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Studien Zur Altägyptischen Kultur (SAK), Gegründet 1974, Erscheinen Jährlich in Ein Bis Zwei Bänden
Studien zur AltägyptiSchen Kultur Herausgegeben von Jochem kahlkahl und Nicole kloth Band 4447 | 20182015 Helmut Buske Verlag HamBurg Die Studien zur Altägyptischen Kultur (SAK), gegründet 1974, erscheinen jährlich in ein bis zwei Bänden. Manuskripte erbeten an die Herausgeber oder an den Verlag: Helmut Buske Verlag GmbH Richardstraße 47 D-22081 Hamburg [email protected] Herausgeber: Prof. Dr. Jochem Kahl Dr. Nicole Kloth Ägyptologisches Seminar Sondersammelgebiet Ägyptologie Freie Universität Berlin Universitätsbibliothek Fabeckstr. 23-25, Raum 0.0056 Plöck 107-109 D-14195 Berlin D-69117 Heidelberg [email protected] [email protected] Beirat: Prof. Dr. Hartwig Altenmüller (Hamburg) Prof. Dr. Manfred Bietak (Wien) Prof. Dr. Angelika Lohwasser (Münster) Prof. Dr. Joachim Friedrich Quack (Heidelberg) Alle Manuskripte unterliegen einer anonymisierten Begutachtung (peer review); über die An- nahme oder Ablehnung des Manuskripts entscheiden die Herausgeber. Über die Internetseite http://studien-zur-altaegyptischen-kultur.de sind die Formatvorlage sowie weitere Hinweise zur Erstellung von Manuskripten für die SAK zu finden. ISSN 0340-2215 (Studien zur Altägyptischen Kultur) ISBN 978-3-87548-860-9 ISBN eBook 978-3-87548-947-7 © Helmut Buske Verlag GmbH, Hamburg 2018. Dies gilt auch für Vervielfältigungen, Über- tragungen, Mikroverfilmungen und die Einspeicherung und Verarbeitung in elektronischen Systemen, soweit es nicht §§ 53 und 54 URG ausdrücklich gestatten. Bildbearbeitung, Druck- vorstufe: Da-TeX Gerd Blumenstein, Leipzig. Druck: Strauss, Mörlenbach. Buchbinderische Verarbeitung: Litges & Dopf, Heppenheim. Gedruckt auf säurefreiem, alterungsbeständigem Papier: alterungsbeständig nach ANSI-Norm resp. DIN-ISO 9706, hergestellt aus 100% chlor- frei gebleichtem Zellstoff. Printed in Germany. SAK 47 • © Helmut Buske Verlag 2018 • ISSN 0340-2215 The Middle Kingdom Theban Project: Preliminary report on the University of Alcalá Expedition to Deir el-Bahari, Fourth Season (2018) Antonio J. -
Bulletin De L'institut Français D'archéologie Orientale
MINISTÈRE DE L'ÉDUCATION NATIONALE, DE L'ENSEIGNEMENT SUPÉRIEUR ET DE LA RECHERCHE BULLETIN DE L’INSTITUT FRANÇAIS D’ARCHÉOLOGIE ORIENTALE en ligne en ligne en ligne en ligne en ligne en ligne en ligne en ligne en ligne en ligne BIFAO 117 (2017), p. 9-27 Omar Abou Zaid A New Discovery of Catacomb in Qurnet Murai at Thebes Conditions d’utilisation L’utilisation du contenu de ce site est limitée à un usage personnel et non commercial. Toute autre utilisation du site et de son contenu est soumise à une autorisation préalable de l’éditeur (contact AT ifao.egnet.net). Le copyright est conservé par l’éditeur (Ifao). Conditions of Use You may use content in this website only for your personal, noncommercial use. Any further use of this website and its content is forbidden, unless you have obtained prior permission from the publisher (contact AT ifao.egnet.net). The copyright is retained by the publisher (Ifao). Dernières publications 9782724708288 BIFAO 121 9782724708424 Bulletin archéologique des Écoles françaises à l'étranger (BAEFE) 9782724707878 Questionner le sphinx Philippe Collombert (éd.), Laurent Coulon (éd.), Ivan Guermeur (éd.), Christophe Thiers (éd.) 9782724708295 Bulletin de liaison de la céramique égyptienne 30 Sylvie Marchand (éd.) 9782724708356 Dendara. La Porte d'Horus Sylvie Cauville 9782724707953 Dendara. La Porte d’Horus Sylvie Cauville 9782724708394 Dendara. La Porte d'Hathor Sylvie Cauville 9782724708011 MIDEO 36 Emmanuel Pisani (éd.), Dennis Halft (éd.) © Institut français d’archéologie orientale - Le Caire Powered by TCPDF (www.tcpdf.org) 1 / 1 A New Discovery of Catacomb in Qurnet Murai at Thebes omar abou zaid* introduction The New Theban Tombs Mapping Project (NTTMP)1 intends to contribute to the ar- chaeological and topographical exploration of the Theban necropolis and to understand its layout as a World Heritage Site. -
255 Memnon, His Ancient Visitors and Some
