DOCSLIB.ORG

Newly Added Materials in the Libraries May 2013

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Newly Added Materials in the Libraries May 2013 Newly Added Materials In the Libraries May 2013 Call Number Author Title Publisher Enum Publication Date Archives ARCHIVES. AS36.M34 R63 Robinson, Delores A. Perceptions of the food insecure : does direct 2012 2012 (Delores Ann). authority construct understanding? / ARCHIVES. E184.G3 W544 Will, Werner H., 1931- From the Oder to the Bitterroot : memories of an W. H. Will, 2011 2011 uncommon life / ARCHIVES. G74 .G85 2011 GuilleÌ€n, Mario A. S. Feasibility study of expanding dairy production in 2011 (Mario Alfredo SoliÌ€s). Ocosingo, Chiapas, Mexico / ARCHIVES. HB74.5 .M36 Mantobaye, Examining the socio-economic impacts of the Chad- 2012 2012 Moundigbaye. Cameroon oil and pipeline project / ARCHIVES. HM477.M34 Goldberg, Justin M. Internalizing empathy : the influence of social 2012 G65 2012 (Justin Mathew). morality on attitudes towards animal rights / ARCHIVES. HM477.M34 Hynek, Melissa D. Influences of social and cultural capital on 2012 H96 2012 academic achievement in the eighth grade / ARCHIVES. HV9955.I32 Pass, Angelique M. Illinois domestic violence services : the male victim 2012 P37 2012 (Angelique Marie). dilemma / ARCHIVES. HV9955.I32 Zigterman, J. Zach Public perceptions of the Plainfield Police : an initial 2012 Z54 2012 (Jeremiah Zachary). characterization / ARCHIVES. JA88.I32 B35 Balogun, Emmanuel A. Nigeria and the creation of ECOWAS : conceiving 2012 2012 (Emmanuel Adebola). a possible theory of sub regional state behavior / ARCHIVES. JA88.I32 S65 Smith, Christopher L. Inclusion of the Department of Defense in 2012 2012 (Christopher Lee). interagency reform legislation / ARCHIVES. LB1027 .M37 Martin, Debbra (Debbra Place for fine arts : a study of Illinois administrators' 2012 2012 Louise). attitudes, participation in and support of the fine arts in K-12 education / ARCHIVES. LB1027 .N45 Nelson, Laura L. (Laura Student voice : a study of learning experiences 2012 2012 Lynn). enriched by mobile technologies / ARCHIVES. LB1033 .I584 Interpersonal boundaries in teaching and learning / Jossey-Bass ; Wiley, 2012 2012 ARCHIVES. LD5941.W45 Taylor, Gordy. Across the miles with Gordy Taylor. University Television, 2012 T38 no.190 Western Illinois University, ARCHIVES. LD5941.W45 Taylor, Gordy. Across the miles with Gordy Taylor. University Television, 2012 T38 no.191 Western Illinois University, Call Number Author Title Publisher Enum Publication Date ARCHIVES. LD5941.W45 Taylor, Gordy. Across the miles with Gordy Taylor. University Television, 2012 T38 no.193 Western Illinois University, ARCHIVES. MCD1 .W5726 Western Illinois Holiday festival of choirs music for the season : Western Illinois 2005 2005 Dec.2b University. Holiday Friday, December 2, 2005. University, Festival of Choirs ([12th] : 2005) ARCHIVES. MCD1 .W5726 Student Composer's Convocation December 6, Western Illinois 2005 2005 Dec.6 2005. University, ARCHIVES. MCD1 .W5726 Western Illinois Western Illinois University Concert Band Western Illinois 2005 2005 Dec.7 University. Concert Band. Wednesday, December 7, 2005 / University, ARCHIVES. MCD1 .W5726 Peoria Heritage