DOCSLIB.ORG

A Study of Anthony Trollope with Special Reference to Selected Novels 1847

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
A Study of Anthony Trollope with Special Reference to Selected Novels 1847 CONSISTENCY AND CONTINUITY; A STUDY OF ANTHONY TROLLOPE WITH SPECIAL REFERENCE TO SELECTED NOVELS 1847 - 1883 Reginald Charles Terry ProQuest Number: 10098182 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10098182 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 ABSTRACT Trollope's literary career over thirty five years shows remarkable consistency of aims and achievement. The object of this dissertation is to trace the continuity of Trollope's in­ terests in major areas of human fulfilment such as love, marriage and problems o f moral conduct. The first two chapters deal with his life, reputation and attitudes towards the novel, Chester Three raises the theme of most of his novels - the young person in love, and Chapter Four shows the maturing of love in marriage and family life. Chapter Five completes this central section by studying the conditions of Single Life, Chuter Six is devoted to Trollope and Ireland, relating personal fulfilment with the responsibilities and pressures of the outside world, %e novels about Ireland span Trollope's writing life and therefore provide useful illustration of his consistency. My final chapter considers the obligations of the individual in the social environment, with particular emphasis on political life, and the quality of society as a whole. Throughout the thesis my concern has been to move from the sociological orientation of much Trollope criticism to questions of literary merit. The principle of continuity has been illustrated by an exmmination of themes from a range of novels outside the Barsetshire and Palliser series which have been usually in the forefront of discussion. The principle of consistency has been demonstrated by fuller illustration from The Three Clerks. Ayala* s Angel. The Bertrams and The Claverings (Chapter Three); Orley Farm and He Knew He Was Right (Chapter Four); The Eustace Diamonds (Chapter Five); The Macdermots of Ballycloran, The Kellys and the 0'K ellys,' Castle Richmond, The Landleaguers (Chapter Six); The Way We Live Now (Chapter Seven). CONTENTS page T itle 1 A b stra ct 2 P reface 5 Chapter One; Trollope's Life and Work 9 C hapter Two: Trollope's Reputation 53 Chapter Three; The Rocks and Valleys 85 Chapter Four; The Bread and Cheese 148 Chapter Five; Lonely Hearts 189 Chapter Six; Trollope and Ireland 228 Chapter Seven: The Outside World 279 Appendix: Twenty Authors in Mudie's S e le c t Library, 1857-1935 .. 321 A Selected Bibliography 322 5 PREFACE Today in Trollope studies one is aware of more serious attention to his qualities as a novelist. The odium attaching to his self-revelation in the Autohiography, mis-read and ex­ aggerated by his immediate posterity, has diminished, and al­ though no full edition of his work has so far been undertaken at least an eloquent appeal for one has been voiced.^ Yet in some ways the most recent Trollope revival has pointed in the wrong direction by emphasising once more those qualities of sociological observation - the "photographic" realism of his novels - for which he was so much praised in his lifetim e and patronised after his death. Reading the most recent study on this well-trodden path it is apparent that Trollope continues 2 "to elude precise definition." Yet there are encouraging signs certainly. More intensive analysis of single works is being attempted. More articles are getting to grips with Trollope's artistry, the structure and style of his novels, markedly different from the general impressions of "Mr. Trollope's Young Badies" and similar essays of a generation ^Gordon N, Ray, "Trollope at Pull Length", The Huntington Library Quarterly. XXXI. 4 (August, 1968). ^Donald Smalley, "Anthony Trollope", in Victorian Fiction. A Guide to Research, ed. Lionel Stevenson (Harvard, 1964), p.196. Robert H. Polhemus, The"Changing World of Anthony Trollope (University of California Press, Berkeley and Los Angeles, 1968). ago. Some of the criticism , indeed, perhaps s trains too hard to rescue Trollope from the ranks of middlebrow entertainment, finding in each "newly discovered" novel some sterling qualities which fit a particular line of enquiry relevant to modem thought; it is absurd, for example, to speak of such a slight novel as Cousin Henry as a Kad^esqueK aÀ study of a little man crushed by a hostile society. 