255 MEMNON, HIS ANCIENT VISITORS AND SOME RELATED PROBLEMS Adam Łukaszewicz Memnon is known from ancient Greek sources as a king of Ethiopia.1 e notion of Ethiopia in Greek literature is very large and sometimes includes also the ebaid. In Egypt the name of Memnon is notori- ously associated with two famous colossal statues of Amenhotep III of the 18th Dynasty in Western ebes which once stood in front of an enormous temple, now almost completely vanished. At present, the temple is object of German excavations and many elements of it re- emerge on the site. e name of Memnon is a Greek misinterpretation of an Egyptian royal epithet. e Ramesside epithet Mery Amun pronounced approx- imately Meamun produced the Greek distortion into Memnon. Strabo states that the other name of Memnon is Ἰσµάνδης. at agrees with the names of a king called Usermaatre (Ἰσµάνδης) Meryamun (Μέµνων).2 e original Memnon was not Amenhotep III. Only the proximity of the colossi of Amenhotep III to the Memnonium of Ramesses II (Ramesseum), the Memnonium of Ramesses III (Medinet Habu) and to the western eban area called Memnoneia a£er these temples, encouraged the interpretation of the colossi of Amenhotep as statues of Memnon. e name of Memnoneia concerned particularly the area of Djeme,3 with the temple and palace complex of Medinet Habu built by Ramesses III. In the Later Roman period the temple precinct of 1 For the idea of two Memnons, the Trojan and the Ethiopian, Philostratus, Her. 3, 4. An extensive discussion of Memnon can be found in Letronne 1833; cf. -
Timelines Studies in Honour of Manfred Bietak
ORIENTALIA LOVANIENSIA A ALECTA ---149--- TIMELINES STUDIES IN HONOUR OF MANFRED BIETAK VOLUME III EDITED BY ERNST CZERNY, IRMGARD HEIN, HERMANN HUNGER, DAGMAR MELMAN, ANGELA SCHWAB UITGEVERIJ PEETERS en DEPARTEMENT OOSTERSE STUDIES LEUVEN - PARIS - DUDLEY, MA 2006 TELL EL-DABcA: THE PROVISION OF AN EXPANDING SETTLEMENT WITH PLANT FOOD Ursula Thanheiser Founded in the early Middle Kingdom, the location extending from the eastern Nile delta to southern was well selected. The settlement was built on the Palestine. The rest of Egypt was linked to the capi navigable Pelusic branch of the river Nile giving tal by a loose system of vassals. The Hyksos were in access to the Mediterranean Sea. An inland harbour power for more than hundred years. After the fall of facilitated the traffic flow. To the east it was shielded Avaris (c. 1530 BC) life in town continued as usual. by the extensive Bahr el-Baqar drainage system. Neither a demographic shift, nor a severance of links What was called the Horus Road, a land bridge across with traditional trading partners is apparent - for the marshes, connected Tell el-Dabca to the northern example from ceramic records. During the Rames Sinai, thereby controlling all traffic by land and side period the royal residence, Piramesse, was at water from the Nile Valley across the eastern Delta Qantir, 2 km to the north of Avaris and during the and into Palestine and the Levant. Aeolian sand New Kingdom Avaris and Piramesse were once again accumulations - turtle backs - rising above the annu centres of trade with the Near East and the eastern al flood plain offered ideal locations for settlement as Mediterranean region. -
Bietak, CAENL 9.Indd
University of Groningen Radiocarbon Dating Comparée of Hyksos-Related Phases at Ashkelon and Tell el-Dabʿa Bruins, Hendrik J.; van der Plicht, Johannes Published in: The Enigma of the Hyksos Volume I IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2019 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Bruins, H. J., & van der Plicht, J. (2019). Radiocarbon Dating Comparée of Hyksos-Related Phases at Ashkelon and Tell el-Daba. In M. Bietak , & S. Prell (Eds.), The Enigma of the Hyksos Volume I (pp. 353- 365). (Contributions to the Archaeology of Egypt, Nubia and the Levant (CAENL); Vol. 9). Harrassowitz. Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. Download date: 19-05-2020 Th e Enigma of the -
Vessels of Life: New Evidence for Creative Aspects in Material Remains from Domestic Sites
