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Magnificat JS Bach
Whitehall Choir London Baroque Sinfonia Magnificat JS Bach Conductor Paul Spicer SOPRANO Alice Privett MEZZO-SOPRANO Olivia Warburton TENOR Bradley Smith BASS Sam Queen 24 November 2014, 7. 30pm St John’s Smith Square, London SW1P 3HA In accordance with the requirements of Westminster City Council persons shall not be permitted to sit or stand in any gangway. The taking of photographs and use of recording equipment is strictly forbidden without formal consent from St John’s. Smoking is not permitted anywhere in St John’s. Refreshments are permitted only in the restaurant in the Crypt. Please ensure that all digital watch alarms, pagers and mobile phones are switched off. During the interval and after the concert the restaurant is open for licensed refreshments. Box Office Tel: 020 7222 1061 www.sjss.org.uk/ St John’s Smith Square Charitable Trust, registered charity no: 1045390. Registered in England. Company no: 3028678. ACKNOWLEDGEMENTS The Choir is very grateful for the support it continues to receive from the Department for Business, Innovation and Skills (BIS). The Choir would like to thank Philip Pratley, the Concert Manager, and all tonight’s volunteer helpers. We are grateful to Hertfordshire Libraries’ Performing Arts service for the supply of hire music used in this concert. The image on the front of the programme is from a photograph taken by choir member Ruth Eastman of the Madonna fresco in the Papal Palace in Avignon. WHITEHALL CHOIR - FORTHCOMING EVENTS (For further details visit www.whitehallchoir.org.uk.) Tuesday, 16 -
Blackburn Cathedral Newsletter Is Supported Financially Not Only by the Generosity of Fof BCM & BCOCA but Also by More Donors Including, Most Recently
1 30TH ANNIVERSARY CELEBRATIONS! It’s a real thrill to revisit the cathedral and see the choir in MADONNA OF THE BOULEVARD such good health and in such good hands. I was particularly by Canon Michael Taylor impressed by our choirmaster, James Davy. I do a bit of undergraduate teaching and have had some training in giving feedback to students. The catch phrase is Once upon a time there that feedback should be a ‘sandwich’ ... i.e. say something was a Sculptor whose name positive…then say what you really think & then finish with was James Attwood and he something positive again. I thought our choirmaster was very talented. When he demonstrated this brilliantly. was 58 he came from The downside of visiting the cathedral is that it makes me Manchester to work in our feel like the footballer who used to play for a Premiership Cathedral. He was side, but knows that now he wouldn’t even make a pub commissioned to restore team. some of our crumbling stonework. th One day – 15 June 1965 – our Sculptor was inspired by the sight of a young girl on the Boulevard with her friends on their way home from school. ‘Surely she is the same age as Mary when the Archangel Gabriel visited her?’ he thought. He discovered who her parents were and, after obtaining their permission, he arranged sittings to make preliminary sketches of this young lady. Mr. Attwood was one of the most sought-after sculptors in Carrara marble, which comes from Tuscany in Italy; and so he chose a block of marble which was just the right size, and began to create his Madonna. -
Judith Bingham
RES10108 THE EVERLASTINGCROWN JUDITH BINGHAM Stephen Farr - Organ The Everlasting Crown Judith Bingham (b. 1952) The Everlasting Crown (2010) 1. The Crown [3:52] Stephen Farr organ 2. Coranta: Atahualpa’s Emerald [3:20] 3. La Pelegrina [4.38] 4. The Orlov Diamond [2:56] 5. The Russian Spinel [4:22] 6. King Edward’s Sapphire [5:34] 7. The Peacock Throne [7:09] About Stephen Farr: Total playing time [31:54] ‘ superbly crafted, invigorating performances, combining youthful vigour and enthusiasm with profound musical insight and technical fluency’ All tracks are world premiere recordings and were Gramophone recorded in the presence of the composer ‘[...] in a superb and serious organ-recital matinee by Stephen Farr, the chief work was the world premiere of The Everlasting Crown by Judith