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Home , Alexander Dreyschock, Berceuse (Chopin), Garrick Ohlsson, Henri Bertini, Hyperion Records, Jean Sibelius

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JEFFREY KALLBERG

Department of Music Office of the Dean 730 Argyle Road University of Pennsylvania University of Pennsylvania Wynnewood, PA 19096 201 South 34th Street 1 College Hall, Room 116 610-896-6138 Philadelphia, PA 19104-6313 Philadelphia, PA 19104-6377 610-585-0771 (cell) 215-898-7544 (office) 215-898-7320 (office) [email protected] 215-573-2106 (fax) 215-898-0821 (fax) http://www.sas.upenn.edu/~kallberg

ACADEMIC TRAINING

The University of Chicago, Ph.D., 1982 Major Field: Music History Dissertation Title: The Sources: Variants and Versions in Later Manuscripts and Printed Editions. Adviser: Philip Gossett Research in Poland, , and Western Europe, 1978-80 The University of Chicago, M.A., 1976-78 Major Field: Music History University of California, Los Angeles, A.B., 1971-75 Major: Music

ACADEMIC DISTINCTIONS

A.B., Magna cum laude, University of California, Los Angeles, 1975 Martha Baird Rockefeller Fund for Music Fellowship, 1978-79 Social Science Research Council Fellowship, 1979-80 Mrs. Giles Whiting Foundation Fellowship, The University of Chicago, 1980-81 University of Pennsylvania Research Foundation Grant, 1983 Alfred Einstein Award, given by the American Musicological Society for the best musicological article published by a younger scholar ("Chopin in the Marketplace"), 1984 Richard S. Hill Award, given by the Music Library Association for best bibliographic article ("Chopin in the Marketplace"), 1984 University of Pennsylvania Research Fund Grant, 1985 National Endowment for the Humanities Fellowship for Independent Study and Research, 1985-86 American Council of Learned Societies Research Fellowship for Recent Recipients of the Ph.D. (Honorary), 1985-86 University of Pennsylvania Undergraduate Education Fund Grant, to develop Freshman Seminar, August 1986 American Council of Learned Societies Travel Grant, to "Chopin and " Symposium in , Poland, October 1986

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International Programs Fund, University of Pennsylvania, Travel Grant to Chopin Symposium, Warsaw, Poland, September 1989 Stefan and Wanda Wilk Prize for Research in Polish Music ("Hearing Poland"), 1989 Guest of Honor, Twelfth International Fryderyk Chopin Competition, Warsaw, Poland, October 1990 John Simon Guggenheim Memorial Foundation Fellowship, 1992 University of Pennsylvania Research Fund Grant, 1995 Faculty Fellow, Penn Humanities Forum, 2000-01 Guest of Honor, Fourteenth International Fryderyk Chopin Piano Competition, Warsaw, Poland, October 2000 Stefan and Wanda Wilk Book Prize for Research in Polish Music (Chopin at the Boundaries), 2000 Rayson Huang Fellow, University of Hong Kong, 2004 (recent Rayson Huang Fellows include David Del Tredici, Laurie Anderson, and Anthony Seeger) Distinguished Alumnus, The University of Chicago, 2009 (delivered special lecture as part of ceremonies for 500th Convocation)

EXPERIENCE

Teaching (Primary Appointments)

Professor of Music, University of Pennsylvania, 1997-present Associate Professor of Music, University of Pennsylvania, 1988-97 M. Mark and Esther K. Watkins Assistant Professor of the Humanities and Music, University of Pennsylvania, 1985-88 Assistant Professor of Music, University of Pennsylvania, 1982-85 Lecturer in Music, The University of Chicago, 1977

Teaching (Visiting Appointments)

Associate Professor of Music, Princeton University, Spring 1995 Associate Professor of Music, Harvard University, Spring 1994 Associate Professor of Music, State University of at Stony Brook, Fall 1992

Research

Research Assistant to Professor Philip Gossett, Music, The University of Chicago, 1978; 1980-82

Administration (Major positions, appointed or elected)

Associate Dean for Arts and Letters, School of Arts and Sciences, University of Pennsylvania, 2010-present 3