Originalveröffentlichung in: Bettina Bader, Christian M. Knoblauch and E. Christiana Köhler (Hg.), Vienna 2 – ancient Egyptian ceramics in the 21st century. Proceedings of the international conference held at the University of Vienna, 14th-18th of May, 2012 (Orientalia Lovaniensia analecta 245), Leuven ; Paris ; Bristol, CT 2016, S. 85-102 VESSELS OF LIFE: NEW EVIDENCE FOR CREATIVE ASPECTS IN MATERIAL REMAINS FROM DOMESTIC SITES Julia Budka Introduction Figurative vessels from Ancient Egypt have been studied since the early 20th century, but it was Janine Bourriau who first discussed these vases not as works ol art but as an integral part of the huge corpus of Pharaonic ceramic vessels. The excavated examples of such figure vases were predominately found in tombs, as can be illustrated by one of the sub-groups from the 18th Dynasty, so called representations of wet nurses, deriving in particular from cemeter ies at Sedment and Abydos.12 The funerary context is also predominant for the group of con temporaneous figure vases which is the main focus of the present paper: feminoform vessels with modelled breasts and often plastic arms are well attested in a variety of forms3 and derive primarily from tombs4 dateable to the New Kingdom (Fig. I).5 They have often been labelled as “milk vessels ” and were associated by various authors with the cult of Hathor.6 Such ves sels are also known as metallic variants 7 8or as imitations in glass. The purpose of this paper is to present feminoform vases from domestic contexts that potentially contribute to our understanding of the possible use and function of this type of vessel as the present state of knowledge is mainly derived from funerary records. -
Integration of Foreigners in Egypt the Relief of Amenhotep II Shooting Arrows at a Copper Ingot and Related Scenes
Journal of Egyptian History �0 (�0�7) �09–��3 brill.com/jeh Integration of Foreigners in Egypt The Relief of Amenhotep II Shooting Arrows at a Copper Ingot and Related Scenes Javier Giménez Universitat Politecnica de Catalunya (Barcelona-Tech) [email protected] Abstract The relief of Amenhotep II shooting arrows at a copper ingot target has often been considered as propaganda of the king’s extraordinary strength and vigour. However, this work proposes that the scene took on additional layers of significance and had different ritual functions such as regenerating the health of the king, and ensuring the eternal victory of Egypt over foreign enemies and the victory of order over chaos. Amenhotep II was shooting arrows at an “Asiatic” ox-hide ingot because the ingot would symbolize the northern enemies of Egypt. The scene belonged to a group of representations carved during the New Kingdom on temples that showed the general image of the king defeating enemies. Moreover, it was linked to scenes painted in pri- vate tombs where goods were brought to the deceased, and to offering scenes carved on the walls of Theban temples. The full sequence of scenes would describe, and ritual- ly promote, the process of integration of the foreign element into the Egyptian sphere. Keywords Amenhotep II stela – ox-hide ingot – offering scenes – scenes of goods brought to the deceased * I would like to thank the anonymous reviewers for their valuable comments which led me to consider an additional meaning of the scene in Min’s tomb (TT109) and the possibility that the Egyptians regarded the ox-hide ingot as a marvel from a land beyond Egypt’s sphere of control. -
Opet Festival عيد األوبت
OPET FESTIVAL عيد اﻷوبت John Coleman Darnell EDITORS WILLEKE WENDRICH Editor-in-Chief University of California, Los Angeles JACCO DIELEMAN Editor Area Editor Religion University of California, Los Angeles ELIZABETH FROOD Editor University of Oxford JOHN BAINES Senior Editorial Consultant University of Oxford Short Citation: Darnell, 2010, Opet Festival. UEE. Full Citation: Darnell, John Coleman, 2010, Opet Festival. In Jacco Dieleman, Willeke Wendrich (eds.), UCLA Encyclopedia of Egyptology, Los Angeles. http://digital2.library.ucla.edu/viewItem.do?ark=21198/zz0025n765 1131 Version 1, December 2010 http://digital2.library.ucla.edu/viewItem.do?ark=21198/zz0025n765 