Peoria Heritage Ensemble jazz scholarship benefit Western Illinois 2005 2005 Mar.29b Ensemble. concert Tuesday, March 29, 2005 / University, ARCHIVES. MCD1 .W5726 Shaw, Lowell E. Western Illinois Horn Festival 2005 Sunday, May 1, Western Illinois 2005 2005 May1a 2005, 1:00 p.m. / University, ARCHIVES. MCD1 .W5726 Shaw, Lowell E. Western Illinois Horn Festival 2005 Sunday, May 1, Western Illinois 2005 2005 May1b 2005, 4:30 p.m. / University, ARCHIVES. MCD1 .W5726 Western Illinois WIU choirs fall concert October 14, 2005 / Western Illinois 2005 2005 Oct.14 Disc 1 and 2 University. Choirs. University, ARCHIVES. MCD1 .W5726 Student showcase convocation III April 18, 2006. Western Illinois 2006 2006 Apr.18 University, ARCHIVES. MCD1 .W5726 Mihai, Julieta L. Faculty violin recital April 19, 2006 / Western Illinois 2006 2006 Apr.19 University, ARCHIVES. MCD1 .W5726 Western Illinois Western Illinois University Concert Band, Student Western Illinois 2006 2006 Apr.7 University. Concert Band. conductors concert Friday, April 7, 2006 / University, ARCHIVES. MCD1 .W5726 NaÌjera-Coto, AdriaÌn. Graduate recital Saturday, April 8, 2006 / Western Illinois 2006 2006 Apr.8a University, ARCHIVES. MCD1 .W5726 Shefcik, Matthew. Graduate recital Saturday, April 8, 2006 / Western Illinois 2006 2006 Apr.8b University, ARCHIVES. MCD1 .W5726 Western Illinois Western Illinois University Percussion Ensemble Western Illinois 2006 2006 Apr.9a University. Percussion April 9, 2006 / University, Ensemble. ARCHIVES. MCD1 .W5726 Boyd, Kirsten. Graduate recital April 9, 2006 / Western Illinois 2006 2006 Apr.9b University, ARCHIVES. MCD1 .W5726 Chunko, Kevin, (Kevin Graduate recital April 9, 2006 / Western Illinois 2006 2006 Apr.9c Michael) University, ARCHIVES. MCD1 .W5726 Faculty chamber recital III Wednesday, February 1, Western Illinois 2006 2006 Feb.1 2006. University, ARCHIVES. MCD1 .W5726 Western Illinois Valentine to Broadway Saturday, February 11, Western Illinois Disc 1 2006 2006 Feb.11 University. Department of 2006 / University, Theatre and Dance. Call Number Author Title Publisher Enum Publication Date ARCHIVES. MCD1 .W5726 Western Illinois Valentine to Broadway Saturday, February 11, Western Illinois Disc 2 2006 2006 Feb.11 University. Department of 2006 / University, Theatre and Dance. ARCHIVES. MCD1 .W5726 Trombones de Costa Trombones de Costa Rica Tuesday, February 14, Western Illinois 2006 2006 Feb.14 Rica. 2006. University, ARCHIVES. MCD1 .W5726 33rd annual Jazz Festival Friday, February 17, Western Illinois 2006 2006 Feb.17 2006 / University, ARCHIVES. MCD1 .W5726 SzaboÌ, IstvaÌn, 1971- Faculty viola recital February 19, 2006 / Western Illinois 2006 2006 Feb.19 University, ARCHIVES. MCD1 .W5726 Salzburg Chamber Salzburg Chamber Soloists Wednesday, February Western Illinois 2006 2006 Feb.22 Soloists. 