Vice President, American Musicological Society, 2004-2006 Chair, Department of Music, University of Pennsylvania, 2003-2010

PUBLICATIONS

Books

Chopin at the Boundaries: Sex, History, and Musical Genre, in the series Convergences, edited by Edward W. Said (Cambridge, Mass.: Harvard University Press, 1996), xiii, 303 pp. [Polish , Warsaw: Narodowy Instytut Fryderyka Chopina, in press]

Źródła Chopinowskie: Warianty i wersje w późnych manuskryptach i pierwodrukach (Warsaw: Narodowy Instytut Fryderyka Chopina, in press) [Polish edition and translation of doctoral dissertation]

Chopin and the Culture of the Nocturne (manuscript of approximately 400 pages, currently under revision for publication).

Critical Edition

Giuseppe Verdi, Luisa Miller, The Works of , Series I, Volume 15 (Milan: Casa Editrice Ricordi, and Chicago: The University of Chicago Press, 1991); introduction and score: lxvi, 479 pp.; critical commentary: viii, 135 pp.

Performances: Cincinnati May Festival; Teatro alla Scala, Milan; Rome Opera; Teatro Verdi, Trieste; Teatro Regio, Parma; Nederlandse Opera, Amsterdam; Teatro Communale, Bologna; Opéra de Monte Carlo, Monaco; Opernhaus, Kiel; Köln Opera; Staatstheater Stuttgart; Saarlandisches Staatstheater, Saarbrucken; Bayerische Staatsoper, Munich; Ludwigshafen Oper; Titisee-Neustadt Oper; Oper Frankfurt; Staatstheater Mainz; Zurich Oper; Teatro Giuseppe Verdi, Bussetto; Bordeaux Opéra; Opéra de Lausanne; Philharmonic; Teatro San Carlo, Naples; Biwako Hall, Osaka; Orchard Hall, Tokyo; Teatro Massimo, Palermo; Teatro La Fenice, ; Teatro Verdi, Sassari; Veneto, Venice

Recording: Teatro la Fenice (live performance), Maurizio Benini, cond. Dynamic 523/1-2 (2006)

Articles

"Marketing Rossini: Sei lettere di Troupenas ad Artaria," Bollettino del centro rossiniano di studi, anno 1980, numero 1-3, pp. 41-63. 4

"Chopin in the Marketplace: Aspects of the International Music Publishing Industry in the First Half of the Nineteenth Century," Notes 39 (1983): 535-69; 795-824. "Compatibility in Chopin's Multipartite Publications," Journal of Musicology 2 (1983): 391-417. "Chopin's Last Style," Journal of the American Musicological Society 38 (1985): 264-315. "O klasyfikacji rękopisów Chopina" ("On the classification of Chopin's manuscripts"), Rocznik Chopinowski 17 (1985): 63-96. "The Problem of Repetition and Return in Chopin's ," Chopin Studies, ed. Jim Samson (Cambridge: Cambridge University Press, 1988), pp.1-23. "Ostatnia przemiana stylu Chopina" [Polish translation of "Chopin's Last Style"], Rocznik Chopinowski 18 (1986): 17-61. "Czy warianty są problemem? `Intencje kompozytorskie’ w edytorstwie dzieł Chopina," Rocznik Chopinowski 19 (1987): 199-210. "Are Variants a Problem? `Composer's Intentions’ in Editing Chopin," Chopin Studies 3 (Warsaw, 1990), pp. 257-67. "The Rhetoric of Genre: Chopin’s Nocturne in G Minor," 19th-Century Music 11 (1988): 238-61. "Understanding Genre: A Reinterpretation of the Early Piano Nocturne," Atti del XIV Congresso della Società Internazionale di Musicologia, Bologna 1987, 3 vols. (Turin, 1990), 3: 775-79. "Hearing Poland: Chopin and Nationalism," Piano Music in the Nineteenth Century, ed. R. Larry Todd (New York: Schirmer Books, 1990), pp. 221-57. "Small `Forms’: In Defence of the Prelude," Cambridge Companion to Chopin, ed. Jim Samson (Cambridge: Cambridge University Press, 1992), pp. 124- 44; 310-14. "The Harmony of the Tea Table: Gender and Ideology in the Piano Nocturne," Representations, no. 39 (Summer 1992): 102-33. "Small Fairy Voices: Sex, History, and Meaning in Chopin," Chopin Studies 2, ed. John Rink and Jim Samson (Cambridge: Cambridge University Press, 1994): 50-71. "Nocturnal Thoughts on ," Musical Quarterly 81 (1997): 199-203. “`Voice’ and the Nocturne,” , Scholar, Connoisseur: for Jacob Lateiner, ed. Bruce Brubaker and Jane Gottlieb (Stuyvesant: Pendragon Press, 2000), pp. 1-46. “Gender,” The New Grove Dictionary of Music and Musicians, 2d ed., (: Macmillan, 2001), vol. 9, pp. 645-47. “Sex, Sexuality,” The New Grove Dictionary of Music and Musicians, 2d ed., (London: Macmillan, 2001), vol. 23, pp. 178-80. “Chopin and the Aesthetic of the Sketch: A New Prelude in E flat Minor?” Early Music 29 (2001): 408-22. “Chopin’s March, Chopin’s Death,” 19th-Century Music 25 (2001): 3-26; expanded French version “La Marche de Chopin,” Frédéric Chopin: Interprétations, ed. Jean-Jacques Eigeldinger, trans. Jacqueline Waeber 5

