BRIT Awards 2013, One Direction Collect Their British Global Success Award
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SOMERSET FOLK All Who Roam, Both Young and Old, DECEMBER TOP SONGS CLASSICAL Come Listen to My Story Bold
Folk Singing Broadsht.2 5/4/09 8:47 am Page 1 SOMERSET FOLK All who roam, both young and old, DECEMBER TOP SONGS CLASSICAL Come listen to my story bold. 400 OF ENGLISH COLLECTED BY For miles around, from far and near, YEARS FOLK MUSIC TEN FOLK They come to see the rigs o’ the fair, 11 Wassailing SOMERSET CECIL SHARP 1557 Stationers’ Company begins to keep register of ballads O Master John, do you beware! Christmastime, Drayton printed in London. The Seeds of Love Folk music has inspired many composers, and And don’t go kissing the girls at Bridgwater Fair Mar y Tudor queen. Loss of English colony at Calais The Outlandish Knight in England tunes from Somerset singers feature The lads and lasses they come through Tradtional wassailing 1624 ‘John Barleycorn’ first registered. John Barleycorn in the following compositions, evoking the very From Stowey, Stogursey and Cannington too. essence of England’s rural landscape: can also be a Civil Wars 1642-1650, Execution of Charles I Barbara Allen SONG COLLECTED BY CECIL SHARP FROM visiting 1660s-70s Samuel Pepys makes a private ballad collection. Percy Grainger’s passacaglia Green Bushes WILLIAM BAILEY OF CANNINGTON AUGUST 8TH 1906 Lord Randal custom, Restoration places Charles II on throne was composed in 1905-6 but not performed similar to carol The Wraggle Taggle Gypsies 1765 Reliques of Ancient English Poetry published by FOLK 5 until years later. It takes its themes from the 4 singing, with a Thomas Percy. First printed ballad collection. Dabbling in the Dew ‘Green Bushes’ tune collected from Louie bowl filled with Customs, traditions & glorious folk song Mozart in London As I walked Through the Meadows Hooper of Hambridge, plus a version of ‘The cider or ale. -
'Music and Remembrance: Britain and the First World War'
City Research Online City, University of London Institutional Repository Citation: Grant, P. and Hanna, E. (2014). Music and Remembrance. In: Lowe, D. and Joel, T. (Eds.), Remembering the First World War. (pp. 110-126). Routledge/Taylor and Francis. ISBN 9780415856287 This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/16364/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] ‘Music and Remembrance: Britain and the First World War’ Dr Peter Grant (City University, UK) & Dr Emma Hanna (U. of Greenwich, UK) Introduction In his research using a Mass Observation study, John Sloboda found that the most valued outcome people place on listening to music is the remembrance of past events.1 While music has been a relatively neglected area in our understanding of the cultural history and legacy of 1914-18, a number of historians are now examining the significance of the music produced both during and after the war.2 This chapter analyses the scope and variety of musical responses to the war, from the time of the war itself to the present, with reference to both ‘high’ and ‘popular’ music in Britain’s remembrance of the Great War. -
Using Green Man Festival As a Case Study
An Investigation to identify how festivals promotional techniques have developed over the years – using Green Man Festival as a case study Victoria Curran BA (hons) Events Management Cardiff Metropolitan University April 2018 i Declaration “I declare that this Dissertation has not already been accepted in substance for any degree and is not concurrently submitted in candidature for any degree. It is the result of my own independent research except where otherwise stated.” Name: Victoria Curran Signed: ii Abstract This research study was carried out in order to explore the different methods of marketing that Green Man Festival utilises, to discover how successful they are, and whether they have changed and developed throughout the years. The study intended to critically review the literature surrounding festivals and festival marketing theories, in order to provide conclusions supported by theory when evaluating the effectiveness of the promotional strategies. It aimed to discover how modern or digital marketing affected Green Man’s promotional techniques, to assess any identified promotional techniques and identify any connections with marketing theory, to investigate how they promote the festival towards their target market, and to finally provide recommendations for futuristic methods of promotion. The dissertation was presented coherently, consisting of five chapters. The first chapter was the introduction, providing a basic insight into the topics involved. The second contains a critical literature review where key themes were identified; the third chapter discussed the methodology used whilst the fourth chapter presents the results that were discovered, providing an analysis and discussion. The final chapter summarises the study, giving recommendations and identifying any limitations of the study. -