3 My efforts towards definition do not lie in the traditional path, which has tended to put the social issues first, thereby ignoring to some extent the qualities of Trollope as an artist and reading him primarily as an inspired documentary diarist. One immediately thinks of the way historians such as Professor Asa Briggsliave used Trollope as a seismograph of mid-Victorian society. However legitimate this kind of study is it does not in my view lead to a just appraisal of Trollope, the novelist, and it is worth noting that one recent critic has recognized the lim itations of the socio-historical approach to this novelist, stressing that the upper middle class society Trollope chiefly wrote about hardly changed its essential characteristics during his whole literary c a re e r. 4 3 ' Robert M. Polhemus, "Cousin Henry; Trollope's Note from Underground", Nineteenth Century Fiction. XX, 4 (Mar. 1966), pp. 385-9. ^J.A.Banks, "The Way They Lived Then: Anthony Trollope and the 1870s", Victorian Studies.XII. 2 (December, 1968), pp. 177-200. The task, therefore, as I see it, is to try to understand Trollope's position within a fairly stable, well-defined hier­ archical society, Trollope is not the writer of change and de­ velopment, but of consistency and continuity, of balance and com­ promise. He is not deeply interested in "ideas"; he is not a thinker with a distinctive contribution to the great scientific, moral, social debates of the day; he is not an original critic even as to the nature of lis own craft, although a lifelong advocate of the dignity and worth of literature. He is not, either in pri­ vate life or his novels, an advocate of causes. But he is a professional novelist, touching on a wide spectrum of affairs and concerning himself with human nature in many manifestations. He has opinions and, indeed, prejudices, but he has always in control the novelist's power of neutrality and organization, combined with a tremendous gift which Henry James called his "complete appreciation 5 of the usual". It is indeed a peculiar skill to utilise imaginative power to render the commonplace in human behaviour, but to be able to enhance this vision with such compassion and breadth of view amounts to genius. An approach to Trollope which concentrates there­ fore on the most significant themes over the range of his novels and the literary, rather than sociological, values they reveal seemP the most useful line of enquiry at this time. ^Henry James, Partial Portraits (London, 1888), pp. 100-1. At once a difficulty suggests itself in the mass of material confronting the scholar. I have attempted to solve this problem by working from a range of novels drawn from the course of Trollope's career and deliberately crossing the bound­ aries suggested by Sadleir and others. I have also avoided the Barsetshire and Palliser novels on the whole, because they have already received much critical attention. I have still been left with a very large territory indeed, and of necessity my selection has been somewhat arbitrary. Here personal preferences have certainly played a part, and no doubt I have behaved like most Trollopians in advancing the case of particular favourites in the canon. However, my object is to discuss Trollope's achieve­ ments as a novelist always with the consistency and continuity of his work in the foreground of attention. Michael Sadleir's workscn Trollope, particularly his Commentary, have been constantly at my side, and although I have contested several of his judgements in Chapter Two and Chapter Six, I have been stimulated by his knowledge and love of Anthony Trollope at every stage of mj^research. Chapter One TROLLOPE'S LIES AITD WORK "It's dogged as does it." - The Last Chronicle of B a rse t. Bradford Booth, Trollope's last critical biographer, found that the divergence of opinion surrounding the man and his work amounted to a "chaos of criticism ,"^ Even Michael Sadleir, who admired Trollope so deeply, concluded his study in J227 on a note 2 of bafflement and irresolution. It is fitting irony that a novel­ ist of such avowedly modest intention and such plain statement of commonplace experience should continue to tantalise and evade-' us. The paradox extends to Trollope's life as well as his work, and an up to date biography is urgently needed. The situation at present is that we have had three major studies in the eighty-eight years since Trollope’s death, of which the total effect has been to increase our bewilderment at the diversity of opinion. Vast ^Bradford Booth, Anthony Trollope. Aspects of His Life and Art (London, 1958), p .229. ^lichael Sadleir, Trollope, A Commentary, Oxford Paperbacks No. 35 (London, 196l). ^Sadleir, Booth and A.O.J.Cockshut, Anthony Trollope, A C ritical Study (London, 1955).