22, 2006 / University, ARCHIVES. MCD1 .W5726 Showcase of Bands concert II Saturday, February Western Illinois Disc. 1 2006 2006 Feb.25a 25, 2006. University, ARCHIVES. MCD1 .W5726 Showcase of Bands concert II Saturday, February Western Illinois Disc. 2 2006 2006 Feb.25a 25, 2006. University, ARCHIVES. MCD1 .W5726 Faust, Randall E. Faculty recital "new music for old instruments" Western Illinois 2006 2006 Feb.3 February 3, 2006 / University, ARCHIVES. MCD1 .W5726 Student showcase recital I Tuesday, March 21, Western Illinois 2006 2006 Mar.21a 2006. University, ARCHIVES. MCD1 .W5726 Vana, John. Faculty recital Tuesday, March 21, 2006 / Western Illinois 2006 2006 Mar.21b University, ARCHIVES. MCD1 .W5726 Eastman Jazz Trio. Jazz rhythm section festival evening concert Western Illinois 2006 2006 Mar.25 featuring Eastman Faculty Jazz Trio March 25, University, 2006 / ARCHIVES. MCD1 .W5726 Szilveszter, Eszter. Graduate viola recital March 26, 2006 / Western Illinois 2006 2006 Mar.26 University, ARCHIVES. MCD1 .W5726 Western Illinois WIU Choirs spring concert Friday, March 3, [2006] / Western Illinois 2006 2006 Mar.3 University. Choirs. University, ARCHIVES. MCD1 .W5726 Grassel, Jack. Guest jazz guitar concert March 31, 2006 / Western Illinois 2006 2006 Mar.31 University, ARCHIVES. MCD1 .W5726 Western Illinois Western Illinois University Symphony Orchestra Western Illinois 2006 2006 Mar.4 University. Symphony March 4, 2006 / University, Orchestra. ARCHIVES. MCD1 .W5726 New Music Festival 2006, concert I: choral, Western Illinois 2006 2006 Mar.6 chamber, solo, and electroacoustic music March 6, University, 2006. ARCHIVES. MCD1 .W5726 New Music Festival 2006, concert II : solo and Western Illinois 2006 2006 Mar.7a Chamber music March 7, 2006. University, ARCHIVES. MCD1 .W5726 New Music Festival 2006, concert III : wind Western Illinois 2006 2006 Mar.7b ensemble, solo, and chamber music March 7, University, 2006. Call Number Author Title Publisher Enum Publication Date ARCHIVES. ML290.8.V26 Onstot, Amy A. (Amy Inside and out: Vivaldi, opera, and oratorio and the 2012 O57 2012 Annette) Venetian Ospedali : a thesis / ARCHIVES. ML3830 .M35 Malebranche, Tamara L. Preventing music performance anxiety in beginning 2012 2012 (Tamara Lynn) pianists : a thesis / ARCHIVES. P91 .K56 2012 Kinjo, Minami. Identity construction in the United States : how do 2012 you identify yourself as American? / ARCHIVES. P91 .S36 2012 Schoonover, Katharine Audience challenge of cross-sex friendships / 2012 A. (Katharine Aileen). ARCHIVES. PG3366.V5 Tolstoy, Leo, graf, 1828- Power of darkness / s.n.], 2012 .J64 2012 1910. ARCHIVES. PG 3456.D5 Chekhov, Anton Uncle Vanya : scenes from country life in four acts / s.n.], 2012 J64 2012 Pavlovich, 1860-1904. ARCHIVES. PN45 .B83 2012 Budruweit, Kelly R. (Kelly Utopia and the gothic design : Twilight's regressive 2012 Rose). solution for feminist pressures / ARCHIVES. PN45 .Z43 2012 Zertuche, Hayley R. "Image events" in art and hypertext : visual 2012 (Hayley Renee). (re)articulation of "human" and "animal" / ARCHIVES. PS338.N4 Y68 Young, Patricia A., 1952- African American women playwrights confront McFarland, 2012 2012 violence : a critical study of nine dramatists / ARCHIVES. PS3619.C3126 Schaefer, Nancy Ann. In search of lode / 918studio, 2012 I5 2012 ARCHIVES. PT2625.A44 Thomas Mann : neue kulturwissenschaftliche Wilhelm Fink, 2012 Z8944 2012 Lektüren / ARCHIVES. Q180.5 .Y44 Yegge, Sarah L. Effects of sound playbacks on a pair of buff- 2012 2012 cheeked gibbons (Nomascus gabriellae) at Niabi Zoo / ARCHIVES. Q183.3.I3 W45 Weller, G. Joseph. Storytelling : discovering racial identity / 2012 2012 ARCHIVES.
