The Americanization of Edward Bok by Edward William Bok (1863-1930)
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Samuel Yellin Annotated Bibliography
Samuel Yellin Annotated Bibliography Andrews, Jack. Samuel Yellin, Metalworker. Philadelphia: Samuel Yellin Foundation, 1982(?). This essay is a reprinting of “The Anvil’s Ring”, and a detailed account of Yellin’s life and work. The author notes that much of Yellin’s life is sparsely documented, except for Yellin’s record keeping at the Arch Street shop in Philadelphia, which contained business records, correspondence, drawings for each project, and photographs of the work (sometimes before and after it left the shop). Reproduced in the publication are letters of recommendation from Cass Gilbert and Philip Sawyer; quotes from Yellin, his associates, and metalworkers in his employ; correspondences; and a resume. The essay contains photographs of work pertaining to: the J. B. Van Sciver Company; the Edgar J. Kaufman residence in Pittsburgh; The Cloisters; the W. K. Vanderbilt residence in Northport, Long Island; the Union Central Annex Building in Cincinnati, Ohio; the B. G. Work residence in Oyster Bay, Long Island; the University of Pittsburgh; the Princeton Chapel in Princeton, New Jersey; the Baltimore Trust Company in Baltimore, Maryland; Saint Mary’s Church in Detroit; Mercersburg Academy in Mercersburg, Pennsylvania; the J. P. Morgan residence; the Kenly Memorial; the Hardware Mutual Fire Insurance Building in Stevens Point, Wisconsin; the Jay F. Carlisle residence; the Federal Reserve Bank of New York; the Packard Building in Philadelphia; the Curtis Institute of Music; the Edsel Ford residence in Grosse Point, Michigan; the McKinlock Memorial at Northwestern University in Chicago; the Sterling Memorial Library in New Haven, Connecticut; the Grace Cathedral in San Francisco, California; the Seattle Art Museum; the Children’s Chapel at the Washington Cathedral; and others. -
Title IX Coordinator and Director, Human Resources and Equal Opportunity Musicians to Engage a Local and Global Community Throug
Title IX Coordinator and Director, Human Resources and Equal Opportunity The Curtis Institute of Music, a private school dedicated to the training and education of exceptionally gifted young musicians, invites nominations and applications for the position of Title IX Coordinator and Director, Human Resources and Equal Opportunity. The Curtis Institute seeks a strategic thinker and a relationship-driven community member who fosters productive collaborations, is trustworthy and approachable, and strives to serve as a valued and reliable resource to students, faculty, staff, and the administration. Serving as a newly added member of the President’s cabinet, the Director will oversee Curtis’s Title IX function and work in partnership with the Senior Associate Dean and Special Advisor to the President for Strategic Engagement, and members of the Ombuds Office to develop institutional equity initiatives across the campus. Reporting to the Senior Vice President of Administration, with a dotted line to the President & CEO, the Director will lead the division of Title IX, human resources, and equal opportunity services, and participate in a newly formed task force designed to support the well-being of students, staff, alumni, and faculty. The position will also have an open and confidential line to the Board of Trustees. This critical hire will be well-positioned to help Curtis remain true to its core mission: to educate and train exceptionally gifted young musicians to engage a local and global community through the highest level of artistry. 1 The Director will bring proficiency in both the current and emerging regulatory environments, as well as a deep understanding of national issues and trends as they relate specifically to Title IX and equal opportunity regulations. -
The Gilded Age
The Gilded Age Historian Allen Nevins, in The Emergence of Modern America, described the Gilded Age—the era between the end of the Civil War and the Beginning of World War I—as a “period of currency inflation, widespread speculation, overexpansion of industry, loud booming of dubious enterprises, base business and political morals, and flashy manners….” He was correct, but only partially. Greed, fraud, and selfishness were surely widespread, but there occurred also in this age the organization of labor, some regulation of the economy, and an expansion of education. If there were those guilty of gilding society’s face, there were also those who sought to break through the gilt façade to a harder, if darker, reality. Among this group were the writers of this series—Mark Twain, Stephen Crane, Kate Chopin, W. E. B. Du Bois, and Jack London. When Mark Twain and Charles Dudley Warner published The Gilded Age: A Tale of To-day in 1873, they began with a mock apology for their treatment of: “an entirely ideal state of society… where there is no fever of speculation, no inflamed desire for sudden wealth, where the poor are all simple- minded and contented, and the rich are all honest and generous, where society is in a condition of primitive purity, and politics is the occupation of only the capable and the patriotic.” The sardonic social criticism that follows the preface aims to prick many falsehoods of the age. And with realism as a tool, many American writers took up just that aim. With William Dean Howells as its popular and influential spokesman, literary realism ranged from genteel to ruthless, and its targets of reform included a spectrum of social ills. -
