Tholkappiam: the Ancient Grammar

Total Page:16

File Type:pdf, Size:1020Kb

Tholkappiam: the Ancient Grammar Tholkappiam: The Ancient Grammar Prof K V Balasubramanian Tholhappiam laa,cllfotrlow,ed the traditionaX grarmrnatieal regulatrions of severarlthor,rsand years. trn its baekdrop, a iong -qrammmrtieal rtra'di iom hadl been aXive whictrr has providec] enormnous naater,iatr [o huild up tnae first avaitrahle gramamatieal freatise. The Taneils are forfilnate ito ree ver ThoXkappiarn intaet wirthout any tr'oss whi,ch has eseapecl from h,Lrge detruges that usurpeel many varluabne.w,orks of th,eir gloriours aneestors. holkappiam, a grammatical treatise in Tamil The Antiquity of Tholkappiam is the most ancient one, the age of which The Archaeological and historical evidences prove is considered by most as the fifth or sixth that Tholkappiam had emerged some two thousand century B.C.r No other contemporary work five hundred years ago when the whole of the lndian is available. The massive devastations that took place in subcontinent was ruled by several kings and chieftains. the seas of the Southern Peninsula had wiped off large Tholkappiam states that the Tamil land was ruled by quantities of palm leaf manuscripts which contained many 'three famous munificent patrons' (aLaiot1s,1p goeun). In the works of grammar and literature. Tholkappiam itself in prefatory verse of Thoikappiam, there is the mention of the the course of prescribing rules and regulations for various name of the Pandya king 'do6oo /o"Si urcoirr4uair' (one genres of literature and classifications of grammar refers to many ancient works which we do not know in detail.2 1. Winking of eyes and snapping of flngers is the measure ofsound in pronunciation as enunciated by scholars of minute perception.3 2. When 'th' comes, the stay of three-dotted letter .t is not a fault according to scholastic.a 3. The glorious scholars had devised and stated emphatically as parts of a poem.5 4. The verse, commentary book, utterance, riddle, satire, proverb, all the seven that in vogue inside the four boundaries ofthe three glorious patrons are said as the prosodic regulations by scholars.6 5. The scholars have poeticised that the aphorism is of multifaceted use.7 Above such references are made in 230 places of Tholkappiam. It is beyond all doubts that Tholkappiam had followed the traditional grammatical regulations of several thousand years. It has not sprouted up suddenly from a barren track. In its backdrop a long granrmatical tradition had been alive which has provided enorrnous material to build up the first available grammatical treatise, the Tholkappiam. The author is Former Hearl of the Deparlment, Department of Literature, Tamii Univcrsity, Thanjavur. Email: ve lavanbalu06(r)gmail.com 10 YOJANA F'ebruary 2021 - who afforded pandya the land). The king has afforded the dwelling sites to the Tamil people who had lost their land in a vast deluge. An apparent reference to this is found in 'Kalitokai', one of the Sangam classical anthologies. As the waves oJ'the seas abound to usurp the lancls, the southern king of unweariedfame, with his might not shrinked went over the enemies to seize their land removed the tiger and bow emblems ancl stamped with carps This great deluge had _ devastated a huge landed area which had immersed under the Indian dcean. Hence, there was the necessity to colonise the landless people. The prefatory verse ofTholkappiam denotes the southem .Kumari, boundary of Tamil land was which actually represents the Kumari hills. In those days, the Tamil land existed between the Venkatam hills and Kumari hills. Before the advent of Tholkappiam, the land in the south had been fuither extended largely and was close to the Australian continent. The Indus Valley civilisation is of the ancient Tamil speaking people, and the script found there, deciphered by Rev. Fr. Heras and Sir John Marshal, cleariy shows the identiry wirh rhe Tamil existing scripr. Tholkappiar speaks of the script form of certain letters and they aie deveioped from the Indus Valley script. ln the Indus Valley script, consonants do not have dots over them. In Tholkappiam, as a later development the same letters are said to have dots. Prof. Nilakanta Sastri also endorses this above_stated 'The view nature ofconsonants is to have dots, of Prof. Ramachandran.12 Nandas are also refered to in Sangam poetry. Tholkappiam had emerged Askoparpola and Iravatham Mahadevan long before had stated the the period Indus of Mauryas and Nandas. script is the native product and they are owned by Tamils.e Tholkappiar states how the two letiered word.