Load more

Recommended publications
  • Eloquence Releases: Summer 2017 by Brian Wilson
    Some Recent Eloquence Releases: Summer 2017 by Brian Wilson The original European Universal Eloquence label replaced budget releases on DG (Privilege or Resonance), Decca (Weekend Classics) and Philips (Classical Favourites). Like them it originally sold for around £5 and offered some splendid bargains such as Telemann’s ‘Water Music’ and excerpts from Tafelmusik (Musica Antiqua Köln/Reinhard Goebel 4696642) and Mahler’s Das Lied von der Erde (Janet Baker, James King, Concertgebouw/Bernard Haitink 4681822). Later most of the original batch were deleted – luckily the Mahler remains available – and production switched to Universal Australia but the price remained around the same. More recently changes in the value of the £ mean that single CDs now sell for around £7.75 but the high quality of much of the repertoire means that they remain well worth keeping an eye on. Many, but not all, of the albums are available to stream or download and I have reviewed some in that form and others on CD. Be aware, however, that the downloads often cost more than the CDs and invariably come without notes – which is a shame because the Eloquence booklets are better than those of many budget labels. THE TUDORS Lo, Country Sports Anonymous Almain Thomas TOMKINS Adieu, Ye City-Prisoning Towers Thomas WEELKES Lo, Country Sports that Seldom Fades Nicholas BRETON Shepherd and Shepherdess Michael EAST Sweet Muses, Nymphs and Shepherds Sporting Bar YOUNG The Shepherd, Arsilius’s, Reply John FARMER O Stay, Sweet Love Giles FARNABY Pearce did love fair Petronel Michael
    [Show full text]
  • Britten Connections a Guide for Performers and Programmers
    Britten Connections A guide for performers and programmers by Paul Kildea Britten –Pears Foundation Telephone 01728 451 700 The Red House, Golf Lane, [email protected] Aldeburgh, Suffolk, IP15 5PZ www.brittenpears.org Britten Connections A guide for performers and programmers by Paul Kildea Contents The twentieth century’s Programming tips for 03 consummate musician 07 13 selected Britten works Britten connected 20 26 Timeline CD sampler tracks The Britten-Pears Foundation is grateful to Orchestra, Naxos, Nimbus Records, NMC the following for permission to use the Recordings, Onyx Classics. EMI recordings recordings featured on the CD sampler: BBC, are licensed courtesy of EMI Classics, Decca Classics, EMI Classics, Hyperion Records, www.emiclassics.com For full track details, 28 Lammas Records, London Philharmonic and all label websites, see pages 26-27. Index of featured works Front cover : Britten in 1938. Photo: Howard Coster © National Portrait Gallery, London. Above: Britten in his composition studio at The Red House, c1958. Photo: Kurt Hutton . 29 Further information Opposite left : Conducting a rehearsal, early 1950s. Opposite right : Demonstrating how to make 'slung mugs' sound like raindrops for Noye's Fludde , 1958. Photo: Kurt Hutton. Britten Connections A guide for performers and programmers 03 The twentieth century's consummate musician In his tweed jackets and woollen ties, and When asked as a boy what he planned to be He had, of course, a great guide and mentor. with his plummy accent, country houses and when he grew up, Britten confidently The English composer Frank Bridge began royal connections, Benjamin Britten looked replied: ‘A composer.’ ‘But what else ?’ was the teaching composition to the teenage Britten every inch the English gentleman.