Curtis Institute of Music
C URTIS INST I TUT E O F MUS IC C ATA LOGU E 1 938- 1 939 R I T T E N H O U S E S Q U A R E P HI L A D E L P HI A P E NN S Y L V A NI A THE C RT S ST T TE OF M S C o ded U I IN I U U I , f un in 1 1 M o i e C i Bok e come 9 4 by ary L u s urt s , w l s f i i i students o all nat onal t es . Th e Curtis Institute receive s its support from Th e M o i e C i Bok Fo d i o i s ary L u s urt s un at n , operated under a Charter of th e Comm onwe alth of Pe i an d i s cc edi e d for th e nnsylvan a , fully a r t i c onferr ng of Degrees . Th e Curtis Institute i s approved by th e United State s Go vernment as an institution of learning for th e i i of n on - o o ei de tra n ng qu ta f r gn stu nts , in m A f 1 1 accordance with th e Im igration ct o 9 4 . T H E C U R T I S I N S T I T U T E O F M U S I C M ARY LOUISE CURTIS BOK ' Prcud mt CURTIS BOK Vice- President CARY W BOK Secretary LL PHILIP S . -
Colby Virginia Reed Atkinson James B. Footprints of the Past
Author 1 last name Colby Author 1 first name: Picture Virginia Reed Author 2 last name: Atkinson Author 2 first name James B. title Footprints of the past: images of Cornish,New Hampshire and the Cornish Colony place of publication Concord, New Hampshire publisher New Hampshire Historical Society publication date 1996 donor authors donation date 1996 content Cornish related people, places, and things not in either Child or Rawson;Cornish Colony members;people connected with the Cornish Colony Location Reference Author 1 last name Child Author 1 first name Picture Williiam H. Author 2 last name Author 2 first name title History of the Town of Cornish, New Hampshire, with genealogical record, 1763-1910 in 2 volumes(1975); also reprint in one volume (2004) place of publication nation date Original town history plus genealogy content comments Location Genealogy Corner v. one and Reference Author 1 last name Rawson Author 1 first name Barbara Picture Eastman Author 2 last name Author 2 first name title History of the town of Cornish, New Hampshire, with genealogical record, 1910-1960; two copies place of publication Littleton, New Hampshire publisher The Courier Printing Company publication date 1963 donor contents: updates Child Location Reference and Genealogy Corner Author 1 last name Wade Author 1 first name Hugh Mason Picture Author 2 last name Author 2 first name title Brief History of Cornish, 1763-1974; two copies place of publication Hanover, New Hampshire publisher The University Press of New England publication date 1976; reprinted:1992 donor donation date retells Child more succinctly; updates Cornish Colony section of Child; additional genealogical material by Stephen P. -
National Historic Landmark Nomination Bok
NATIONAL HISTORIC LANDMARK NOMINATION NFS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 BOK TOWER GARDENS Page 1 United States Department of the Interior, National Park Service____________________________________National Register of Historic Places Registration Form 1. NAME OF PROPERTY Historic Name: MOUNTAIN LAKE SANCTUARY AND SINGING TOWER Other Name/Site Number: BOK TOWER GARDENS 2. LOCATION Street & Number: Burns Ave. and Tower Blvd. Not for publication: (3 miles north of Lake Wales) City/Town: Lake Wales Vicinity: X State: FL County: Polk Code: 105 Zip Code: 33859-3810 3. CLASSIFICATION Ownership of Property Category of Property Private: X_ Building(s): Public-Local: _ District: X Public-State: Site: __ Public-Federal: Structure: __ Object: __ Number of Resources within Property Contributing Noncontributing 8 5 buildings 1 __ sites 6 structures 1 objects 15 12 Total Number of Contributing Resources Previously Listed in the National Register: 15 (District) Name of Related Multiple Property Listing: NPS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 BOK TOWER GARDENS Page 2 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 4. STATE/FEDERAL AGENCY CERTIFICATION As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this __ nomination __ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property __ meets __ does not meet the National Register Criteria. -
Illy J. (Ed.) Albert Meets America.. How Journalists Treated Genius