*.b1 The Prefatory Verse which means the funeral rifual, changes in coalescence.r0 prefatory A verse to Tholkappiam rendered by one This clearly tells the Tamils of ancient Tamil land are Panamparanar, a contemporary to Tholkappiar provides used to bum the dead. The excavations of Indus Valley the following valuable information in fifteen also lines of the show the same practice. So the linguistic and cultural verse. tenets show that Tholkappiam had its origin from many l. The Tamil land in ancient sources, including that ofthe Indus Valley. the age of Tholkappiam is in between the norlhern Among Venkata hills and the the eight anthologies of Sangam age, southern Kumari. This Kumari 'Ahananuru'. denotes the hills that refers in three verses to the invasion of disappeared later. Maurya kings over the southern region. When the invasion took place? 2 Tholkappiam deals with the written and spoken Tamil versions that prevailed in Tamil land. "The Mauryan invasion of the Tamil country could be J. Tholkappiam is a three-fold placed therefore roughly behveen 29g B.C. uri ZIZ g.C. work dealing with the alphabets, the reign period of Bindusara.,,rL words, content and form. 4. Tholkappiar had referred to the ancient Tamil works and collected all appropriate materials of his Tholkappiar speaks of rhe scripr form age and of anthologised into an impeccable dissertation. certain letters and they are developed from the 5. Tholkappiam was presented before the learned lndus Valley script. In the Indus Valley script, audience of the pandya king named Nilamtharu consonants do not have dots over them. ln thriuvil Pandian. The Chairperson at that time was Tholkappialr, as a later development the same Athankottu Asan. This Athankottu Asan had been an Ietters are said to have dots. exponent of ethical justice and had mastery in the four Vedas. YOJANA February 2021 1t "t ar5 6. Tholkappiar had mastery over the Indhra Vyakarna. gl gGI 7 . The author of Tholkappiam is Tholkappiar, which is his g ff E- sE i T t, I proper name, and the work by him is named with that. Structure and Composition of the Work 6r 6I 6A E a7 tPs.. e e ai 6 Tholkappiam is a grammatical work and it is composed ? oIthree major divisions. They are: d, thr 6 €b L 6UUr 1. EluththuAthikaram (oqry$g@snrb) - the chapter ka *a (a fra fa na on the alphabets. * Ih U n: 1U 2. Col Athikaram {6le.nar,al,Sa$gil) - the chapter on t* pa tt1a ya v the words &) 6ir 6fi fn 3. Porul Athikaram (6urqgar@ansb) - the chapter * ry on the content and form. The breathing air starting from the navel 1. Eluththu Athikaram (arlggg$ailsb) The stays in the head, throat and chest, Chapter on the Alphabets. activated by the teeth, lips, nose and palate I i This chapter on the alphabets of the Tamil language, with that eight types of affiliations, contains nine subdivisions. In these, it tells about the the birth ofall the letters, having different identities, following. the occurrence happens to know.la The thirfy primary letters starting from 'a'to 'n'. The pronunciation of each letter is thus accurately determined. The three dependant letters, the short u, the short 'e'and Coalescence three dotted letters 'Aytham'.13 of Letters The thirty primary letters contain twelve vowels Tholkappiam reseryes six sections of the first chapter and eighteen consonants. The twelve vowels, in their to the coalescence of Tamil letters. In those, it enunciates the following: turn, contain five short vowels and seven long vowels. Among the consonants, there are three varieties: hard L Which letter will coalesce with which letter? consonants, soft consonants and medieval consonants. 2. The occurring ofhard consonants in the coalescence. The vowels and consonants combine to form vowel consonants, 12 x 18:216. 3. When two vowels coalesce, the process of assimilation (prevention of hiatus). The sound of each letter is measured as one, and the measurement is called 'ao$Scrl,s' (The winking of eyelids 4. The loss of a vowel or consonant when two words and snapping of fingers). coalesce. A word in Tamil is formed by letter or letters. Single- 5. One consonant turns into another consonant in the lettered words, double lettered words, and multi lettered combination of words. words are commonly found. Rules are there stating, what Tholkappiam points out the three major changes in are the first occurring letters in a word, and the letters at the combination of words. They are: Change of consonant the end and the sequence ofletters in a word are all stated $afuESlprg6i), Addition of a consotant (6tgsd) and in the first chapter. Elision of a consonant (@wailq) .In addition to these three, The Birth of Letters the fourth one that is without any change (6)-ut,J) is also mentioned. The most important feature of this first chapter is 'the birth of letters.'In this, the aphorism is noteworthy. Thus, the first chapter narrates about-the letters, the formation of words and the changes in the combination of In Porul Atlrikaram, the two rnaior divisions words. called the Ahathrhinai (subject matter dealing 2. Col Athikarap (6rrclar@ansb) - The Chapter on with the divine love and farnily life) and the Words Puraththinai {subiect matter dealing with the This chapter deals mostly with the four kinds of heroism, munificence, honour, friendship and words.