    [Show full text]
  • An Annotated Catalogue of the Major Piano Works of Sergei Rachmaninoff Angela Glover
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2003 An Annotated Catalogue of the Major Piano Works of Sergei Rachmaninoff Angela Glover Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY SCHOOL OF MUSIC AN ANNOTATED CATALOGUE OF THE MAJOR PIANO WORKS OF SERGEI RACHMANINOFF By ANGELA GLOVER A Treatise submitted to the School of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Spring Semester, 2003 The members of the Committee approve the treatise of Angela Glover defended on April 8, 2003. ___________________________________ Professor James Streem Professor Directing Treatise ___________________________________ Professor Janice Harsanyi Outside Committee Member ___________________________________ Professor Carolyn Bridger Committee Member ___________________________________ Professor Thomas Wright Committee Member The Office of Graduate Studies has verified and approved the above named committee members. TABLE OF CONTENTS Abstract………………………………………………….............................................. iv INTRODUCTION……………………………………………………………………. 1 1. MORCEAUX DE FANTAISIE, OP.3…………………………………………….. 3 2. MOMENTS MUSICAUX, OP.16……………………………………………….... 10 3. PRELUDES……………………………………………………………………….. 17 4. ETUDES-TABLEAUX…………………………………………………………… 36 5. SONATAS………………………………………………………………………… 51 6. VARIATIONS…………………………………………………………………….. 58 BIBLIOGRAPHY………………………………………………………………….
    [Show full text]
  • A Conductor's Guide to Alec Roth's "A Time to Dance" Eric Z
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 3-11-2019 A Conductor's Guide to Alec Roth's "A Time to Dance" Eric Z. Rubinstein Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Education Commons, Music Performance Commons, Music Practice Commons, and the Other Music Commons Recommended Citation Rubinstein, Eric Z., "A Conductor's Guide to Alec Roth's "A Time to Dance"" (2019). LSU Doctoral Dissertations. 4822. https://digitalcommons.lsu.edu/gradschool_dissertations/4822 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. A CONDUCTOR’S GUIDE TO ALEC ROTH’S A TIME TO DANCE A Dissertation Submitted to the Graduate Faculty of Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Eric Z. Rubinstein B.M., State University of New York College at Fredonia M.M., Michigan State University May 2019 TABLE OF CONTENTS LIST OF TABLES ………………………………………………………………………………iv LIST OF FIGURES ……………………………………………………………………………....v ABSTRACT ……………………………………………………………………………………..vi INTRODUCTION Need for This Study ………………………………………………………………......…..1
    [Show full text]
  • Emma Kirkby Soprano Anthony Rooley Lute
    THE UNIVERSITY MUSICAL SOCIETY OF THE UNIVERSITY OF MICHIGAN Emma Kirkby Soprano Anthony Rooley Lute THURSDAY EVENING, NOVEMBER 4, 1982, AT 8:30 RACKHAM AUDITORIUM, ANN ARBOR, MICHIGAN The English Orpheus A Contention between Hope and Despair ...................... JOHN DOWLAND Fantasia ............................................. ALFONSO FERRABOSCO Grief, keep within ........................................... JOHN DANYEL Pavan ....................................................... FERRABOSCO Thou Mighty God .............................................. DOWLAND Semper Dowland, semper dolens ................................. DOWLAND Sweet birds deprive us never ................................ JOHN BARTLETT INTERMISSION Come, shepherds come \ Perfect and endless circles are! ............................... WILLIAM LAWES Love I obey J I rise and grieve } The Lark J ..................................... HENRY LAWES A tale out of Anacreon j Stript of their green \ What a sad fate J .......................... HENRY PURCELL When first Amintas sued for a kiss) Mr. Rooley: London, Decca, Hyperion, and L'Oiseau Lyre Records. Miss Kirkby: Decca and Hyperion Records. Twelfth Concert of the 104th Season Special Concert About the Artists Anthony Rooley studied for three years at the Royal Academy of Music where his love of history and philosophy led him to study the music of the Renaissance. He owned his first lute in 1968 and later combined it with voice and viol to form The Consort of Musicke, one of today's leading specialist Renaissance ensembles. The ensemble covers all the major secular music of the period 1450-1650, with special emphasis in recent years on the English repertoire circa 1600. One major project to emanate from the Consort is a 21-record set of the "Complete Works of John Dowland," which has received accolades from critics throughout the world. In addition to the Consort, which is nearly a full-time concern, Mr.
