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Charles Darwin: a Companion
CHARLES DARWIN: A COMPANION Charles Darwin aged 59. Reproduction of a photograph by Julia Margaret Cameron, original 13 x 10 inches, taken at Dumbola Lodge, Freshwater, Isle of Wight in July 1869. The original print is signed and authenticated by Mrs Cameron and also signed by Darwin. It bears Colnaghi's blind embossed registration. [page 3] CHARLES DARWIN A Companion by R. B. FREEMAN Department of Zoology University College London DAWSON [page 4] First published in 1978 © R. B. Freeman 1978 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the permission of the publisher: Wm Dawson & Sons Ltd, Cannon House Folkestone, Kent, England Archon Books, The Shoe String Press, Inc 995 Sherman Avenue, Hamden, Connecticut 06514 USA British Library Cataloguing in Publication Data Freeman, Richard Broke. Charles Darwin. 1. Darwin, Charles – Dictionaries, indexes, etc. 575′. 0092′4 QH31. D2 ISBN 0–7129–0901–X Archon ISBN 0–208–01739–9 LC 78–40928 Filmset in 11/12 pt Bembo Printed and bound in Great Britain by W & J Mackay Limited, Chatham [page 5] CONTENTS List of Illustrations 6 Introduction 7 Acknowledgements 10 Abbreviations 11 Text 17–309 [page 6] LIST OF ILLUSTRATIONS Charles Darwin aged 59 Frontispiece From a photograph by Julia Margaret Cameron Skeleton Pedigree of Charles Robert Darwin 66 Pedigree to show Charles Robert Darwin's Relationship to his Wife Emma 67 Wedgwood Pedigree of Robert Darwin's Children and Grandchildren 68 Arms and Crest of Robert Waring Darwin 69 Research Notes on Insectivorous Plants 1860 90 Charles Darwin's Full Signature 91 [page 7] INTRODUCTION THIS Companion is about Charles Darwin the man: it is not about evolution by natural selection, nor is it about any other of his theoretical or experimental work. -
Nightingale Place
NIGHTINGALE PLACE HADDENHAM CALA HO ME S NIGHTINGALE PLACE HADDENHAM Local area photography NIGHTINGALE PLACE ESCAPE TO THE MOST DESIRABLE RURAL RETREAT The intimate selection of 17 detached family homes at Nightingale Place provides an idyllic family retreat, connecting the desirable northern edge of Haddenham village with open Buckinghamshire countryside. Set over two storeys, these light and contemporary 5 bedroom homes have plenty of kerb appeal, together with a quality specification throughout and set in a beautiful location. Approximately six miles from Aylesbury and 18 miles from Oxford, this tranquil rural setting is also close to excellent schooling and major transport links, making it the perfect place for growing families and country-loving commuters alike. Photography of Treetops, Aston Clinton Photography from a previous CALA development Photography of Willow Close, Welwyn 5 HADDENHAM AWAY FROM IT ALL, AT THE HEART OF IT ALL The highly sought-after commuter haven of Haddenham is situated some two-and-a-half miles north east of Thame, six miles south west of Aylesbury and 18 miles east of Oxford. It’s the quintessential English village, featuring an attractive duck pond and thatched cottages, together with a local convenience store and assortment of country pubs and restaurants nearby. Historic Aylesbury has plentiful amenities, with Friars Square Shopping Centre, Marks & Spencer, an Odeon Cinema and Rogue Bowling. The market towns of Wendover and Thame offer an array of retail and recreational pursuits too, with the latter hosting the Oxfordshire County and Thame Show, the largest one-day agricultural show in Britain. Aylesbury Waterside Theatre presents everything from West End musicals to world-class operatic and ballet performances. -
George Eliot and the Mill on the Floss
PART III: George Eliot and The Mill on the Floss 189 CHAPTER EIGHT George Eliot and Her Suitors: the “Hatched Chick” Becomes a Rooster The story of The Mill on the Floss, which is very much a story about the emergence of Marian Evans/George Eliot as a professional author, actually began a few years before the appearance of that pivotal book with the anonymous publication of Eliot’s first novel (really a series of novellas) in the pages of Blackwood’s Edinburgh Magazine (Maga). Lewes first submitted Evans’s work to the venerable Scottish publisher, John Blackwood, on 6 November 1856, when Evans was still editing John Chapman’s Westminster Review.1 The submission was “The Sad Fortunes of the Reverend Amos Barton,” the first of three novella-length sketches that would eventually form the whole of Scenes of Clerical Life. Of this first sketch Lewes boasted to Blackwood that “such humour, pathos, vivid presentation and nice observation have not been exhibited (in this style) since the ‘Vicar of Wakefield’— and in consequence of that opinion I feel quite pleased in negotiating the matter with you.”2 During this first interaction on Evans’s behalf, Lewes aimed to convince Blackwood that this unknown author was someone whose work was worth adding to 1 In addition to a long essay entitled “Worldliness and Otherworldliness: the Poet Young,” Eliot would write a segment called “History, Biography, Voyages, and Travels,” as well as her standard “Belles Lettres” section for her final contributions to the Westminster Review, 67 (January 1857). See Letters II, 274, n. -