PLAYERS GUIDE — Shinnecock Hills Golf Club | Southampton, N.Y
. OP U.S EN SHINNECOCK HILLS TH 118TH U.S. OPEN PLAYERS GUIDE — Shinnecock Hills Golf Club | Southampton, N.Y. — June 14-17, 2018 conducted by the 2018 U.S. OPEN PLAYERS' GUIDE — 1 Exemption List SHOTA AKIYOSHI Here are the golfers who are currently exempt from qualifying for the 118th U.S. Open Championship, with their exemption categories Shota Akiyoshi is 183 in this week’s Official World Golf Ranking listed. Birth Date: July 22, 1990 Player Exemption Category Player Exemption Category Birthplace: Kumamoto, Japan Kiradech Aphibarnrat 13 Marc Leishman 12, 13 Age: 27 Ht.: 5’7 Wt.: 190 Daniel Berger 12, 13 Alexander Levy 13 Home: Kumamoto, Japan Rafael Cabrera Bello 13 Hao Tong Li 13 Patrick Cantlay 12, 13 Luke List 13 Turned Professional: 2009 Paul Casey 12, 13 Hideki Matsuyama 11, 12, 13 Japan Tour Victories: 1 -2018 Gateway to The Open Mizuno Kevin Chappell 12, 13 Graeme McDowell 1 Open. Jason Day 7, 8, 12, 13 Rory McIlroy 1, 6, 7, 13 Bryson DeChambeau 13 Phil Mickelson 6, 13 Player Notes: ELIGIBILITY: He shot 134 at Japan Memorial Golf Jason Dufner 7, 12, 13 Francesco Molinari 9, 13 Harry Ellis (a) 3 Trey Mullinax 11 Club in Hyogo Prefecture, Japan, to earn one of three spots. Ernie Els 15 Alex Noren 13 Shota Akiyoshi started playing golf at the age of 10 years old. Tony Finau 12, 13 Louis Oosthuizen 13 Turned professional in January, 2009. Ross Fisher 13 Matt Parziale (a) 2 Matthew Fitzpatrick 13 Pat Perez 12, 13 Just secured his first Japan Golf Tour win with a one-shot victory Tommy Fleetwood 11, 13 Kenny Perry 10 at the 2018 Gateway to The Open Mizuno Open. -
Alunageorge: Hypet Og Anerkendt Britisk Electropop-Duo Til VEGA
2013-07-02 09:59 CEST AlunaGeorge: Hypet og anerkendt britisk electropop-duo til VEGA VEGA & Beatbox Concerts præsenterer AlunaGeorge: Hypet og anerkendt britisk electropop-duo til VEGA Den unge duo AlunaGeorge er et af de mest omtalte navne på den europæiske musikscene netop nu. De to briter har en række hits bag sig, og debutalbummet Body Music er lige på trapperne. Den 5. november spiller de i VEGA – deres første koncert i landet. De er blevet rost til skyerne i både blogs og store medier som BBC og hitter med “Your Drums, Your Love” og “Attracting Flies”. Den unge duo AlunaGeorge er på alles læber for tiden, og nu kan de for første gang opleves live i Danmark, når de betræder scenen i Lille VEGA den 5. november med debuten Body Music i bagagen. Aluna møder George og sød electropop opstår AlunaGeorge består af Aluna Francis og George Reid, der mødte hinanden for fire år siden i deres fælles hjemby, London. Aluna er sangerinden og skriver bandets melodier og tekster, mens produceren George styrer elektronikken og arrangerer numrene, så de kommer til at lyde som helheden AlunaGeorge. Duoens numre har en dyb basbund, samples og knitrende beats, men med R&B-pop på toppen, leveret med britisk accent af Aluna. Sammen får Aluna og George den elektroniske popmusik til at lyde frisk og tiltrækkende, som på en af deres tidlige singler “You Know You Like It”. Udvalgt af BBC Deres debutalbum Body Music udkommer den 29. juli og er en af de mest ventede debuter i år, ikke mindst i hjemlandet, hvor der især er blevet sat fokus på AlunaGeorge af BBC og Brit Awards. -
Software Sequencers and Cyborg Singers
Edinburgh Research Explorer Software Sequencers and Cyborg Singers Citation for published version: Prior, N 2009, 'Software Sequencers and Cyborg Singers: Popular Music in the Digital Hypermodern', New Formations: A Journal of Culture, Theory, Politics, vol. 66, no. Spring, pp. 81-99. https://doi.org/10.3898/newf.66.06.2009 Digital Object Identifier (DOI): 10.3898/newf.66.06.2009 Link: Link to publication record in Edinburgh Research Explorer Document Version: Publisher's PDF, also known as Version of record Published In: New Formations: A Journal of Culture, Theory, Politics Publisher Rights Statement: © Prior, N. (2009). Software Sequencers and Cyborg Singers: Popular Music in the Digital Hypermodern. New Formations, 66(Spring), 81-99 doi: 10.3898/newf.66.06.2009. General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 26. Sep. 2021 SOFTWARE SEQUENCERS AND CYBORG SINGERS: POPULAR MUSIC IN THE DIGITAL HYPERMODERN Nick Prior It has been almost twenty years since Andrew Goodwin’s classic essay, ‘Sample and Hold’, claimed that pop music had entered a new phase of digital reproduction.1 If the digital sampler was postmodernism’s musical engine, then hip hop was its recombinant form, and the erosion of divisions between original and copy the celebrated consequence. -
