DOCSLIB.ORG

Celebrating 50 Years of Broadcasting the Finest Sacred Music NOVEMBER 2006 / YEAR B

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Celebrating 50 Years of Broadcasting the Finest Sacred Music NOVEMBER 2006 / YEAR B 19706 Sing for Joy Nov 9/28/06 2:07 PM Page 2 Celebrating 50 Years of broadcasting the finest sacred music NOVEMBER 2006 / YEAR B Sing For Joy is a production of the Office of Church Relations of St.Olaf College. t’s time again for what has become our annual becoming a more and more important and helpful sharing of listeners’ comments. Although these part of my personal life and that of my church!” Iexcerpts are from listeners expressing their Denver, Colorado appreciation of Sing For Joy, those of us on the Sing For Joy staff want to thank all of you for “Caught the tail end of Sing For Joy Sunday your support during the year — your prayers, morning on my way to Starbucks. What a Surprise your calls, your letters and your gifts. They are all Joy!!! I was listening to WVTF 89.1 FM, over 75 very much appreciated. Thank you. We couldn’t miles away! Having prayed (and sung) the Psalms do it without you! with a group of friends, knowing Sing For Joy exists was a gift.” E-mail “I deeply appreciate Sing For Joy. It really adds to my life. Sometimes heath has prevented my “Please be assured the Sing For Joy as immense Sunday Church worship, but either way Sing For value in feeding me and my fellow listeners here in Joy is a blessing in my life. May God bless you Rochester, MN. The commentary you provide and and your good works.” Edmond, Oklahoma the hymns you program have often given me added insight into my own quite meaningful local “We have moved to a different part of the country worship services. Thank you!” Rochester, but thanks to your website, I have been able to Minnesota elations still listen to Sing For Joy, and I appreciate the message every week. I appreciate the separate sec- “It was about three Sundays ago that your pro- tion on streaming stations, and I have learned gram blessed the morning as I drove to church much about the church year through this program. with a deeply moving spiritual that resonated with I also appreciate the high quality of music num- the biblical reading for that day. How I love spiri- bers which you share with us every week. Thank tuals, especially when so well performed, but the you for your ministry.” E-mail blessing did not stop here. The program ended with the marvelous gospel, “Worthy to be “My mother was a very faithful listener and pro- Praised;” again you chose the performing artists moter of Sing For Joy. It was not unusual for her well. It was like being in church. Please know that to listen to your program 3 different times over what you are doing is a blessing and it will be the weekend — 6:00 am on Saturday to 5:00 pm blessed.” Raleigh, North Carolina on Sunday on KFUO AM and FM. Even during her more than 60 days in the hospital, she listened “Thank you for your inspiring music. I listen to it to Sing For Joy when the reception worked in the early on Sunday morning and, since our small hospital. Thank you for your ministry of music.” church does not have a choir, it