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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Vol LI Issue 4
page 2 the paper march 21, 2018 The Walkout, pg. 3 Ronald Reagan, pg. 9 Jessica Jones, pg. 15 F & L, pg. 21-22 Earwax, pg. 23 the paper “Which Disney character are you?” c/o Office of Student Involvement Editors-in-Chief Fordham University Colleen “Flounder” Burns Bronx, NY 10458 Claire “Yzma” Nunez [email protected] Executive Editor http://fupaper.blog/ Michael Jack “Sid from Ice Age even though he’s not Disney” O’Brien News Editors the paper is Fordham’s journal of news, analysis, comment and review. Students from all Christian “Genie” Decker years and disciplines get together biweekly to produce a printed version of the paper using Andrew “Zazu” Millman Adobe InDesign and publish an online version using Wordpress. Photos are “borrowed” from Opinions Editors Internet sites and edited in Photoshop. Open meetings are held Tuesdays at 9:00 PM in McGin- Jack “Launchpad McQuack” Archambault ley 2nd. Articles can be submitted via e-mail to [email protected]. Submissions from Hillary “Coco” Bosch students are always considered and usually published. Our staff is more than willing to help new writers develop their own unique voices and figure out how to most effectively convey their Arts Editors thoughts and ideas. We do not assign topics to our writers either. The process is as follows: Meredith “The Little Mermaid IS MY LIFE” McLaughlin have an idea for an article, send us an e-mail or come to our meetings to pitch your idea, write Annie “Dopey” Muscat the article, work on edits with us, and then get published! We are happy to work with anyone Earwax Editor who is interested, so if you have any questions, comments or concerns please shoot us an e- Marty “Eeyore” Gatto mail or come to our next meeting. -
Completecoversonglist (Updated May 2020)
Classic/Vintage Rock Songs - 68 songs 1. Black Water - The Doobie Brothers 2. Jesus Is Just Alright - The Doobie Brothers 3. Listen To The Music - The Doobie Brothers 4. Long Train Runnin’ - The Doobie Brothers 5. No Time - The Guess Who 6. Share The Land - The Guess Who 7. Albert Flasher - The Guess Who 8. Undone - The Guess Who 9. Guns Guns Guns - The Guess Who 10. No Sugar Tonight / Good Times Bad Times Medley - The Guess Who / Led Zeppelin 11. Old Man - Neil Young 12. Ohio - CSN&Y 13. Suite Judy Blue Eyes - CSN&Y 14. Teach Your Children - CSN&Y 15. Find The Cost of Freedom - CSN&Y 16. Guinevere - CSN&Y 17. Helplessly Hoping - CSN&Y 18. Goodbye Stranger - Supertramp 19. Tiny Dancer - Elton John 20. Easy - The Commodores 21. Into The Mystic - Van Morrison 22. Ventura Highway - America 23. Sister Golden Hair - America 24. Two Tickets To Paradise - Eddie Money 25. Reelin’ In The Years - Steely Dan 26. Magic Carpet Ride - Steppenwolf 27. Whipping Post - The Allman Brothers 28. Can’t Buy Me Love - The Beatles 29. Revolution - The Beatles 30. Help - The Beatles 31. Serenade - Steve Miller Band 32. Fly Like An Eagle - Steve Miller Band 33. Jet Airliner - Steve Miller Band 34. Rock’n Me Baby - Steve Miller Band 35. Swingtown - Steve Miller Band 36. Dance, Dance, Dance - Steve Miller Band 37. Joker - Steve Miller Band 38. The Stake - Steve Miller Band 39. Black Magic Women - Santana 40. Night Moves - Bob Seger 41. Turn The Page - Bob Seger 42. Superstition - Stevie Wonder 43. Take It Easy - Eagles 44. -
2013-Issue1.Pdf
T he M itre 2013 C a n a d a ’s l o n g e s t r u n n in g l it e r a r y jo u r n a l O ne h u n d r e d a n d t w e n t ie t h e d it io n T a b l e o f C o n t e n t s Acknowledgements...................................................................................................i An Editorial Interjection.........................................................................................iii Dedication................................. ........................... .........-............................. - .... iv iArt' is the biggest word I’ve ever heard. I Alison Petrovich....................................1 This Path / William Francois Tremblay.................................................................. 1 A Casual Cry / Asa Connor.............- ............................. ..................................... 