OPET FESTIVAL عيد اﻷوبت John Coleman Darnell Opetfest Fête d’Opet The annual Opet Festival, during which the bark of Amun—and ultimately those of Mut, Khons, and the king as well—journeyed from Karnak to Luxor, became a central religious celebration of ancient Thebes during the 18th Dynasty. The rituals of the Opet Festival celebrated the sacred marriage of Amun—with whom the king merged—and Mut, resulting in the proper transmission of the royal ka and thus ensuring the maintenance of kingship. أصبح اﻻحتفال بعيد اﻷوبت السنوي احتفال ديني مركزي في طيبة القديمة أثناء اﻷسرة الثامنة عشرة حيث كان يبحر خﻻله آمون بمركبه وتلحقه موت وخونسو وكذلك الملك، من معبد الكرنك إلى معبد اﻷقصر. وكانت الطقوس الخاصة بعيد اﻷوبت تحتفل بالزواج المقدس ﻵمون، والذي قد إندمج معه الملك، وموت مما ينتج عنه انتقال صحيح لـل <<كا>> الملكيه، مما يضمن بقاء الملكية واستمراريتھا. he Opet Festival, eponymous Festival is also known (Epigraphic Survey celebration of the month Paophi 1934: pls. 157 - 158, list 39, III Akhet 17). -
Animals in Human Situations in Ancient Egyptian Ostraca and Papyri
arts Article Animals in Human Situations in Ancient Egyptian Ostraca and Papyri Azza Ezzat Writing and Scripts Center, Bibliotheca Alexandrina, Alexandria Governorate 21526, Egypt; [email protected] Abstract: It has been said that the ancient Egyptians were raised to tolerate all kinds of toil and hardship; they nevertheless also liked to amuse themselves with comic relief in their everyday life. For example, ancient Egyptian drawing can be quite accurate and at times even spirited. What scholars have described as caricatures are as informative and artistic as supposed serious works of art. Ancient Egyptians have left countless images representing religious, political, economic, and/or social aspects of their life. Scenes in Egyptian tombs could be imitated on ostraca (potsherds) that portray animals as characters performing what would normally be human roles, behaviors, or occupations. These scenes reveal the artists’ sense of comedy and humor and demonstrate their freedom of thought and expression to reproduce such lighthearted imitations of religious or funeral scenes. This paper will focus on a selection of drawings on ostraca as well as three papyri that show animals—often dressed in human garb and posing with human gestures—performing parodies of Citation: Ezzat, Azza. 2021. Animals human pursuits (such as scribes, servants, musicians, dancers, leaders, and herdsmen). in Human Situations in Ancient Egyptian Ostraca and Papyri. Arts 10: Keywords: animals; anthropomorphism; humor; parody; satire; ostraca; papyri; ancient Egypt 40. https://doi.org/10.3390/ arts10030040 Academic Editors: Branko F. van 1. Introduction Oppen de Ruiter, Chiara Cavallo and Depictions of animals in scenes of daily life are commonly found in ancient Egyptian Annetta Alexandridis tombs, mainly the Old Kingdom mastabas and the rock cut tombs of the New Kingdom Received: 14 April 2020 (Evans 2000, p. -
Decoding the Medinet Habu Inscriptions: the Ideological Subtext of Ramesses III’S War Accounts
Peters 1 Decoding the Medinet Habu Inscriptions: The Ideological Subtext of Ramesses III’s War Accounts Abstract: The temple of Medinet Habu in Thebes stands as Ramesses III‘s lasting legacy to Ancient Egyptian history. This monumental structure not only contained luxury goods within, but also a goldmine of information inscribed on its outside walls. Here, Ramesses adorned the temple with stories of military campaigns he led against enemies in the north who hoped to gain control of Egypt. These war accounts have posed a series of problems to modern scholars. Today, the debate still rages over how the inscriptions should be interpreted. This work analyzes Ramesses‘s records through the lens of socioeconomic decline that occurred during his rule in order to demonstrate the role ideology—namely ma‘at—played in his self-representation and his methodology to ensure and legitimize his rule during these precarious times. Scott M. Peters Senior Thesis, Department of History Columbia College, Columbia University April 2011 Advisors: Professor Marc Van De Mieroop and Professor Martha Howell Word Count: 17,070 (with footnotes + bibliography included) Peters 2 Figure 1: Map of Ancient Egypt with key sites. Image reproduced from Marc Van De Mieroop, A History of Ancient Egypt (Malden: Wiley-Blackwell, 2011), 28. Peters 3 Introduction When describing his victory over invading forces in the north of Egypt, Ramesses III, ruler at the time, wrote: …Those who came on land were overthrown and slaughtered…Amon-Re was after them destroying them. Those who entered the river mouths were like birds ensnared in the net…their leaders were carried off and slain. -