Recommended publications
  • Réflexion Sur La Phénoménologie Moniste Du Traduire Avec Illustrations Tirées De La Traduction Tamoule De L’Anthologie De La Nouvelle Québécoise Actuelle
    RÉFLEXION SUR LA PHÉNOMÉNOLOGIE MONISTE DU TRADUIRE AVEC ILLUSTRATIONS TIRÉES DE LA TRADUCTION TAMOULE DE L’ANTHOLOGIE DE LA NOUVELLE QUÉBÉCOISE ACTUELLE THÈSE SHARAN KUMAR SUBRAMANIAN DOCTORAT EN LINGUISTIQUE PHILOSOPHIAE DOCTOR (PH. D.) Québec, Canada © Sharan Kumar Subramanian, 2014 Résumé La traduction a une longue histoire au Tamil Nadu. C’est une tradition qui remonte au IIIe siècle av. J.-C. Les toutes premières traductions sont des adaptations d’œuvres sanscrites, appelées transcréations, qui commencent pour de bon au VIe siècle de notre ère. La traduction d’œuvres anglaises débute au XIXe siècle. Au XXe siècle, les œuvres russes, françaises, latino-américaines et scandinaves sont traduites vers le tamoul. La traduction de la littérature québécoise voit le jour en 1995. Les premières traductions à paraître sont Le libraire de Gérard Bessette et Encore cinq minutes de Françoise Loranger. En 1997 apparaît la traduction de La vie en fuite de Denis Bélanger. En 2002, les pièces Les Belles-Sœurs de Michel Tremblay et Leçon d’anatomie de Larry Tremblay sont traduites. En 2008, La distraction de Naïm Kattan et l’Anthologie de la nouvelle québécoise actuelle sont traduites vers le tamoul. Dans la traduction tamoule de l’Anthologie de la nouvelle québécoise actuelle, nous constatons un nombre significatif d’omissions. Nos recherches montrent que les omissions peuvent être divisées en trois catégories, à savoir les métaphores, les descriptions d’ordre sexuel et les descriptions qui présentent des problèmes d’ordre linguistique. Dans la présente recherche, nous cherchons à découvrir les méthodes adoptées par les traducteurs indiens anciens et contemporains pour traduire les œuvres littéraires vers le tamoul, ce qui nous permettra de mieux comprendre les méthodes de traduction adoptées pour traduire vers le tamoul les nouvelles québécoises, en vue entre autres d’étudier le rôle du sens suggestif et du délice esthétique en traduction littéraire.
    [Show full text]
  • Unit 1 Sangam Literature: an Introduction
    UNIT 1 SANGAM LITERATURE: AN INTRODUCTION Structure 1.0 Objectives 1.1 Introduction 1.2 Early Sangam Literature 1.3 Tamil Poetics & Sanskrit Poetics 1.4 Themes in Tamil Poetry as per Sangam Poetics 1.5 Jainism and the Self in Cilappatikaran 1.6 Locating the Cilappatikaran 1.7 Let Us Sum Up 1.8 Questions 1.0 OBJECTIVES In this unit we will look at what Sangam Literature is as most of us would not really be aware of it. We may know about the Ramayana and the Mahabharata but may not be aware of the Literature from the South of our country. We also need to have some understanding of this classical literary tradition from the south as the epic under consideration is an ancient Tamil epic belonging to the Sangam Period. We will trace the growth and development of Sangam Literature and then locate the epic under consideration Cilappatikaran. 1.1 INTRODUCTION Indian Literature is a vast area comprising numerous diverse traditions which resulted in a vast and a complex literature in the last 3500 years. Every part of India has produced classical literature in various Indian languages. The literature produced in ancient India includes the Vedic corpus along with the Puranas, the Jain agamas and traditions and the vast literature produced during the Buddhist period which incorporates writings across Asia. The south of India has 4 major languages namely Tamil, Kannada, Malayalam and Telugu. All of them are classical languages with a robust literary tradition and Tamil literary history is of nearly two millennia. Sangam Literature also spelled cankam/ chankam/shangam according to the Encyclopaedia Britannica, refers to a body of ancient Tamil writings probably produced during the “chankams/ literary academies located in Maturai, Tamil Nadu from the 4th to the 1st Century”.