Black North American and Caribbean Music in European Metropolises a Transnational Perspective of Paris and London Music Scenes (1920S-1950S)
Black North American and Caribbean Music in European Metropolises A Transnational Perspective of Paris and London Music Scenes (1920s-1950s) Veronica Chincoli Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Florence, 15 April 2019 European University Institute Department of History and Civilization Black North American and Caribbean Music in European Metropolises A Transnational Perspective of Paris and London Music Scenes (1920s- 1950s) Veronica Chincoli Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Examining Board Professor Stéphane Van Damme, European University Institute Professor Laura Downs, European University Institute Professor Catherine Tackley, University of Liverpool Professor Pap Ndiaye, SciencesPo © Veronica Chincoli, 2019 No part of this thesis may be copied, reproduced or transmitted without prior permission of the author Researcher declaration to accompany the submission of written work Department of History and Civilization - Doctoral Programme I Veronica Chincoli certify that I am the author of the work “Black North American and Caribbean Music in European Metropolises: A Transnatioanl Perspective of Paris and London Music Scenes (1920s-1950s). I have presented for examination for the Ph.D. at the European University Institute. I also certify that this is solely my own original work, other than where I have clearly indicated, in this declaration and in the thesis, that it is the work of others. I warrant that I have obtained all the permissions required for using any material from other copyrighted publications. I certify that this work complies with the Code of Ethics in Academic Research issued by the European University Institute (IUE 332/2/10 (CA 297). -
Issue No. 39 September/October 2016 3 Videogames Have Become Bonafide EYE Entertainment Franchises
Press Play LÉON Lewis Del Mar Luna Aura Marshmello NAO and more THE STORM ISSUE NO. 39 REPORT SEPTEMBER/OCTOBER 2016 TABLE OF CONTENTS 4 EYE OF THE STORM Press Play: How videogames could save the music industry 5 STORM TRACKER Roadies Roll Call, Kiira Is Killing It, The Best and the Brightest 6 STORM FORECAST What to look forward to this month. Award Shows, Concert Tours, Album Releases, and more 7 STORM WARNING Our signature countdown of 20 buzzworthy bands and artists on our radar. 19 SOURCES & FOOTNOTES On the Cover: Martin Garrix. Photo provided by management ABOUT A LETTER THE STORM FROM THE REPORT EDITOR STORM = STRATEGIC TRACKING OF RELEVANT MEDIA Hello STORM Readers! The STORM Report is a compilation of up-and-coming bands and Videogames have become a lucrative channel artists who are worth watching. Only those showing the most for musicians seeking incremental revenue promising potential for future commercial success make it onto our as well as exposure to a captive and highly monthly list. engaged audience. Soundtracks for games include a varied combination of original How do we know? music scores, sound effects and licensed tracks. Artists from Journey (yes, Journey) Through correspondence with industry insiders and our own ravenous to Linkin Park have created gamified music media consumption, we spend our month gathering names of artists experiences to bring their songs to visual who are “bubbling under”. We then extensively vet this information, life. In the wake of Spotify announcing an analyzing an artist’s print & digital media coverage, social media entire section of its streaming platform growth, sales chart statistics, and various other checks and balances to dedicated to videogame music, we’ve used ensure that our list represents the cream of the crop. -
2011 Compass Draft 2.Indd Sec1:35 4/18/2011 5:03:35 PM Wal-Mart Superstore in New Hampshire” (50)
1 22011011 ccompass_draftompass_draft 22.indd.indd 1 44/18/2011/18/2011 55:02:46:02:46 PPMM Dedicated to Jeanne Jackson 22011011 ccompass_draftompass_draft 22.indd.indd 2 44/18/2011/18/2011 55:03:31:03:31 PPMM A Journal of Leadership and Service at Birmingham-Southern College Volume XIII Spring 2011 Editor-in-Chief Assistant Editor Staff Advisor Charlsie Wigley Claire Burns Jeanne Jackson This year has produced a number of questions involving the ethics, effectiveness, and evolution of leadership on this campus. The Birmingham-Southern community has directly learned the startling impact that leadership can have on our lives. Now, perhaps more than ever before, there exists the opportunity and need for us to discover and critique the boundaries of leadership through learning, challenging, and re-imagining possibilities. As Keith Grint writes in Leadership: Limits and Possibilities, “Leadership is not just a theoretical arena but one with critical practical implications for us all and the limits of leadership—what leaders can do and what followers should allow them to do – are foundational aspects of this arena. Leadership, in effect, is too important to be left to leaders.” It is this axiom that guides the study of leadership and reminds us of the calling that we, as both leaders and followers, must answer in order to continue progress “forward ever.” Like a compass that points us to a destination, the Compass seeks to foster an academic discussion on the concepts of leadership and service. By showing the evolution of followers’ attitudes towards the infamous John Brown, Walter Lewellyn provides a case study on radical leadership in “Waiting for Superman: The Pottawatomie Creek Massacre and the Legend of John Brown.” MK Foster, in “Virgins and Pokerfaces: A Comparative Analysis of Madonna’s and Lady Gaga’s Leadership in Gender Representation,” analyzes how two popular cultural icons have redefi ned the limits of gender representation through their creative and transformational leadership. -
Jdg Feat New Haven Iou
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April 16-18 2018 01
April 16-18 2018 01 Table of Contents Welcome to the eighth celebration of Create@State: A Symposium of Research, Scholarship Schedule . 2 & Creativity, showcasing the quality works of our students from across all of our university’s colleges and disciplines . This venue provides an opportunity for undergraduate and graduate Map . 3 students to present original work to stakeholders and the community in a professional Presentation Schedule . 7 setting . The theme for Create@State 2018 is focused around the STEAM initiative to highlight integration of STEM (Science, Technology, Engineering and Math) with Art + Design . We are Oral & Creative Presentations . 22 excited to welcome Edwin Faughn, our distinguished keynote, as he presents to campus Poster Presentations . 45 and the community the intersection of art, design and science . I am proud of the intellect, creativity and innovation taking place at Arkansas State University . This event is a testament to the rich cocurricular learning experiences that are provided by our outstanding faculty Student Research Ambassadors 2017-2018 mentors . I hope you will participate in as many of the events over the three days as possible . Ashley Schulz Brett Hale Olivia Smith Genevieve Quenum Anna Mears Parker Knapp Best regards, Nathan Baggett Kristian Watson Courtney Cox QianQian Yu Neha Verma Quy Van Cameron Duke Andrew Sustich, Ph .D . Associate Vice Chancellor for Research Student Research Advisory Committee 2017-2018 Katerina Hill . .Neil Griffin College of Business Hilary Schloemer . Neil Griffin College of Business Tina Teague . College of Agriculture, Engineering & Technology Zahid Hossain . College of Agriculture, Engineering & Technology Virginie Rolland . College of Sciences & Mathematics David Saarnio . -
DAVID RYAN ADAMS C/O PAX-AM Hollywood CA 90028
DAVID RYAN ADAMS c/o PAX-AM Hollywood CA 90028 COMPETENCIES & SKILLS Design and construction of PAX-AM studios in Los Angeles to serve as home of self-owned-and-operated PAX-AM label and home base for all things PAX-AM. Securing of numerous Grammy nominations with zero wins as recently as Best Rock Album for eponymous 2014 LP and Best Rock Song for that record's "Gimme Something Good," including 2011's Ashes & Fire, and going back all the way to 2002 for Gold and "New York, New York" among others. Production of albums for Jenny Lewis, La Sera, Fall Out Boy, Willie Nelson, Jesse Malin, and collaborations with Norah Jones, America, Cowboy Junkies, Beth Orton and many others. RELEVANT EXPERIENCE October 2015 - First music guest on The Daily Show with Trevor Noah; Opened Jimmy Kimmel Live's week of shows airing from New York, playing (of course) "Welcome To New York" from 1989, the song for song interpretation of Taylor Swift's album of the same name. September 2015 - 1989 released to equal measures of confusion and acclaim: "Ryan Adams transforms Taylor Swift's 1989 into a melancholy masterpiece... decidedly free of irony or shtick" (AV Club); "There's nothing ironic or tossed off about Adams' interpretations. By stripping all 13 tracks of their pony-stomp synths and high-gloss studio sheen, he reveals the bones of what are essentially timeless, genre-less songs... brings two divergent artists together in smart, unexpected ways, and somehow manages to reveal the best of both of them" (Entertainment Weekly); "Adams's version of '1989' is more earnest and, in its way, sincere and sentimental than the original" (The New Yorker); "the universality of great songwriting shines through" (Billboard).