The Levantine War-Records of Ramesses Iii: Changing Attitudes, Past, Present and Future*
03 James Levantine_Antiguo Oriente 08/06/2018 04:37 p.m. Página 57 THE LEVANTINE WAR-RECORDS OF RAMESSES III: CHANGING ATTITUDES, PAST, PRESENT AND FUTURE* PETER JAMES [email protected] Independent researcher London, United Kingdom Summary: The Levantine War-Records of Ramesses III: Changing Attitudes, Past, Present and Future This paper begins with a historiographic survey of the treatment of Ramesses III’s claimed war campaigns in the Levant. Inevitably this involves questions regarding the so-called “Sea Peoples.”1 There have been extraordinary fluctuations in attitudes towards Ramesses III’s war records over the last century or more—briefly reviewed and assessed here. His lists of Levantine toponyms also pose considerable problems of interpretation. A more systematic approach to their analysis is offered, concentrat- ing on the “Great Asiatic List” from the Medinet Habu temple and its parallels with a list from Ramesses II. A middle way between “minimalist” and “maximalist” views of the extent of Ramesses III’s campaigns is explored. This results in some new iden- tifications which throw light not only on the geography of Ramesses III’s campaigns but also his date. Keywords: Ancient Egypt – Canaan – Late Bronze Age – War Records – Toponymy Resumen: Los registros de la guerra levantina de Ramsés III: Actitudes cam- biantes, pasado, presente y futuro Este artículo comienza con un recorrido historiográfico del tratamiento de las supues- tas campañas bélicas de Ramsés III en el Levante. Inevitablemente esto implica pre- * I would like to dedicate this paper to the memory of the late David Lorton for all his help on Egyptological matters. -
New Gourna Village Conservation and Communıty New Gourna Village: Conservation and Communıty
New Gourna Village Conservation and Communıty New Gourna Village: Conservation and Communıty March 2011 Acknowledgements This assessment was undertaken by World Monuments Fund (WMF) with the support of the Robert W. Wilson Challenge to Conserve our Heritage, and in collaboration with the UNESCO World Heritage Centre and the Luxor Governorate of Egypt. The WMF Project Team that carried out the survey and compiled the assessment report included Erica Avrami (WMF Project Manager); Jeff Allen, Gina Haney, Heba Hosny, Eta’ El Hosseiny, and Sarah Badea (all of Community Consortium); and William Raynolds (WMF Consultant). An accompanying film was produced by WMF in collaboration with Community Consortium, directed by Oliver Wilkins and with interviews and translations by Mostafa Naguib. The film, Hassan Fathy’s New Gourna Village: Past, Present and Future, is available at http://www.wmf.org/project/new-gourna-village The UNESCO physical survey team (Mahmoud Qutb, Nevine George, Heba Hosny, and Dalia Magdy) kindly provided the base plan used in this report. The Aga Khan Trust for Culture kindly provided historic images for the assessment and the film. Photography for the report was by Community Consortium, with additional images provided by Mostafa Naguib, Erica Avrami/WMF, and Hubert Guillaud/CRAterre-ENSAG. Graphic design of this report was by Ken Feisel, WMF Art Director. Editorial assistance was provided by Maria Golia. Special thanks go to the residents of New Gourna, who opened their homes to the assessment team and shared their stories. Their interest and cooperation are a testament to Hassan Fathy’s vision for a thriving community and to the shared hope for its future.