Sewanee Purple, 2001-2002

Total Page:16

File Type:pdf, Size:1020Kb

Sewanee Purple, 2001-2002 . 1 ' etoanee purple UNIVERSITY OF THE SOUTH SEWANEE, TENNESSEE, September 14. 2001 Vol. CLXXX No. 1 A Nation in Shock Wave of New Staff Hits Campus by Nicole Lawrence "Bubble blowing contests and sandwich making" said a teasing Staff Wiltr John Benson, new Director of ihe Over thousands of applications Sewanee Outing Program, were to sort thorough, siudcnis lo ac- the some of the activities the SOP cept and some lo reject, outings was going to coordinate this year. 10 plan, several siudcnis lo listen "The SOP IS planning more hik- to in that lime ot need along ing, caving, canoeing, and rock with hundreds of lives tn help climbing irips throughout the year. skelch out, so that an education Benson said that the "caving fea- worked on for the pasi few years tures in Tennessee are truly in- isn'l wasted These arc a just a credible." and he would like more ponion of the duties attached to siudcnis to "explore the out- the positions of the new directors doors" and faculty members entering In addition to the new Career Sewanee this year, Services and SOP directors. "Sewanee has always been a Sewanee has also gained a new central place for me," said Dean of Admissions. David Catherine Swearingen. the new Lesensc; Lay Chaplin, Wallace Directorof Career Services. This Marsh; and many new faculty Piiolo by R.^gnav Virmani year, in addition to the Grad members who are either working School Fair, the office of career towards tenure or working only Sewanee students watch in horror as reports continue to flow in concerning the terrorist attacks services has also planned a num- for a year or two. on New York City and Washington. D.C. Groups tike these have huddled around televisions In ber of lectures, job fairs, intern- dorm common rooms, the Bishop's Common and many other places, hoping to comprehend ships, and excursions lu help stu- See Page 2 for Complete the tragedy that occurred just days ago. See Page 4 for more complete coverage ol the events. dents find a career that suites list of New Faculty them. Student Forum Unveils Plans for New Dormitory ian by Rj Cosgrove with shared bathrooms and com- wing is Ihe concepl of a four-per- will be connected by a narrow of variety lo the dorm and give Editor-in-Chief mon areas, and they will hopefully son loft The bon m floor of the stairway located near the entrance more options lo underclassmen accommodate more of the needs of loft will cooiain j common area of the suite, unlike the ladders used who now face very limited options At a recent I'orum, ihc architec- [or housing tural firm of MacLachlan. One of ihc most uppeuling as- Cornelius and Filoni (MCF) met pecis of the new dorm to the plan- with Sewanee students and com- ners as well as students in atten- munity members to unveil plans dance at the forum is the mixture for a new residence hall The new of upperclassmen and underclass- dormitory, which planners hope men suites Because the left wing will provide housing for students consists of apartment suites, the in all four classes, may begin con- upperclassmen (mostly seniors) struction us early as June 2002 will have the isolation and privacy The architectural firm only re- thai manv older students desire. cently completed work on the Likewise, ihe freshmen halls m the university's Campus Master Plan, nght wing of the building will fa- which called for the construction cililaie a much more social atmo- of a new residence hall. Despite sphere earlier indications that Ihe univer- Despite Ihc separation of the classes, however, a large common sity would hire separate firms for This sketch shows the proposed new dormitory from Georgia Avenue. The llrm of MacLachlan. room and entry hall will connect Ihe campus plan and any resulting Cornelius and Filoni presented floorplans and perspective drawings to a student forum last week. renovations or construction pro- the two wings Hopefully, placing the main entrance and common posals. It has maintained (he em- ployment of MCF for the design- upperclassmen and bathrooii' ^hile ihe top floor in the Elliot lofts These lofts will ing of a new dorm. The right wing of the building with provldt i'cdroom space and be limited in number, but ihey SS© NCW OR Page 2 Based on recommendations should offer an even greater sinks. The im ' stories of (he loft should add yet another dimension made by the Campus Master Plan, amount of variety Many of the MCF has designed the new dormi- rooms will resemble Ihe Benedict Decline in on the cor- suites, with separate bedrooms and Class Sees tory for the lot situated Freshmen ner of Georgia and Mississippi study areas. However, unlike Avenues, next 