    [Show full text]
  • A Guide to Franz Schubert's Religious Songs
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by IUScholarWorks A GUIDE TO FRANZ SCHUBERT’S RELIGIOUS SONGS by Jason Jye-Sung Moon Submitted to the faculty of the Indiana University Jacobs School of Music in partial fulfillment of the requirements for the degree Doctor of Music in Voice December 2013 Accepted by the faculty of the Indiana University Jacobs School of Music in partial fulfillment of the requirements for the degree Doctor of Music in Voice. __________________________________ Mary Ann Hart, Chair & Research Director __________________________________ William Jon Gray __________________________________ Robert Harrison __________________________________ Brian Horne ii Copyright © 2013 by Jason Jye-Sung Moon All rights reserved iii Acknowledgements I would like to express my deepest gratitude to my committee chair and research director, Professor Mary Ann Hart, for the excellent guidance, caring, patience, and encouragement I needed to finish this long journey. I would also like to thank Dr. Brian Horne, who supported me with prayers and encouragement. He patiently corrected my writing even at the last moment. I would like to thank my good friend, Barbara Kirschner, who was with me throughout the writing process to help me by proofreading my entire document and constantly cheering me on. My family was always there for me. I thank my daughters, Christine and Joanne, my parents, and my mother-in-law for supporting me with their best wishes. My wife, Yoon Nam, deserves special thanks for standing by me with continuous prayers and care. I thank God for bring all these good people into my life.
    [Show full text]
  • Modesto Symphony Orchestra to Present Pianist Stephen Hough Virtual Recital January 14
    MODESTO SYMPHONY ORCHESTRA Contact: Caroline Nickel [email protected] FOR IMMEDIATE RELEASE / JANUARY 5, 2020 From left to right: Stephen Hough (Jiyang Chen), (Sim Canetty-Clarke) Download photos and bios from MSO’s Press Room MODESTO SYMPHONY ORCHESTRA TO PRESENT PIANIST STEPHEN HOUGH VIRTUAL RECITAL JANUARY 14 MODESTO, CA - The Modesto Symphony Orchestra (MSO) will present a virtual recital featuring renowned pianist Stephen Hough and hosted by Associate Conductor Ryan Murray on Thursday, January 14 at 7:00 pm. The virtual performance will feature a variety of works by Bach, Schumann, and Liszt. “We were lucky to have Stephen Hough perform with us last February before the start of the pandemic. He performed Rachmaninoff’s Piano Concerto No. 2 with a special encore each night and just dazzled the audience—some of our patrons even came back for his second performance,” said Caroline Nickel, President and CEO of the Modesto Symphony Orchestra. “Stephen is such a talented pianist, and we were thrilled to hear he had a recital that we could share with our community.” This will be the MSO’s sixth free virtual event in its MSO at Home series. This recital will be shown live on the MSO’s YouTube channel. Recordings of this recital and other past MSO events will be available to watch at ModestoSymphony.org. All MSO virtual concerts are free of charge to help bring music to the community. MODESTO SYMPHONY ORCHESTRA, MSO at Home: Stephen Hough in Recital Hosted by Ryan Murray Thursday, January 14, 2021 at 7:00 pm on the Modesto Symphony’s YouTube channel Stephen Hough, piano Ryan Murray, host PROGRAM Bach, arr.
