Colby Virginia Reed Atkinson James B. Footprints of the Past
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2021 Reciprocal Admissions Program
AMERICAN HORTICULTURAL SOCIETY 2021 RECIPROCAL ADMISSIONS PROGRAM Participating Gardens, Arboreta, and Conservatories For details on benefits and 90-mile radius enforcement, see https://ahsgardening.org/gardening-programs/rap Program Guidelines: A current membership card from the American Horticultural Society (AHS) or a participating RAP garden entitles the visitor to special admissions privileges and/or discounts at many different types of gardens. The AHS provides the following guidelines to its members and the members of participating gardens for enjoying their RAP benefits: This printable document is a listing of all sites that participate in the American Horticultural Society’s Reciprocal Admissions Program. This listing does not include information about the benefit(s) that each site offers. For details on benefits and enforcement of the 90- mile radius exclusion, see https://ahsgardening.org/gardening-programs/rap Call the garden you would like to visit ahead of time. Some gardens have exclusions for special events, for visitors who live within 90 miles of the garden, etc. Each garden has its own unique admissions policy, RAP benefits, and hours of operations. Calling ahead ensures that you get the most up to date information. Present your current membership card to receive the RAP benefit(s) for that garden. Each card will only admit the individual(s) whose name is listed on the card. In the case of a family, couple, or household membership card that does not list names, the garden must extend the benefit(s) to at least two of the members. Beyond this, gardens will refer to their own policies regarding household/family memberships. -
The Gilded Age
The Gilded Age Historian Allen Nevins, in The Emergence of Modern America, described the Gilded Age—the era between the end of the Civil War and the Beginning of World War I—as a “period of currency inflation, widespread speculation, overexpansion of industry, loud booming of dubious enterprises, base business and political morals, and flashy manners….” He was correct, but only partially. Greed, fraud, and selfishness were surely widespread, but there occurred also in this age the organization of labor, some regulation of the economy, and an expansion of education. If there were those guilty of gilding society’s face, there were also those who sought to break through the gilt façade to a harder, if darker, reality. Among this group were the writers of this series—Mark Twain, Stephen Crane, Kate Chopin, W. E. B. Du Bois, and Jack London. When Mark Twain and Charles Dudley Warner published The Gilded Age: A Tale of To-day in 1873, they began with a mock apology for their treatment of: “an entirely ideal state of society… where there is no fever of speculation, no inflamed desire for sudden wealth, where the poor are all simple- minded and contented, and the rich are all honest and generous, where society is in a condition of primitive purity, and politics is the occupation of only the capable and the patriotic.” The sardonic social criticism that follows the preface aims to prick many falsehoods of the age. And with realism as a tool, many American writers took up just that aim. With William Dean Howells as its popular and influential spokesman, literary realism ranged from genteel to ruthless, and its targets of reform included a spectrum of social ills. -
TPG Index Volumes 1-35 1986-2020
Public Garden Index – Volumes 1-35 (1986 – 2020) #Giving Tuesday. HOW DOES YOUR GARDEN About This Issue (continued) GROW ? Swift 31 (3): 25 Dobbs, Madeline (continued) #givingTuesday fundraising 31 (3): 25 Public garden management: Read all #landscapechat about it! 26 (W): 5–6 Corona Tools 27 (W): 8 Rocket science leadership. Interview green industry 27 (W): 8 with Elachi 23 (1): 24–26 social media 27 (W): 8 Unmask your garden heroes: Taking a ValleyCrest Landscape Companies 27 (W): 8 closer look at earned revenue. #landscapechat: Fostering green industry 25 (2): 5–6 communication, one tweet at a time. Donnelly, Gerard T. Trees: Backbone of Kaufman 27 (W): 8 the garden 6 (1): 6 Dosmann, Michael S. Sustaining plant collections: Are we? 23 (3/4): 7–9 AABGA (American Association of Downie, Alex. Information management Botanical Gardens and Arboreta) See 8 (4): 6 American Public Gardens Association Eberbach, Catherine. Educators without AABGA: The first fifty years. Interview by borders 22 (1): 5–6 Sullivan. Ching, Creech, Lighty, Mathias, Eirhart, Linda. Plant collections in historic McClintock, Mulligan, Oppe, Taylor, landscapes 28 (4): 4–5 Voight, Widmoyer, and Wyman 5 (4): 8–12 Elias, Thomas S. Botany and botanical AABGA annual conference in Essential gardens 6 (3): 6 resources for garden directors. Olin Folsom, James P. Communication 19 (1): 7 17 (1): 12 Rediscovering the Ranch 23 (2): 7–9 AAM See American Association of Museums Water management 5 (3): 6 AAM accreditation is for gardens! SPECIAL Galbraith, David A. Another look at REPORT. Taylor, Hart, Williams, and Lowe invasives 17 (4): 7 15 (3): 3–11 Greenstein, Susan T. -