10 Courts Hall. Un- Benedict, the desks and shelves Potential like it's neighbor, however, the will nol be built-in lo allow for Numbers But Not in new dorm will not feature a court- more flexibility. yard, and Its design will offer a Also, upon recommendation by by Beiijamin ( nbb at a fast-paced and challenging male to female ratio is AT^ 10 greater variety of living spaces students at the forum, MCF has be- 53%, The class represents forty- Asst. Newi Editor college dorm on campus gun lo explore the possibility of in- than any existing The class of 2005 consists of seven states and several foreign To fit the increased housing verting the bedroom and study The freshmen class of 2005 355 students, including 7 degree countries including Sweden. Bul- needs of Ihc university, the halt room, placing Ihe smaller space at garia, Spain, Pakistan. moved into iK' dorms on August seeking international students Kenya, will stand three stones high, have Ihe back (exterior) of the room and Japan, France and Zim- 25, beginniii- iheir undergraduate This group now brings the German). two wings and should ac- Ihe larger space at the front (inte- separate 1 babwe. studies at llu University of Ihe college's total enrollmcni to .320 commodate roughly 100 students. rior). This change may encourage general consensus South, The jkw students bring a students seeking undergraduate It seems the All of Ihe rooms wiH be laid out in some students to use the smaller is positive for these strong acadt-niic background and degrees. on Sewanee the form of suites with shared bath- space as the bedroom, most likely small students One student noted an element "i enthusiasm to the While Sewanee remains a new rooms. with the beds bunked, opening up "everyone is really friendly, campus as lu^comers, All the liberal aris school, it successfully ihui social left wing, which will stretch Ihe larger space for a more it has my experience at The freshmen m ^ face Ihe timeless provides for an entertaining and and made out towards Mississippi Avenue. area. hope- much easier." -Christie adjustment "I moving out into eventful community that Sewanee radical living ar- will consist mainly of apartment Another more the needs of all stu- college life, i- they begin lo learn fully caters to suites similar to those In Hodgson rangement that MCF has consid- needs and 2 the irue imp^^'ancc of budgeting dents, parlicularly the See Fresh on Page Most contain singles ered for the far end of ihe right freshmen of these will time beiwect) fun and academics interests freshmen. The WhaVs Inside? Nation... Sports... Arts... News... McVitty Sevranee deals with Cross Country Debbie Police Blotter; Wil another bite national crisia In gets ott to a takes Oa)(ea covers crime American Fie. ovm way. strong start, o£ in Sevfanee. page 9 page 3 page 6 page 2 Rob Guthrie Ry&n Doolan explores Feature: Raghav Opinion: Ryan recommends evaluates the the Sewanee Virmani intervievjs Collins cool head. home rTin race 'High Life. Dallas Fed Bosb. keeping page 1 McTee* page 3 page 7 page 4 . September 14. 2001 mit ftctDsnee f urple Page 2 from page 1 Police Blotter Freshmen students out of blown out of proportion, claiming mty lo move the Peeler. 05 will not noticeably affect Sewanee Inn for a semester until Another freshman commented on ihal it students return. class size or siudenl budgeting is- Ihe abroad her Icasi favorite pan "f 'he school, admissions office has taken the sues. The being "Ihc lines at NUCIurg and Many reasons could have con- this information to review their Life and Crime on the parking problems " -Pcrrin Denl, tribuled lo the loss of cnrollmenl. policies under Ihe new director of •OS. Although Ihese seem to be admissions, David freshman concerns, Lesesne, It will he Streets of Sewanee many upperclass- implementing a also share tigation—the two were carrying co- men the b^ W» Oak« new program called caine m iheir pockeis same sentiments. Stuff Wriier "Territory Managc- re- strong - There was a person who had A aca- meni." Next year have heen several fused to register his truck ;uid was cir- demic freshmen Lately llierc the office hopes to Sewanee Po- cling around behind Tuckaway. class also main- changes in pcihcy for ihc increase the num- police otTicers. upon seeing tains Sewanee's Depanmcni I sal down and had Sewanee bce ber of applicants to hear aboul had no registration sticker, came Iradiiion of aca- a lalK wiih Chief Pairol lo he Sewanee. rather pohcies and aboui some overtosee what he was doing What demic excellence some of these than compromising unevent- Fifty percent of the Pohce Dcpartmeni's recent in- they anticipated would be an Ihe of ihe academic stan- class cidenis wilh violalors.