(Geneva: Droz, 2005), pp. 11-42. "Chez Chopin: New Light on the Soirée of 13 December 1836," Muzyka w kontekście kultury: Studia dedykowane Profesorowi Mieczysławowi Tomaszewskiemu w osiemdziesięciolecie urodzin, ed. Małgorzata Janicka-Słysz, Teresa Malecka, and Krzysztof Szwajger (Cracow: Akademia Muzyczna, 2001), pp. 91-94. “Chopin and the Fragment,” Chopin’s Work: His Inspirations and Creative Process in the Light of the Sources (Warsaw: Narodowy Instytut Fryderyka Chopina, 2002), pp. 127-141. “Chopin, Rellstab, and the Immorality of Innovation,” Chopin 1849/1999: Aspekte der Rezeptions- und Interpretationsgeschichte, ed. Andreas Ballstaedt (Schliengen, : Edition Argus, 2003), pp. 183-96. "Sibelius, Skogsrået, and the History of Sexuality," Sibelius Forum II, ed. Matti Huttunen, Kari Kilpeläinen, and Veijo Murtomäki (: , 2003), pp. 430-37. "Arabian Nights: Chopin and Orientalism," Chopin and his Work in the Context of Culture, ed. Irena Poniatowska, 2 vols. (Cracow: Musica Iagellonica, 2003), 1: 171-183. "Finnish Modern: Love, Sex, and Style in Sibelius's Songs," Cambridge Companion to Sibelius, ed. Daniel M. Grimley (Cambridge: Cambridge University Press, 2004), pp. 117-136. "Sex, Sexuality, and Schubert's Piano Music," Historical Musicology: Sources, Methods, Interpretations, ed. Stephen A. Crist and Roberta Montemorra Marvin (Rochester: University of Rochester Press, 2004), pp. 219-231. “Con duolo: On Chopin’s Soul,” Chopin in Performance: History, Theory, Practice (Warsaw: Narodowy Instytut Fryderyka Chopina, 2005), pp. 79-96. “Con duolo: expression gestuelle et tradition bel canto chez Chopin” [French translation of the previous article], Interpréter Chopin: actes du colloque des 25 et 26 mai 2005, ed. Jean-Jacques Eigeldinger (: Cité de la musique, 2006), pp. 104-109. "Chopin's Errors," La note bleue: Mélanges offerts au Professeur Jean-Jacques Eigeldinger, ed. Jacqueline Waeber (Bern: Peter Lang, 2006), pp. 11-34. “On the scherzando Nocturne,” Variations on the Canon: Essays on Music from Bach to Boulez in Honor of Charles Rosen on his Eightieth Birthday, ed. Robert Curry, David Gable, and Robert Marshall (Rochester: University of Rochester Press, 2008), pp. 172-184. [Slightly different version appears in The Sources of Chopin’s Style: Inspirations and Contexts (Warsaw: Narodowy Instytut Fryderyka Chopina, 2010), pp. 315-324.] “Chopin’s Music Box,” Chopin’s Musical Worlds: The 1840s (Warsaw: Narodowy Instytut Fryderyka Chopina, 2008), pp. 189-202. "Peeping at Pachyderms: Convergences of Sex and Music in France around 1800," Fashions and Legacies of Nineteenth-Century Italian Opera, ed. Roberta Montemorra Marvin and Hilary Poriss (Cambridge: Cambridge University Press, 2010), pp. 132-151. 6