really helps to set St. Louis, Missouri the stage and mood for worship for the day. Keep it up!” Denver, Colorado “I have been listening to your program on 94.7 KRKS in Denver, Colorado for over a year. Your “Bruce Benson does a great program, as did his program is such a joy and a blessing for many rea- predecessor. I serve primarily a lot of small, rural sons. Over the years I have developed a love for Episcopal churches in Virginia and help out occa- more traditional worship… Your program is great sionally in a large one. What I miss mostly in and I thank you all, including the major sponsors, those small congregations is good, liturgical music, who work so hard and lovingly to edify Christ’s and Sing For Joy helps greatly to fill in that gap. Church… Thank you again so much, you are continued on back page 19706 Sing for Joy Nov 10/3/06 1:10 PM Page 3 Lord of the Dance (SHAKER SONG) – American Shaker Hymn, November 5, 2006 arr. John Ferguson (2R, G) Scriptures for Sunday 31, Time after Pentecost (Proper 26): St. Olaf Choir / Anton Armstrong (1R) Deuteronomy 6:1–9 (CD) Worthy to be Praised / ST. OLAF RECORDS / E-2164 (PS) Psalm 119: 1–8 © 1997 St. Olaf College, 1520 St. Olaf Avenue, (2R) Hebrews9:11–14 Northfield, MN 55057 (G) Mark 12:28–34 www.stolafrecords.com (AS) All Saints Sunday Come, Thou Fount of Every Blessing (NETTLETON) – J. Wyeth, For All The Saints (SINE NOMINE) – Ralph Vaughan Williams, arr. John Carter (G) arr. Richard Webster (AS) Chancel Choir of Grace Presbyterian Church: Houston, Tex. / Advent Press Choir: Evanston, Ill. / Richard Webster Chadwick J. Edwards (CD) Fanfare! The Music of Richard Webster / ADVENT PRESS (CD) Hymns of Praise, Faith and Joy / GRACE PRESBYTERIAN / © 2001 Advent Press, Inc., 1519 West Glenlake Avenue, GP 006 Chicago, IL 60660 © 1996 Grace Presbyterian Church, 10221 Ella Lee Lane, www.advent-press.com Houston, TX 77042 www.gpch.org “Beati Quorum Via” from Three Motets, Op. 38 – Charles Villiers Stanford (PS) “Now Cherith’s Brook Is Dried Up” from Elijah, Op. 70 – Cambridge Singers / John Rutter Felix Mendelssohn-Bartholdy (1R) (CD) Faire is the Heaven / COLLEGIUM RECORDS / Linda Finne, contralto; London Symphony Orchestra: COLCD 107 London, England / Richard Hickox © 1988 Collegium Records, PO Box 31366, Omaha, NE 68131 (CD) Mendelssohn: Elijah / CHANDOS / CHAN 8774/5 www.collegiumusa.com © 1989 Chandos Records Ltd., 1 Commerce Park, Commerce Way, Colchester, Essex, England CO2 8HX Jesu, Jesu, Fill Us with Your Love (CHEREPONI) – www.chandos.net Ghanaian Folk Tune, arr. Cindy Johnston (2R) Calvin College Alumni Choir: Grand Rapids, Mich. / God, Whose Giving Knows No Ending (RUSTINGTON) – Pearl Shangkaun C. Hubert H. Parry, arr. John Ferguson (1R, G) (CD) Hymnale / CALVIN COLLEGE / CD 22 Sing For Joy Hymn Festival Congregation © 2002 Calvin College Alumni Association, (CD) Home, Harvest and Healing: A Sing For Joy Hymn Festival / 3201 Burton Street SE, Grand Rapids, MI 49546-4388 ST. OLAF RECORDS / E-2648 www.calvin.edu © 2003 St. Olaf College, 1520 St. Olaf Avenue, Northfield, MN 55057 Give Me the Wings of Faith (SONG 67) – Orlando Gibbons, www.stolafrecords.com arr. Richard Marlow (AS) Choir of Trinity