Recommended publications
  • DAVID RYAN ADAMS C/O PAX-AM Hollywood CA 90028
    DAVID RYAN ADAMS c/o PAX-AM Hollywood CA 90028 COMPETENCIES & SKILLS Design and construction of PAX-AM studios in Los Angeles to serve as home of self-owned-and-operated PAX-AM label and home base for all things PAX-AM. Securing of numerous Grammy nominations with zero wins as recently as Best Rock Album for eponymous 2014 LP and Best Rock Song for that record's "Gimme Something Good," including 2011's Ashes & Fire, and going back all the way to 2002 for Gold and "New York, New York" among others. Production of albums for Jenny Lewis, La Sera, Fall Out Boy, Willie Nelson, Jesse Malin, and collaborations with Norah Jones, America, Cowboy Junkies, Beth Orton and many others. RELEVANT EXPERIENCE October 2015 - First music guest on The Daily Show with Trevor Noah; Opened Jimmy Kimmel Live's week of shows airing from New York, playing (of course) "Welcome To New York" from 1989, the song for song interpretation of Taylor Swift's album of the same name. September 2015 - 1989 released to equal measures of confusion and acclaim: "Ryan Adams transforms Taylor Swift's 1989 into a melancholy masterpiece... decidedly free of irony or shtick" (AV Club); "There's nothing ironic or tossed off about Adams' interpretations. By stripping all 13 tracks of their pony-stomp synths and high-gloss studio sheen, he reveals the bones of what are essentially timeless, genre-less songs... brings two divergent artists together in smart, unexpected ways, and somehow manages to reveal the best of both of them" (Entertainment Weekly); "Adams's version of '1989' is more earnest and, in its way, sincere and sentimental than the original" (The New Yorker); "the universality of great songwriting shines through" (Billboard).
    [Show full text]
  • Laura Marling: 'I Deliberately Tell Things at Arm's Length' | Music | The
    Laura Marling The Observer Laura Marling: 'I deliberately tell things at arm's length' Laura Marling tells Sarah Boden about her second album, I Speak Because I Can, and about seeing her personal life dissected in the press Sarah Boden Saturday 6 March 2010 19.07 EST "I'm almost an entirely different person to the one I was when I wrote the first album," says Laura Marling, smoking prodigiously on the patio of a King's Cross pub. Then, the singer-songwriter was a pale-faced, chronically shy 17-year-old keen on grungy T-shirts, mulishly determined not to be gussied up for popular consumption. Her 2008 Mercury-nominated debut, Alas, I Cannot Swim, saw her pushed, blinking, into the full-beam of acclaim. Marling was heralded as a precocious young talent, and her striking lyricism and graceful delivery gave rise to flattering Joni Mitchell comparisons. The LP was produced by her then-boyfriend Charlie Fink, frontman of the folksy pop group Noah and the Whale, because her lack of confidence meant she couldn't express ideas to a stranger. It speaks volumes that Marling, who has just turned 20, chose to make her new record with Ethan Johns, producer also of the Kings of Leon and Rufus Wainwright. Titled I Speak Because I Can, the 10-song set has a fuller, more robust sound, and sees Marling tenderly trace the arcs of relationships with former lovers, as well as the importance of her Hampshire family roots and the jagged conflicts of womanhood and marriage. There's no breast-beating here, more an exquisite quality of guarded observation that lingers long after the record has finished.