Bingham’ The Observer The Everlasting Crown The gemstone is seen as somehow drawing these events towards itself: its unchanging Ideas for pieces often, for me, result from and feelingless nature causes the inevitable coming across oddball books, be it anthologies ruin of the greedy, ambitious, foolish and of poetry, or out of print rarities. A few years foolhardy, before passing on to the next ago I came across Stories about Famous victim. One wonders why anyone craves the Precious Stones by Adela E. Orpen (1855- ownership of the great stones as their history 1927), published in America in 1890. In this is of nothing but ruin and despair! All of the book, it is not the scholarship that matters, stones in this piece can still be seen, many more the romance and mythology of the of them in royal collections, some in vaults. -
Choral & Organ Awards Booklet
INDIVIDUAL COLLEGE PAGES Christ’s 2 Churchill 3 Clare 4 Corpus Christi 6 Downing 8 Emmanuel 9 Fitzwilliam 11 Girton 13 Gonville & Caius 15 Homerton 17 Jesus 19 King’s 21 King’s Voices 22 Magdalene 23 Newnham (see Selwyn) 35 Pembroke (Organ Awards only) 24 Peterhouse 26 Queens’ 28 Robinson 30 St Catharine’s 31 St John’s 32 St John’s Voices 34 Selwyn 35 Sidney Sussex 37 Trinity 39 Trinity Hall 41 1 CHRIST’S COLLEGE www.christs.cam.ac.uk In addition to singing for service twice weekly in College, Christ’s choir pursues an exciting range of activities outside of Chapel, regularly performing in London and around the UK, recording CDs, broadcasting, and undertaking major international tours. The choir is directed by the Director of Music, performer and musicologist David Rowland, assisted by the Organ Scholars. Organ Scholarships The College normally has two Organ Scholars who assist the Director of Music in running and directing the Chapel choir. Organ scholars may study any subject except Architecture and the College has a history of appointing individuals reading science subjects as well as arts and humanities. The organ scholars are also encouraged to play a full part in other College musical activities through the Music Society, which offers opportunities for orchestral and choral conducting, as well as the chance to perform in chamber recitals, musicals, etc. In addition to the honorarium which an Organ Scholar receives each year, the College pays for organ lessons. Both organ scholars have designated rooms in college that are equipped with pianos and practice organs. -
SEPTEMBER 2018 All Saints Episcopal Church Southern Shores
THE DIAPASON SEPTEMBER 2018 All Saints Episcopal Church Southern Shores, North Carolina Cover feature on pages 26–27 ANTHONY & BEARD ADAM J. BRAKEL THE CHENAULT DUO JAMES DAVID CHRISTIE PETER RICHARD CONTE CONTE & ENNIS DUO LYNNE DAVIS ISABELLE DEMERS CLIVE DRISKILL-SMITH DUO MUSART BARCELONA JEREMY FILSELL MICHAEL HEY HEY & LIBERIS DUO CHRISTOPHER HOULIHAN DAVID HURD SIMON THOMAS JACOBS MARTIN JEAN HUW LEWIS RENÉE ANNE LOUPRETTE LOUPRETTE & GOFF DUO ROBERT MCCORMICK BRUCE NESWICK ORGANIZED RHYTHM RAéL PRIETO RAM°REZ JEAN-BAPTISTE ROBIN ROBIN & LELEU DUO BENJAMIN SHEEN HERNDON SPILLMAN CAROLE TERRY JOHANN VEXO BRADLEY HUNTER WELCH JOSHUA STAFFORD THOMAS GAYNOR 2016 2017 LONGWOOD GARDENS ST. ALBANS WINNER WINNER IT’S ALL ABOUT THE ART ǁǁǁ͘ĐŽŶĐĞƌƚĂƌƟƐƚƐ͘ĐŽŵ 860-560-7800 ŚĂƌůĞƐDŝůůĞƌ͕WƌĞƐŝĚĞŶƚͬWŚŝůůŝƉdƌƵĐŬĞŶďƌŽĚ͕&ŽƵŶĚĞƌ THE DIAPASON Editor’s Notebook Scranton Gillette Communications One Hundred Ninth Year: No. 9, A new season Whole No. 1306 As I write this on August 1, I realize you will read this at SEPTEMBER 2018 the end of this month or early September, the very last days of Established in 1909 summer. Most choirs and ensembles will soon begin rehears- Stephen Schnurr ISSN 0012-2378 als for their weekly services or seasonal concerts. The staff of 847/954-7989; [email protected] The Diapason hopes that these past weeks and months have www.TheDiapason.com An International Monthly Devoted to the Organ, provided you a bit of respite from the myriad activities you will the Harpsichord, Carillon, and Church Music soon experience. 20 Under 30 Our “Here & There” section this month contains listings for The Diapason’s 20 Under 30 program returns in December! CONTENTS many church, university, civic, and regional ensembles that will We will recognize once again young women and men whose FEATURES excite you with opportunities for excellence in organ and choral career accomplishments place them at the forefront of the organ, The 1864 William A. -
