Guanpei Ming Phd Student Department of Political Science University of Hawaii at Manoa
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Contemporary China: a Book List
PRINCETON UNIVERSITY: Woodrow Wilson School, Politics Department, East Asian Studies Program CONTEMPORARY CHINA: A BOOK LIST by Lubna Malik and Lynn White Winter 2007-2008 Edition This list is available on the web at: http://www.princeton.edu/~lynn/chinabib.pdf which can be viewed and printed with an Adobe Acrobat Reader. Variation of font sizes may cause pagination to differ slightly in the web and paper editions. No list of books can be totally up-to-date. Please surf to find further items. Also consult http://www.princeton.edu/~lynn/chinawebs.doc for clicable URLs. This list of items in English has several purposes: --to help advise students' course essays, junior papers, policy workshops, and senior theses about contemporary China; --to supplement the required reading lists of courses on "Chinese Development" and "Chinese Politics," for which students may find books to review in this list; --to provide graduate students with a list that may suggest books for paper topics and may slightly help their study for exams in Chinese politics; a few of the compiler's favorite books are starred on the list, but not much should be made of this because such books may be old or the subjects may not meet present interests; --to supplement a bibliography of all Asian serials in the Princeton Libraries that was compiled long ago by Frances Chen and Maureen Donovan; many of these are now available on the web,e.g., from “J-Stor”; --to suggest to book selectors in the Princeton libraries items that are suitable for acquisition; to provide a computerized list on which researchers can search for keywords of interests; and to provide a resource that many teachers at various other universities have also used. -
National Anthem Law of the People's Republic of China
National Anthem Law of the People’s Republic of China (Draft) We completed, and Jeremy Daum subsequently refined, the following translation, which also appears on China Law Translate. We have made additional changes to the translation, for which Jeremy and CLT are not responsible. Blog-wide copyright license applies. Article 1: This Law is drafted on the basis of the Constitution, so as to preserve the dignity of the national anthem, to regulate the performance, singing, playing, and use of the national anthem, to enhance citizens’ conception of the State, to carry forward the spirit of patriotism, and to cultivate and practice the socialist core values. Article 2: The national anthem of the People’s Republic of China is the “March of the Volunteers.” Article 3: The national anthem of the People’s Republic of China is the symbol and sign of the People’s Republic of China. All citizens and organizations shall respect the national anthem and preserve the dignity of the national anthem. Article 4: The national anthem shall be performed and sung on the following occasions: (1) Opening and closing ceremonies of the National People’s Congress and all levels of local people’s congresses; and opening and closing ceremonies of the National Committee and local committees of the Chinese People’s Political Consultative Conference; (2) Constitutional oath-swearing ceremonies; (3) Flag-raising ceremonies; (4) Major celebrations, major award ceremonies, major commemorative ceremonies, national memorial ceremonies and the like, which are organized by any level of state organ; (5) Major diplomatic activities; (6) Major sporting events; (7) Other occasions where it is necessary to perform and sing the national anthem. -
China: Solidarity Under a Song What a Strike Tells Us*
Copyright © 2013 by Feng Xiang 《团结在国歌之下》 China: Solidarity Under a Song What a Strike Tells Us* Feng Xiang** Abstract The right of solidarity has been in legal limbo in China for decades. But in recent years an increasing number of strikes ended in collective negotiation, mediated by government, congressional and trade union officials, instead of the familiar story of arrests and prosecution. This article argues that these changes cannot be adequately explained by the “unseen hand” of the market, the policy of urbanization or better networking technology. Rather, they are essentially due to a conscious effort on the part of strikers to re-politicize their walkout, whereby to overcome barriers of the “rule of law” and revert what the law defines as contractual employment disputes to their original status: the breaking, repair and reorganization of the Party-masses relationship. The solidarity thus regained is not a lawful right, but an avatar of justified power, authority and even people’s sovereignty, all captured by a single Chinese character, “quan”. Key words: solidarity; right to strike; trade union; “quan” as power/authority/sovereignty/right; the PRC constitutions. Let’s build a new Great Wall May 17, 2010, Monday. Early in the morning, Tan Guocheng came to his shift at the Honda factory of Nanhai District, Foshan City in Guangdong Province. Tan was a 24 year old “migrant worker” from Hunan, a neighboring province; and the factory, commonly known as Honda Nanhai, manufactured automobile parts. But that morning Tan did not turn on the machine. Instead he pushed a red emergency button nearby. -