“Sense and Meaning in Two Recently Discovered Editions Annotated by Chopin,” Proceedings of the Sixth International Research Conference, Narodowy Instytut Fryderyka Chopina (in press). “Mechanical Chopin,” Common Knowledge 17 (2011): 269-282. “Theatrical Sibelius: The Melodramatic Lizard,” and his World, ed. Daniel M. Grimley (Princeton: Princeton University Press, 2011), pp. 74-88. “Hiller Recomposes Chopin,” After Chopin. The Influence of Chopin’s Music on European Composers up to the First World War (Warsaw: Narodowy Instytut Fryderyka Chopina, 2012), pp. 355-370. “Chopin’s Pencil,” Proceedings of the Third International Chopin Congress (Warsaw: in press). “Late Style, Last Style, and Chopin’s Waltz in A flat Major, op. 64 no. 3,” Chopin et son temps. Actes des Rencontres Internationales harmoniques, Lausanne 2010, ed. Vanja Hug et Thomas Steiner (Bern: Peter Lang, in press).

Book Series

Founder and general editor (with Anthony Newcomb and Ruth Solie), New Perspectives in Music History and Criticism, Cambridge University Press. 1: Leslie C. Dunn and Nancy A. Jones, eds., Embodied Voices: Representing Female Vocality in Western Culture, 1994. 2: Downing A. Thomas, Music and the Origins of Language: Theories from the French Enlightenment, 1995. 3: Thomas S. Grey, Wagner's Musical Prose: Texts and Contexts, 1995. 4: Daniel K. L. Chua, Absolute Music and the Construction of Meaning, 1999. 5: Adam Krims, Rap Music and the Poetics of Identity, 2000. 6: Annette Richards, The Free Fantasia and the Musical Picturesque, 2001. 7: Richard Will, The Characteristic in the Age of Haydn and Beethoven, 2002 8: Christopher Morris, Reading Opera Between the Lines: Orchestral Interludes and Cultural Meaning from Wagner to Berg, 2002. 9: Emma Dillon, Medieval Music-Making and the 'Roman de Fauvel', 2002. 10: David Yearsley, Bach and the Meanings of Counterpoint, 2002. 11: Alexander Rehding, Hugo Riemann and the Birth of Modern Musical Thought, 2003. 12: David Metzer, Quotation and Cultural Meaning in Twentieth- Century Music, 2003. 13: Dana Gooley, Virtuoso Liszt, 2004. 14: Bonnie Gordon, Monteverdi’s Unruly Women: The Power of Song in Early Modern , 2004. 15: Gary Tomlinson, The Singing of the New World: Indigenous Voice 7

in the Era of European Contact, 2007. 16: Matthew Gelbart, The Invention of “” and “Art Music”: Emerging Categories from to Wagner, 2007. 17: Olivia A. Bloechl, Native American Song at the Frontiers of Early Modern Music, 2007. 18: Giuseppe Gerbino, Music and the Myth of Arcadia in Renaissance Italy, 2009. 19: Roger Freitas, Portrait of a Castrato: Politics, Patronage, and Music in the Life of Atto Melani, 2009. 20: Gundula Kreutzer, Verdi and the Germans: From Unification to the Third Reich, 2010. 21: Holly Watkins, Metaphors of Depth in German Musical Thought from E.T.A. Hoffmann to , 2011. (Three other titles presently in press or under contract).