Load more

Recommended publications
  • Charles Darwin: a Companion
    CHARLES DARWIN: A COMPANION Charles Darwin aged 59. Reproduction of a photograph by Julia Margaret Cameron, original 13 x 10 inches, taken at Dumbola Lodge, Freshwater, Isle of Wight in July 1869. The original print is signed and authenticated by Mrs Cameron and also signed by Darwin. It bears Colnaghi's blind embossed registration. [page 3] CHARLES DARWIN A Companion by R. B. FREEMAN Department of Zoology University College London DAWSON [page 4] First published in 1978 © R. B. Freeman 1978 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the permission of the publisher: Wm Dawson & Sons Ltd, Cannon House Folkestone, Kent, England Archon Books, The Shoe String Press, Inc 995 Sherman Avenue, Hamden, Connecticut 06514 USA British Library Cataloguing in Publication Data Freeman, Richard Broke. Charles Darwin. 1. Darwin, Charles – Dictionaries, indexes, etc. 575′. 0092′4 QH31. D2 ISBN 0–7129–0901–X Archon ISBN 0–208–01739–9 LC 78–40928 Filmset in 11/12 pt Bembo Printed and bound in Great Britain by W & J Mackay Limited, Chatham [page 5] CONTENTS List of Illustrations 6 Introduction 7 Acknowledgements 10 Abbreviations 11 Text 17–309 [page 6] LIST OF ILLUSTRATIONS Charles Darwin aged 59 Frontispiece From a photograph by Julia Margaret Cameron Skeleton Pedigree of Charles Robert Darwin 66 Pedigree to show Charles Robert Darwin's Relationship to his Wife Emma 67 Wedgwood Pedigree of Robert Darwin's Children and Grandchildren 68 Arms and Crest of Robert Waring Darwin 69 Research Notes on Insectivorous Plants 1860 90 Charles Darwin's Full Signature 91 [page 7] INTRODUCTION THIS Companion is about Charles Darwin the man: it is not about evolution by natural selection, nor is it about any other of his theoretical or experimental work.
    [Show full text]
  • George Eliot and the Mill on the Floss
    PART III: George Eliot and The Mill on the Floss 189 CHAPTER EIGHT George Eliot and Her Suitors: the “Hatched Chick” Becomes a Rooster The story of The Mill on the Floss, which is very much a story about the emergence of Marian Evans/George Eliot as a professional author, actually began a few years before the appearance of that pivotal book with the anonymous publication of Eliot’s first novel (really a series of novellas) in the pages of Blackwood’s Edinburgh Magazine (Maga). Lewes first submitted Evans’s work to the venerable Scottish publisher, John Blackwood, on 6 November 1856, when Evans was still editing John Chapman’s Westminster Review.1 The submission was “The Sad Fortunes of the Reverend Amos Barton,” the first of three novella-length sketches that would eventually form the whole of Scenes of Clerical Life. Of this first sketch Lewes boasted to Blackwood that “such humour, pathos, vivid presentation and nice observation have not been exhibited (in this style) since the ‘Vicar of Wakefield’— and in consequence of that opinion I feel quite pleased in negotiating the matter with you.”2 During this first interaction on Evans’s behalf, Lewes aimed to convince Blackwood that this unknown author was someone whose work was worth adding to 1 In addition to a long essay entitled “Worldliness and Otherworldliness: the Poet Young,” Eliot would write a segment called “History, Biography, Voyages, and Travels,” as well as her standard “Belles Lettres” section for her final contributions to the Westminster Review, 67 (January 1857). See Letters II, 274, n.
