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Copyright by Cary Cordova 2005
Copyright by Cary Cordova 2005 The Dissertation Committee for Cary Cordova Certifies that this is the approved version of the following dissertation: THE HEART OF THE MISSION: LATINO ART AND IDENTITY IN SAN FRANCISCO Committee: Steven D. Hoelscher, Co-Supervisor Shelley Fisher Fishkin, Co-Supervisor Janet Davis David Montejano Deborah Paredez Shirley Thompson THE HEART OF THE MISSION: LATINO ART AND IDENTITY IN SAN FRANCISCO by Cary Cordova, B.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December, 2005 Dedication To my parents, Jennifer Feeley and Solomon Cordova, and to our beloved San Francisco family of “beatnik” and “avant-garde” friends, Nancy Eichler, Ed and Anna Everett, Ellen Kernigan, and José Ramón Lerma. Acknowledgements For as long as I can remember, my most meaningful encounters with history emerged from first-hand accounts – autobiographies, diaries, articles, oral histories, scratchy recordings, and scraps of paper. This dissertation is a product of my encounters with many people, who made history a constant presence in my life. I am grateful to an expansive community of people who have assisted me with this project. This dissertation would not have been possible without the many people who sat down with me for countless hours to record their oral histories: Cesar Ascarrunz, Francisco Camplis, Luis Cervantes, Susan Cervantes, Maruja Cid, Carlos Cordova, Daniel del Solar, Martha Estrella, Juan Fuentes, Rupert Garcia, Yolanda Garfias Woo, Amelia “Mia” Galaviz de Gonzalez, Juan Gonzales, José Ramón Lerma, Andres Lopez, Yolanda Lopez, Carlos Loarca, Alejandro Murguía, Michael Nolan, Patricia Rodriguez, Peter Rodriguez, Nina Serrano, and René Yañez. -
The Gilded Age
The Gilded Age Historian Allen Nevins, in The Emergence of Modern America, described the Gilded Age—the era between the end of the Civil War and the Beginning of World War I—as a “period of currency inflation, widespread speculation, overexpansion of industry, loud booming of dubious enterprises, base business and political morals, and flashy manners….” He was correct, but only partially. Greed, fraud, and selfishness were surely widespread, but there occurred also in this age the organization of labor, some regulation of the economy, and an expansion of education. If there were those guilty of gilding society’s face, there were also those who sought to break through the gilt façade to a harder, if darker, reality. Among this group were the writers of this series—Mark Twain, Stephen Crane, Kate Chopin, W. E. B. Du Bois, and Jack London. When Mark Twain and Charles Dudley Warner published The Gilded Age: A Tale of To-day in 1873, they began with a mock apology for their treatment of: “an entirely ideal state of society… where there is no fever of speculation, no inflamed desire for sudden wealth, where the poor are all simple- minded and contented, and the rich are all honest and generous, where society is in a condition of primitive purity, and politics is the occupation of only the capable and the patriotic.” The sardonic social criticism that follows the preface aims to prick many falsehoods of the age. And with realism as a tool, many American writers took up just that aim. With William Dean Howells as its popular and influential spokesman, literary realism ranged from genteel to ruthless, and its targets of reform included a spectrum of social ills. -
In This Issue... Essays by Lisa Lapin, Timothy Noakes Bob O'donnell
summer 2014 THE JOURNAL OF THE MASTER OF LIBERAL ARTS PROGRAM AT STANFORD UNIVERSITY in this issue... Essays by Lisa Lapin, Timothy Noakes Bob O’Donnell, Helen Peters Personal Essay by Cheri Block Sabraw Poems by Jennifer Swanton Brown, Katherine Orloff PUBLISHING NOTES This publication features the works of students and alumni of the Master of Liberal Arts Program at Stanford University. Editor Faculty Advisor Oscar Firschein Dr. Linda Paulson Assistant Editor Original Design Roxanne Enman Suzanne West Reviewers Layout of Current Issue Roxanne Enman Jill Kadlec, Principal Oscar Firschein AKA / Ahmann Kadlec Assoc., Palo Alto, CA Theda Firschein www.akacreativegroup.com Financial Contributions Contributions to support the production of Tangents can be sent to the attention of Dr. Linda Paulson, Stanford University, Littlefield Center, 365 Lasuen Street, Stanford, CA 94305-3004. Please make checks payable to Stanford University and clearly mark “For Tangents.” Rights and Permissions Copyrights for material included in this publication belong to their creators. Jackson Pollock – “Lucifer”: © 2014 The Pollock-Krasner Foundation / Artists Rights Society (ARS), New York; Sir Launcelot and the Witch Hellawes, Aubry Beardsley, The Savoy Magazine, 1870; Western Front, World War I, Wikipedia Commons. summer 2014 THE JOURNAL OF THE MASTER OF LIBERAL ARTS PROGRAM AT STANFORD UNIVERSITY VOLUME 13 in this issue... 2 Letter from the Editor Oscar Firschein 3 Remembering Joy Covey Linda Paulson 4 Jackson Pollock’s Lucifer: Mind, Motion and Maturity in -
Colby Virginia Reed Atkinson James B. Footprints of the Past