    [Show full text]
  • Ethan Johns to Release Debut Solo Album in North America on July 30 Th
    FOR IMMEDIATE RELEASE Monday, May 13, 2013 Ethan Johns To Release Debut Solo Album In North America On July 30 th Single ‘Don’t Reach Too Far’ Produced By Long-Time Collaborator Ryan Adams “Gently majestic. Gutsy and evocative.” – NME 8/10 “Goes a long way to pinpointing just why Laura Marling, Ryan Adams, and Ray LaMontagne keep calling on his services as musician and producer.” – MOJO “Bruised and brilliant. He’s a class act on both sides of the mixing desk.”– THE SUN New York, NY – Acclaimed British musician and producer Ethan Johns will release his debut album If Not Now Then When? on July 30th 2013 through his own Three Crows Records label here in the U.S. Released earlier this year in the UK off the back of an extensive record store tour and sold out headline run, to massive critical acclaim, Johns recorded the album in- between making records for others. If Not Now Then When? features a broad range of exemplary musicians that Johns has produced and performed with over the years, including the likes of Ryan Adams , Laura Marling , and Danny Thompson . Ethan Johns himself was the recipient of The Brit Award in 2012 for Best Producer. When asked the inevitable, “Who produced the album?" Johns responds, "I have to offer very deep appreciation to both Dominic Monks and Jeremy Stacey who certainly took over principal duties on that front, but otherwise it was down to whoever was in the room at the time!" Letting go of control and placing faith in the players — many of whom have entrusted his ears with their own work at times — was central to the sessions and the creative spirit of the album.
    [Show full text]
  • Inside Deaf Culture
    Oxford University Press, 2005 - Language Arts & Disciplines - 528 pages Deaf Studies, Language and Education In Plato's cratylus, which dates to 360 B.C., Socrates alludes to the use of signs by deaf people. In his Natural History, completed in 79 A.D., Pliny the Elder alludes to Quintus Pedius, the deaf son of a Roman consul, who had to seek permission from Caesar Augustus to pursue his training as an artist. During the Renaissance, scores of deaf people achieved fame throughout Europe, and by the middle of the 17th century the talents and communication systems of deaf people were being studied by a variety of noted scientists and philosophers. However, the role of deaf people in society has always been hotly debated: could they be educated? Should they be educated? If so, how? How does Deaf culture exist within larger communities? What do advances in the technology and the genetics of hearing loss portend for Deaf communities? In this landmark volume, a wide range of international experts present a comprehensive and accessible overview of the diverse field of deaf studies, language, and education. Pairing practical information with detailed analyses of what works, why, and for whom, and banishing the paternalism once intrinsic to the field, the handbook consists of specially commissioned essays on topics such as language and language development, hearing and speech perception, education, literacy, cognition, and the complex cultural, social, and psychological issues associated with individuals who are deaf or hard of hearing. Through careful planning, collaboration, and editing, the various topics are interwoven in a manner that allows the reader to understand the current status of research in the field and recognize the opportunities and challenges that lie ahead, providing the most comprehensive reference resource on deaf issues.
    [Show full text]
  • Mary Chapin Carpenter
    Mary Chapin Carpenter Five-time Grammy-winner Mary Chapin Carpenter’s 15th studio album, The Dirt And The Stars, finds the singer-songwriter pondering life’s intimate, personal moments and exploring its most universally challenging questions at an unprecedented time. Written at her rural Virginia farmhouse before stay-at-home orders became the “new normal,” the songs celebrate invaluable experiences and irreplaceable wisdom, while also advocating exploration of the best in all of us. As one of just 15 women voted into the Nashville Songwriters Hall of Fame, with over 15 million albums sold, 5 Grammy awards (from 15 nominations) and the recipient of two CMA and ACM awards, Carpenter’s now-classic hits include “I Feel Lucky,” “He Thinks He’ll Keep Her” and “The Hard Way.” Produced by Ethan Johns (Ray LaMontagne, Paul McCartney, Kings of Leon) and recorded at Peter Gabriel’s Real World Studios in Bath, in southwest England, The Dirt And The Stars marks Carpenter’s first collection of all-new material since 2016’s The Things That We Are Made Of. Below she reveals some of the inspiration behind The Dirt And The Stars. Is there a particular theme for this album? The writer Margaret Renkl contributes regular columns about lots of different things to The New York Times. She wrote a deeply insightful one in which she said, “We are all in the process of becoming.” That doesn’t stop at a certain age. To be always a student of art and music and life, as she says, that, to me, is what makes life worth living.