College: Cambridge, England / Richard Marlow Praise the Lord, O My Soul – Ned Rorem (PS) (CD) Descants From Trinity / CONIFER CLASSICS / Choirs of St. John’s Episcopal Cathedral: Denver, Colo. / 756O5 51281 2 Donald Pearson © 1996 Conifer Records Limited, BMG Entertainment, (CD) Sing We Hallelujah / DELOS / DE 3125 New York, N.Y. © 1991 Delos International, Inc., 1645 North Vine Street, www.bmgclassics.com Suite 340, Hollywood, CA 90028 www.delosmus.com Happy Land – The Social Harp (AS) Boston Camerata: Boston, Mass. / Joel Cohen Agnus Dei – Gregorian Chant (2R) (CD) The American Vocalist / ERATO 2292-45818-2 Choralschola Der Wiener Hofburgkapelle / Fr. Hubert Dopf, S.J. © 1992 Erato Disques SA Paris (CD) Gregorian Chant / PHILIPS / 411 140-2 www.warnerclassics.com © Philips Classics Productions, Polygram Records and Jazz, New York, N.Y. Jerusalem, My Happy Home (LAND OF REST) – American Folk www.deccaclassics.com Hymn, arr. Annabel Buchanan and Peter Richard Conte (AS) Saint Clement’s Choir: Philadelphia, Penn. / Peter Richard Conte “Agnus Dei” from Requiem, Op. 48 – Gabriel Fauré (2R) (CD) Hymns of Heaven and Earth / DORIAN RECORDINGS / Academy and Chorus of St. Martin’s in the Fields: DOR-90259 London, England / Sir Neville Marriner © 1998 Dorian Recordings, c/o Sono Luminus, (CD) Fauré: Requiem / PHILIPS / 446 084-2 328 Independence Drive, Winchester, VA 22602 © 1995 Philips Classics Productions, Polygram Records and Jazz, www.dorian.com New York, N.Y. www.deccaclassics.com Hark, I Hear The Harps Eternal (INVITATION) – American Traditional, arr. Robert Shaw and Alice Parker (AS) West Coast Mennonite Chamber Choir: Vancouver, B.C. / November 19, 2006 Tony Funk Scriptures for Sunday 33, Time after Pentecost (Proper 28): (CD) As Evening Shadows Fall / MCC SCS / IKR 010 CD (1R) Daniel 12:1–3 © 2000 MCCSCS, 103-2776 Bourquin Crescent West, (PS) Psalm 16 Abbotsford, BC V2S 6A4, Canada (2R) Hebrews 10:11–14 www.mccscs.com (G) Mark 13:1–8 Come, Let Us Eat (A VA DE) – Billema Kwillia (2R) November 12, 2006 Schola Cantorum of St. Peter the Apostle: Chicago, Ill. / Scriptures for Sunday 32, Time after Pentecost (Proper 27): J. Michael Thompson (1R) 1 Kings 17:8–16 (CD) O Bread of Life / LITURGICAL PRESS / 7897-1 (PS) Psalm 146 © 1995 Liturgical Press, Order of St Benedict, (2R) Hebrews 9:24–28 Collegeville, MN 56321 (G) Mark 12:38–44 www.litpress.org 19706 Sing for Joy Nov 10/3/06 1:10 PM Page 4 Pange Lingua (Sing, My Tongue) – Gregorian Chant (2R) Immortal, Invisible, God Only Wise (ST. DENIO) – Capella Antiqua Munich: Germany / Konrad Ruhland Welsh Folk Tune (1R) (CD) Gregorian Chant / PRO ARTE / CDD 287 Choir of Saint Paul’s Cathedral: London, England / John Scott © 1986 Intersound, Inc. (CD) Praise to the Lord: Favourite Hymns from St. Paul’s Cathedral / HELIOS / CDH88036 Jesus, Thy Blood and Righteousness (WALTON) – W. Gardiner, © 1989 Hyperion Records Limited, PO Box 25, arr. Larry Nickel (2R) London, England SE9 1AX West Coast Mennonite Chamber Choir: Vancouver, B.C. / www.hyperion-records.co.uk Tony Funk (CD) When I Was a Child: Songs My Father Taught Me, Part II / Ride On, King Jesus – African American Spiritual, MCCSCS / IKRCD005CD arr.