Against All Odds MIT's Pioneering Women of Landscape Architecture
Against all Odds MIT’s Pioneering Women of Landscape Architecture * Eran Ben-Joseph, Holly D. Ben-Joseph, Anne C. Dodge1 Massachusetts Institute of Technology, School of Architecture and Planning, City Design and Development Group 77 Massachusetts Ave. 10-485 Cambridge, MA 02139 1 November 2006 * Recipient of the 6th Milka Bliznakov Prize Commendation: International Archive of Women in Architecture (IAWA) This research is aimed at exposing the influential, yet little known and short-lived landscape architecture program at the Massachusetts Institute of Technology (MIT) between 1900 and 1909. Not only was it one of only two professional landscape architecture education programs in the United States at the time (the other one at Harvard also started at 1900), but the first and only one to admit both women and men. Women students were attracted to the MIT option because it provided excellent opportunities, which they were denied elsewhere. Harvard, for example did not admit women until 1942 and all-women institutions such as the Cambridge School or the Cornell program were established after the MIT program was terminated. Unlike the other schools of that time, the MIT program did not keep women from the well-known academic leaders and male designers of the time nor from their male counterparts. At MIT, women had the opportunity to study directly with Beaux-Art design pioneers such as Charles S. Sargent, Guy Lowell, Désiré Despradelle, and the revered department head Francis Ward Chandler. Historical accounts acknowledged that a woman could “put herself through a stiff course” at MIT including advance science and structural engineering instruction. -
Guide to State Statues in the National Statuary Hall Collection
U.S. CAPITOL VISITOR CENTER GUide To STATe STATUes iN The NATioNAl STATUArY HAll CollecTioN CVC 19-107 Edition V Senator Mazie Hirono of Hawaii addresses a group of high school students gathered in front of the statue of King Kamehameha in the Capitol Visitor Center. TOM FONTANA U.S. CAPITOL VISITOR CENTER GUide To STATe STATUes iN The NATioNAl STATUArY HAll CollecTioN STATE PAGE STATE PAGE Alabama . 3 Montana . .28 Alaska . 4 Nebraska . .29 Arizona . .5 Nevada . 30 Arkansas . 6 New Hampshire . .31 California . .7 New Jersey . 32 Colorado . 8 New Mexico . 33 Connecticut . 9 New York . .34 Delaware . .10 North Carolina . 35 Florida . .11 North Dakota . .36 Georgia . 12 Ohio . 37 Hawaii . .13 Oklahoma . 38 Idaho . 14 Oregon . 39 Illinois . .15 Pennsylvania . 40 Indiana . 16 Rhode Island . 41 Iowa . .17 South Carolina . 42 Kansas . .18 South Dakota . .43 Kentucky . .19 Tennessee . 44 Louisiana . .20 Texas . 45 Maine . .21 Utah . 46 Maryland . .22 Vermont . .47 Massachusetts . .23 Virginia . 48 Michigan . .24 Washington . .49 Minnesota . 25 West Virginia . 50 Mississippi . 26 Wisconsin . 51 Missouri . .27 Wyoming . .52 Statue photography by Architect of the Capitol The Guide to State Statues in the National Statuary Hall Collection is available as a free mobile app via the iTunes app store or Google play. 2 GUIDE TO STATE STATUES IN THE NATIONAL STATUARY HALL COLLECTION U.S. CAPITOL VISITOR CENTER AlabaMa he National Statuary Hall Collection in the United States Capitol is comprised of statues donated by individual states to honor persons notable in their history. The entire collection now consists of 100 statues contributed by 50 states. -
WISCONSIN STATE CAPITOL Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form