Author 1 last name Colby Author 1 first name: Picture Virginia Reed Author 2 last name: Atkinson Author 2 first name James B. title Footprints of the past: images of Cornish,New Hampshire and the Cornish Colony place of publication Concord, New Hampshire publisher New Hampshire Historical Society publication date 1996 donor authors donation date 1996 content Cornish related people, places, and things not in either Child or Rawson;Cornish Colony members;people connected with the Cornish Colony Location Reference Author 1 last name Child Author 1 first name Picture Williiam H. Author 2 last name Author 2 first name title History of the Town of Cornish, New Hampshire, with genealogical record, 1763-1910 in 2 volumes(1975); also reprint in one volume (2004) place of publication nation date Original town history plus genealogy content comments Location Genealogy Corner v. one and Reference Author 1 last name Rawson Author 1 first name Barbara Picture Eastman Author 2 last name Author 2 first name title History of the town of Cornish, New Hampshire, with genealogical record, 1910-1960; two copies place of publication Littleton, New Hampshire publisher The Courier Printing Company publication date 1963 donor contents: updates Child Location Reference and Genealogy Corner Author 1 last name Wade Author 1 first name Hugh Mason Picture Author 2 last name Author 2 first name title Brief History of Cornish, 1763-1974; two copies place of publication Hanover, New Hampshire publisher The University Press of New England publication date 1976; reprinted:1992 donor donation date retells Child more succinctly; updates Cornish Colony section of Child; additional genealogical material by Stephen P. -
Read Ebook {PDF EPUB} Art and Life in America by Oliver W. Larkin Harvard Art Museums / Fogg Museum | Bush-Reisinger Museum | Arthur M
Read Ebook {PDF EPUB} Art and Life in America by Oliver W. Larkin Harvard Art Museums / Fogg Museum | Bush-Reisinger Museum | Arthur M. Sackler Museum. In this allegorical portrait, America is personified as a white marble goddess. Dressed in classical attire and crowned with thirteen stars representing the original thirteen colonies, the figure gives form to associations Americans drew between their democracy and the ancient Greek and Roman republics. Like most nineteenth-century American marble sculptures, America is the product of many hands. Powers, who worked in Florence, modeled the bust in plaster and then commissioned a team of Italian carvers to transform his model into a full-scale work. Nathaniel Hawthorne, who visited Powers’s studio in 1858, captured this division of labor with some irony in his novel The Marble Faun: “The sculptor has but to present these men with a plaster cast . and, in due time, without the necessity of his touching the work, he will see before him the statue that is to make him renowned.” Identification and Creation Object Number 1958.180 People Hiram Powers, American (Woodstock, NY 1805 - 1873 Florence, Italy) Title America Other Titles Former Title: Liberty Classification Sculpture Work Type sculpture Date 1854 Places Creation Place: North America, United States Culture American Persistent Link https://hvrd.art/o/228516 Location Level 2, Room 2100, European and American Art, 17th–19th century, Centuries of Tradition, Changing Times: Art for an Uncertain Age. Signed: on back: H. Powers Sculp. Henry T. Tuckerman, Book of the Artists: American Artist Life, Comprising Biographical and Critical Sketches of American Artists, Preceded by an Historical Account of the Rise and Progress of Art in America , Putnam (New York, NY, 1867), p. -
Read Ebook {PDF EPUB} Benjamin Henry Latrobe by Talbot Faulkner Hamlin Benjamin Henry Latrobe by Talbot Faulkner Hamlin
Read Ebook {PDF EPUB} Benjamin Henry Latrobe by Talbot Faulkner Hamlin Benjamin Henry Latrobe by Talbot Faulkner Hamlin. Our systems have detected unusual traffic activity from your network. Please complete this reCAPTCHA to demonstrate that it's you making the requests and not a robot. If you are having trouble seeing or completing this challenge, this page may help. If you continue to experience issues, you can contact JSTOR support. Block Reference: #7fc8aa90-cf51-11eb-a8fa-33e0b1df654c VID: #(null) IP: 116.202.236.252 Date and time: Thu, 17 Jun 2021 09:50:50 GMT. Benjamin Henry Latrobe. Benjamin Henry Latrobe was born in 1764 at Fulneck in Yorkshire. He was the Second son of the Reverend Benjamin Latrobe (1728 - 86), a minister of the Moravian church, and Anna Margaretta (Antes) Latrobe (1728 - 94), a third generation Pennsylvanian of Moravian Parentage. The original Latrobes had been French Huguenots who had settled in Ireland at the end of the 17th Century. Whilst he is most noted for his work on The White House and the Capitol in Washington, he introduced the Greek Revival as the style of American National architecture. He built Baltimore cathedral, not only the first Roman Catholic Cathedral in America but also the first vaulted church and is, perhaps, Latrobes finest monument. Hammerwood Park achieves importance as his first complete work, the first of only two in this country and one of only five remaining domestic buildings by Latrobe in existence. It was built as a temple to Apollo, dedicated as a hunting lodge to celebrate the arts and incorporating elements related to Demeter, mother Earth, in relation to the contemporary agricultural revolution. -