Albert Meets America ) Einstein and Weizmann in New York. Courtesy Central Zionist Archives, Jerusalem. Albert Meets America ) How Journalists Treated Genius during Einstein’s 1921 Travels Edited by JÓZSEF ILLY The Johns Hopkins University Press Baltimore © 2006 The Johns Hopkins University Press All rights reserved. Published 2006 Printed in the United States of America on acid-free paper 2 4 6 8 9 7 5 3 1 The Johns Hopkins University Press 2715 North Charles Street Baltimore, Maryland 21218-4363 www.press.jhu.edu Library of Congress Cataloging-in-Publication Data Albert meets America : How journalists treated genius during Einstein’s 1921 travels / edited by József Illy. p. cm. Includes bibliographical references and index. ISBN 0-8018-8457-8 (acid-free paper) 1. Einstein, Albert, 1879–1955—Public opinion. 2. Einstein, Albert, 1879–1955—Travel— United States. 3. United States—Description and travel. I. Illy, József, 1933– QC16.E5E44 2006 530.092—dc22 2006005266 A catalog record for this book is available from the British Library. To Marci with I+Sz. ) This page intentionally left blank Contents ) Foreword, by Diana K. Buchwald ix Preface xv 1 Antecedents 1 2 To Visit America (February 21–April 1) 2 3 Prof. Einstein Here (New York, April 2–3) 13 4 City’s Welcome (April 5) 44 5 Freedom of City Is Refused (April 5) 50 6 Freedom of the City Is Given (April 8) 57 7 Fervid Reception (April 10–12) 73 8 Demonstrates with Chalk (April 15–18) 92 9 Defi nes the Speed of Light (April 18–23) 103 10 Puzzles Harding (Washington, April 25–26) 132 11 -
March 2012 Pp. 2-19.Indd
The Royal School of Church Mu- Other new projects include a four- Michigan: Joseph Brink of Yale Univer- Here & There sic (RSCM) is publishing four short-list- manual organ for the Kennedy Center sity, Stephan Burton of Brigham Young ed anthems from the King James Bible in Washington, D.C.; new three-manual University, Nick Huang of Yale Univer- Composition Competition, which was or- organs at St. John’s Episcopal Church in sity, Joseph Peeples of Brigham Young Bärenreiter announces new releas- ganized by the King James Bible Trust to Cold Spring Harbor, New York, and St. Univeristy, and Chelsea Vaught of the es. The Organ Plus One series presents mark the 400th anniversary of the bible’s John’s Episcopal Church, Georgetown University of Kansas. The next congress pieces—both freely composed and hymn publication in 1611. The RSCM spon- Parish, Washington, D.C.; and a number of the GCNA will be hosted by Clemson tune-based, and both original works as sored one of two categories—submission of projects to restore or rebuild existing University in Clemson, South Carolina, well as arrangements—for organ plus a of an anthem or worship-song suitable pipe organs. For information: June 19–22, 2012. solo instrument. The editions include solo for use in churches and schools. There <www.casavant.ca>. parts in C, B-fl at, E-fl at, and F, thus ac- were over one hundred submissions to Washington National Cathedral commodating many diverse instruments; this category alone. C. B. Fisk, Inc. is celebrating its 50th Washington National Cathedral was the range of the instrumental parts is in The winning anthem, The Mystery anniversary. -
May-June 2014
May-June, 2014 Biblio File ‘Wonderful work is still Dennis Cremin won the 2014 Russell P. Strange book of-the-year award from the Illinois State Historical Society for Grant Park: The Evolution of Chicago's being honored, celebrated’ Front Yard. ... On June 4, Edward BY THOMAS FRISBIE Love” from Selected Poems, the Poetry Gordon was a panelist in a program on he Society of Midland Authors winner that year and a selection from the future of work force development at annual awards banquet is a Harry Mark Petrakis’ The Odyssey of which Vice President Joe Biden spoke Tvaluable forum for recognizing Kostas Volakis, the Adult Fiction winner. and Secretary of Labor Thomas Perez led fine work by Midwest authors, Referring to a poster on display at the the discussion. A report on the discussion emcee Paul Durica said at this year’s dinner that listed SMA winners back to will be issued by Third Way, a Wash- event. 1957, Durica said, “All of you [should] go ington think tank that sponsored the “It is interesting to be here at the back and look it over and hopefully dis- event. Also, Ed reports he is teaming up dinner that marks the 99th anniversary cover some sort of treasure.” with a British historian to write a history of the Society of Midland Authors,” Following Durica’s remarks, former of World War II, said Durica, the founder of “Pocket SMA President James Schwab presented which should be out in Guide to Hell,” a series of free and the Society’s Distinguished Service 2019. -
Read Ebook {PDF EPUB} Art and Life in America by Oliver W. Larkin Harvard Art Museums / Fogg Museum | Bush-Reisinger Museum | Arthur M