2 Waiting Room / Frank Willdig..................................................................................3 Buddhist Temple / Cheylyne Eccles....................................................................... 3 Riddled with Gross Things / Jamie Boland............................................................. 4 Hands / Katherine Perrotta...................................................................................... 5 Peaceful Lake / Sonia Z Palik.................................................................................6 Caliban / Frank Willdig........................................................................................... 6 A Reason for Insomnia / Irina Sordiya................................................................... -
Making Company of Darkness Joshua Evan Borgmann Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1999 Making company of darkness Joshua Evan Borgmann Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Creative Writing Commons, and the English Language and Literature Commons Recommended Citation Borgmann, Joshua Evan, "Making company of darkness " (1999). Retrospective Theses and Dissertations. 7097. https://lib.dr.iastate.edu/rtd/7097 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Making company of darkness by Joshua Evan Borgmann . A thesis submitted to the graduate faculty in partialfulfillment of the requirements for the degreeof MASTER OFARTS Major: English (Creative Writing) Major Professor: Neal Bowers Iowa State University Ames, Iowa 1999 11 Graduate College Iowa State University This is to certify that the Master's thesis of Joshua Evan Borgmann has met the requirements ofIowa State University Major Professor For the Major Program For the Graduate College m TABLE OF CONTENTS I. INSALUBRIOUS BIFURCATIONS 1 Family Portrait at 23 2 Family 3 Family Spirit 4 Insalubrious Bifurcation ofthe Post-Nuclear Family Schema 5 Christmas Eves 6 Holiday Edge 7 Food, Football, Family 9 Wal-Mart Christian 11 Devil's Advocate 13 Religion in Ice 14 Deicide 15 Suicide Poem # 23 16 Suicide Poem # 24 17 23 to 2 18 Sadistic Auto-Masochistic Persecution 19 Random SelfIndulgent Shit 20 High School High Via the Lost Highway 23 Forgetting '87 24 Thirteen 25 Absence ofLight 26 Windows 27 The House 28 Old Woman 29 In the Night 30 Goathoms 31 H. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
AXS TV Canada Schedule for Mon. December 21, 2015 to Sun
AXS TV Canada Schedule for Mon. December 21, 2015 to Sun. December 27, 2015 Monday December 21, 2015 7:00 PM ET / 4:00 PM PT 8:00 AM ET / 5:00 AM PT Rock Legends New York City Drone Film Festival Eric Clapton - Rock Legends Eric Clapton tells the story of one of Britain’s enduring rock stars, The New York City Drone Film Festival is the first and only festival exclusively dedicated to drone featuring insights from music critics and showcasing classic music videos. cinema. In order to qualify for the festival the films must be shot 50% or more with a drone and be less than 5 minutes in length. In the new and exploding world of drone cinematography, 7:30 PM ET / 4:30 PM PT these are the best drone films in the world. Rock Legends Rod Stewart - Rod Stewart took to the blues circuit early in his career and became the first solo 9:00 AM ET / 6:00 AM PT artist to achieve the number 1 position in both the US and the UK after releasing his 3rd album, Rudy Maxa’s World Every Picture Tells A Story. Rock Legends Rod Stewart tells the story of one of Britain’s enduring Edinburgh & the Scottish Highlands - A special episode featuring the Edinburgh International rock stars. Festival. 8:00 PM ET / 5:00 PM PT 9:30 AM ET / 6:30 AM PT Big Head Todd and the Monsters: Sister Sweetly 20th Anniversary Celebration The Big Interview Big Head Todd and the Monsters celebrate the 20th anniversary of their album Sister Sweetly David Simon - One of Hollywood’s hottest screenwriters is a former newspaper reporter. -
Norway's Jazz Identity by © 2019 Ashley Hirt MA