Load more

Recommended publications
  • Eloquence Releases: Summer 2017 by Brian Wilson
    Some Recent Eloquence Releases: Summer 2017 by Brian Wilson The original European Universal Eloquence label replaced budget releases on DG (Privilege or Resonance), Decca (Weekend Classics) and Philips (Classical Favourites). Like them it originally sold for around £5 and offered some splendid bargains such as Telemann’s ‘Water Music’ and excerpts from Tafelmusik (Musica Antiqua Köln/Reinhard Goebel 4696642) and Mahler’s Das Lied von der Erde (Janet Baker, James King, Concertgebouw/Bernard Haitink 4681822). Later most of the original batch were deleted – luckily the Mahler remains available – and production switched to Universal Australia but the price remained around the same. More recently changes in the value of the £ mean that single CDs now sell for around £7.75 but the high quality of much of the repertoire means that they remain well worth keeping an eye on. Many, but not all, of the albums are available to stream or download and I have reviewed some in that form and others on CD. Be aware, however, that the downloads often cost more than the CDs and invariably come without notes – which is a shame because the Eloquence booklets are better than those of many budget labels. THE TUDORS Lo, Country Sports Anonymous Almain Thomas TOMKINS Adieu, Ye City-Prisoning Towers Thomas WEELKES Lo, Country Sports that Seldom Fades Nicholas BRETON Shepherd and Shepherdess Michael EAST Sweet Muses, Nymphs and Shepherds Sporting Bar YOUNG The Shepherd, Arsilius’s, Reply John FARMER O Stay, Sweet Love Giles FARNABY Pearce did love fair Petronel Michael
    [Show full text]
  • Fall 2012 Volume 39, No
    ILLINOIS CHAPTER OF THE AMERICAN CHORAL DIRECTORS ASSOCIATION Fall 2012 Volume 39, No. 1 PODIUM techniques, ideas, song titles....IL- President’s Message ILLINOIS ACDA EXECUTIVE BOARD ACDA works well not just because of our guest clinicians, but because we have so many generous experts President in our own organization who are Beth Best HOT TIME IN THE OLD TOWN! willing to share with the rest of us. Hill Middle School [email protected] Thank you to all who attended and Dr. Karyl Carlson is putting the Past President helped with the Summer ReTreat 2013 Re-treat together, and has some exciting headliners and ses- Brett Goad in June! It was definitely a "hot time" in more ways than one! Our sions planned! Watch for her arti- Hinsdale South High School—retired director's chorus guest conductor, cles in the winter and spring issues [email protected] Dr. Josh Habermann, gave us a lot of The Podium. Also, please read President-Elect to think about in preparing and ex- Karyl Carlson pressing the varied music he chose Continued on page 2 Illinois State University for us. He was a joy to work with. Laura Farnell shared many of her [email protected] ideas for working with younger In this issue Treasurer voices. A highlight of her sessions Leslie Manfredo was the work she did with Deb President’s Message p. 1 Save the Date—ReTreat 2012 p. 2 Illinois State University Aurelius-Muir's boys, and practical Commissioning New Music p. 3 Just thinking...Why we do what p. 8 [email protected] tips for teaching the changing voice.
    [Show full text]
  • Britten Connections a Guide for Performers and Programmers
    Britten Connections A guide for performers and programmers by Paul Kildea Britten –Pears Foundation Telephone 01728 451 700 The Red House, Golf Lane, [email protected] Aldeburgh, Suffolk, IP15 5PZ www.brittenpears.org Britten Connections A guide for performers and programmers by Paul Kildea Contents The twentieth century’s Programming tips for 03 consummate musician 07 13 selected Britten works Britten connected 20 26 Timeline CD sampler tracks The Britten-Pears Foundation is grateful to Orchestra, Naxos, Nimbus Records, NMC the following for permission to use the Recordings, Onyx Classics. EMI recordings recordings featured on the CD sampler: BBC, are licensed courtesy of EMI Classics, Decca Classics, EMI Classics, Hyperion Records, www.emiclassics.com For full track details, 28 Lammas Records, London Philharmonic and all label websites, see pages 26-27. Index of featured works Front cover : Britten in 1938. Photo: Howard Coster © National Portrait Gallery, London. Above: Britten in his composition studio at The Red House, c1958. Photo: Kurt Hutton . 29 Further information Opposite left : Conducting a rehearsal, early 1950s. Opposite right : Demonstrating how to make 'slung mugs' sound like raindrops for Noye's Fludde , 1958. Photo: Kurt Hutton. Britten Connections A guide for performers and programmers 03 The twentieth century's consummate musician In his tweed jackets and woollen ties, and When asked as a boy what he planned to be He had, of course, a great guide and mentor. with his plummy accent, country houses and when he grew up, Britten confidently The English composer Frank Bridge began royal connections, Benjamin Britten looked replied: ‘A composer.’ ‘But what else ?’ was the teaching composition to the teenage Britten every inch the English gentleman.
    [Show full text]
  • Conducting Studies Conference 2016
    Conducting Studies Conference 2016 24th – 26th June St Anne’s College University of Oxford Conducting Studies Conference 2016 24-26 June, St Anne’s College WELCOME It is with great pleasure that we welcome you to St Anne’s College and the Oxford Conducting Institute Conducting Studies Conference 2016. The conference brings together 44 speakers from around the globe presenting on a wide range of topics demonstrating the rich and multifaceted realm of conducting studies. The practice of conducting has significant impact on music-making across a wide variety of ensembles and musical contexts. While professional organizations and educational institutions have worked to develop the field through conducting masterclasses and conferences focused on professional development, and academic researchers have sought to explicate various aspects of conducting through focussed studies, there has yet to be a space where this knowledge has been brought together and explored as a cohesive topic. The OCI Conducting Studies Conference aims to redress this by bringing together practitioners and researchers into productive dialogue, promoting practice as research and raising awareness of the state of research in the field of conducting studies. We hope that this conference will provide a fruitful exchange of ideas and serve as a lightning rod for the further development of conducting studies research. The OCI Conducting Studies Conference Committee, Cayenna Ponchione-Bailey Dr John Traill Dr Benjamin Loeb Dr Anthony Gritten University of Oxford University of
    [Show full text]
  • An Annotated Catalogue of the Major Piano Works of Sergei Rachmaninoff Angela Glover
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2003 An Annotated Catalogue of the Major Piano Works of Sergei Rachmaninoff Angela Glover Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY SCHOOL OF MUSIC AN ANNOTATED CATALOGUE OF THE MAJOR PIANO WORKS OF SERGEI RACHMANINOFF By ANGELA GLOVER A Treatise submitted to the School of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Spring Semester, 2003 The members of the Committee approve the treatise of Angela Glover defended on April 8, 2003. ___________________________________ Professor James Streem Professor Directing Treatise ___________________________________ Professor Janice Harsanyi Outside Committee Member ___________________________________ Professor Carolyn Bridger Committee Member ___________________________________ Professor Thomas Wright Committee Member The Office of Graduate Studies has verified and approved the above named committee members. TABLE OF CONTENTS Abstract………………………………………………….............................................. iv INTRODUCTION……………………………………………………………………. 1 1. MORCEAUX DE FANTAISIE, OP.3…………………………………………….. 3 2. MOMENTS MUSICAUX, OP.16……………………………………………….... 10 3. PRELUDES……………………………………………………………………….. 17 4. ETUDES-TABLEAUX…………………………………………………………… 36 5. SONATAS………………………………………………………………………… 51 6. VARIATIONS…………………………………………………………………….. 58 BIBLIOGRAPHY………………………………………………………………….
    [Show full text]
  • A Conductor's Guide to Alec Roth's "A Time to Dance" Eric Z
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 3-11-2019 A Conductor's Guide to Alec Roth's "A Time to Dance" Eric Z. Rubinstein Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Education Commons, Music Performance Commons, Music Practice Commons, and the Other Music Commons Recommended Citation Rubinstein, Eric Z., "A Conductor's Guide to Alec Roth's "A Time to Dance"" (2019). LSU Doctoral Dissertations. 4822. https://digitalcommons.lsu.edu/gradschool_dissertations/4822 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. A CONDUCTOR’S GUIDE TO ALEC ROTH’S A TIME TO DANCE A Dissertation Submitted to the Graduate Faculty of Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Eric Z. Rubinstein B.M., State University of New York College at Fredonia M.M., Michigan State University May 2019 TABLE OF CONTENTS LIST OF TABLES ………………………………………………………………………………iv LIST OF FIGURES ……………………………………………………………………………....v ABSTRACT ……………………………………………………………………………………..vi INTRODUCTION Need for This Study ………………………………………………………………......…..1