Facsimile Editions

Dzieła Chopina. Wydanie faksymilowe/Works of Chopin. Facsimile Edition. Warsaw: Narodowy Instytut Fryderyka Chopina, 2006-present. Introductions and commentaries for the following manuscripts: , opus 26; Pierpont Morgan Library, New York (2010), 12 pp.; 46 pp. Mazurkas, opus 50; Pierpont Morgan Library, New York. 2 vols. (2010), 6 pp.; 47 pp. Nocturne in B Major, opus 62, number 1; The Newberry Library, Chicago (2010), 4 pp.; 46 pp. Sonata in C Minor, opus 4; Pierpont Morgan Library, New York (in press). Etude in , opus 10, number 7; Pierpont Morgan Library, New York (in press). Polonaise in Ab Major, opus 53; Pierpont Morgan Library, New York (in press). , opus 59, number 3 (G-minor version); Pierpont Morgan Library, New York (in press).

Piano Music of the Parisian Virtuosos, 1810-60, facsimile edition with commentary, 10 vols., New York: Garland Publishing, 1993. Vol. 1: (1812-1871): Selected Works, xii, 359 pp. Vol. 2: Sigismond Thalberg (1812-1871): Selected Works, xi, 328 pp. Vol. 3: Frédéric Kalkbrenner (1785-1849): Selected Works, xi, 335 pp. Vol. 4: (1803-1888): Selected Works, xi, 353 pp. Vol. 5: Two Bohemians in Paris: Selected Works of (1794-1870) and Alexander Dreyschock (1818-1869), xii, 315 pp. Vol. 6: Edward Wolff (1816-1880): Selected Works, xii, 341 pp. Vol. 7: Johann Peter Pixis (1788-1874): Selected Works, xi, 239 pp. Vol. 8: François Hünten (1793-1878): Selected Works, xi, 223 pp. 8

Vol. 9: Henri Bertini (1798-1876) and Théodore Döhler: Selected Works, xii, 381 pp. Vol. 10: Native and Foreign Virtuosos: Selected Works of Zimmerman, Alkan, Franck, and Contemporaries, xii, 274 pp.

Reviews, Program Essays, and Journalism

Krystyna Kobylańska, Rękopisy Utworów Chopina: Katalog; 19th-Century Music 3 (1979): 163-69. George Marek and Maria Gordon-Smith, Chopin; Ruth Jordan, Nocturne: A Life of Chopin; Jean-Jacques Eigeldinger, Chopin vu par ses élèves; Notes 36 (1980): 645-46. Jan Bogdan Drath, comp. and ed., of Fryderyk Chopin: Sources. Volume I: Waltzes Published During Chopin's Lifetime; Notes 37 (1980): 323. Krystyna Kobylańska, Frédéric Chopin: Thematisch-bibliographisches Werkverzeichnis; Journal of the American Musicological Society 34 (1981): 357-65. William G. Atwood, The Lioness and the Little One: The Liaison of and Frédéric Chopin; 19th-Century Music 5 (1982): 244-47. Jan Ladislav Dussek, Selected Piano Works, ed. H. Allen Craw, and , Piano , Opus 113, ed. Joel Sachs; 19th- Century Music 8 (1984): 71-74. "Chopin's Concerto in F Minor, Op. 21," program essay for Orchestra, May 1985. "On the New Critical Edition of Verdi's Luisa Miller," program essay for Cincinnati May Festival, 20 May 1988. Jean-Jacques Eigeldinger, Chopin: Pianist and Teacher as Seen by his Pupils; Journal of the American Musicological Society 42 (1989): 189-93. Ferdinand Gajewski, ed., The Work Sheets to Chopin's Violoncello Sonata: A Facsimile; Notes 46 (1990): 801-803; and correspondence, Notes 47 (1990): 253-54. "Monsieur Chopin: Da Varsavia a Parigi," Amadeus (monthly music magazine published by De Agostini-Rizzoli, Milan), January 1992, pp. 23-26. "Chopin's Mazurkas," program essay for complete recording by Jean-Marc Luisada; Deutsche Grammophon GmbH 435 760-2, 1992. Ernst Burger, Frédéric Chopin: Eine Lebenschronik in Bildern und Dokumenten; Notes 50 (1994): 963-64. "Chopin: in F Minor; 24 ," program essay for recording by Maria João Pires, the Royal Philharmonic Orchestra, and André Previn; Deutsche Grammophon GmbH 437 817-2, 1994. "Envoicing Chopin's ," program essay for complete recording by Maria João Pires, Deutsche Grammophon GmbH 447 096-2, 1996. Program essay for all-Chopin recital by , Chicago, February 1998 Elżbieta Wąsowska, ed., Mazurki kompozytorów polskich na fortepian; Frédéric Chopin, Mazurkas, ed. Désiré N’Kaoua; Notes 55 (1998): 181-83. 9