The Bibliographer As Biographer: Accounting for the Unpublished Endings of Hamlin Garland’S Early Works
Studies in English, New Series Volume 7 Article 22 1989 The Bibliographer as Biographer: Accounting for the Unpublished Endings of Hamlin Garland’s Early Works Mark William Rocha Glassboro State College Follow this and additional works at: https://egrove.olemiss.edu/studies_eng_new Part of the American Literature Commons Recommended Citation Rocha, Mark William (1989) "The Bibliographer as Biographer: Accounting for the Unpublished Endings of Hamlin Garland’s Early Works," Studies in English, New Series: Vol. 7 , Article 22. Available at: https://egrove.olemiss.edu/studies_eng_new/vol7/iss1/22 This Article is brought to you for free and open access by the Studies in English at eGrove. It has been accepted for inclusion in Studies in English, New Series by an authorized editor of eGrove. For more information, please contact [email protected]. Rocha: The Bibliographer as Biographer: Accounting for the Unpublished E THE BIBLIOGRAPHER AS BIOGRAPHER: ACCOUNTING FOR THE UNPUBLISHED ENDINGS OF HAMLIN GARLAND’S EARLY WORKS Mark William Rocha Glassboro Slate College I had the good fortune in early 1987 to locate Hamlin Garland’s two elderly surviving daughters who have since authorized a new biography of their father and turned over to me six boxes of previously unexamined manuscripts, letters, and memorabilia—a bibliographer’s dream, to be sure. One day as I was at the Garland home cataloguing these materials, Garland’s adult granddaughter expressed amazement at my enthusiasm in what she considered the painstaking task of describing each of the hundreds of items stuffed into boxes. At first, I could give her no better explanation of myself than, “Well, you see, I’m a bibliographer.” But then I returned her amazement by asking why no one before me had done this bibliographic work. -
Pioneer Life in the Middle West As Presented in the Writing of Hamlin Garland
PIONEER LIFE IH THE KIDDLE VEST AS PRESENTED IV THE WRITINGS OF HASLIN OAKLAND LEONA IRENE HUB B. M., Kansas State College of Agriculture and Applied Science, 1931 B. S., Kansas State College of Agriculture and Applied Science, 1932 a IBBZS submitted In partial fulfillment of the requirements for the degree of MASTER OF SCIENCE KANSAS STATS COLLEQE OF AGRICULTURE AND APPLIED SCIENCE 1933 mi C.2. naoKmuaamn The writer gratefully acknowledges hep debt to Prof. J. P. Callahan, major Instruct- or who suggested the problem and directed and assisted with the work; thanks are also due to the librarians, and to others who helped In this study. TABLE OK CONTENTS INTRODUCTION 4 BIOGRAPHICAL SKETCH 10 FARM LIFE IN THE WIDIXE WEST 14 TUB LOT OF THE PIONEER WOMAN 67 THE TREATMENT OF THE INDIANS 77 CONCLUSION 89 BIBLIOGRAPHY 91 IKTROTJOCTIOH The purpose of this study la to show Hamlin Garland's picture of life In the Kiddle Vest, during the period of homes teadlng; namely, between the years 1865 and 1890. In this work the Kiddie vest Includes Iowa, Minnesota, Kansas, the northern part of Missouri, the Oakotas, Illinois, Wisconsin, Hebrsska, Oklahoma, the northern part of Texas, Colorado, Montana, and Wyoming. Of these states, Mr. Oar- land places most emphasis on the Dakota 8, and Wisconsin, be- cause they were the states In which he and his people lived. In 1848 and 1849 the discovery of gold in California brought about an immeasurable change In the Bast. Thousands of Mew aigland farmers sold their land for half Its worth and went to Join the tide of western settlement. -
PULITZER PRIZE WINNERS in LETTERS © by Larry James
PULITZER PRIZE WINNERS IN LETTERS © by Larry James Gianakos Fiction 1917 no award *1918 Ernest Poole, His Family (Macmillan Co.; 320 pgs.; bound in blue cloth boards, gilt stamped on front cover and spine; full [embracing front panel, spine, and back panel] jacket illustration depicting New York City buildings by E. C.Caswell); published May 16, 1917; $1.50; three copies, two with the stunning dust jacket, now almost exotic in its rarity, with the front flap reading: “Just as THE HARBOR was the story of a constantly changing life out upon the fringe of the city, along its wharves, among its ships, so the story of Roger Gale’s family pictures the growth of a generation out of the embers of the old in the ceaselessly changing heart of New York. How Roger’s three daughters grew into the maturity of their several lives, each one so different, Mr. Poole tells with strong and compelling beauty, touching with deep, whole-hearted conviction some of the most vital problems of our modern way of living!the home, motherhood, children, the school; all of them seen through the realization, which Roger’s dying wife made clear to him, that whatever life may bring, ‘we will live on in our children’s lives.’ The old Gale house down-town is a little fragment of a past generation existing somehow beneath the towering apartments and office-buildings of the altered city. Roger will be remembered when other figures in modern literature have been forgotten, gazing out of his window at the lights of some near-by dwelling lifting high above his home, thinking -