    [Show full text]
  • Victorian Writers, Remembered & Forgotten
    University of South Carolina Scholar Commons Faculty Publications English Language and Literatures, Department of 10-2008 Victorian Writers, Remembered & Forgotten Patrick G. Scott University of South Carolina - Columbia, [email protected] Follow this and additional works at: https://scholarcommons.sc.edu/engl_facpub Part of the English Language and Literature Commons Publication Info 2008. (c) Patrick Scott, 2008 This Paper is brought to you by the English Language and Literatures, Department of at Scholar Commons. It has been accepted for inclusion in Faculty Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. , Department of Rare Books & Special Collections VICTORIAN- WRITERS RentelDbered & F9rgotten . .. Mezzanine Exhibition Gallery~ Thomas Cooper Library . University of South Carolina October-November. 2008· FOREWORD This exhibition welcomed to the University the Thirty-Ninth Annual Meeting of the Victorians Institute, a two-day conference bringing to Columbia nearly a hundred Victorian scholars from the south-east and across the United States. So many of the great writers of the Victorian age are still well-known names that myriads of others get overlooked or neglected. The University of South Carolina's Department of Rare Books & Special Collections has first editions and even manuscript material from many of the best-remembered Victorian writers, but it also preserves the writings of others who are now almost forgotten. In some cases, such lesser-known items may be even rarer than long-sought-after first editions by the most famous names. The current exhibition juxtaposes work by major Victorians, such as Charles Dickens, Alfred Tennyson, Charlotte Bronte, and George Eliot, with the work of some of these other · writers who deserve to be better-known.
    [Show full text]
  • A History of English Literature MICHAEL ALEXANDER
    A History of English Literature MICHAEL ALEXANDER [p. iv] © Michael Alexander 2000 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W 1 P 0LP. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted his right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2000 by MACMILLAN PRESS LTD Houndmills, Basingstoke, Hampshire RG21 6XS and London Companies and representatives throughout the world ISBN 0-333-91397-3 hardcover ISBN 0-333-67226-7 paperback A catalogue record for this book is available from the British Library. This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. 10 9 8 7 6 5 4 3 2 1 09 08 07 06 05 04 03 02 O1 00 Typeset by Footnote Graphics, Warminster, Wilts Printed in Great Britain by Antony Rowe Ltd, Chippenham, Wilts [p. v] Contents Acknowledgements The harvest of literacy Preface Further reading Abbreviations 2 Middle English Literature: 1066-1500 Introduction The new writing Literary history Handwriting
    [Show full text]
  • The Carlyle Society Papers
    THE CARLYLE SOCIETY SESSION 2013-2014 OCCASIONAL PAPERS 26 • Edinburgh 2013 1 2 President’s Letter 2013-14 will be a year of changes for the Carlyle Society of Edinburgh. Those of you who receive notification of meetings by email will already have had the news that, after many years, we are leaving 11 Buccleuch Place. We have enjoyed the hospitality of Lifelong Learning for decades but they, too, are moving. So we are meeting – for this year – in the seminar room on the first floor of 18 Buccleuch Place. There is one flight of stairs (I used it for decades! It’s not bad) and we will be comfortably housed there. Usual time. The Carlyle Letters are moving steadily towards the completion of the correspondence of Thomas and Jane; with Jane’s death in 1866 we will have published all the known letters between them, and we plan to tidy off the process with some papers from the months immediately following her death, and papers more recently come to light, namely volumes 43-44. The Carlyle Letters Online are also moving steadily to catch up with the published volumes. Volume 40 was celebrated with a public lecture in Autumn 2012; volume 41 will appear in printed form in about a month’s time, and the materials for volume 42 will be going to Duke in about a week’s time from when these words are written. We are grateful to the English Literature department for access to our new premises in 18 Buccleuch Place; to Andy Laycock of the University’s printing department for Herculean efforts with our annual papers; to those members who now accept their annual mailing in electronic form, a huge saving in time and money.