    [Show full text]
  • I Year Dkh11 : History of Tamilnadu Upto 1967 A.D
    M.A. HISTORY - I YEAR DKH11 : HISTORY OF TAMILNADU UPTO 1967 A.D. SYLLABUS Unit - I Introduction : Influence of Geography and Topography on the History of Tamil Nadu - Sources of Tamil Nadu History - Races and Tribes - Pre-history of Tamil Nadu. SangamPeriod : Chronology of the Sangam - Early Pandyas – Administration, Economy, Trade and Commerce - Society - Religion - Art and Architecture. Unit - II The Kalabhras - The Early Pallavas, Origin - First Pandyan Empire - Later PallavasMahendravarma and Narasimhavarman, Pallava’s Administration, Society, Religion, Literature, Art and Architecture. The CholaEmpire : The Imperial Cholas and the Chalukya Cholas, Administration, Society, Education and Literature. Second PandyanEmpire : Political History, Administration, Social Life, Art and Architecture. Unit - III Madurai Sultanate - Tamil Nadu under Vijayanagar Ruler : Administration and Society, Economy, Trade and Commerce, Religion, Art and Architecture - Battle of Talikota 1565 - Kumarakampana’s expedition to Tamil Nadu. Nayakas of Madurai - ViswanathaNayak, MuthuVirappaNayak, TirumalaNayak, Mangammal, Meenakshi. Nayakas of Tanjore :SevappaNayak, RaghunathaNayak, VijayaRaghavaNayak. Nayak of Jingi : VaiyappaTubakiKrishnappa, Krishnappa I, Krishnappa II, Nayak Administration, Life of the people - Culture, Art and Architecture. The Setupatis of Ramanathapuram - Marathas of Tanjore - Ekoji, Serfoji, Tukoji, Serfoji II, Sivaji III - The Europeans in Tamil Nadu. Unit - IV Tamil Nadu under the Nawabs of Arcot - The Carnatic Wars, Administration under the Nawabs - The Mysoreans in Tamil Nadu - The Poligari System - The South Indian Rebellion - The Vellore Mutini- The Land Revenue Administration and Famine Policy - Education under the Company - Growth of Language and Literature in 19th and 20th centuries - Organization of Judiciary - Self Respect Movement. Unit - V Tamil Nadu in Freedom Struggle - Tamil Nadu under Rajaji and Kamaraj - Growth of Education - Anti Hindi & Agitation.
    [Show full text]
  • Economic and Cultural History of Tamilnadu from Sangam Age to 1800 C.E
    I - M.A. HISTORY Code No. 18KP1HO3 SOCIO – ECONOMIC AND CULTURAL HISTORY OF TAMILNADU FROM SANGAM AGE TO 1800 C.E. UNIT – I Sources The Literay Sources Sangam Period The consisted, of Tolkappiyam a Tamil grammar work, eight Anthologies (Ettutogai), the ten poems (Padinen kell kanakku ) the twin epics, Silappadikaram and Manimekalai and other poems. The sangam works dealt with the aharm and puram life of the people. To collect various information regarding politics, society, religion and economy of the sangam period, these works are useful. The sangam works were secular in character. Kallabhra period The religious works such as Tamil Navalar Charital,Periyapuranam and Yapperumkalam were religious oriented, they served little purpose. Pallava Period Devaram, written by Apper, simdarar and Sambandar gave references tot eh socio economic and the religious activities of the Pallava age. The religious oriented Nalayira Tivya Prabandam also provided materials to know the relation of the Pallavas with the contemporary rulers of South India. The Nandikkalambakam of Nandivarman III and Bharatavenba of Perumdevanar give a clear account of the political activities of Nandivarman III. The early pandya period Limited Tamil sources are available for the study of the early Pandyas. The Pandikkovai, the Periyapuranam, the Divya Suri Carita and the Guruparamparai throw light on the study of the Pandyas. The Chola Period The chola empire under Vijayalaya and his successors witnessed one of the progressive periods of literary and religious revival in south India The works of South Indian Vishnavism arranged by Nambi Andar Nambi provide amble information about the domination of Hindu religion in south India.