2013.2.Music & More
1 RICHARD TANNER A week later RUTH BOND Director of Music of Blackburn Cathedral, 1998-2010, popped in to see your editor POPPED IN TO SAY ‘Hi’ Keith & Ruth Bond were central to the music-making of by your editor, JB our cathedral over 30 years ago. New families who are joining our cathedral’s magnificent music programme may The front doorbell rang – it was not be aware of some of our within-living-memory choir Richard Tanner, looking radiantly history. healthy, full of energy and, as ever, Keith was Cathedral sub organist (he and JB were also brimming with inspiration. Senior Lecturers at the Royal Northern College of Music), and the two Bond daughters were the first female members Richard was in his first year as of the YPC. Both Angela and ‘Wonka’ (Veronica) are now Director of Music of the prestigious grandparents – and Ruth was staying with Wonka and her Rugby School. Their website is family who live near Clitheroe. fascinating: Under Keith’s musical leadership and the Bonds’ At least two centuries of Rugby’s hospitable home in Pleasington, the YPC became the history are written in the stones and largest it’s ever been – of over 30 singers! other monuments to tradition that stand around the School Close, where in 1823 a local lad called William Webb Ellis first ran with the ball and invented the game of rugby football. The YPC in 1982 ‘How big is your family now?’ JB asked Ruth. ‘I’ve got five great-granddaughters and two great- grandsons. And there are several grandchildren living near Blackburn.’ ‘And you drove the 270 miles from your home near Saxmundham to stay with Wonka?,’ remarked JB. -
Choral & Organ Awards Booklet
INDIVIDUAL COLLEGE PAGES Christ’s 2 Churchill 3 Clare 5 Corpus Christi 7 Downing 8 Emmanuel 9 Fitzwilliam 11 Girton 13 Gonville & Caius 15 Homerton 17 Jesus 19 King’s 21 King’s Voices 22 Magdalene 23 Newnham (see Selwyn) 35 Pembroke (Organ Awards only) 24 Peterhouse 26 Queens’ 28 Robinson 30 St Catharine’s 31 St John’s 32 St John’s Voices 34 Selwyn 35 Sidney Sussex 37 Trinity 39 Trinity Hall 41 1 CHRIST’S COLLEGE www.christs.cam.ac.uk In addition to singing for service twice weekly in College, Christ’s choir pursues an exciting range of activities outside of Chapel, regularly performing in London and around the UK, recording CDs, broadcasting, and undertaking major international tours. The choir is directed by the Director of Music, performer and musicologist David Rowland, assisted by the Organ Scholars. Organ Scholarships The College normally has two Organ Scholars who assist the Director of Music in running and directing the Chapel choir. Organ scholars may study any subject except Architecture and the College has a history of appointing individuals reading science subjects as well as arts and humanities. The organ scholars are also encouraged to play a full part in other College musical activities through the Music Society, which offers opportunities for orchestral and choral conducting, as well as the chance to perform in chamber recitals, musicals, etc. In addition to the honorarium which an Organ Scholar receives each year, the College pays for organ lessons. Both organ scholars have designated rooms in college that are equipped with pianos and practice organs. -
Press Information