    [Show full text]
  • Charles Dickens Museum
    4 -DOD Project Number: LF LON5 53 WEBSITE EXHIBITION FOR THE CHARLES DICKENS MUSEUM An Interactive Qualifying Project Report submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for the Degree of Bachelor of Science March 4, 2004 by Anthony J. Wieczorek Professor Lee Fontanella, Major Advisor Professor John Trimbur, Co-Advisor IQP: Website Exhibition for the Charles Dickens Museum Anthony Wieczorek Abstract This project, done for the Charles Dickens Museum in London, England, provides biographical information about Charles Dickens online to increase the presence of the Museum as an excellent source for Dickens information. This project digitizes the book Charles Dickens by Pen and Pencil, and produces online exhibitions of material. It addresses how to: 1) digitize the book, 2) increase online visibility for the Museum, and 3) protect the Museum's copyright for the information on the website. IQP: Website Exhibition for the Charles Dickens Museum Anthony Wieczorek Table of Contents Executive Summary 2 Introduction 5 The Dickens House and Dickens Fellowship 7 Researching at the Charles Dickens Museum 9 The Volumes: Charles Dickens by Pen and Pencil 10 Design & Results 12 Conclusion 21 Recommendations for Further Work 22 References 24 Appendix: Website Printouts 25 IQP: Website Exhibition for the Charles Dickens Museum Anthony Wieczorek Table of Figures Figure 1: Website Directory and File Layout 15 Figure 2: Website Navigation Bar 16 Figure 3: Process Used to Develop Website: From Physical to Digital 18 Figure 4: Example Watermarked Image 20 Figure 5: Sample Webpage Identifier 25 IQP: Website Exhibition for the Charles Dickens Museum Anthony Wieczorek Executive Summary As more and more researchers and students conduct research online, museums recognize the need to digitize their collections to provide valuable information online.
    [Show full text]
  • The Thackeray Country, Cornell University Library
    /k PR Library Cornell University PR 5634.B46 The Thackeray country, Cornell University Library The original of tliis book is in tlie Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924014159945 Zhc IpilGrimaoe Series THE THACKERAY COUNTRY IN THE SAME SERIES THE SOOTT COUNTRY BY W. S. CROCKETT Minister of Tweedsmuir \V. M. THACKERAY. Frryin an Etching in dry point by G. Barnctt Smith. THE THACKERAY COUNTRY LEWIS MELVILLE AUTHOR OK "the LIFE OF WILLIAM MAKEPEACE THACKERAY," ETC., ETC. WITH FORTY .EIGHT FULL-PAGE ILLUSTRATIONS MOSTLY FROM ORIGINAL PHOTOGRAPHS BY C. W. BARNES WARD LONDON ADAM AND CHARLES BLACK SOHO SQUARE 1906 First Published . Janmry 1911 Reprinted . August TO MY WIFE PREFACE Though no book treating of the Thackeray Country has been written, there have been workers in the field. First came Mr W. H. Rideing's pamphlet on Thackeray's London; then appeared the volumes, Thackeray s Haunts and Homes and With Thackeray in America, written and illustrated by Mr Eyre Crowe, who for a while was Thackeray's secretary, and who accompanied him on one of the visits to the United States quite recently, Mr W. Sharp has ; written a most interesting paper on " The Liter- " ary Geography of Thackeray ; and Mr James MacVicar is contributing topographical introduc- tions to the " London " edition of Thackeray's works, now in course of publication. To each of these writers I express my indebtedness for valuable suggestions contained in their writings. VllI PREFACE I have also derived a not inconsiderable amount of information from Miss G.