    [Show full text]
  • Newly Added Materials in the Libraries May 2013
    Newly Added Materials In the Libraries May 2013 Call Number Author Title Publisher Enum Publication Date Archives ARCHIVES. AS36.M34 R63 Robinson, Delores A. Perceptions of the food insecure : does direct 2012 2012 (Delores Ann). authority construct understanding? / ARCHIVES. E184.G3 W544 Will, Werner H., 1931- From the Oder to the Bitterroot : memories of an W. H. Will, 2011 2011 uncommon life / ARCHIVES. G74 .G85 2011 Guillèn, Mario A. S. Feasibility study of expanding dairy production in 2011 (Mario Alfredo Solìs). Ocosingo, Chiapas, Mexico / ARCHIVES. HB74.5 .M36 Mantobaye, Examining the socio-economic impacts of the Chad- 2012 2012 Moundigbaye. Cameroon oil and pipeline project / ARCHIVES. HM477.M34 Goldberg, Justin M. Internalizing empathy : the influence of social 2012 G65 2012 (Justin Mathew). morality on attitudes towards animal rights / ARCHIVES. HM477.M34 Hynek, Melissa D. Influences of social and cultural capital on 2012 H96 2012 academic achievement in the eighth grade / ARCHIVES. HV9955.I32 Pass, Angelique M. Illinois domestic violence services : the male victim 2012 P37 2012 (Angelique Marie). dilemma / ARCHIVES. HV9955.I32 Zigterman, J. Zach Public perceptions of the Plainfield Police : an initial 2012 Z54 2012 (Jeremiah Zachary). characterization / ARCHIVES. JA88.I32 B35 Balogun, Emmanuel A. Nigeria and the creation of ECOWAS : conceiving 2012 2012 (Emmanuel Adebola). a possible theory of sub regional state behavior / ARCHIVES. JA88.I32 S65 Smith, Christopher L. Inclusion of the Department of Defense in 2012 2012 (Christopher Lee). interagency reform legislation / ARCHIVES. LB1027 .M37 Martin, Debbra (Debbra Place for fine arts : a study of Illinois administrators' 2012 2012 Louise). attitudes, participation in and support of the fine arts in K-12 education / ARCHIVES.
    [Show full text]
  • Gala Music Festival Concert
    AT&T isproud tosponsor ASAA. FREE SHIPPING | 1.866.MOBILITY – ATT.COM – VISIT A STORE Screen images simulated. ©2011 AT&T Intellectual Property. Service provided by AT&T Mobility. All rights reserved. AT&T and the AT&T logo are trademarks of AT&T Intellectual Property. All other marks contained herein are the property of their respective owners. ATM_WOI_M1_2880_ASAA_O.indd Saved at 9-20-2011 2:13 PM Printed At None Client AT&T Media Type Magazine DEPARTMENT: Art Director Copywriter Acct. Manager Studio Artist Proofreader Traffic Production Live None Trim 7.5” x 10” Bleed None APPROVAL: Job Title Alaska ASAA Program Ad Pubs Alaska ASAA Program Addl. Notes: None Ad Code None Welcome to the Festival Welcome to the 2012 ASAA/First National It is no small task when trying to gather the par- Bank Alaska All-State High School Music Festival. ticipants and to coordinate this weekend’s rehears- als and concert. Many, many thanks go to those Our Mission Statement: “The existence of this who have been involved in the process of getting Music Festival enables outstanding high school these students from that first recording session to musicians to participate as members of a select the stage of West Anchorage High School Au- statewide band, choral or orchestra music ditorium in Anchorage, Alaska. Each of ensemble and promotes the highest stan- these students have been encouraged dards of musicianship. It is the goal by a host of parents, music directors, of this activity to foster and inspire private music teachers, adjudicators, technical achievement, aesthetic un- peers, siblings, school administra- derstanding, and critical listening tions and school boards who all real- skills that allow for the culmination of ize the power and influence that qual- a final creative musical performance ity music can have in a young person’s of the highest artistic level.” life.