NATIONAL HISTORIC LANDMARK NOMINATION NFS Form 10-900 USDI/NFS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 WISCONSIN STATE CAPITOL Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 1. NAME OF PROPERTY Historic Name: WISCONSIN STATE CAPITOL Other Name/Site Number: 2. LOCATION Street & Number: Capitol Square (Carroll, Main, Pinckney & Mifflin Streets) Not for publication: City/Town: Madison Vicinity: State: WI County: Dane Code: 025 Zip Code: 53703 3. CLASSIFICATION Ownership of Property Category of Property Private: _ Building(s): x Public-Local: _ District: _ Public-State: x Site: _ Public-Federal: Structure: _ Object: _ Number of Resources within Property Contributing Noncontributing 1 _ buildings _ sites _ structures _ objects 1 0 Total Number of Contributing Resources Previously Listed in the National Register: J_ Name of Related Multiple Property Listing: NFS Form 10-900 USDI/NFS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 WISCONSIN STATE CAPITOL Page 2 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 4. STATE/FEDERAL AGENCY CERTIFICATION As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this __ nomination __ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property __ meets __ does not meet the National Register Criteria. Signature of Certifying Official Date State or Federal Agency and Bureau In my opinion, the property __ meets __ does not meet the National Register criteria. -
WISCONSIN STATE CAPITOL Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form
NATIONAL HISTORIC LANDMARK NOMINATION NPS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 WISCONSIN STATE CAPITOL Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 1. NAME OF PROPERTY Historic Name: WISCONSIN STATE CAPITOL Other Name/Site Number: 2. LOCATION Street & Number: Capitol Square (Carroll, Main, Pinckney & Mifflin Streets) Not for publication: City/Town: Madison Vicinity: State: WI County: Dane Code: 025 Zip Code: 53703 3. CLASSIFICATION Ownership of Property Category of Property Private: Building(s): x Public-Local: District: Public-State: x Site: Public-Federal: Structure: Object: Number of Resources within Property Contributing Noncontributing 1 buildings sites structures objects 1 0 Total Number of Contributing Resources Previously Listed in the National Register: 1 Name of Related Multiple Property Listing: NPS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 WISCONSIN STATE CAPITOL Page 2 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 4. STATE/FEDERAL AGENCY CERTIFICATION As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this ____ nomination ____ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property ____ meets ____ does not meet the National Register Criteria. Signature of Certifying Official Date State or Federal Agency and Bureau In my opinion, the property ____ meets ____ does not meet the National Register criteria. -
Rose Standish Nichols and the Cornish Art Colony
Life at Mastlands: Rose Standish Nichols and the Cornish Art Colony Maggie Dimock 2014 Julie Linsdell and Georgia Linsdell Enders Research Intern Introduction This paper summarizes research conducted in the summer of 2014 in pursuit of information relating to the Nichols family’s life at Mastlands, their country home in Cornish, New Hampshire. This project was conceived with the aim of establishing a clearer picture of Rose Standish Nichols’s attachment to the Cornish Art Colony and providing insight into Rose’s development as a garden architect, designer, writer, and authority on garden design. The primary sources consulted consisted predominantly of correspondence, diaries, and other personal ephemera in several archival collections in Boston and New Hampshire, including the Nichols Family Papers at the Nichols House Museum, the Rose Standish Nichols Papers at the Houghton Library at Harvard University, the Papers of the Nichols-Shurtleff Family at the Schlesinger Library at the Radcliffe Institute, and the Papers of Augustus Saint Gaudens, the Papers of Maxfield Parrish, and collections relating to several other Cornish Colony artists at the Rauner Special Collections Library at Dartmouth College. After examining large quantities of letters and diaries, a complex portrait of Rose Nichols’s development emerges. These first-hand accounts reveal a woman who, at an early age, was intensely drawn to the artistic society of the Cornish Colony and modeled herself as one of its artists. Benefitting from the influence of her famous uncle Augustus Saint Gaudens, Rose was given opportunities to study and mingle with some of the leading artistic and architectural luminaries of her day in Cornish, Boston, New York, and Europe. -
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May-June 2014