October 29, 2016
PhuketGazette.net PHUKET’S LEADING NEWSPAPER... SINCE 1993 PhuketGazette October 29 - November 4, 2016 Now inside THE NAT I ON every Saturday 56 Pages / 20 Baht ‘THE MOTIVE BEHIND THE KILLING COULD HAVE BEEN PERSONAL’ Police arrest first suspect in Phuket bombings THE first suspect implicated in the Phuket Mother’s Day Hunt for suspects bombings was flown to the island by helicopter on Oc- is on after Patong tuk- tober 20, where an eye wit- ness confirmed his identity. tuk club leader found Full story Page 6 shot to death in his cab BUSINESS By Kritsada Mueanhawong POLICE are hunting for at least two sus- pects for the murder of the president of the Patong tuk-tuk drivers’ club at 3am on October 25. Sakol Srisompoch, 57, was found shot dead inside his tuk-tuk, which was parked in the middle of the road in front Trade department to inves- of King Kong Party Club on Phra Phuket tigate over-charging of Kaew Road. Chinese tourists. “Mr Sakol was on his way home af- Page 11 ter work when he was apparently ambushed by gunmen. There were four wounds on his left arm, one in his back PROPERTY and another in his chest. There were also several bullet holes in the window and windshield of his tuk-tuk,” said Capt Wattanathorn Bamroongthin of Kathu Police. Kathu Police Deputy Superintendent Ampholwat Saengruang confirmed that police are collecting evidence to bring the perpetrators to justice. Tips and tricks to help Police initially said they had yet to property renters get the learn how many suspects were involved, best experience. -
Flags and Banners
Flags and Banners A Wikipedia Compilation by Michael A. Linton Contents 1 Flag 1 1.1 History ................................................. 2 1.2 National flags ............................................. 4 1.2.1 Civil flags ........................................... 8 1.2.2 War flags ........................................... 8 1.2.3 International flags ....................................... 8 1.3 At sea ................................................. 8 1.4 Shapes and designs .......................................... 9 1.4.1 Vertical flags ......................................... 12 1.5 Religious flags ............................................. 13 1.6 Linguistic flags ............................................. 13 1.7 In sports ................................................ 16 1.8 Diplomatic flags ............................................ 18 1.9 In politics ............................................... 18 1.10 Vehicle flags .............................................. 18 1.11 Swimming flags ............................................ 19 1.12 Railway flags .............................................. 20 1.13 Flagpoles ............................................... 21 1.13.1 Record heights ........................................ 21 1.13.2 Design ............................................. 21 1.14 Hoisting the flag ............................................ 21 1.15 Flags and communication ....................................... 21 1.16 Flapping ................................................ 23 1.17 See also ............................................... -
Performing Chinese Contemporary Art Song
Performing Chinese Contemporary Art Song: A Portfolio of Recordings and Exegesis Qing (Lily) Chang Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Elder Conservatorium of Music Faculty of Arts The University of Adelaide July 2017 Table of contents Abstract Declaration Acknowledgements List of tables and figures Part A: Sound recordings Contents of CD 1 Contents of CD 2 Contents of CD 3 Contents of CD 4 Part B: Exegesis Introduction Chapter 1 Historical context 1.1 History of Chinese art song 1.2 Definitions of Chinese contemporary art song Chapter 2 Performing Chinese contemporary art song 2.1 Singing Chinese contemporary art song 2.2 Vocal techniques for performing Chinese contemporary art song 2.3 Various vocal styles for performing Chinese contemporary art song 2.4 Techniques for staging presentations of Chinese contemporary art song i Chapter 3 Exploring how to interpret ornamentations 3.1 Types of frequently used ornaments and their use in Chinese contemporary art song 3.2 How to use ornamentation to match the four tones of Chinese pronunciation Chapter 4 Four case studies 4.1 The Hunchback of Notre Dame by Shang Deyi 4.2 I Love This Land by Lu Zaiyi 4.3 Lullaby by Shi Guangnan 4.4 Autumn, Pamir, How Beautiful My Hometown Is! by Zheng Qiufeng Conclusion References Appendices Appendix A: Romanized Chinese and English translations of 56 Chinese contemporary art songs Appendix B: Text of commentary for 56 Chinese contemporary art songs Appendix C: Performing Chinese contemporary art song: Scores of repertoire for examination Appendix D: University of Adelaide Ethics Approval Number H-2014-184 ii NOTE: 4 CDs containing 'Recorded Performances' are included with the print copy of the thesis held in the University of Adelaide Library. -
Patriotic Songs in Primary School Textbooks in Taiwan from 1949–1987