    [Show full text]
  • Poetics of Place in Early Tamil Literature by Vangal N Muthukumar
    Poetics of place in early Tamil literature by Vangal N Muthukumar A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in South and Southeast Asian Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor George L. Hart, Chair Professor Munis D. Faruqui Professor Robert P. Goldman Professor Bonnie C. Wade Fall 2011 Poetics of place in early Tamil literature Copyright 2011 by Vangal N Muthukumar 1 Abstract Poetics of place in early Tamil literature by Vangal N Muthukumar Doctor of Philosophy in South and Southeast Asian Studies University of California, Berkeley Professor George L. Hart, Chair In this dissertation, I discuss some representations of place in early (ca. 100 CE - 300 CE) Tamil poetry collectively called caṅkam literature. While previous research has emphasized the im- portance of place as landscape imagery in these poems, it has seldom gone beyond treating landscape / place as symbolic of human emotionality. I argue that this approach does not ad- dress the variety in the representation of place seen in this literature. To address this the- oretical deficiency, I study place in caṅkam poetry as having definite ontological value and something which is immediately cognized by the senses of human perception. Drawing from a range of texts, I will argue that in these poems, the experience of place emerges in a di- alogic between the human self and place - a dialogic which brings together sensory experi- ence, perception, memory, and various socio-cultural patterns; place, in these poems, is not as much an objective geographical entity as it is the process of perception itself.
    [Show full text]
  • The Chronology of Some of the Poets of the Tamil Sangam
    The Chronology of some OF THE Poets of the Tamil Sangam Era HERE is a well-known tradition among the Tamils that in the days of old there existed in South India three Sangams or Academies of T Tamil learning. These were organized bodies which acted as literary censors of every new poem that was sung. They accepted those poems which came up to the standard set up by them, and rejected those which they thought worthless. All the three of them were in the Pandya country and were under the patronage of the Pandya kings. The tradition about these three Sangams are first mentioned in the com- mentary of the work called Kalaoiyal, a grammar of love-poetry. Nakkirar the famous literary critic of the Third Academy is said to be the author of this commentary; but it was handed down orally for ten generations till it ' was put into writing by one Nilakantar of Muciri: probably about the seventh century A.D. 1. Musir i. Mouzir is of Ptolemy. UNIVERSITY OF CEYLON REVIEW According to this tradition the Pandya kings established the three San- gams one after the other in their capitals. They were called the First Sangam, Second Sangam, and the Third Sangam. There were 549 poets in the First Sangam beginning with Akattiyaqar, who ·is said to be the author of the first grammar of Tamil. One of these poets is mentioned to be Mutinaka Rayar of Mura ciyiir. After the First Sangam ceased to exist the Second Sangam was formed. The grammarians Akattiyan r and Tolk ppiyan r were also members of this Academy.
    [Show full text]
  • The Mother of All Civilization—The Vedic Civilization
    THE MOTHER OF ALL CIVILIZATION------- THE VEDIC CIVILIZATION 1. INTRODUCTION TO VEDIC CIVILIZATION. THE VEDIC RELIGION OR THE VEDIC WAY OF LIVING This is the religion that is widely practiced in India and Nepal. This religion is widely percept to have originated in the Indian subcontinent. This religion is practiced by the inhabitants and also by the people and the families who have migrated to various other geographical areas and countries. What is Hinduism and how is it connected to the Vedic civilization. Sanatan dharma. To answer these questions we have to know what is vedic civilization and who are the representative of the vedic civilization. the antiquity of the vedic civilization also needs to be established. Statistically there are over 700 million hindus in Bharat [India] and Nepal. Hinduism is also reffered to as Sanatan Dharma which means eternal faith. In the first paragraph I have mentioned Hinduism as a religion but strictly speaking it is not a religion. It is based on the practice of Dharma, the code of life.The very word BHARAT comes from a Sanskrit phrase bhayam ratah bharatah means the one who is totally dedicated to the way of life based on the divine knowledge even today this is the official name of our country i.e. bharat, India. Since Hinduism has no founder anyone who practices the dharma can call himself a hindu. He has so much freedom that he can even question the authority of any scripture or even the existence of the divine. So how does Hinduism differ from other religion? The difference is very basic.