Pocketbook for You, in Any Print Style: Including Updated and Filtered Data, However You Want It
Hello Since 1994, Media UK - www.mediauk.com - has contained a full media directory. We now contain media news from over 50 sources, RAJAR and playlist information, the industry's widest selection of radio jobs, and much more - and it's all free. From our directory, we're proud to be able to produce a new edition of the Radio Pocket Book. We've based this on the Radio Authority version that was available when we launched 17 years ago. We hope you find it useful. Enjoy this return of an old favourite: and set mediauk.com on your browser favourites list. James Cridland Managing Director Media UK First published in Great Britain in September 2011 Copyright © 1994-2011 Not At All Bad Ltd. All Rights Reserved. mediauk.com/terms This edition produced October 18, 2011 Set in Book Antiqua Printed on dead trees Published by Not At All Bad Ltd (t/a Media UK) Registered in England, No 6312072 Registered Office (not for correspondence): 96a Curtain Road, London EC2A 3AA 020 7100 1811 [email protected] @mediauk www.mediauk.com Foreword In 1975, when I was 13, I wrote to the IBA to ask for a copy of their latest publication grandly titled Transmitting stations: a Pocket Guide. The year before I had listened with excitement to the launch of our local commercial station, Liverpool's Radio City, and wanted to find out what other stations I might be able to pick up. In those days the Guide covered TV as well as radio, which could only manage to fill two pages – but then there were only 19 “ILR” stations. -
Victorian Writers, Remembered & Forgotten
University of South Carolina Scholar Commons Faculty Publications English Language and Literatures, Department of 10-2008 Victorian Writers, Remembered & Forgotten Patrick G. Scott University of South Carolina - Columbia, [email protected] Follow this and additional works at: https://scholarcommons.sc.edu/engl_facpub Part of the English Language and Literature Commons Publication Info 2008. (c) Patrick Scott, 2008 This Paper is brought to you by the English Language and Literatures, Department of at Scholar Commons. It has been accepted for inclusion in Faculty Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. , Department of Rare Books & Special Collections VICTORIAN- WRITERS RentelDbered & F9rgotten . .. Mezzanine Exhibition Gallery~ Thomas Cooper Library . University of South Carolina October-November. 2008· FOREWORD This exhibition welcomed to the University the Thirty-Ninth Annual Meeting of the Victorians Institute, a two-day conference bringing to Columbia nearly a hundred Victorian scholars from the south-east and across the United States. So many of the great writers of the Victorian age are still well-known names that myriads of others get overlooked or neglected. The University of South Carolina's Department of Rare Books & Special Collections has first editions and even manuscript material from many of the best-remembered Victorian writers, but it also preserves the writings of others who are now almost forgotten. In some cases, such lesser-known items may be even rarer than long-sought-after first editions by the most famous names. The current exhibition juxtaposes work by major Victorians, such as Charles Dickens, Alfred Tennyson, Charlotte Bronte, and George Eliot, with the work of some of these other · writers who deserve to be better-known. -
Archaeological Excavations in the City of London 1907
1 in 1991, and records of excavations in the City of Archaeological excavations London after 1991 are not covered in this Guide . in the City of London 1907– The third archive of excavations before 1991 in the City concerns the excavations of W F Grimes 91 between 1946 and 1962, which are the subject of a separate guide (Shepherd in prep). Edited by John Schofield with Cath Maloney text of 1998 The Guildhall Museum was set up in 1826, as an Cite as on-line version, 2021 adjunct to Guildhall Library which had been page numbers will be different, and there are no established only two years before. At first it illustrations in this version comprised only a small room attached to the original text © Museum of London 1998 Library, which itself was only a narrow corridor. In 1874 the Museum transferred to new premises in Basinghall Street, which it was to occupy until Contents 1939. After the Second World War the main gallery was subdivided with a mezzanine floor and Introduction .................................................. 1 furnished with metal racking for the Library, and An outline of the archaeology of the City from this and adjacent rooms coincidentally became the the evidence in the archive ............................. 6 home of the DUA from 1976 to 1981. The character of the archive and the principles behind its formation ..................................... 14 The history of the Guildhall Museum, and of the Editorial method and conventions ................ 18 London Museum with which it was joined in 1975 Acknowledgements ..................................... 20 to form the Museum of London, has been written References .................................................. 20 by Francis Sheppard (1991); an outline of archaeological work in the City of London up to the Guildhall Museum sites before 1973 ........... -