“Chopin’s Compositional Process: From Piano to Public,” essay for Polish national web site devoted to the life and works of Chopin, maintained by the Towarzystwo im. Fryderyka Chopina, Warsaw (http://www.chopin.pl/biografia/prtw_en.html), February 1999. Program essay for performance of the Chopin by , Carnegie Hall, New York, November 1999. “Il metodo di lavoro: La variante è la regola,” Amadeus, December 1999, pp. 12-17. , Nocturnes and Related Pieces, ed. Robin Langley (Musica Britannica, 71); Field, Opere complete per pianoforte, ed. Pietro Spada; Notes 57 (2000): 196-200. Program essay for piano recital by Delphine Bardin, Carnegie Hall, New York, November 2001. Program essay for piano recital by , Carnegie Hall, New York, April 2002. Program essay for piano recital by , Carnegie Hall, New York, May 2002 "Solving the Mystery of Chopin's 'Demonic' Prelude," Piano Today, Fall 2002 pp. 10-11; 50. Program essay for piano recital by Maurizio Pollini, Carnegie Hall, New York, October 2004 “Con duolo: On Chopin’s Soul,” Chopin in the World 18 (2004/2005): 5-8. “Chopin: Late Masterpieces,” booklet note for recording by , Hyperion Records 67764, 2010. “Chopin: Nocturnes, , Sonata in B flat minor,” booklet note for recording by Louis Lortie, Chandos Records, 2010. “Chopin: Waltzes,” booklet note for recording by Stephen Hough, Hyperion Records, 2011. “Chopin: , Nocturnes, , ,” booklet note for recording by Louis Lortie, Chandos Records, 2012.

PAPERS AT SCHOLARLY MEETINGS, CONGRESSES, AND SYMPOSIA

American Musicological Society, New York, November 1979 Midwest Chapter, American Musicological Society, Chicago, October 1980 American Musicological Society, Ann Arbor, November 1982 Mid-Atlantic Chapter, American Musicological Society, West Chester, April 1983 American Musicological Society, Vancouver, November 1985 Chopin and Romanticism, Warsaw, Poland, October 1986 American Musicological Society, Cleveland, November 1986 International Musicological Society, Bologna, Italy, August 1987 A Nation Without Sovereignty: Polish Society and Culture in the Nineteenth Century, David and Alfred Smart Gallery, University of Chicago, April 1989 Second International Chopin Symposium, Warsaw, Poland, September 1989 10

American Musicological Society, Oakland, November 1990 Sixth International Conference of the Society for Textual Scholarship, New York, April 1991 International Conference on Nineteenth-Century Music, University of Surrey, , July 1994 American Musicological Society, Minneapolis, October 1994 North American Society for the Study of Romanticism, Duke University, November 1994 Westfield International Schubert Conference, Washington, DC, April 1995 Representations of Gender and Sexuality in Opera, State University of New York at Stony Brook, September 1995 American Musicological Society, Baltimore, November 1996 New England Chapter, American Musicological Society, February 1997 College Art Association, New York, February 1997 Frédéric Chopin: Symposium international, Université de Genève, February 1999 Focus on Piano Literature, University of North Carolina, Greensboro, June 1999 Chopin Festival, Smithsonian Institution, Washington, DC, October 1999 Second International Chopin Congress, Warsaw, Poland, October 1999 The Chopin Forum, South Bank Centre, London, October 1999 L’œuvre de Chopin: Aspects historiques, analytiques et esthetiques, Université de Paris-Sorbonne, December 1999 Chopin 1849/1999, Robert-Schumann-Hochschule, Düsseldorf, Germany, December 1999 Frederic Chopin: A Symposium, Mannes College, New York, December 1999 American Musicological Society, Toronto, November 2000 Third International Jean Sibelius Conference, Helsinki, , December 2000 Legacies: 500 Years of Printed Music, University of North Texas, October 2001 Chopin's Lost "Devil's Trill", Smithsonian Institution, Washington, DC, November 2002 Second International Research Conference, Narodowy Instytut Fryderyka Chopina, Warsaw, Poland, December 2002 Fourth International Research Conference, Narodowy Instytut Fryderyka Chopina, Warsaw, Poland, December 2004 Intérpreter Chopin, Cité de la Musique, Paris, France, May 2005 Fifth International Research Conference, Narodowy Instytut Fryderyka Chopina, Warsaw, Poland, December 2005 Sixth International Research Conference, Narodowy Instytut Fryderyka Chopina, Warsaw, Poland, December 2006 Seventh International Research Conference, Narodowy Instytut Fryderyka Chopina, Warsaw, Poland, December 2007 American Musicological Society, Nashville, November 2008 Eighth International Research Conference, Narodowy Instytut Fryderyka Chopina, Warsaw, Poland, December 2008 The Chopin Symposium, Rivers School Conservatory, Weston, Massachusetts, June 2009 11