Mountain Sound: Norway’s Jazz Identity By © 2019 Ashley Hirt M.A., University of Idaho, 2011 B.A., Pittsburg State University, 2009 Submitted to the graduate degree program in Musicology and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy, Musicology. __________________________ Chair: Dr. Roberta Freund Schwartz __________________________ Dr. Bryan Haaheim __________________________ Dr. Paul Laird __________________________ Dr. Sherrie Tucker __________________________ Dr. Ketty Wong-Cruz The dissertation committee for Ashley Hirt certifies that this is the approved version of the following dissertation: _____________________________ Chair: Date approved: ii Abstract Jazz musicians in Norway have cultivated a distinctive sound, driven by timbral markers and visual album aesthetics that are associated with the cold mountain valleys and fjords of their home country. This jazz dialect was developed in the decade following the Nazi occupation of Norway, when Norwegians utilized jazz as a subtle tool of resistance to Nazi cultural policies. This dialect was further enriched through the Scandinavian residencies of African American free jazz pioneers Don Cherry, Ornette Coleman, and George Russell, who tutored Norwegian saxophonist Jan Garbarek. Garbarek is credited with codifying the “Nordic sound” in the 1960s and ‘70s through his improvisations on numerous albums released on the ECM label. Throughout this document I will define, describe, and contextualize this sound concept. Today, the Nordic sound is embraced by Norwegian musicians and cultural institutions alike, and has come to form a significant component of modern Norwegian artistic identity. This document explores these dynamics and how they all contribute to a Norwegian jazz scene that continues to grow and flourish, expressing this jazz identity in a world marked by increasing globalization. -
Claimed Studios Self Reliance Music 779
I / * A~V &-2'5:~J~)0 BART CLAHI I.t PT. BT I5'HER "'XEAXBKRS A%9 . AFi&Lkz.TKB 'GMIG'GCIKXIKS 'I . K IUOF IH I tt J It, I I" I, I ,I I I 681 P U B L I S H E R P1NK FLOWER MUS1C PINK FOLDER MUSIC PUBLISH1NG PINK GARDENIA MUSIC PINK HAT MUSIC PUBLISHING CO PINK 1NK MUSIC PINK 1S MELON PUBL1SHING PINK LAVA PINK LION MUSIC PINK NOTES MUS1C PUBLISHING PINK PANNA MUSIC PUBLISHING P1NK PANTHER MUSIC PINK PASSION MUZICK PINK PEN PUBLISHZNG PINK PET MUSIC PINK PLANET PINK POCKETS PUBLISHING PINK RAMBLER MUSIC PINK REVOLVER PINK ROCK PINK SAFFIRE MUSIC PINK SHOES PRODUCTIONS PINK SLIP PUBLISHING PINK SOUNDS MUSIC PINK SUEDE MUSIC PINK SUGAR PINK TENNiS SHOES PRODUCTIONS PiNK TOWEL MUSIC PINK TOWER MUSIC PINK TRAX PINKARD AND PZNKARD MUSIC PINKER TONES PINKKITTI PUBLISH1NG PINKKNEE PUBLISH1NG COMPANY PINKY AND THE BRI MUSIC PINKY FOR THE MINGE PINKY TOES MUSIC P1NKY UNDERGROUND PINKYS PLAYHOUSE PZNN PEAT PRODUCTIONS PINNA PUBLISHING PINNACLE HDUSE PUBLISHING PINOT AURORA PINPOINT HITS PINS AND NEEDLES 1N COGNITO PINSPOTTER MUSIC ZNC PZNSTR1PE CRAWDADDY MUSIC PINT PUBLISHING PINTCH HARD PUBLISHING PINTERNET PUBLZSH1NG P1NTOLOGY PUBLISHING PZO MUSIC PUBLISHING CO PION PIONEER ARTISTS MUSIC P10TR BAL MUSIC PIOUS PUBLISHING PIP'S PUBLISHING PIPCOE MUSIC PIPE DREAMER PUBLISHING PIPE MANIC P1PE MUSIC INTERNATIONAL PIPE OF LIFE PUBLISHING P1PE PICTURES PUBLISHING 882 P U B L I S H E R PIPERMAN PUBLISHING P1PEY MIPEY PUBLISHING CO PIPFIRD MUSIC PIPIN HOT PIRANA NIGAHS MUSIC PIRANAHS ON WAX PIRANHA NOSE PUBL1SHING P1RATA MUSIC PIRHANA GIRL PRODUCTIONS PIRiN -
Tyler Childers' New Album Country Squire out August 2
TYLER CHILDERS’ NEW ALBUM COUNTRY SQUIRE OUT AUGUST 2 VIDEO FOR LEAD TRACK “HOUSE FIRE” PREMIERES TODAY “COUNTRY SQUIRE RUN” HEADLINING TOUR CONFIRMED Acclaimed singer/songwriter Tyler Childers is set to release his highly anticipated new album, Country Squire, August 2 via Hickman Holler Records/RCA Records. His first release in partnership with RCA Records, the album is now available for pre-order. In anticipation of the album’s release, lead track “House Fire” premieres today. Watch/share the official music video HERE and listen to the song HERE. Produced by Sturgill Simpson and David Ferguson, the album was recorded at The Butcher Shoppe in Nashville and consists of nine new songs written by Childers. In addition to Childers (vocals, acoustic guitar), the album features a number of world-renowned musicians including Stuart Duncan (fiddle, mandolin, banjo), Miles Miller (drums, background vocals) and Russ Pahl (acoustic guitar, electric guitar, pedal steel, Jaw harp, baritone). Of the mission behind the album, Childers comments, “I hope that people in the area that I grew up in find something they can relate to. I hope that I’m doing my people justice and I hope that maybe someone from somewhere else can get a glimpse of the life of a Kentucky boy.” In celebration of the release, Childers will embark on his extensive “Country Squire Run” headlining tour this fall including stops at Los Angeles’ The Wiltern, Brooklyn’s Brooklyn Steel (two nights), Boston’s House of Blues, Washington D.C.’s The Anthem, Seattle’s Paramount Theatre, Minneapolis’ First Avenue (two nights), Atlanta’s The Tabernacle and Philadelphia’s The Fillmore among several others. -
DIE BESTEN Philipp Anz Sam Mumenthaler Kelly Lee Owens: Inner Song Nadja Zela: Greetings to Andromeda – Requiem Nadine Shah: Kitchen Sink Gillian Welch: Boots No
DIE BESTEN Philipp Anz Sam Mumenthaler Kelly Lee Owens: Inner Song Nadja Zela: Greetings to Andromeda – Requiem Nadine Shah: Kitchen Sink Gillian Welch: Boots No. 2 Fountaines D.C.: A Hero’s Death Fiona Apple: Fetch the Bolt Cutters Cornershop: England Is A Garden The Jayhawks: XOXO Dana Gavanski: Yesterday Is Gone Tom Petty: Wildflowers & All the Rest Bill Callahan: Gold Record Bob Dylan: Rough and Rowdy Ways Waxahatchee: Saint Cloud Chuck Prophet: The Land That Time Forgot Porridge Radio: Every Bad Joachim Cooder: Over That Road I’m Bound Ela Minus: Acts of Rebellion Drive-By Truckers: The Unraveling Habibi: Anywhere But Here Die Aeronauten: Neun Extraleben Michael Gasser Christian Pauli Courtney Marie Andrews: Old Flowers Die Aeronauten: Neun Extraleben The Secret Sisters: Saturn Return Caribou: Suddenly Bill Fay: Countless Branch Duma: Duma Frazey Ford: U Kin B the Sun DJ Marcelle/Another Nice Mess: Totally Wired Johanna Warren: Chaotic Good Wire Total Mix Bill Callahan: Gold Record Sandro Vallarsa Friends of Gas: Kein Wetter Tunng: Presents ... Dead Club Drive-By Truckers: The Unraveling Kate Birch: Sound of the City This Is The Kit: Off Off On The Hold Steady: Heaven is Whenever No Home: Fucking Hell Brigid Mae Power: Head Above the Water The Replacements: Pleased to Meet Me (Deluxe Pole: Fading Gillian Welch: Boots No. 2 Edition) Pisse: Pisse The War on Drugs: Live Drugs Sam Prekop: Comma Reto Aschwanden Pearl Jam: Gigaton Dool: Summerland Drive-By Truckers: The New Ok Benedikt Sartorius Destination Lonely: Nervous Breakdown The -
DAVID RYAN ADAMS C/O PAX-AM Hollywood CA 90028
DAVID RYAN ADAMS c/o PAX-AM Hollywood CA 90028 COMPETENCIES & SKILLS Design and construction of PAX-AM studios in Los Angeles to serve as home of self-owned-and-operated PAX-AM label and home base for all things PAX-AM. Securing of numerous Grammy nominations with zero wins as recently as Best Rock Album for eponymous 2014 LP and Best Rock Song for that record's "Gimme Something Good," including 2011's Ashes & Fire, and going back all the way to 2002 for Gold and "New York, New York" among others. Production of albums for Jenny Lewis, La Sera, Fall Out Boy, Willie Nelson, Jesse Malin, and collaborations with Norah Jones, America, Cowboy Junkies, Beth Orton and many others. RELEVANT EXPERIENCE October 2015 - First music guest on The Daily Show with Trevor Noah; Opened Jimmy Kimmel Live's week of shows airing from New York, playing (of course) "Welcome To New York" from 1989, the song for song interpretation of Taylor Swift's album of the same name. September 2015 - 1989 released to equal measures of confusion and acclaim: "Ryan Adams transforms Taylor Swift's 1989 into a melancholy masterpiece... decidedly free of irony or shtick" (AV Club); "There's nothing ironic or tossed off about Adams' interpretations. By stripping all 13 tracks of their pony-stomp synths and high-gloss studio sheen, he reveals the bones of what are essentially timeless, genre-less songs... brings two divergent artists together in smart, unexpected ways, and somehow manages to reveal the best of both of them" (Entertainment Weekly); "Adams's version of '1989' is more earnest and, in its way, sincere and sentimental than the original" (The New Yorker); "the universality of great songwriting shines through" (Billboard).