Full Version of AVDLP
AYLESBURY VALE DISTRICT COUNCIL AAyylleessbbuurryy VVaallee DDiissttrriicctt LLooccaall PPllaann WWrriitttteenn SStatatteemmeenntt Part AVJJAANNUUAARRYYD 22000044 LPaPrtII The Aylesbury Vale District Local Plan is published in two parts: Part I - the Written Statement and Conservation Area map insets - and Part II which comprises the Proposals Map. The Written Statement and Proposals Map should be read in conjunction with each other. Part II contains 33 sheets to a scale of 1:20,000 covering the whole District - where necessary insets to a larger scale are included to show details clearly. It includes insets for Aylesbury, Buckingham, Haddenham, Wendover & Winslow on two loose sheets. Norman Skedge Director Department of Environment and Planning Friars Square Offices 4 Great Western Street Aylesbury Bucks HP20 2TW JANUARY 2004 Tel: 01296 585439 Fax: 01296 398665 Minicom: 01296 585055 DX: 4130 Aylesbury E-mail: [email protected] AVDLPForeword FOREWORD We live in times of constant change. This Development Plan, the most important yet produced for our District, reflects - even anticipates - change in a way that earlier plans did not come close to doing. Yet the Council's corporate mission - to make Aylesbury Vale the best possible place for people to live and work - remains a timeless guiding principle. So comprehensive is this District Local Plan for Aylesbury Vale that it will affect the lives of people over the next seven years to 2011. There are two main themes: sustainability and accessibility. Sustainability, in its purest sense, requires us to take no more from the environment than we put back. The Council has striven to minimise consumption of natural resources by looking carefully at the demands development makes on land, air and water, and its impact on the natural and historical environment. -
June 2018 • £8.00 Tipping Point for Landfill
SHOPPINGCENTREThe business of retail destinations www.shopping-centre.co.uk June 2018 • £8.00 Tipping point for landfill Technology diverts food waste from landfill 10 Development 12 Sustainability 17 Parking Intu Watford Centres face food Global tech alliance nears completion waste challenge to streamline parking The Highcross Beacons, @HXBeacons Creative LED solutions to make spaces and places memorable. ADI design content-driven experiences and exceptional digital installations that deliver the unexpected. We combine giant LED platforms with larger-than-life creative to drive large scale IRKEKIQIRXERHMRXIVEGXMSR8SƼRHSYX more visit www.adi.tv/shoppingcentre For more information visit www.adi.tv/shoppingcentre 0800 592 346 | [email protected] | www.adi.tv CONTENTS Editor’s letter Editor Graham Parker 07956 231 078 Fraser is widely forecast to be Wolfson has complained that [email protected] next, with as many as 30 stores a two-tier market is emerging Editorial Assistant earmarked for closure. with retailers paying widely dif- Iain Hoey However the CVA is a form ferent rents for adjacent stores 07757 946 414 of insolvency and the question depending on whether or not [email protected] has to be asked whether these they have been through a CVA. Sales Manager businesses are in fact insolvent. He’s now inserting CVA clauses Trudy Whiston In the end that’s a decision for into leases allowing Next to 01293 416 090 [email protected] lawyers and accountants and claim a rent cut if a neighbour- not magazine editors, but the ing brand wins one through a Database Manager At last there are signs that land- suspicion is that companies CVA. -
A History of English Literature MICHAEL ALEXANDER
A History of English Literature MICHAEL ALEXANDER [p. iv] © Michael Alexander 2000 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W 1 P 0LP. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted his right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2000 by MACMILLAN PRESS LTD Houndmills, Basingstoke, Hampshire RG21 6XS and London Companies and representatives throughout the world ISBN 0-333-91397-3 hardcover ISBN 0-333-67226-7 paperback A catalogue record for this book is available from the British Library. This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. 10 9 8 7 6 5 4 3 2 1 09 08 07 06 05 04 03 02 O1 00 Typeset by Footnote Graphics, Warminster, Wilts Printed in Great Britain by Antony Rowe Ltd, Chippenham, Wilts [p. v] Contents Acknowledgements The harvest of literacy Preface Further reading Abbreviations 2 Middle English Literature: 1066-1500 Introduction The new writing Literary history Handwriting -
The Carlyle Society Papers