    [Show full text]
  • 03 June Newsletter
    August 2004 Sing For Joy host Pastor W. Br uce Benson From the host Sometimes Sing For Joy seems to me like a fish — to be as long as there is some nourishment and a few let’s make that a specific fish: a native trout — resting places to keep from being grabbed like a twig swimming upstream in a fast current. A great deal of and carried off. radio programming is a gushing torrent of talk and a flood of nothing-but-new music rushing like a river out Also, from the era of the Hebrew prophets, through of its banks across America. How can a program like the ministry and proclamation of Jesus, and down Sing For Joy swim against the stream of all that? through the centuries since, the call of Biblical faith We play music five years old and 500 or 1,000 years has been a call to faithfulness — faithfulness not to old. We listen, not to celebrities, but to Bible stories. currents of the time but to justice and love. The How do we keep from being swept away? prophets proclaimed their message “upstream” against the current of their times. Jesus did the same, We are like the wily trout. and so have churches and synagogues during the centuries since. We have not always done it perfectly, First, the trout does not try to live everywhere in the to be sure. We have sometimes confused plain river at once; it finds the best places to thrive. And stubbornness or fearful paralysis with faithfulness. the radio river is wide; the currents are not the same But that is not sufficient reason to be despairing or to from station to station.
    [Show full text]
  • MUSIC WEEK OCTOBER 8, 1983 Indies Widen
    MUSIC WEEK OCTOBER 8, 1983 cover an enormous range — from orchestral to chamber, from popular Meridian ASV Chandos songs to early music, vocal, religious and, shortly, opera. A WIDE range of early music, ASV WAS launched two years ago IN LESS than four years Chandos There is the stunning Music for orchestral music, organ music, Indies with an ambitious recording managing director Brian Couzens piano music and much else can be programme to make a cross-section has nurtured his label into one of the Organ and Brass Band, with not found on Meridian, which first came of records, ranging from carols to market leaders, pursuing a policy of only Walton's Crown Imperial and to widespread notice when it won a piano concertos to solo recitals — unusual repertoire which could, in Elgar's Nimrod, but a striking work, Gramophone award for the song but one of the most successful the right context, appeal to a wide The Fenlands by the organist Arthur recital release A Shropshire Lad, series to develop was a mainly re- audience. Wills (A 66068), which has real performed by the baritone Graham widen issue bargain price series. The recordings of works by crossover appeal. And there are the Trew and the pianist Roger Vignoles composer/conductor, Hamilton bestselling recordings of lesser- (E77031). Called Beautiful Music, it set out Harty, who died in 1941, have made known clarinet concertos by Weber, The label has releases by some unequivocally to appeal to those their mark, both critically and Crusell, Finzi and Stanford, played good British artists — including the with interests in romantic melodies commercially, especially the Irish by Thea King, not to mention clarinettist Thea King, the organist rather than the classical Symphony, coupled with the virtuoso mandolin music.