    [Show full text]
  • Download Download
    Downloaded from the Humanities Digital Library http://www.humanities-digital-library.org Open Access books made available by the University of London Press ***** Publication details: Dickens, George Eliot and George Henry Lewes by Rosemary Ashton https://humanities-digital-library.org/index.php/hdl/catalog/ book/dickens-george-eliot-george-henry-lewes DOI - 10.14296/419.9780992725761 ***** This edition published 2020 by UNIVERSITY OF LONDON PRESS SCHOOL OF ADVANCED STUDY INSTITUTE OF ENGLISH STUDIES Senate House, Malet Street, London WC1E 7HU, United Kingdom ISBN 978-0-9927257-6-1 (PDF edition) This work is published under a Creative Commons Attribution- NonCommercial-NoDerivatives 4.0 International License. More information regarding CC licenses is available at https://creativecommons.org/licenses Dickens, George Eliot and George Henry Lewes Professor Rosemary Ashton Hilda Hulme Memorial Lecture 1991 Hilda M Hulme © University of London 1991 Published in PDF format 2020 ISBN: 9780992725761 (PDF) DOI: 10.14296/419.9780992725761 This book is published under a Creative Commons Attribution-NonCommercial- NoDerivatives (CC-BY-NC-ND 4.0) license. More information regarding CC licenses is available at http://creativecommons.org/licenses/ Available to download free at http://www.humanities-digital-library.org Institute of English Studies School of Advanced Study University of London Senate House Malet Street London WC1E 7HU www.ies.sas.ac.uk Cover image: (From left to right) Charles Dickens, Wikimedia Commons, http://www.gutenberg.org/files/12933/12933-h/12933-h.htm#CHARLES_DICKENS.
    [Show full text]
  • Narrative Section of a Successful Application
    Narrative Section of a Successful Application The attached document contains the grant narrative and selected portions of a previously funded grant application. It is not intended to serve as a model, but to give you a sense of how a successful application may be crafted. Every successful application is different, and each applicant is urged to prepare a proposal that reflects its unique project and aspirations. Prospective applicants should consult the Research Programs application guidelines at http://www.neh.gov/grants/research/scholarly-editions-and-translations-grants for instructions. Applicants are also strongly encouraged to consult with the NEH Division of Research Programs staff well before a grant deadline. Note: The attachment only contains the grant narrative and selected portions, not the entire funded application. In addition, certain portions may have been redacted to protect the privacy interests of an individual and/or to protect confidential commercial and financial information and/or to protect copyrighted materials. Project Title: The Collected Letters of Thomas and Jane Welsh Carlyle Institution: Duke University Project Director: David R. Sorensen Grant Program: Scholarly Editions and Translations 1100 Pennsylvania Ave., N.W., Rm. 318, Washington, D.C. 20506 P 202.606.8200 F 202.606.8204 E [email protected] www.neh.gov 2. STATEMENT OF SIGNIFICANCE AND IMPACT OF PROJECT “One of the most prestigious academic enterprises of our time.” A. N. Wilson, The Daily Telegraph, 17 December 2007. “I’m particularly gratified to see Carlyle given such a lovely, well structured site. Having CLO [Carlyle Letters Online] enter NINES [Networked Infrastructure for Nineteenth-Century Electronic Scholarship] will illustrate to scholars his continuing relevance to all matters having to do with the period.” Dino Franco Felluga, Co-Chair, Victorian Editorial Board, NINES <http://www.nines.org/>.