    [Show full text]
  • Sangam-Age-1.Pdf
    Sangam Age drishtiias.com/printpdf/sangam-age-1 Introduction The period roughly between the 3rd century B.C. and 3rd century A.D. in South India (the area lying to the south of river Krishna and Tungabhadra) is known as Sangam Period. It has been named after the Sangam academies held during that period that flourished under the royal patronage of the Pandya kings of Madurai. At the sangams eminent scholars assembled and functioned as the board of censors and the choicest literature was rendered in the nature of anthologies. These literary works were the earliest specimens of Dravidian literature. According to the Tamil legends, there were three Sangams (Academy of Tamil poets) held in the ancient South India popularly called Muchchangam. The First Sangam, is believed to be held at Madurai, attended by gods and legendary sages. No literary work of this Sangam is available. The Second Sangam was held at Kapadapuram, only Tolkappiyam survives from this. The Third Sangam was also held at Madurai. A few of these Tamil literary works have survived and are a useful sources to reconstruct the history of the Sangam period. Sangam Literature: Major source giving details of Sangam Age The Sangam literature includes Tolkappiyam, Ettutogai, Pattuppattu, Pathinenkilkanakku, and two epics named – Silappathikaram and Manimegalai . Tolkappiyam was authored by Tolkappiyar and is considered the earliest of Tamil literary work. Though it is a work on Tamil grammar but it also provides insights on the political and socio-economic conditions of the time. Ettutogai (Eight Anthologies) consist of eight works – Aingurunooru, Narrinai, Aganaooru, Purananooru, Kuruntogai, Kalittogai, Paripadal and Padirruppatu.
    [Show full text]
  • A Primer of Tamil Literature
    This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com A PRIMER OF TAMIL LITERATURE BY iA. S. PURNALINGAM PILLAI, b.a., Professor of English, St. Michael's College, Coimbatore. PRINTED AT THE ANANDA PRESS. 1904. Price One Rupee or Two Shillings. (RECAP) .OS FOREWORD. The major portion of this Primer was written at Kttaiyapuram in 1892, and the whole has lain till now in manuscript needing my revision and retouching. Owing to pressure of work in Madras, I could spare no time for it, and the first four years of my service at Coim- batore were so fully taken up with my college work that I had hardly breathing time for any literary pursuit. The untimely death of Mr. V. G. Suryanarayana Sastriar, B.A., — my dear friend and fellow-editor of J nana Bodhini — warned me against further delay, and the Primer in its present form is the result of it. The Age of the Sangams was mainly rewritten, while the other Ages were merely touched up. In the absence of historical dates — for which we must wait, how long we do not know — I have tried my best with the help of the researches already made to divide, though roughly, twenty centuries of Tamil Literature into Six Ages, each Age being distinguished by some great movement, literary or religious. However .defective it may be in point of chronology, the Primer will justify its existence if it gives foreigners and our young men in the College classes whose mother-tongue is Tamil, an idea of the world of Tamil books we have despite the ravages of time and white-ants, flood and fire, foreign malignity and native lethargy.