    [Show full text]
  • A Sea Symphony’ “Richly Drawn Is the Second Symphony – the Romantic, Its Second Movement Anthem Beloved of Millions of Americans
    559704 bk Hanson US_559704 bk Hanson US 02/11/2011 14:30 Page 8 Also available in this series: AMERICAN CLASSICS “This is confident, generous, beautifully made music, richly (and sensitively) scored. Tell-tale indications of things to come can be heard in the bonding between strings and descanting horns (the film composer’s favourite tool), the gorgeous ‘old-fashioned’ harmonies radiating from within, and the craggy, wind-swept tuttis (lots of highriding piccolo skirling) so suggestive of that Northern terrain’s stress and strife... Schwarz, and his splendid Seattle orchestra do not short- HOWARD HANSON change us on any of this and they are beautifully, ripely, recorded here.” Gramophone on the original Delos recording Symphony No. 6 • Lumen in Christo 8.559700 Symphony No. 7 ‘A Sea Symphony’ “Richly drawn is the Second Symphony – the Romantic, its second movement anthem beloved of millions of Americans. [Schwarz’s] feeling for long-term growth is possibly the surest of all, leading us from one resolution to the next with an increasing sense of expectation. It’s a Seattle Symphony and Chorale • Gerard Schwarz symphony full of resolutions: of one door opening on to another until we finally step out into the blue beyond. At that point in the finale, Schwarz more than anyone, leaves us in no doubt whatsoever that we have arrived; the emotional release is irresistible.” Gramophone on the original Delos recording 8.559701 “The Symphony No. 3, Hanson’s most extended essay in the form, was written during the late 1930s and is a representative example of the composer at the height of his powers..
    [Show full text]
  • Record Series 1121-105.4, W. W. Law Music Collection-Compact Discs, Inventory by Genre
    Record Series 1121-105.4, W. W. Law Music Collection-Compact Discs, Inventory by Genre Genre Album title Contributor (s) Date Final Box # Item # Additional Notes Original CD Blues (music) James Cotton Living the Blues James Cotton; Larry McCray; John Primer; Johnny B. Gayden; Brian Jones; Dr. John; Lucky Peterson; Joe Louis Walker 1994 1121-105-242 19 Blues (music) Willie Dixon Willie Dixon; Andy McKaie; Don Snowden 1988 1121-105-249 01 Oversized case; 2 CD box set Blues (music) Cincinnati Blues (1928-1936) Bob Coleman's Cincinnati Jug Band and Associates; Walter Coleman; Bob Coleman no date 1121-105-242 17 Found with CD album in Box #10, Item #28; Case was found separately Blues (music) Willie Dixon, The Big Three Trio Willie Dixon; The Big Three Trio 1990 1121-105-242 18 Blues (music) The Best of Muddy Waters Muddy Waters 1987 1121-105-242 08 Blues (music) The Roots of Robert Johnson Robert Johnson 1990 1121-105-242 07 Blues (music) The Best of Mississippi John Hurt Mississippi John Hurt; Bob Scherl 1987 1121-105-242 06 Blues (music) Bud Powell: Blues for Bouffemont Bud Powell; Alan Bates 1989 1121-105-242 36 Friday, May 11, 2018 Page 1 of 89 Genre Album title Contributor (s) Date Final Box # Item # Additional Notes Original CD Blues (music) Big Bill Broonzy Good Time Tonight Big Bill Broonzy 1990 1121-105-242 04 Blues (music) Bessie Smith The Collection Bessie Smith; John Hammond; Frank Walker 1989 1121-105-242 38 Blues (music) Blind Willie Johnson Praise God I'm Satisfied Blind Willie Johnson 1989 1121-105-242 20 Post-it note was found on the back of this CD case, photocopy made and placed in envelope behind CD.