    [Show full text]
  • Book Reviews
    Studies in Scottish Literature Volume 21 | Issue 1 Article 21 1986 Book Reviews Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation (1986) "Book Reviews," Studies in Scottish Literature: Vol. 21: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol21/iss1/21 This Book Reviews is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Book Reviews Thomas and Jane Welsh Carlyle. The Collected Letters of Thomas and Jane Welsh Carlyle. Eds. Charles Richard Saunders and Kenneth J. Fielding. Vols. 10-12. Durham, NC: Duke University Press. 1985. Here in three volumes which severally cover the years 1838 to 1840 are over five hundred more of the Carlyles' letters, bound handsomely in the Duke-Edinburgh Edition and edited with the same high standards as in the earlier volumes. A few changes have been made in the interests of efficiency: arabic numerals are used instead of roman, some commas are omitted, and the date and place of a postmark are as a rule given only when it provides needed clues to thc'l writing or transit of the letter. To the General Index has been added an Index of Correspondents which lists all the persons to whom the Carlyles wrote, and gives a first page reference for each of the letters written to those persons-so that the reader can see, for example, that during these three years 66 letters were written to his mother (more than to anyone else), 58 to his brother John, 29 to Alick; 32 to Forster, 20 each to Emerson and John Sterling, 19 to 296 Book Reviews Richard Monckton Milnes, and only 9 to Mill.
    [Show full text]
  • Picture Identification and Nineteenth-Century British Authorship
    The celebrity of anonymity and the anonymity of celebrity: picture identification and nineteenth-century British authorship Kamilla Elliott, Lancaster University Post-referee, pre-proofs version. 18 month embargo by Taylor & Francis This article examines how the spaces between the words and images of various forms of picture identification (portraits, cartes de vistes, and early cinema) navigated the space between anonymity and identification to construct British writers as celebrities during the long nineteenth century. Literary authors in that period did not become celebrities by words alone, but through intersemiotic relations between words and images. These relations varied across technologies and ideologies, sometimes collaborating, sometimes vying for dominance, sometimes contradicting each other. These relations complicate and challenge late twentieth-century theories of authorship as well as illuminating nineteenth-century dynamics. Keywords: authorship; celebrity; picture identification; intersemiotic relations; portraiture; early cinema A dextrous half concealment of oneself—or even an entire mystery, so as to cause a universal inquest, as to ‘who is he I wonder?’ has been no idle charlanterie: and has been, more than almost anything else, ancillary to publication. Hence half the fame of Junius and three-fourths of that of Walter Scott.—Don Roll. De L. S. de la Manch, 1832 Joseph A. Boone and Nancy J. Vickers consider that ‘the middle ground is essential to anyone attempting to understand the breadth, depth, and intensity of the exchanges between […] producers and consumers’ of celebrity, as are middle grounds between ‘modes of oral communication between performer and audience […] the copying and circulation of manuscripts, the invention of print […] and the creation of electronic 1 media’ (Boone and Vickers 2011, pp.
    [Show full text]
  • On the Choice of Books by Thomas Carlyle
    On the Choice of Books by Thomas Carlyle BIOGRAPHICAL INTRODUCTION. There comes a time in the career of every man of genius who has devoted a long life to the instruction and enlightenment of his fellow-creatures, when he receives before his death all the honours paid by posterity. Thus when a great essayist or historian lives to attain a classic and world-wide fame, his own biography becomes as interesting to the public as those he himself has written, and by which he achieved his laurels. This is almost always the case when a man of such cosmopolitan celebrity outlives the ordinary allotted period of threescore years and ten; for a younger generation has then sprung up, who only hear of his great fame, and are ignorant of the long and painful steps by which it was achieved. These remarks are peculiarly applicable in regard to the man whose career we are now to dwell on for a short time: his genius was of slow growth and development, and his fame was even more tardy in coming; but since the world some forty years ago fairly recognised him as a great and original thinker and teacher, few men have left so indelible an impress on the public mind, or have influenced to so great a degree the most thoughtful of their contemporaries. Thomas Carlyle was born on Tuesday, December 4th, 1795, at Ecclefechan, a small village in the district of Annandale, Dumfriesshire. His father, a stone- mason, was noted for quickness of mental perception, and great energy and decision of character; his mother, as affectionate, pious, and more than ordinarily intelligent;[A] and thus accepting his own theory, that "the history of a man's childhood is the description of his parents' environment," Carlyle entered upon the "mystery of life" under happy and enviable circumstances.
    [Show full text]