THE CARLYLE SOCIETY SESSION 2013-2014 OCCASIONAL PAPERS 26 • Edinburgh 2013 1 2 President’s Letter 2013-14 will be a year of changes for the Carlyle Society of Edinburgh. Those of you who receive notification of meetings by email will already have had the news that, after many years, we are leaving 11 Buccleuch Place. We have enjoyed the hospitality of Lifelong Learning for decades but they, too, are moving. So we are meeting – for this year – in the seminar room on the first floor of 18 Buccleuch Place. There is one flight of stairs (I used it for decades! It’s not bad) and we will be comfortably housed there. Usual time. The Carlyle Letters are moving steadily towards the completion of the correspondence of Thomas and Jane; with Jane’s death in 1866 we will have published all the known letters between them, and we plan to tidy off the process with some papers from the months immediately following her death, and papers more recently come to light, namely volumes 43-44. The Carlyle Letters Online are also moving steadily to catch up with the published volumes. Volume 40 was celebrated with a public lecture in Autumn 2012; volume 41 will appear in printed form in about a month’s time, and the materials for volume 42 will be going to Duke in about a week’s time from when these words are written. We are grateful to the English Literature department for access to our new premises in 18 Buccleuch Place; to Andy Laycock of the University’s printing department for Herculean efforts with our annual papers; to those members who now accept their annual mailing in electronic form, a huge saving in time and money. -
Aylesbury Historic Town Assessment Draft Report 79
Aylesbury Historic Town Assessment Draft Report Figure 44: Morphology of Aylesbury 79 Aylesbury Historic Town Assessment Draft Report Figure 45: period development 80 Aylesbury Historic Town Assessment Draft Report 5 Historic Urban Zones 5.1 Introduction The process of characterising and analysing Buckinghamshire towns produces a large quantity of information at a ‘fine-grained scale’ e.g. the character of particular buildings, town plan forms and location of archaeological data. This multitude of information can be hard to assimilate. In order to distil this information into an understandable form, the project defines larger areas or Historic Urban Zones (HUZs) for each town; these zones provide a framework for summarising information spatially and in written form ( 81 Aylesbury Historic Town Assessment Draft Report Figure 47). Each zone contains several sections including: A summary of the zone including reasons for the demarcation of the zone. An assessment of the known and potential archaeological interest for pre 20th century areas only. An assessment of existing built character. 5.2 Historic Urban Zones The creation of these zones begins with several discrete data sets including historical cartography and documentary sources; known archaeological work; buildings evidence (whether listed or not) and the modern urban character (Figure 46). From this, a picture can be drawn of the changes that have occurred to the built character within a given area over a given period. Discrete areas of the town that then show broad similarities can be grouped as one zone. After the survey results have been mapped into GIS the resulting data is analysed to discern any larger, distinctive patterns; principally build periods, urban types, styles or other distinctive attributes of buildings. -
Charles Dickens Museum
4 -DOD Project Number: LF LON5 53 WEBSITE EXHIBITION FOR THE CHARLES DICKENS MUSEUM An Interactive Qualifying Project Report submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for the Degree of Bachelor of Science March 4, 2004 by Anthony J. Wieczorek Professor Lee Fontanella, Major Advisor Professor John Trimbur, Co-Advisor IQP: Website Exhibition for the Charles Dickens Museum Anthony Wieczorek Abstract This project, done for the Charles Dickens Museum in London, England, provides biographical information about Charles Dickens online to increase the presence of the Museum as an excellent source for Dickens information. This project digitizes the book Charles Dickens by Pen and Pencil, and produces online exhibitions of material. It addresses how to: 1) digitize the book, 2) increase online visibility for the Museum, and 3) protect the Museum's copyright for the information on the website. IQP: Website Exhibition for the Charles Dickens Museum Anthony Wieczorek Table of Contents Executive Summary 2 Introduction 5 The Dickens House and Dickens Fellowship 7 Researching at the Charles Dickens Museum 9 The Volumes: Charles Dickens by Pen and Pencil 10 Design & Results 12 Conclusion 21 Recommendations for Further Work 22 References 24 Appendix: Website Printouts 25 IQP: Website Exhibition for the Charles Dickens Museum Anthony Wieczorek Table of Figures Figure 1: Website Directory and File Layout 15 Figure 2: Website Navigation Bar 16 Figure 3: Process Used to Develop Website: From Physical to Digital 18 Figure 4: Example Watermarked Image 20 Figure 5: Sample Webpage Identifier 25 IQP: Website Exhibition for the Charles Dickens Museum Anthony Wieczorek Executive Summary As more and more researchers and students conduct research online, museums recognize the need to digitize their collections to provide valuable information online.