    [Show full text]
  • History of Tamil Society
    History, Culture, Heritage and Socio-Political Movements in Tamil Nadu History of Tamil Society INTRODUCTION Tamil civilization, as we have seen, begins atleast three centuries before the Common Era (CE). As seafaring people, Tamil traders and sailors established commercial and cultural links across the seas and merchants from foreign territories also visited the Tamil region. The resulting cultural and mercantile activities and internal developments led to urbanization in this region. Towns and ports emerged. Coins and currency came into circulation. Written documents were produced. The TamilBrahmi script was adopted to write the Tamil language. Classical Tamil poems were composed. Sources for the study of early Tamil society The sources for reconstructing the history of the ancient Tamils are: 1. Classical Tamil literature 2. Epigraphy (inscriptions) 3. Archaeological excavations and material culture 4. Non-Tamil and Foreign Literature The Classical Sangam Tamil Literature The Classical Sangam corpus (collection) consists of the Tholkappiyam, the Pathinen Melkanakku(18 Major works) and the Pathinen Kilkanakku(18 minor works) and the five epics. Tholkappiyam Tholkappiyam, attributed to Tholkappiyar, is the earliest written work on Tamil grammar. 1 History, Culture, Heritage and Socio-Political Movements in Tamil Nadu Apart from elaborating the rules of grammar, the third section of Tholkappiyam also describes poetic conventions that provide information on Tamil social life. The texts of Pathinen Melkanakku include Pathupaattu(ten long
    [Show full text]
  • TRANSLATING THIRUKKURAL General Introduction There Are
    TRANSLATING THIRUKKURAL General Introduction There are many avenues a writer may scribble along, & among them is the process of recreating creation – that is to say the arduous rewording of the great works of ancient masters. This method was the core of the 16th century Renaissance – the new birth – where the lore‐caskets of Arabian, Greek & Latin wisdom were studied, assimilated & regurgitated by European writers. A century later came the Georgian translations of Homer’s epics, & more recently Ezra pound’s 20th century recreations of Confucius. It is in a similar capacity that I have been engaged, resulting in a new version of the Kural of Thiruvalluvar, or as it is more commonly known, Thirukkural. This 2000‐year‐old treatise on the art of living is ranked as the first book of the Tamils – that ancient, heroic, dark‐ skinned race that dwells in both Tamil Nadu & Sri Lanka. As I.A. Richards noted, ‘great cultures start in poetry,’ & it is with the Tamils that this is particularly notable. Their literature is held in the national esteem far greater than many other around the globe, the writers of which are elevated to the level of saints. Foremost among them is Thiruvalluvar, the creator of the Thirukkural, a timeless text that, as the giant of Tamil studies GU Pope observed; “Outweighs the whole of remaining Tamil literature, & is one of the select number of great works, which have entered into the very soul of a whole people & which can never die “ Or is, more simply, in the words of John Lazurus; The moral soil of Tamil Nadu WB Yeats once opined, “The work of a supreme culture, they yet appear as much the growth of common soil as the grass & the rushes.
    [Show full text]
  • Sangam Age: a Unique Identification of Cultural Heritage of Tamilnadu
    [VOLUME 5 I ISSUE 3 I JULY – SEPT 2018] e ISSN 2348 –1269, Print ISSN 2349-5138 http://ijrar.com/ Cosmos Impact Factor 4.236 SANGAM AGE: A UNIQUE IDENTIFICATION OF CULTURAL HERITAGE OF TAMILNADU Dr. K.B.RANGARAJAN Asst. Professor, Dept. Of Indian Culture& Tourism, Govt. Arts College (Auto) Kumbakonam, Tanjore (dt), Tamilnadu, India. Pin: 612002 Received: June 30 , 2018 Accepted: August 06, 2018 ABSTRACT Tamil Nadu has a great tradition of heritage and culture that has developed over 2,000 years and still continues to flourish. This great cultural heritage of the state of Tamil Nadu evolved through the rule of dynasties that ruled the state during various phases of history. Many of the ruling dynasties gave patronage to Art and Culture that resulted into the development and evolution of a unique Dravidian culture which Tamil Nadu today symbolizes. The Sangam Age in Tamil country is significant and unique for its social, economic, religious and cultural life of the Tamils. There was an all round development during this period. The Sangam literatures as well as the archaeological findings reveal these developments. The Tamil society during the Sangam period was broadly divided into several groups. In the beginning of the Sangam Age, The Tamil society was not organized on the basis of the Vedic caste system, namely Brahmanas, Kshatriyas, Sudras. However, the earliest of the Sangam literature, Tolkappiyam refers to the four divisions prevalent in the Sangam society namely, Anthanar, Arasar, Vaislyar and Vellalar, it may be said that this classification roughly corresponds to the Vedic Social division. Another Sangam work, Purananuru mentions the names of ancient Tamil tribes such as Thudiyan, Pannan, and Kadamban.
    [Show full text]