PRESS INFORMATION News Desk From: To: Christine Doyle Date: Thursday 11th September 2014 Tel: 07769738180 Coventry Cathedral’s lunchtime organ concert on Monday 15th September at 1pm On Monday 15th September the guest organist at the Cathedral’s lunchtime concert will be Benjamin Chewter from Chester Cathedral. Benjamin will be performing Veni Creator Spiritus (1: Plein Jeu, 2: Fugue à 5, 3: Duo, 4: Récit du Cromorne, 5: Dialogue sur les Grands Jeux) by de Grigny, Ave Maria, Ave Maris Stella (Trois Paraphrases Grégoriennes, Op.5 No.2) by Langlais, Aria by Peeters and Allegro deciso (Evocation) by Dupré. Admission to the lunchtime concert series is free of charge. For details of all the concerts, visit www.coventrycathedral.org.uk or pick up a leaflet at the Cathedral entrance or Gift Shop. -ends- Notes to Editors Benjamin Chewter is the Assistant Director of Music at Chester Cathedral where he is responsible for the accompaniment of the statutory services; he also assists with the training of the choristers and directs the Cathedral’s Nave Choir. Benjamin was educated at Christ's Hospital School and held the Organ Scholarship at Canterbury Cathedral before going up to Emmanuel College, Cambridge as Organ Scholar (where he read Music and was Organist of King’s Voices, the mixed-voice choir of King’s College Chapel). Subsequently he held the Organ Scholarship at Westminster Abbey and was Assistant Organist of Lincoln Cathedral for three years before taking up his current post. As an organist and conductor he has performed extensively throughout the UK (at venues including Westminster Abbey, Lichfield, Gloucester, St Paul’s, Canterbury, St Albans and Westminster Cathedrals, and St John's Smith Square in London) and abroad (Sweden, Mexico, Latvia, France, Belgium, Poland and Germany). -
July2007fullissue.Pdf
THE DIAPASON JULY, 2007 Our Lady of Mt. Carmel Parish Kenosha, Wisconsin Cover feature on pages 26–27 “The 50th anniversary celebration of the Bach Festival culminated in a very impressive organ recital by Huw Lewis. A performer with an international reputation, he presented an almost-all-Bach program of thoroughly challenging works....With panache, Lewis deftly negotiated the many moods and rapid-fire register changes that make this work (Liszt BACH) such a dynamic closing number.” (Kalamazoo Gazette MI) “Dr. Lewis played with great authority, but also with an elegance and sensitivity to style, room, and instrument, and received the first standing ovation of the [AGO] convention.” (The American Organist) “Superb music, superbly executed...His repertoire includes the greatest, most demanding of the master works for organ and he plays them with great understanding, technical mastery and sensitivity....Lewis, with incredible technical skill, kept everything under control and tasteful.” (The Holland Sentinel MI) “Apart from being immensely enjoyable, it was an object lesson in how to prepare for, and give, a performance at the highest level on an instrument not of your choosing. Another memorable feature was the marvelous freshness of [his] playing following so many hours of grinding practice.” (K. B. Lyndon, RCCO, London ON) HuwHuw LewisLewis Concert Organist Faculty, Hope College, Holland, Michigan “I must tell you how delighted we were with the masterful performance by Huw Lewis...I am thrilled with the musicality of his playing. Anyone who can command the attention of an audience made up of non-concert- goers on the most gorgeous Sunday afternoon of the fall while playing a Bach Trio-Sonata on the most mediocre of instruments is an artist indeed.” (Larry L. -
Autumn 2012 Newsletter
CCCA Autumn Newsletter 2012 Dr John Birch (1929 - 2012) CONTENTS Organist and Master of The Choristers 1958 - 1980 Page 2 and 3 Eulogy for Dr. John Birch Page 4 and 5 Members’ recollections of JB. Page 6 Weddings! Page 7 Photos from the past Page 8 The Robson Brothers and Organ Recital in Leeds Page 9 Treasurer’s Report and Details of 2012 Advent Reunion on 1 December 2012 Page 10 Photo above is of the Dean and John who loaned his first folio addition Photo from Spring of “Messiah” to accompany his recent Lecture on George Frederic 1946 Handel, both admiring and examining the score Page 11 Current Choir News Many members will have attended John Birch’s funeral at All Saints Margaret Street . The Dean, The Very Revd. Nicholas Frayling, has Page 12 kindly given permission to include his Eulogy. You will find the full text Forthcoming events including: printed on Pages 2 and 3 of this newsletter as well as reminiscences of Advent Reunion John on page 4. Cathedral Carol Services Memorial Service Beer and Skittle It is like that