    [Show full text]
  • “A Rare Diamond”, “A Voice Blessed”, “A Singer Destined for Great Things” “A Voice of Great Emotional Resonance”
    Described by the US and British press as “A rare diamond”, “A voice blessed”, “A singer destined for great things” “A voice of great emotional resonance” ”Brave and original.” - The Guardian “Shines with authentic light” – American Songwriter “A voice that is both majestic and heartwarming“- Huffington Post “A star” - Billboard Magazine Athena keeps touching peoples’ hearts with her powerfully emotive voice. Athena Andreadis is one of those people who live and breathe and think and talk about music and she writes with the same sort of direct focus. During a one hour Channel 5 / Sky Arts documentary made about her in the UK, legendary songwriter Chris Difford (Squeeze) described Athena as someone who, “writes and sings from the heart. She doesn't need to be packaged by anyone – she is simply and beautifully her." She has the same sort of clear artistic vision that marks out Billie Eilish or Adele or John Legend and it’s matched with a fresh, limitless ambition. Born in London to Greek parents, Athena’s mother would sing her to sleep. Despite all the music around the house, the young Athena was encouraged to study business, so she headed to Bath University but continued performing. After securing a First Class Degree in Business, Athena enrolled at Trinity College, London, where she graduated from with two post-graduate degrees in Classical and Jazz Voice. Her consistent performing throughout her school years inevitably lead to Athena recording her debut album, Breathe With Me, which drew many excellent reviews, indeed The Guardian commenting that she was “Brave and original.
    [Show full text]
  • Record of the Week
    www.hitsheet.co.uk 24 SEPTEMBER 2004 ISSUE #57 Looking Good Sounding Better... We Know What We Like We Like What We Know Record of the Week Perspective EMI Kevin Mark Trail We’ve been lucky enough to have seen Kevin and his band perform three times recently and we’re convinced that he has some hit tunes comin’ at ya! At the EMI conference, he had the pleasure of opening proceedings with the track D Thames, which will be the likely follow up to Perspective. Needless to say, KMT was one of the highlights of the live performances we witnessed throughout the day. A big future awaits this very personable young man... EDITORIAL 2 EDITORIAL Hello and welcome to issue #57 of the Hit Sheet. It’s that time of year when the industry bustles and buzzes Manchester, do come and say hello. And, if you’re not more than ever. Autumn sales conferences are held, award planning to go anywhere, see the new Metallica movie – ceremonies staged, touring schedules kick off and then watching middle-aged rockers continually admit just how there’s the annual A&R-fest that is In The City. scared and upset they feel is so very Spinal Tap! 31 The Birches, The autumn period arrives as the final few stragglers return London, N21 1NJ from holiday and everything seems to spring back to life at GREG PARMLEY Tel. +44 (0)20 8360 4088 once. True to form, this year has been no exception, Fax: +44 (0)20 8360 4088 starting with the launch of the new Download chart at the Through The Grapevine Email.
    [Show full text]
  • Legendary Guitars & Musical Treasures
    LEGENDARY GUITARS & MUSICAL TREASURES DECEMBER 2, 2017 Legendary Guitars & Musical Treasures - Dec 2 1: Les Paul electric guitar signed to Bruce Springsteen USD 5,000 - 7,000 An Epiphone electric guitar signed to Bruce Springsteen, from Les Paul. Serial #9400536. Les respected Bruce and thought he was a "cool dude." The consigner of this item, who worked for Les Paul, had given Bruce an acoustic guitar Les had signed in the 1990s. When Les heard he was on tour a few years later, he signed this guitar to Bruce. Lester William Polsfuss was an inventor and musician. A talented musician as well as inventor, Les Paul is credited with various recording innovations and his skilled guitar playing, however he is probably best known for helping to design the Gibson Les Paul.The consigner of this item worked directly with Les Paul. 2: 1963 Jan & Dean Master Tapes USD 3,000 - 5,000 Two master tracks from the album "Jan & Dean Take Linda Surfin'". Recorded on February 20th, 1963. Track list: "Rhythm of the Rain" and "Mr. Bass Man." Arranged and produced by Jan Berry and supervised by Lou Adler, "Jan & Dean Take Linda Surfin'" is the duo's first Liberty album, and included the usual backup of high quality musicians, giving Jan & Dean ample opportunity for vocal acrobatics and comic antics in "Mr. Bass Man," while their rendition of "Rhythm of the Rain" has a low-key charm that wasn't usually associated with the duo.Jan & Dean were an American rock duo made up of Jan Berry and Dean Torrence.