Third International Chopin Congress, Warsaw, Poland, February 2010 Cinquièmes Rencontres Internationales Harmoniques, Lausanne, Switzerland, September 2010 Association for Documentary Editing, Philadelphia, October 2010 European Music in late 18th to early – Diversity and Evolution (keynote lecture), National Sun-yat Sen University, Kaohsiung, Taiwan, December 2010

COLLOQUIA

The University of Chicago, May 1985 The , New York, September 1986, October 1986, January 1988, February 1988, April 1992, March 1994 Center for Soviet and Eastern European Studies, University of Pennsylvania, November 1986 West Chester University, West Chester (Lecture-Recital with Richard Veleta), April 1987 Princeton University, November 1987 State University of New York at Stony Brook, November 1987 University of North Carolina, Chapel Hill, January 1988 Cornell University, December 1988 University of California, Berkeley, February 1989 University of Pennsylvania, April 1989 Graduate Center, City University of New York, April 1989 Stanford University, February 1990 Department of Classical Studies, University of Pennsylvania, December 1990 Curtis Institute of Music, March 1991 Haverford College, January 1992 Peabody Conservatory, October 1993 Faculty Seminar in The History of the Book, University of Pennsylvania, October 1995 University of Wisconsin, Madison (University Lecture), November 1995 University of Chicago Library Society, February 1998 Rutgers University, March 1998 Juilliard Conservatory Doctoral Forum, October 1998 Wesleyan University, November 1999 Haverford College, March 2000 University of Utah, April 2000 University of California, Los Angeles, April 2000 University of North Carolina, Chapel Hill, November 2000 Rutgers University, Camden, February 2001 Department of German, University of Pennsylvania, February 2001 , April 2001 Princeton University, November 2001 Smith College, September 2002 Economic History Forum, University of Pennsylvania, November 2003 12

Hong Kong University, March 2004 Hong Kong University (Rayson Huang Lecture), March 2004 University of California, Los Angeles, March 2005 University of Michigan, April 2007 Humanities Center, Stanford University, May 2007 Swarthmore College, March 2009 University of Chicago, October 2009 Cornell University (Donald Jay Grout Lecture), April 2010 Ohio State University (keynote lecture, Graduate Music Student Association Research Conference), May 2010 University of Virginia (keynote lecture), September 2010 National Sun-yat Sen University, December 2010 National Taiwan University, December 2010 University of North Carolina, Chapel Hill, April 2013

OTHER SPEAKING ENGAGEMENTS

Session co-chair for "Genre: Implications for History and Criticism," Annual Meeting of the American Musicological Society, Cleveland, November 1986 Session chair, Feminist Theory and Music: Toward a Common Language, Minneapolis, June 1991 Post-concert discussion with Garrick Ohlsson, , November 1993 Post-concert discussion with Garrick Ohlsson, University of Chicago, February 1998 Session chair, American Musicological Society, Boston, November 1998 Session chair, American Musicological Society, Kansas City, November 1999 The Tanner Panel, Tanner Lectures on Human Values (Charles Rosen, Tanner Lecturer), University of Utah, April 2000 Pre-concert lectures (three to five series of concerts per season), Philadelphia Orchestra, October 2000 - present Session Chair, American Musicological Society, Seattle, November 2004 Pre-concert lecture, Carnegie Hall, October 2005 Pre-concert lectures, Bard Music Festival, August 2006, August 2011 Pre-concert lecture, Philadelphia Society, November 2010, March 2011, March 2012, May 2012, November 2012

