1} {MM:Name} 1 Welcome! Dear Customer, Glorious sunshine and summer temperatures prevail as this foreword is being written, but we suspect it will all be over by the time you are reading it! On the plus side, at least that means we might be able to tempt you into investing in a little more listening material before the outside weather arrives for real… We were pleasantly surprised by the number of new releases appearing late April and into May, as you may be able to tell by the slightly-longer-than-usual new release portion of this catalogue. Warner & Erato certainly have plenty to offer us, taking up a page and half of the ‘priorities’ with new recordings from Nigel Kennedy, Philippe Jaroussky, Emmanuel Pahud, David Aaron Carpenter and others, alongside some superbly compiled boxsets including a Massenet Opera Collection, performances from Joseph Keilberth (in the ICON series), and two interesting looking Debussy collections: ‘Centenary Discoveries’ and ‘His First Performers’. Rachel Podger revisits Vivaldi’s Four Seasons for Channel Classics (already garnering strong reviews), Hyperion offer us five new titles including Schubert from Marc-Andre Hamelin and Berlioz from Lawrence Power and Andrew Manze (see ‘Disc of the Month’ below), plus we have strong releases from Sandrine Piau (Alpha), the Belcea Quartet joined by Piotr Anderszewski (also Alpha), Magdalena Kozena (Supraphon), Osmo Vanska (BIS), Boris Giltberg (Naxos) and Paul McCreesh (Signum). -
Annual Report 2015
Annual Report 2015 Clare College Cambridge Contents Master’s Introduction .................................................................... 3 Teaching and Research .............................................................. 4–5 Selected Publications by Clare Fellows ....................................... 6–9 College Life ........................................................................... 10–12 Access & Outreach ..................................................................... 13 Financial Report ..................................................................... 14–15 Development ....................................................................... 16–17 List of Master & Fellows............................................................... 18 Captions ..................................................................................... 19 2 Master’s Introduction The past year has been full of many introductions for me two new CDs. They are fantastic ambassadors for the College and met some of our alumni in New as a relatively new Master - to student life in its various York - looking ahead; in 2016 they travel to Hong Kong, Malaysia and Singapore for more concerts. forms, to colleagues, and to our alumni at various events at home and abroad. The College continues to be in Last year I mentioned the need to refurbish Old Court, and this is still very much our priority. The good form, and weathering various new initiatives from Fellowship has just approved - in principle - plans which are now before Historic England, -
Evensong Live 2015
The Choir of King’s College, Cambridge Final Logo Brand Extension Logo 06.27.12 EVENSONG LIVE 2015 STEPHEN CLEOBURY CONDUCTOR TRACK LIST TRACK EVENSONG LIVE 2015 1 Loquebantur variis linguis – Thomas Tallis 05:12 Stephen Cleobury conductor, Choir of King’s College, Cambridge 2 Videte miraculum – Thomas Tallis 10:04 Stephen Cleobury conductor, Choir of King’s College, Cambridge 3 Ave Maria – Robert Parsons 04:17 Stephen Cleobury conductor, Choir of King’s College, Cambridge 4 Magnificat – Giles Swayne 04:17 Stephen Cleobury conductor, Choir of King’s College, Cambridge 5 Totus Tuus – Henryk Górecki 09:44 Stephen Cleobury conductor, Choir of King’s College, Cambridge QUATRE MOTETS POUR LE TEMPS DE NOëL – Francis Poulenc 6 I. O magnum mysterium 02:51 Stephen Cleobury conductor, Choir of King’s College, Cambridge 7 II. Quem vidistis pastores dicite 02:40 Stephen Cleobury conductor, Choir of King’s College, Cambridge 8 III. Videntes stellam 02:38 Stephen Cleobury conductor, Choir of King’s College, Cambridge 9 IV. Hodie Christus natus est 02:24 Stephen Cleobury conductor, Choir of King’s College, Cambridge 10 Hear my prayer – Felix Mendelssohn 10:39 Stephen Cleobury conductor, Tom Pickard treble, Douglas Tang organ, Choir of King’s College, Cambridge 11 Hear my words, ye people – Sir Charles Hubert Hastings Parry 14:35 Stephen Cleobury conductor, Daniel D’Souza bass, Douglas Tang organ, Choir of King’s College, Cambridge 12 Antiphon (from Five Mystical Songs) – Ralph Vaughan Williams 03:30 Stephen Cleobury conductor, Douglas Tang organ, Choir of King’s College, Cambridge 13 Litanies – Jehan Alain 05:35 Tom Etheridge organ Total Time 78:26 Recorded at 44.1kHz 24-bit PCM in the Chapel of King’s College, Cambridge, by kind permission of the Provost and Fellows, between May 2013 and March 2014. -
Magnificat JS Bach
Whitehall Choir London Baroque Sinfonia Magnificat JS Bach Conductor Paul Spicer SOPRANO Alice Privett MEZZO-SOPRANO Olivia Warburton TENOR Bradley Smith BASS Sam Queen 24 November 2014, 7. 30pm St John’s Smith Square, London SW1P 3HA In accordance with the requirements of Westminster City Council persons shall not be permitted to sit or stand in any gangway. The taking of photographs and use of recording equipment is strictly forbidden without formal consent from St John’s. Smoking is not permitted anywhere in St John’s. Refreshments are permitted only in the restaurant in the Crypt. Please ensure that all digital watch alarms, pagers and mobile phones are switched off. During the interval and after the concert the restaurant is open for licensed refreshments. Box Office Tel: 020 7222 1061 www.sjss.org.uk/ St John’s Smith Square Charitable Trust, registered charity no: 1045390. Registered in England. Company no: 3028678. ACKNOWLEDGEMENTS The Choir is very grateful for the support it continues to receive from the Department for Business, Innovation and Skills (BIS). The Choir would like to thank Philip Pratley, the Concert Manager, and all tonight’s volunteer helpers. We are grateful to Hertfordshire Libraries’ Performing Arts service for the supply of hire music used in this concert. The image on the front of the programme is from a photograph taken by choir member Ruth Eastman of the Madonna fresco in the Papal Palace in Avignon. WHITEHALL CHOIR - FORTHCOMING EVENTS (For further details visit www.whitehallchoir.org.uk.) Tuesday, 16