    [Show full text]
  • Ethan Johns Selected Producer, Mixer & Musician Credits
    ETHAN JOHNS SELECTED PRODUCER, MIXER & MUSICIAN CREDITS: Allison Pierce The Year of The Rabbit (Sony Masterworks) P E Mu A Seth Lakeman ft. Wildwood Kin Ballads Of The Broken Few (Cooking Vinyl) P co-M I'm With Her Forthcoming Album (TBD) P White Denim Stiff (Downtown) P M Boy & Bear Limit of Love (Nettwerk) P M Tom Jones Long Lost Suitcase (Virgin) P M Mu Ethan Johns with The Black Eyed Dogs Silver Liner (Three Crows/Caroline International) Mu W Paul McCartney New (MPL/Concord) P Mu Laura Marling Once I Was An Eagle (EMI) P E M Mu Ethan Johns If Not Now Then When (Three Crows) P E Mu W The Vaccines The Vaccines Come of Age (Columbia) P Tom Jones Spirit In The Room (Island UK) P M The Staves Dead & Born & Grown (Warner) co-P co-M The Staves The Motherlode: EP (Warner) co-P co-M Kaiser Chiefs Future Is Medieval (Fiction/B-Unique) P E M Priscilla Ahn When You Grow Up (Blue Note) P E M Mu Michael Kiwanuka "I'll Get Along" and "I Won't Lie" from Home Again P E M (Deluxe Version) (Polydor) The Boxer Rebellion The Cold Still (Absentee) P E M Red Cortez Forthcoming Album P E M Tom Jones Praise And Blame (Island UK) P E M The London Souls The London Souls (Soul On 10/DD172) P E M Laura Marling A Creature I Don't Know (EMI) P E M Laura Marling I Speak Because I Can (EMI) P E M Paolo Nutini Sunny Side Up (Atlantic UK) P E M Ray LaMontagne Gossip in the Grain (RCA) P E M Mu Grammy Nomination - Best Engineered Album 2009 Ray LaMontagne Till the Sun Turns Black (RCA) P E M Ray LaMontagne Trouble (RCA) P E M Turin Brakes Dark On Fire (EMI) P E M Joe
    [Show full text]
  • Mountain Stage Guest Artist List
    MOUNTAIN STAGE GUEST ARTIST LIST 1981 March Bob Thompson Jazz Trio, Putnam County Pickers 1983 December Larry Parson’s Chorale, Bob Thompson Jazz Trio, John Pierson 1984 January Currence Brothers, Ethel Caffie-Austin Singers, Terry Wimmer February Rhino Moon, Moloney, O’Connell & Keane, Alan Klein, Robert Shafer March Trapezoid, Charleston String Quartet, Bonnie Collins, April Stark Raven, Joe Dobbs/Friends, Alan Freeman, Joe McHugh May Hot Rize, Red Knuckles & Trailblazers, Karen McKay, Alan/Jeremy Klein June Norman Blake/Rising Fawn Ensemble, Appalachian String Quartet, Elmer Bird, Jeff and Angela Scott July Still Portrait, Everett Lilly/Appalachian Mountain, Sweet Adelines August Bill Danoff, Ann Baker/Bob Thompson Trio, Bob Shank, Alice Rice September Clan Erdverkle, Ron Sowell, Tracy Markusic, Shirley Fisher October Critton Hollow String Band, Tom Church, Marc & Cheryl Harshman November Turley Richards, Night Sky, Mountain Stage Regulars December (1 hr. Christmas special) West Virginia Brass, Bob Thompson, Devon McNamara 1985 January Turley Richards, West Virginia Brass, Bonnie Collins February Whetstone Run, Lucky Jazz Band, Alice Rice March Alex de Grassi, Nat Reese, Maggie Anderson April Guy Clark, Trapezoid, Marc Harshman May Bob Thompson, Ann Baker, Paul Skyland, Devon McNamara June 1 (Spoleto-Chas, SC) Hot Rize, Red Knuckles, John Roberts/Tony Barrand, Moving Star Singers June John McEuen, Mountain Thyme, John Rosenbohm, Bonnie Collins July Bill Danoff, Steadfast, Faith Holsaert August Buster Coles, Bing Brothers, Bob Baber
    [Show full text]
  • Johns, Ethan.Xls