australiaa n societ s y fo r mumsic education e Patriotic songs in primary school i ncorporated textbooks in Taiwan from 1949–1987 Angela Lee Department of the Early Childhood Education and Care, Transworld University, Taiwan Abstract This study focused on the inclusion of patriotic songs in schooling that were popular in Taiwan between 1949 and 1987. Many patriotic songs were composed after 1949, and these frequently found their way into primary textbooks. School curriculum policies such as ‘education for patriotism’ cultivate Chinese consciousness among Taiwanese students (Yang, 2001). An analysis of these patriotic songs elucidates their qualities and character and explores how patriotism permeated school song texts. These factors can be considered through an examination of school textbooks produced after the Chinese restoration: Music 1952, Music 1968, and Music 1975 for primary schools. The findings of this study show that during 1949 to 1987, the inclusion of patriotic songs in the school curriculum, had everything to do with the cultivation of national sentiment and loyal service toward the mainland, and sacrifice for one’s country. The findings confirm Hebert and Kertz-Welzel’s (2012) assertion that music clearly contributes to the conditions in which individuals are more susceptible to the emotional appeal of mass movements, which is why all across the world music has for so long played such an enduring and prominent role in the political spheres. Key words: patriotic songs, primary school, textbooks, patriotism, music education Australian Journal of Music Education 2014:2,119-28 Introduction to patriotic songs music teachers and for anyone who is concerned about the music in schools. -
UC Berkeley Cross-Currents: East Asian History and Culture Review
UC Berkeley Cross-Currents: East Asian History and Culture Review Title "Music for a National Defense": Making Martial Music during the Anti-Japanese War Permalink https://escholarship.org/uc/item/7209v5n2 Journal Cross-Currents: East Asian History and Culture Review, 1(13) ISSN 2158-9674 Author Howard, Joshua H. Publication Date 2014-12-01 eScholarship.org Powered by the California Digital Library University of California “Music for a National Defense”: Making Martial Music during the Anti-Japanese War Joshua H. Howard, University of Mississippi Abstract This article examines the popularization of “mass songs” among Chinese Communist troops during the Anti-Japanese War by highlighting the urban origins of the National Salvation Song Movement and the key role it played in bringing songs to the war front. The diffusion of a new genre of march songs pioneered by Nie Er was facilitated by compositional devices that reinforced the ideological message of the lyrics, and by the National Salvation Song Movement. By the mid-1930s, this grassroots movement, led by Liu Liangmo, converged with the tail end of the proletarian arts movement that sought to popularize mass art and create a “music for national defense.” Once the war broke out, both Nationalists and Communists provided organizational support for the song movement by sponsoring war zone service corps and mobile theatrical troupes that served as conduits for musicians to propagate their art in the hinterland. By the late 1930s, as the United Front unraveled, a majority of musicians involved in the National Salvation Song Movement moved to the Communist base areas. Their work for the New Fourth Route and Eighth Route Armies, along with Communist propaganda organizations, enabled their songs to spread throughout the ranks. -
Music for a National Defense”: Making Martial Music During the Anti-Japanese War
“Music for a National Defense”: Making Martial Music during the Anti-Japanese War Joshua H. Howard, University of Mississippi Abstract This article examines the popularization of “mass songs” among Chinese Communist troops during the Anti-Japanese War by highlighting the urban origins of the National Salvation Song Movement and the key role it played in bringing songs to the war front. The diffusion of a new genre of march songs pioneered by Nie Er was facilitated by compositional devices that reinforced the ideological message of the lyrics, and by the National Salvation Song Movement. By the mid-1930s, this grassroots movement, led by Liu Liangmo, converged with the tail end of the proletarian arts movement that sought to popularize mass art and create a “music for national defense.” Once the war broke out, both Nationalists and Communists provided organizational support for the song movement by sponsoring war zone service corps and mobile theatrical troupes that served as conduits for musicians to propagate their art in the hinterland. By the late 1930s, as the United Front unraveled, a majority of musicians involved in the National Salvation Song Movement moved to the Communist base areas. Their work for the New Fourth Route and Eighth Route Armies, along with Communist propaganda organizations, enabled their songs to spread throughout the ranks. Keywords: Anti-Japanese War, Li Jinhui, Liu Liangmo, Lü Ji, Mai Xin, mass song, National Salvation Song Movement, New Fourth Army, Nie Er, United Front, Xian Xinghai Reflecting on his country’s defeat in World War II, a Japanese interviewed in Taibei attributed China’s victory neither to superior weaponry nor to battle tactics but to the fact that it had “relied on War of Resistance songs (kangzhan gequ) to arouse tremendous popular sentiment” (Chen F. -