    [Show full text]
  • MARC-ANDRÉ HAMELIN, Piano
    Thursday, February 26, 2015 at 8:00PM Pre-concert Talk by Ruth Ochs at 7:00 PM Richardson Auditorium in Alexander Hall PADEREWSKI MEMORIAL CONCERT MARC-ANDRÉ HAMELIN, Piano WOLFGANG AMADEUS MOZART (1756-1791) Sonata No. 18 in D Major, K. 576 Allegro Adagio Allegretto MARC-ANDRÉ HAMELIN (b. 1961) Pavane Variée (2014) CLAUDE DEBUSSY (1862-1918) Images, Book II Cloches à travers les feuilles Et la lune descend sur le temple qui fut Poissons d’or —INTERMISSION— FRANZ SCHUBERT (1797-1828) Sonata in B-flat Major, D. 960 Molto moderato Andante sostenuto Scherzo: Allegro vivace con delicatezza – Trio Allegro ma non troppo – Presto Marc-André Hamelin records exclusively for Hyperion Records, Ltd. ABOUT THE ARTIST PRINCETON UNIVERSITY CONCERTS 2014-15 SEASON ABOUT MARC-ANDRÉ HAMELIN arc-André Hamelin began the 2014-15 season with a round of recitals in Aspen, New MYork, Verbier, La Roque d’Anthéron, the Duszniki Festival in Poland, Orford, and in the Montreal Symphony’s Virée Classique. There, he also performed Mozart’s Piano Concerto, No. 27, K. 595, with Kent Nagano and the Montreal Symphony, followed by performances of Beethoven’s “Emperor” Concerto at the Hollywood Bowl with Stéphane Denève and the Los Angeles Philharmonic. This season he plays a pair of engagements with the Danish National Symphony Orchestra featuring Brahms Piano Concertos No. 1 and No. 2. In between, he plays with the Symphony Orchestras of Cleveland, New Jersey, Oregon, Seattle, Utah, Vancouver and Philadelphia. At the last of these, he plays the American premiere of Mark Anthony Turnage’s Piano Concerto with Music Director Yannick Nézet-Séguin, a work they launched together for its world premiere last season in Rotterdam.
    [Show full text]
  • From Oldham to Oxford: the Formative Years of Sir William Walton
    From Oldham to Oxford: The Formative Years of Sir William Walton Gary D. Cannon A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts University of Washington 2014 Reading Committee: Geoffrey P. Boers, Chair Abraham Kaplan Giselle E. Wyers Program Authorized to Offer Degree: School of Music © Copyright 2014 Gary D. Cannon University of Washington Abstract From Oldham to Oxford: The Formative Years of Sir William Walton Gary D. Cannon Chair of the Supervisory Committee: Professor Geoffrey Boers Choral Conducting, School of Music The formative years of William Walton (1902–1983) are rarely considered when studying the composer’s life and works. However, careful study of that period indicates many of the directions that the adult Walton would take. Industrial Lancashire was more musically active during the period of Walton’s youth (covering the years 1902 to 1912) than is generally considered. His time as a chorister and later undergraduate at Christ Church, Oxford (1912 to 1920), is replete with influential interactions with talented adults and fellow students. Detailed consideration of Walton’s juvenilia reveals a keen thinker who assimilated these various influences in a unique manner. Far more than merely a springboard for a future talent, these years resulted in inspired works and a firm purpose for the budding composer. From Oldham to Oxford The Formative Years of Sir William Walton Contents Introduction..................................................................................................................................................
    [Show full text]
  • Characteristics of the School of British Bassoon Music of the Early and Mid-Twentieth Century, with Analysis of Representative Works
    Characteristics of the School of British Bassoon Music of the Early and Mid-Twentieth Century, with Analysis of Representative Works Item Type text; Electronic Dissertation Authors Van Klompenberg, Martin J. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 28/09/2021 10:26:41 Link to Item http://hdl.handle.net/10150/595633 Characteristics of the School of British Bassoon Music of the Early and Mid-Twentieth Century, with Analysis of Representative Works by Martin J. Van Klompenberg _____________________ Copyright © Martin J. Van Klompenberg, 2015 A Document Submitted to the Faculty of the FRED FOX SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College of THE UNIVERSITY OF ARIZONA 2015 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Document Committee, we certify that we have read the document prepared by Martin J. Van Klompenberg entitled Characteristics of the School of British Bassoon Music of the Early and Mid-Twentieth Century, with Analysis of Representative Works and recommend that it be accepted as fulfilling the document requirement for the Degree of Doctor of Musical Arts. ______________________________________________ Date: 09/09/2015 William Dietz ______________________________________________ Date: 09/09/2015 Jerry Kirkbride ______________________________________________ Date: 09/09/2015 Daniel Katzen Final approval and acceptance of this document is contingent upon the candidate’s submission of the final copies of the document to the Graduate College.
    [Show full text]