May-June, 2014 Biblio File ‘Wonderful work is still Dennis Cremin won the 2014 Russell P. Strange book of-the-year award from the Illinois State Historical Society for Grant Park: The Evolution of Chicago's being honored, celebrated’ Front Yard. ... On June 4, Edward BY THOMAS FRISBIE Love” from Selected Poems, the Poetry Gordon was a panelist in a program on he Society of Midland Authors winner that year and a selection from the future of work force development at annual awards banquet is a Harry Mark Petrakis’ The Odyssey of which Vice President Joe Biden spoke Tvaluable forum for recognizing Kostas Volakis, the Adult Fiction winner. and Secretary of Labor Thomas Perez led fine work by Midwest authors, Referring to a poster on display at the the discussion. A report on the discussion emcee Paul Durica said at this year’s dinner that listed SMA winners back to will be issued by Third Way, a Wash- event. 1957, Durica said, “All of you [should] go ington think tank that sponsored the “It is interesting to be here at the back and look it over and hopefully dis- event. Also, Ed reports he is teaming up dinner that marks the 99th anniversary cover some sort of treasure.” with a British historian to write a history of the Society of Midland Authors,” Following Durica’s remarks, former of World War II, said Durica, the founder of “Pocket SMA President James Schwab presented which should be out in Guide to Hell,” a series of free and the Society’s Distinguished Service 2019. -
Read Ebook {PDF EPUB} Art and Life in America by Oliver W. Larkin Harvard Art Museums / Fogg Museum | Bush-Reisinger Museum | Arthur M
Read Ebook {PDF EPUB} Art and Life in America by Oliver W. Larkin Harvard Art Museums / Fogg Museum | Bush-Reisinger Museum | Arthur M. Sackler Museum. In this allegorical portrait, America is personified as a white marble goddess. Dressed in classical attire and crowned with thirteen stars representing the original thirteen colonies, the figure gives form to associations Americans drew between their democracy and the ancient Greek and Roman republics. Like most nineteenth-century American marble sculptures, America is the product of many hands. Powers, who worked in Florence, modeled the bust in plaster and then commissioned a team of Italian carvers to transform his model into a full-scale work. Nathaniel Hawthorne, who visited Powers’s studio in 1858, captured this division of labor with some irony in his novel The Marble Faun: “The sculptor has but to present these men with a plaster cast . and, in due time, without the necessity of his touching the work, he will see before him the statue that is to make him renowned.” Identification and Creation Object Number 1958.180 People Hiram Powers, American (Woodstock, NY 1805 - 1873 Florence, Italy) Title America Other Titles Former Title: Liberty Classification Sculpture Work Type sculpture Date 1854 Places Creation Place: North America, United States Culture American Persistent Link https://hvrd.art/o/228516 Location Level 2, Room 2100, European and American Art, 17th–19th century, Centuries of Tradition, Changing Times: Art for an Uncertain Age. Signed: on back: H. Powers Sculp. Henry T. Tuckerman, Book of the Artists: American Artist Life, Comprising Biographical and Critical Sketches of American Artists, Preceded by an Historical Account of the Rise and Progress of Art in America , Putnam (New York, NY, 1867), p. -
USDI/NPS NRHP Registration Form Atalaya and Brookgreen Gardens Page #1 *********** (Rev
USDI/NPS NRHP Registration Form Atalaya and Brookgreen Gardens Page #1 *********** (Rev. 8-86) United States Department of the Interior National Park Service NATIONAL REGISTER OF HISTORIC PLACES REGISTRATION FORM NATIONAL HISTORIC LANDMARK NOMINATION FORM 1. Name of Property historic name: Atalaya and Brookgreen Gardens other name/site number: 2. Location street & number: U.S. Highway 17 not for publication: N/A city/town: Murrells Inlet vicinity: X state: SC county: Georgetown code: 043 zip code: 29576 3. Classification Ownership of Property: private Category of Property: district Number of Resources within Property: Contributing Noncontributing _10_ buildings _1_ sites _5_ structures _0_ objects 16 Total Number of contributing resources previously listed in the National Register: 9 Name of related multiple property listing: N/A USDI/NPS NRHP Registration Form Atalaya and Brookgreen Gardens Page #2 4. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act of 1986, as amended, I hereby certify that this ___ nomination ___ req'uest for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property ___ meets ___ does not meet the National Register Criteria. __ See continuation sheet. Signature of certifying official Date State or Federal agency and bureau In my opinion, the property ___ meets ___ does not meet the National Register criteria. __ See continuation sheet. Signature of commenting or other official Date State or Federal agency and bureau 5. National Park Service Certification I, hereby certify that this property is: entered in the National Register __ See continuation sheet.