Famous People from Czech Republic
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Open House Demonstrates Garrison FD Capabilities
Vol. 48, No. 8, June 2019 Serving the Greater Stuttgart Military Community www.stuttgartcitizen.com Patch Elementary School student Cadence Sherwood, age 7, takes her fi rst ride into the sky on a ladder truck. “It wasn’t at all scary. I think it Garrison fi refi ghters attack a car fi re in a dramatic demonstration. was really good. I could see all of the buildings.” Open house demonstrates garrison FD capabilities Story and photos by John Reese is was just one of the many USAG Stuttgart Public A airs scenes at the USAG FD open house. Included were numerous static dis- Black smoke billowed from plays of re ghting apparatus of a fully engulfed car re, ladder the garrison and supporting re trucks reached skyward and sirens departments from Boeblingen and howled as the re ghters of USAG Leonberg. e German auto club Stuttgart Fire Department raced to ADAC had a life-sized driving simu- the Panzer Exchange parking lot, lator, and the emergency/disaster re- May 18. A large crowd gathered near lief agency THW brought displays of the entrance of the Exchange, react- their equipment and a bouncy house ing to the many explosive pops and for the kids. Some of the events were crackles the car made in its death focused on teaching moments for throes. e intense heat was felt community children, with toy re 20-30 yards from the four-wheeled helmets and a visit by re safety mas- Austin Bail, 22 months old, checks out the driver’s seat of an immaculate inferno until the re ghters aked cot Sparky. -
Reflections 3 Reflections
3 Refl ections DAS MAGAZIN DES ÖSTERREICHISCHEN Refl ections SONG CONTEST CLUBS AUSGABE 2019/2020 AUSGABE | TAUSEND FENSTER Der tschechische Sänger Karel Gott („Und samkeit in der großen Stadt beim Eurovision diese Biene, die ich meine, die heißt Maja …“) Song Contest 1968 in der Royal Albert Hall wurde vor allem durch seine vom böhmischen mit nur 2 Punkten den bescheidenen drei- SONG CONTEST CLUBS Timbre gekennzeichneten, deutschsprachigen zehnten Platz, fi ndet aber bis heute großen Schlager in den 1970er und 1980er Jahren zum Anklang innerhalb der ESC-Fangemeinde. Liebling der Freunde eingängiger U-Musik. Neben der deutschen Version, nahm Karel Copyright: Martin Krachler Ganz zu Beginn seiner Karriere wurde er Gott noch eine tschechische Version und zwei ÖSTERREICHISCHEN vom Österreichischen Rundfunk eingela- englische Versionen auf. den, die Alpenrepublik mit der Udo Jürgens- Hier seht ihr die spanische Ausgabe von „Tau- DUNCAN LAURENCE Komposition „Tausend Fenster“ zu vertreten. send Fenster“, das dort auf Deutsch veröff ent- Zwar erreichte der Schlager über die Ein- licht wurde. MAGAZINDAS DES Der fünfte Sieg für die Niederlande DIE LETZTE SEITE | ections Refl AUSGABE 2019/2020 2 Refl ections 4 Refl ections 99 Refl ections 6 Refl ections IMPRESSUM MARKUS TRITREMMEL MICHAEL STANGL Clubleitung, Generalversammlung, Organisation Clubtreff en, Newsletter, Vorstandssitzung, Newsletter, Tickets Eurovision Song Contest Inlandskorrespondenz, Audioarchiv [email protected] Fichtestraße 77/18 | 8020 Graz MARTIN HUBER [email protected] -
Harbor and Europe
Titel: Harbor and Europe Duration: 4‘00‘‘ Insert: Author: Jörg Hertle Camera: Hans Duivenvoorden Cut: Birgitt Schellbach Bauchbinden: 01´10“ Gerhard Thellmann - Hafenmeister 01´56“ Erich Ammon - Container Depot Nürnberg Content: There is this old saying that is no longer a joke: „In Hamburg they say ship ahoy – in Nuremberg they say ahoy ship!“ Regardless of whether you deem that funny, the Nuremberg harbor is economically important for the region of Nuremberg: All in all, about 5,300 people work there in 260 different companies. Many of them operate, far beyond the Franconian borders, on a European stage. Text: Instead of a romantic breeze you can perceive an international breeze blowing through the basins and wharves of the Nuremberg harbor. Here, three traffic routes Europe meet, railway, motorway and waterway. What began, more than three decades ago, as a wharf for a couple of inland ships mostly from Holland, has in the meantime become a modern reloading point for goods. Here at the Main-Danube channel, 9.2 m tons of goods are reloaded and confirmed by the harbormasters every year. Gerhard Thellmann and Wolfgang Popp are gauging a Slovakian cargo ship. The two harbormasters are checking the waterline before and after unloading the goods. 00´51“ Quote Thellmann „233.“ 00´54“ With the measurements, the harbormasters can calculate the exact amount of tons of artificial fertilizer that were unloaded from the cargo ship from Bratislava. They realized that recently more goods have gone through the Nuremberg harbor. 01´09“ Quote Thellmann “This comes from the Danube, that is to say from Bratislava. -