    ETHAN JOHNS SELECTED PRODUCER, MIXER & MUSICIAN CREDITS: Tom Jones Surrounded By Time (S-Curve Records) P M Laura Marling Song for Our Daughter (Chrysalis) P Gilbert O'Sullivan Gilbert O'Sullivan (BMG) P Mary Chapin Carpenter Sometimes Just the Sky (Thirty Tigers) P M Ida Mae Chasing Lights (Vow Road) P co-M Nick Mulvey Wake Up Now (Fiction/Universal) co-P The Strypes Spitting Image (Virgin EMI) P M Allison Pierce The Year of The Rabbit (Sony Masterworks) P E Mu A Seth Lakeman ft. Wildwood Kin Ballads Of The Broken Few (Cooking Vinyl) P co-M I'm With Her See You Around (Rounder) P White Denim Stiff (Downtown) P M Boy & Bear Limit of Love (Nettwerk) P M Tom Jones Long Lost Suitcase (Virgin) P M Mu Ethan Johns with The Black Eyed Dogs Silver Liner (Three Crows/Caroline International) Mu W *nominated for AMAUK Award - UK Song of the Year Paul McCartney New (MPL/Concord) P Mu Laura Marling Once I Was An Eagle (EMI) P E M Mu Ethan Johns If Not Now Then When (Three Crows) P E Mu W The Vaccines The Vaccines Come of Age (Columbia) P Tom Jones Spirit In The Room (Island UK) P M The Staves Dead & Born & Grown (Warner) co-P co-M The Staves The Motherlode: EP (Warner) co-P co-M Kaiser Chiefs Future Is Medieval (Fiction/B-Unique) P E M Priscilla Ahn When You Grow Up (Blue Note) P E M Mu Michael Kiwanuka "I'll Get Along" and "I Won't Lie" from Home Again P E M (Deluxe Version -Polydor) 1 P-Producer E-Engineer M-Mixer Mu-Musician W-Writer A-Arranger ETHAN JOHNS SELECTED PRODUCER, MIXER & MUSICIAN CREDITS: The Boxer Rebellion The Cold Still (Absentee)
    [Show full text]
  • Escape the Fate Eels Blackberry Smoke
    KACEY MUSGRAVES BEN HARPER & CHARLIE MUSSELWHITE COURTNEY MARIE ANDREWS BLACKBERRY SMOKE ESCAPE THE FATE GOLDEN HOUR NO MERCY IN THIS LAND MAY YOUR KINDNESS REMAIN FIND A LIGHT I AM HUMAN MCA NASHVILLE ANTI FAT POSSUM 3 LEGGED RECORDS ELEVEN SEVEN Grammy-winner Kacey Musgrave’s new album, Golden No Mercy in This Land is a blues record that recounts Although May Your Kindness Remain was Pigeonholing Blackberry Smoke has never been I Am Human finds Escape the Fate at their most raw, Hour, is a trippy twist of the Bee Gees, Sade, and Neil both Ben Harper and Charlie Musselwhite’s personal predominately written on the road it’s not a road record easy. Since emerging from Atlanta in the early ‘00s, real, and relatable. Produced by Grammy-nominated Young. “I was thinking about how there are different stories and adds to the sonic history of American like its predecessor. That is, it’s not so much inspired by the quintet has become known for a singular sound super producer Howard Benson (My Chemical masks that we wear that represent different sides of struggle and survival. “Everything I’ve ever done has Courtney Marie Andrews’ life on the road so much as it indebted to classic rock, blues, country and folk. This Romance, Adam Lambert), the record simultaneously us,” she says of the album’s theme. “None of them had one foot in the blues,” says Harper. “At this moment, is by the people she’s met along the way. It’s an inward fluidity has paid off handsomely, especially on 2015’s marks an evolution in the band’s sound and brings alone are me, but the Golden Hour is when they all I don’t think I could make a better record than this.” reflection on the connectivity of their stories and her Holding All the Roses and 2016’s Like an Arrow – but them back to the excitement of their roots.
    [Show full text]