    [Show full text]
  • Emma Kirkby Soprano Anthony Rooley Lute
    THE UNIVERSITY MUSICAL SOCIETY OF THE UNIVERSITY OF MICHIGAN Emma Kirkby Soprano Anthony Rooley Lute THURSDAY EVENING, NOVEMBER 4, 1982, AT 8:30 RACKHAM AUDITORIUM, ANN ARBOR, MICHIGAN The English Orpheus A Contention between Hope and Despair ...................... JOHN DOWLAND Fantasia ............................................. ALFONSO FERRABOSCO Grief, keep within ........................................... JOHN DANYEL Pavan ....................................................... FERRABOSCO Thou Mighty God .............................................. DOWLAND Semper Dowland, semper dolens ................................. DOWLAND Sweet birds deprive us never ................................ JOHN BARTLETT INTERMISSION Come, shepherds come \ Perfect and endless circles are! ............................... WILLIAM LAWES Love I obey J I rise and grieve } The Lark J ..................................... HENRY LAWES A tale out of Anacreon j Stript of their green \ What a sad fate J .......................... HENRY PURCELL When first Amintas sued for a kiss) Mr. Rooley: London, Decca, Hyperion, and L'Oiseau Lyre Records. Miss Kirkby: Decca and Hyperion Records. Twelfth Concert of the 104th Season Special Concert About the Artists Anthony Rooley studied for three years at the Royal Academy of Music where his love of history and philosophy led him to study the music of the Renaissance. He owned his first lute in 1968 and later combined it with voice and viol to form The Consort of Musicke, one of today's leading specialist Renaissance ensembles. The ensemble covers all the major secular music of the period 1450-1650, with special emphasis in recent years on the English repertoire circa 1600. One major project to emanate from the Consort is a 21-record set of the "Complete Works of John Dowland," which has received accolades from critics throughout the world. In addition to the Consort, which is nearly a full-time concern, Mr.
    [Show full text]
  • Handel Itunes 572745-46 Bk Handel 17/04/2012 12:12 Page 1
    iTunes 572745-46 bk Handel_iTunes 572745-46 bk Handel 17/04/2012 12:12 Page 1 2 CDs HANDEL Acis and Galatea Kotoski • Gordon • Siebert • Opalach Seattle Symphony Chorale Seattle Symphony • Gerard Schwarz iTunes 572745-46 bk Handel_iTunes 572745-46 bk Handel 17/04/2012 12:12 Page 2 George Frideric CD 1 43:07 CD 2 58:33 HANDEL Act I Act II (1685-1759) 1 Sinfonia 3:44 1 Wretched lovers! Fate has passed (Chorus) 6:10 Acis and Galatea, HWV 49 2 Oh, the pleasure of the plains! 2 I rage, I melt, I burn (Polyphemus) 1:20 (Chorus, Acis, Galatea) 5:40 3 Air: O ruddier than the cherry (Polyphemus) 3:27 A Masque in Two Acts 3 Ye verdant plains and woody mountains 4 Whither, fairest, art thou running? Words by John Gay and others (Galatea) 0:49 (Polyphemus, Galatea) 1:22 4 Air: Hush, ye pretty warbling quire! (Galatea) 6:56 5 Air: Cease to beauty to be suing 5 Air: Where shall I seek the charming fair? (Polyphemus) 5:37 (Acis) 3:01 6 Air: Would you gain the tender creature Galatea . Dawn Kotoski, Soprano 6 Stay, shepherd, stay! (Damon) 0:24 (Damon) 5:31 Acis . David Gordon, Tenor 7 Air: Shepherd, what art thou pursuing? 7 His hideous love provokes my rage (Acis) 0:30 (Damon) 4:54 8 Air: Love sounds th’alarm (Acis) 5:20 Damon . Glenn Siebert, Tenor 8 Lo! here my love, turn (Acis) 0:28 9 Air: Consider, fond shepherd (Damon) 5:23 Polyphemus . Jan Opalach, Bass 9 Air: Love in her eyes sits playing (Acis) 7:01 0 Cease, oh cease, thou gentle youth (Galatea) 0:26 0 Oh! didst thou know the pains of absent love ! The flocks shall leave the mountains / (Galatea) 0:17 Torture, fury, rage, despair Scott Goff, Flute ! Air: As when the dove laments (Galatea) 6:19 (Acis, Galatea, Polyphemus) 3:01 @ Happy we! (Acis and Galatea, Chorus) 3:34 @ Help, Galatea! Help, ye parent gods! (Acis) 1:11 Judy Kriewall, Piccolo # Mourn, all ye muses (Chorus) 5:54 Bernard Shapiro, Oboe $ Must I my Acis still bemoan? / Susan Williams, Cello Cease, Galatea, cease to grieve (Galatea, Chorus) 6:37 Michael G.
    [Show full text]