Fall Animation Programs at the Museum of Modern Art
The Museum of Modern Art For Immediate Release September 1989 FALL ANIMATION PROGRAMS AT THE MUSEUM OF MODERN ART THF BARON OF MAGIC: KAREL ZEMAN September 17, 18 In memory of the veteran Czech animation artist Karel Zeman, who died earlier this year, the Museum presents a two-day program of his animated films. Zeman was an inexhaustible experimenter, fusing technique and form to create a fantastical new world of animation. He created his "innocent inventions" with infinite patience rather than large budgets. His ingenuous, and always ingenious, fantasies make him a true successor of the French pioneer Georges Melies. The Christmas Dream (1946) was Zeman's first animated puppet film, but it was in An Invention for Destruction (1958) that he first gave fantasy full reign in a combination of live action and animation, incorporating wood block engravings that had been used to illustrate the books of Jules Verne. Zeman's marvelously inayinative Baron Munchhausen (1961) uses special effects, tricks, and period illustrations to create a fantastic world. The program was organized by Adrienne Mancia, curator, and Jytte Jensen, curatorial assistant, Department of Film, with the generous cooperation of the International Department of Czechoslovak Film and ASIFA East. GF;MS OF ANIMATION FROM THE CINEMATHEQUE QUEBECOISE: 25 YEARS! October 9 Tho only cinematheque in the world specializing in animation, the Cinematheque Quebscoise's many activities include the preservation, distribution, and promotion of works of animation art. The program, celebrating its twenty-fifth anniversary, reflects the Cinematheques' holdings of various filmmakers, countries, periods, styles, and techniques. The works were selected by Louise Beaudet, curator of animation, Cinematheque Quebecoise, Montreal. -
Delegates Handbook Contents
Delegates Handbook Contents Introduction 5 Czech Republic 6 - Prague 7 Daily Events and Schedule 10 Venue 13 Accreditation/ Registration 20 Facilities and Services 21 - Registration/Information Desk 21 - Catering & Coffee Breaks 21 - Business Center 21 - Additional Meeting Room 21 - Network 22 - Working Language and Interpretation 22 Accommodation 23 Transportation 24 - Airport Travel Transportation 24 - Prague Transportation 25 3 Tourism in Prague 27 Introduction - Old Town Hall with Astronomical Clock 27 - Prague Castle, St. Vitus Cathedral 28 - Charles Bridge 29 As Host Country of the XLII Antarctic Treaty - Petřín Lookout tower 30 Consultative Meeting (ATCM XLII), the Czech - Vyšehrad 30 Republic would like to give a warm welcome - Infant Jesus of Prague 31 to the Representatives of the Consultative and - Gardens and Museums 31 Non-Consultative Parties, Observers, Antarctic Treaty System bodies and Experts who participate in this Practical Information 32 meeting in Prague. - Currency, Tipping 32 This handbook contains detailed information on the - Time Zone 33 arrangements of the Meeting and useful information - Climate 33 about your stay in Prague, including the meeting - Communication and Network 34 schedule, venues and facilities, logistic services, etc. It is - Electricity 34 recommended to read the Handbook in advance to help - Health and Water Supply 35 you organize your stay. More information is available - Smoking 35 at the ATCM XLII website: www.atcm42-prague.cz. - Opening Hours of Shops 35 ATS Contacts 36 HCS Contacts 36 4 5 the European Union (EU), NATO, the OECD, the United Nations, the OSCE, and the Council of Europe. The Czech Republic boasts 12 UNESCO World Heritage Sites. -
FILM 279 Worksheet 4 INVENTION for DESTRUCTION the Massive