PROFESSIONAL SOCIETIES

American Musicological Society International Musicological Society

ACADEMIC SERVICE

National—American Musicological Society 13

Vice President, 2004-6 Program Committee, 2001-3 (Chair, 2002) Director-at-Large, 1997-99 Review Editor, Journal of the American Musicological Society, 1992-95 National Council, 1984-86 Local Arrangements Committee, Annual Meeting, 1984

National and International—Editorial and Advisory Boards

Journal of Musicological Research, 2009-present Svensk tidskrift för musikforskning online [STM-Online], 2008-present 19th-Century Music, 2005-present The Pendragon Review: A Journal of Musical Romanticism, 1998-present Journal of Musicology, 1996-2012 Women and Music: A Journal of Gender and Culture, 1995-2000 Journal of the American Musicological Society, 1992-98

National—General

Panelist, Kluge Center Fellowships, Library of Congress, 2007 Manuscript Authentication (Beethoven), Sotheby’s, London, August 2005 Reader, Radcliffe Fellowships, 2005-2010 Reader, John Simon Guggenheim Memorial Foundation Fellowships, 2004-present Production and Historical Consultant to Hershey Felder, playwright, for plays Romantique, 2003; Monsieur Chopin, 2005; Beethoven as I Knew Him, 2008; and Maestro, 2010 Advisory Board, North American Society for the Study of Romanticism, 1993-99 Program Committee, Feminist Theory and Music II, , June 1993 Panelist, Editions Program, National Endowment for the Humanities Honors Examiner, Swarthmore College, May 1987 Manuscript Authentication (Chopin), Sotheby's, New York, December 1986; August 1987 Consultant, Educational Testing Service, 1985, 1989 Advisory Editor, Garland Library of the History of Western Music, 1984

University of Pennsylvania: School of Arts and Sciences

Associate Dean for Arts & Letters, 2010- Music Building Renovation, 2004-10 SAS Dean Search Committee, 2004 Fisher-Bennett Hall Renovation, 2003-5 Faculty Fellowship Committee, 2002 14

Personnel Committee, 2001-2 General Requirement Committee, 2000-2 Planning and Priorities Committee, 1999-2002 Graduate Group, Department of Germanic Languages, 1999-present Dean's Special Committee to appoint DiVito Chair in Italian Studies, 1996-97 Internal Review Committee, Linguistics, 1996 Graduate Education Committee, 1994-97; Chair, 1996-97 Freshman Advisor, 1990-93; 1995-98; 2001-present Council for the Humanities, 1988-91: Chair, Lecture Committee, 1989-91; Agenda Committee, 1989-91 Humanities Coordinating Council, 1988-90, 1994-1996 Committee on Undergraduate Academic Standing, 1986-88

University of Pennsylvania: Department of Music

Chair, 2003-2010 Director of Graduate Studies, 1989-92; 1999-2000 Undergraduate Chair, 1986-89

University of Pennsylvania: General

Museum Director Search Committee, 2012 Arthur Ross Gallery Curator Search Committee, 2007 Academic Planning and Budget Committee, 2006-2009 Arts Day Planning, 2004 Graduate Council, 1995-98

FOREIGN LANGUAGES

French, German, Italian, Polish, Swedish

PUBLICATIONS IN PROGRESS

Convergences of Sex and Music in the Early Nineteenth Century (book manuscript in progress; preliminary versions of three chapters completed: "Peeping at Pachyderms: Convergences of Sex and Music in France around 1800" "Sex, Sexuality and Schubert's Piano Music" "Sibelius, Skogsrået, and the History of Sexuality"). Critical Edition (co-edited by Maurizio Pollini) of Fryderyk Chopin, Sonata in Bb Minor, op. 35 (Milan: Casa Editrice Ricordi).