The Americanization of Edward Bok by Edward William Bok (1863-1930)
The Americanization of Edward Bok by Edward William Bok (1863-1930) The Americanization of Edward Bok by Edward William Bok (1863-1930) The Americanization of Edward Bok The Autobiography of a Dutch Boy Fifty Years After by Edward William Bok (1863-1930) To the American woman I owe much, but to two women I owe more, My mother and my wife. And to them I dedicate this account of the boy to whom one gave birth and brought to manhood and the other blessed with all a home and family may mean. An Explanation This book was to have been written in 1914, when I foresaw some leisure to write it, for I then intended to retire from active editorship. But the war came, an entirely new set of duties commanded, and the project was laid aside. page 1 / 493 Its title and the form, however, were then chosen. By the form I refer particularly to the use of the third person. I had always felt the most effective method of writing an autobiography, for the sake of a better perspective, was mentally to separate the writer from his subject by this device. Moreover, this method came to me very naturally in dealing with the Edward Bok, editor and publicist, whom I have tried to describe in this book, because, in many respects, he has had and has been a personality apart from my private self. I have again and again found myself watching with intense amusement and interest the Edward Bok of this book at work. I have, in turn, applauded him and criticised him, as I do in this book. -
ROADSIDE MEETINGS of a LITERARY NOMAD by HAMLIN GARLAND 197
(rfo <r>#o ROADSIDE MEETINGS OF A LITERARY NOMAD VII. EDITORS OF THE NINETIES SOUTHERN NOVELISTS THE KLONDIKE by Hamlin Garland HE PLAYERS was a great place at which stockbroker and his stories at the club, and to drop in for breakfast in the late honored him as a scholarly and charming T nineties and the early years of the man of letters as he sat behind his desk sur new century. And indeed it still is one of the rounded by treasured portraits, manuscripts most friendly and interesting haunts in New and letters. He knew almost every distin York. It was there, over coffee and rolls, that guished writer in England and America, by I frequently sat with Edmund Clarence Sted- correspondence at least, and his judgments on man whose "Pan in Wall Street" and "Creole the' whole were sound. There was nothing Lover's Song" still endure to prove him a malicious or bitter in his criticism. Like Gil fine poet. der and Howells he desired to be helpful and Stedman's home was out of the city but he was especially hospitable to young poets. Per usually came to town for the winter. He was haps, like Howells, he isometimes took prom growing gray and his face was often worn ise for achievement, but our verse writers' and sad. He complained continually of over needed just such an advocate at this time. work and often spoke of a pain in the back That a man so fine, so learned in letters as of his head, keeping his hand pressed against he, should be forced to descend into Wall it as if to relieve the ache; but he seemed fo Street and fight for money with which to enjoy the thought of his serious condition. -
Pulitzer Prize Winners and Finalists
WINNERS AND FINALISTS 1917 TO PRESENT TABLE OF CONTENTS Excerpts from the Plan of Award ..............................................................2 PULITZER PRIZES IN JOURNALISM Public Service ...........................................................................................6 Reporting ...............................................................................................24 Local Reporting .....................................................................................27 Local Reporting, Edition Time ..............................................................32 Local General or Spot News Reporting ..................................................33 General News Reporting ........................................................................36 Spot News Reporting ............................................................................38 Breaking News Reporting .....................................................................39 Local Reporting, No Edition Time .......................................................45 Local Investigative or Specialized Reporting .........................................47 Investigative Reporting ..........................................................................50 Explanatory Journalism .........................................................................61 Explanatory Reporting ...........................................................................64 Specialized Reporting .............................................................................70