a thanksgiving service to celebrate John’s will be held on Contest Saturday 11 May 2013. at Chichester Cathedral. This will also be the 2013 Summer date for the 2013 CCCA Summer Reunion. Members will have a Reunion chance to sing in the Memorial Evensong with the Royal Philharmonic JB’s Memorial Orchestra, for whom John played the organ for many years. Evensong Page 2 CCCA Autumn 2012 Newsletter THE EULOGY given by The Dean of Chichester, The Very Reverend Nicholas Frayling, at the Fu- neral Mass of John Birch – All Saints Margaret Street 15 May 2012 Let the peace of Christ rule in your hearts, to which indeed you were called in the one body, and be thankful.' (Colossians 3: 15) What is a priest to do on an occasion such as this? The temptation is to offer a stream of anec- dotes about John, each of which would be capped by another from almost everybody present in this church. -
Organ Recitals – October 2021 Charitable Trust for Organists Tuesdays 1.00 to 2.00 Pm and Organ Music
The Eric Thompson The Charitable Trust Eric Thompson Charitable Trust The for organists Eric for Thompsonorganists Charitable Trust and organ music and organ music for organists and organ The music Eric Thompson Organ Recitals – October 2021 Charitable Trust for organists Tuesdays 1.00 to 2.00 pm and organ music St Mary-le-Bow Church Cheapside, City of London The Eric Thompson Charitable Trust for Organists and Organ Music Patrons: Trustees: Daniel Hyde Robin Jéquier (Chairman) Nicolas Kynaston Angus Baskerville David Graham Julian Lloyd Webber OBE The Revd Canon Jeremy Davies Colin Hamling (Clerk) Sir Andrew Parmley Kathleen Duncan OBE Anne Marsden Thomas MBE David Wakefield Dame Glynne Evans DBE CMG David Titterington The Eric Thompson Trust was founded in 1993 to commemorate the life and work of the late Eric Thompson OBE. Eric’s interest lay in music administration and, after a period with Boosey & Hawkes, he joined the Arts Council and established himself as a highly regarded senior manager of the Council’s various musical programmes. Eric was always interested in the organ and took care to ensure that the instrument, its players and its repertoire were properly represented in the work of the Arts Council and in concerts arranged by the British Council. Eric Thompson OBE After retiring he became Honorary Secretary of the Royal Philharmonic Society, where he continued to promote the organ and its music, and to support young organists. In collaboration with the Royal Philharmonic Society the Trust was founded jointly by Eric’s widow the late Dinah Molloy-Thompson and Professor David Titterington. -
This Christmas Night Stephen F the Choir Ofw Arr Orcester College, Oxford Hafliði Hallgrímsson (B
This Christmas Night The Choir of Worcester College, Oxford Stephen Farr RES10113 Hafliði Hallgrímsson (b. 1941) Mark-Anthony Turnage This Christmas Night 11. Claremont Carol * Contemporary Carols 1. Joseph and the Angel * [3:43] [4:08] Anthony Piccolo (b. 1946) Howard Skempton (b. 1947) 2. I look from afar [6:19] 12. There is no rose * [2:39] Thomas Hyde (b. 1978) Gabriel Jackson (b. 1952) 13. Hush! my dear * [3:30] The Choir of Worcester College, Oxford 3. Sweet was the song * [2:07] Peter Maxwell Davies (b. 1934) 1, 3, 5-7, 9-10, 12-15, 18-19 2, 4, 8, 11, 16-17, 20 Mark-Anthony Turnage (b. 1960) Stephen Farr conductor and organ 4. Christmas Night * [2:45] 14. Fleecy Care Carol * [2:58] Edward Turner conductor 2, 4, 11, 16, 17 and organ 6, 7, 9, 13, 19 John McCabe (b. 1939) Cecilia McDowall (b. 1951) 5. Mary laid her child [2:21] 15. Of a Rose * [2:48] Malcolm Williamson (1931-2003) Geoffrey Bush (1920-1998) 6. This Christmas Night [3:06] 16. ‘Twas in the year that King Uzziah died [3:05] Matthew Martin (b. 1976) 7. I sing of a Maiden * [2:29] Elisabeth Lutyens (1906-1983) 17. Nativity [5:55] About Stephen Farr: Thomas Hyde 8. Improvisation on ‘Puer Natus’ * [5:16] Edmund Rubbra (1901-1986) ‘[Farr’s]breadth of vision, intense sense of purpose and brilliant technique 18. Let us securely enter [2:18] combine to make this a recording which [...] deserves repeated listening’ Judith Bingham (b. 1952) Gramophone 9.