Read Ebook {PDF EPUB} Art and Life in America by Oliver W. Larkin Harvard Art Museums / Fogg Museum | Bush-Reisinger Museum | Arthur M. Sackler Museum. In this allegorical portrait, America is personified as a white marble goddess. Dressed in classical attire and crowned with thirteen stars representing the original thirteen colonies, the figure gives form to associations Americans drew between their democracy and the ancient Greek and Roman republics. Like most nineteenth-century American marble sculptures, America is the product of many hands. Powers, who worked in Florence, modeled the bust in plaster and then commissioned a team of Italian carvers to transform his model into a full-scale work. Nathaniel Hawthorne, who visited Powers’s studio in 1858, captured this division of labor with some irony in his novel The Marble Faun: “The sculptor has but to present these men with a plaster cast . and, in due time, without the necessity of his touching the work, he will see before him the statue that is to make him renowned.” Identification and Creation Object Number 1958.180 People Hiram Powers, American (Woodstock, NY 1805 - 1873 Florence, Italy) Title America Other Titles Former Title: Liberty Classification Sculpture Work Type sculpture Date 1854 Places Creation Place: North America, United States Culture American Persistent Link https://hvrd.art/o/228516 Location Level 2, Room 2100, European and American Art, 17th–19th century, Centuries of Tradition, Changing Times: Art for an Uncertain Age. Signed: on back: H. Powers Sculp. Henry T. Tuckerman, Book of the Artists: American Artist Life, Comprising Biographical and Critical Sketches of American Artists, Preceded by an Historical Account of the Rise and Progress of Art in America , Putnam (New York, NY, 1867), p. -
Read Ebook {PDF EPUB} Benjamin Henry Latrobe by Talbot Faulkner Hamlin Benjamin Henry Latrobe by Talbot Faulkner Hamlin
Read Ebook {PDF EPUB} Benjamin Henry Latrobe by Talbot Faulkner Hamlin Benjamin Henry Latrobe by Talbot Faulkner Hamlin. Our systems have detected unusual traffic activity from your network. Please complete this reCAPTCHA to demonstrate that it's you making the requests and not a robot. If you are having trouble seeing or completing this challenge, this page may help. If you continue to experience issues, you can contact JSTOR support. Block Reference: #7fc8aa90-cf51-11eb-a8fa-33e0b1df654c VID: #(null) IP: 116.202.236.252 Date and time: Thu, 17 Jun 2021 09:50:50 GMT. Benjamin Henry Latrobe. Benjamin Henry Latrobe was born in 1764 at Fulneck in Yorkshire. He was the Second son of the Reverend Benjamin Latrobe (1728 - 86), a minister of the Moravian church, and Anna Margaretta (Antes) Latrobe (1728 - 94), a third generation Pennsylvanian of Moravian Parentage. The original Latrobes had been French Huguenots who had settled in Ireland at the end of the 17th Century. Whilst he is most noted for his work on The White House and the Capitol in Washington, he introduced the Greek Revival as the style of American National architecture. He built Baltimore cathedral, not only the first Roman Catholic Cathedral in America but also the first vaulted church and is, perhaps, Latrobes finest monument. Hammerwood Park achieves importance as his first complete work, the first of only two in this country and one of only five remaining domestic buildings by Latrobe in existence. It was built as a temple to Apollo, dedicated as a hunting lodge to celebrate the arts and incorporating elements related to Demeter, mother Earth, in relation to the contemporary agricultural revolution. -
The Bibliographer As Biographer: Accounting for the Unpublished Endings of Hamlin Garland’S Early Works
Studies in English, New Series Volume 7 Article 22 1989 The Bibliographer as Biographer: Accounting for the Unpublished Endings of Hamlin Garland’s Early Works Mark William Rocha Glassboro State College Follow this and additional works at: https://egrove.olemiss.edu/studies_eng_new Part of the American Literature Commons Recommended Citation Rocha, Mark William (1989) "The Bibliographer as Biographer: Accounting for the Unpublished Endings of Hamlin Garland’s Early Works," Studies in English, New Series: Vol. 7 , Article 22. Available at: https://egrove.olemiss.edu/studies_eng_new/vol7/iss1/22 This Article is brought to you for free and open access by the Studies in English at eGrove. It has been accepted for inclusion in Studies in English, New Series by an authorized editor of eGrove. For more information, please contact [email protected]. Rocha: The Bibliographer as Biographer: Accounting for the Unpublished E THE BIBLIOGRAPHER AS BIOGRAPHER: ACCOUNTING FOR THE UNPUBLISHED ENDINGS OF HAMLIN GARLAND’S EARLY WORKS Mark William Rocha Glassboro Slate College I had the good fortune in early 1987 to locate Hamlin Garland’s two elderly surviving daughters who have since authorized a new biography of their father and turned over to me six boxes of previously unexamined manuscripts, letters, and memorabilia—a bibliographer’s dream, to be sure. One day as I was at the Garland home cataloguing these materials, Garland’s adult granddaughter expressed amazement at my enthusiasm in what she considered the painstaking task of describing each of the hundreds of items stuffed into boxes. At first, I could give her no better explanation of myself than, “Well, you see, I’m a bibliographer.” But then I returned her amazement by asking why no one before me had done this bibliographic work.