Legal Malware: Hong Kong's National Anthem Ordinance
Legal Malware: Hong Kong’s National Anthem Ordinance Kevin Carrico “…criminal defamation laws may not be used to protect abstract or subjective notions or concepts, such as the State, national symbols, national identity, cultures, schools of thought, religions, ideologies or political doctrines. This is consistent with the view, sustained by the Special Rapporteur, that international human rights law protects individuals and groups of people, not abstract notions or institutions that are subject to scrutiny, comment or criticism…” Former United Nations Special Rapporteur on freedom of expression, Frank La Rue, in a 2010 United Nations report INDEX Executive Summary 4-5 Policy Recommendations 6 About the Author 7 The Context of the National Anthem Ordinance 8-10 The Text of the National Anthem Ordinance 10-11 The National Anthem Ordinance and International 12-14 Human Rights Standards Case Studies: How the National Anthem Ordinance might 15-18 be abused Conclusion 19 Endnotes 20-24 3 Executive Summary Since the clearance of the Occupy protests in late 2014, the people of Hong Kong have employed a variety of novel modes of protest to voice dissatisfaction with Beijing’s ever tightening grip on the city. Undoubtedly one of the most controversial modes of protest has been the booing of the national anthem of the People’s Republic of China, which first emerged during football matches in 2015. In late 2017, the National People’s Congress of the People’s Republic of China passed a National Anthem Law, dictating strict punishment for anyone who insulted “The March of the Volunteers” in the Mainland. Almost immediately thereafter, Beijing introduced the law, clearly drafted with Hong Kong in mind, into Annex III of the Basic Law, meaning that Hong Kong is required to legislate a similar law for implementation in the city. -
Cb(2)811/18-19(02)
立法會 Legislative Council LC Paper No. CB(2)811/18-19(02) Ref : CB2/BC/3/18 Bills Committee on National Anthem Bill Background brief prepared by the Legislative Council Secretariat Purpose This paper provides background information on the National Anthem Bill ("the Bill"). It also summarizes the major views and concerns expressed by the Panel on Constitutional Affairs ("the Panel") during its previous discussion of the local legislation to implement the Law of the People's Republic of China on the National Anthem ("the National Anthem Law"). Background 2. The National Anthem Law was adopted at the 29th session of the Standing Committee of the 12th National People's Congress ("NPCSC") on 1 September 2017, and has come into force nationwide since 1 October 2017. On 4 November 2017, NPCSC adopted the decision to add the National Anthem Law to Annex III to the Basic Law. In accordance with Article 18 of the Basic Law ("BL 18"), the national laws listed in Annex III to the Basic Law shall be applied locally by way of promulgation or legislation by the Hong Kong Special Administrative Region ("HKSAR"). 3. As announced by the HKSAR Government on 4 November 2017, in pursuance to BL 18, the National Anthem Law will be applied in HKSAR by way of appropriate local legislation consistent with the constitutional and legal regime of HKSAR. The National Anthem Bill 4. The Bill was published in the Gazette on 11 January 2019. It was introduced into the Legislative Council ("LegCo") on 23 January 2019. According to the LegCo Brief (File Ref. -
Following the Footprints of Music in Tiananmen Square Protests Wang Meng
From the Highest Court to the Furthest Wasteland: Following the Footprints of Music in Tiananmen Square Protests Wang Meng Music has always been an important component of social movements. As the one and only protest of its scale and influence in China, the 1989 Tiananmen Square protests was a lively music venue. Protesters sang revolutionary songs and played rock music on cassette tapes players in the tent city. At night, the square turned into a concert and dance floor. (Gordon & Hinton, 1995) Cui Jian and Hou Dejian, the two most popular musicians at the time, performed for the protesters on the square. The singers’ featured songs, “Nothing to My Name” (Yiwusuoyou) and “Descendants of the Dragon” (Long de chuanren) became unofficial anthems of the protesters. Hou was deeply involved in the protest by joining the hunger strike initiated by Liu Xiaobo and was one of the negotiators at the dawn of June 4th with the military. In an interview with Tiananmen student leader Wuer Kaixi, he emphasized the importance of singers in the movement: “The people who are most influential among young people are not (the dissident intellectuals) Fang Lizhi and Wei Jingsheng, but singers such as Cui Jian.” (Huang, 2001) In Hong Kong, Concert for Democracy in China was held for 12 hours nonstop to raise money for the protesters on May 27th. After the crackdown, music became an important means of commemorating the protests and preserving memories and protecting legacies against state propaganda and collective amnesia. Even new generations who were born after 1989 wrote songs in memory of the protest.