FILM 279 Worksheet 4 INVENTION FOR DESTRUCTION The massive destruction due to worldwide war resulted in a widespread loss of faith in three things that had previously oriented political and social life: (1) nationalism, (2) science and technology, and (3) mass media. Because radio and cinema had been swept up into militarist and nationalist causes, mass- targeted media forms could no longer be taken as innocent entertainments or simple educational features. It is in such a context that Karel Zeman made his most famous film, Vynález zkázy, which literally means Deadly Weapon. It was distributed globally under the title The Fabulous World of Jules Verne, but the film has recently been released with the title: Invention for Destruction. 1. Nationalism 2. Science and Technology 3. Mass Media FILM 279 Worksheet 4 INVENTION FOR DESTRUCTION 4. Form SF GENRE 1: SOBCHAK REVIEW Vivian Sobchak argues that the iconic elements of SF films are ‘plastic,’ which for her means that they do not have the same meanings and narrative orientations from film to film. —How does Invention for Destruction shift the meaning and narrative orientation of iconic SF elements? FILM 279 Worksheet 4 SF GENRE 2: SUVIN REVIEW In his account of cognitive estrangement, Darko Suvin characterizes the ‘scientific novels’ of Jules Verne as ‘extrapolative SF,’ which involves “direct, temporal extrapolation [of contemporary technologies] and centered on sociological (i.e., utopian and anti-utopian) modeling.” —Does this characterization suit Invention for Destruction, or does the film go beyond extrapolation of contemporary technologies? How? SF GENRE 3: FORTIN REVIEW While David Fortin builds on Suvin’s paradigm of cognitive estrangement, he argues that, because SF films are different from SF novels, we need to rethink and expand what counts as estrangement. -
Reason to Visit Prague
Reason to Visit Prague Largest castle complex in the world Dating back to the ninth century, Prague Castle is recognized by the Guinness Book of Records as the largest castle complex in the world, covering an impressive 70,000 square meters. The castle complex is comprised of a number of buildings, which include the gothic St. Vitus Cathedral, a number of defense towers, a few museums and churches, the presidential palace, and Golden Lane, a 16th-century street that once housed the royal goldsmiths. 1 ©2018 – 2019 TSI To admire stunning architectural masterpieces Because Prague wasn’t severely damaged during WWII, many of its most impressive historical buildings remain intact today. Thus, Prague has another major advantage going for it: while many major European capitals were rebuilt and destroyed during the 17th and 18th centuries, Prague’s buildings were left untouched. As a result, the city is a breathtaking mix of baroque, gothic and renaissance architecture, hard to find anywhere else in Europe. The Our Lady Before Týn church in Old Town Square is a magnificent example of gothic architecture, while Schwarzenberg Palace inside the Prague Castle’s grounds is a perfect example of renaissance design. Examples of cubism and neoclassicism also abound, with touches of Art Nouveau in places, such as the Municipal House. 2 ©2018 – 2019 TSI To see where Franz Kafka grew up Franz Kafka was born and grew up on the streets of Prague, not far from Old Town Square. Born into a Jewish family who spoke German (the language in which Kafka wrote all his books), Kafka was a lawyer who worked at an insurance company even though all he wanted to really do was write. -
After Effects, Or Velvet Revolution Lev Manovich, University of California, San Diego
2007 | Volume I, Issue 2 | Pages 67–75 After Effects, or Velvet Revolution Lev Manovich, University of California, San Diego This article is a first part of the series devoted to INTRODUCTION the analysis of the new hybrid visual language of During the heyday of postmodern debates, at least moving images that emerged during the period one critic in America noted the connection between postmodern pastiche and computerization. In his 1993–1998. Today this language dominates our book After the Great Divide, Andreas Huyssen writes: visual culture. It can be seen in commercials, “All modern and avantgardist techniques, forms music videos, motion graphics, TV graphics, and and images are now stored for instant recall in the other types of short non-narrative films and moving computerized memory banks of our culture. But the image sequences being produced around the world same memory also stores all of premodernist art by the media professionals including companies, as well as the genres, codes, and image worlds of popular cultures and modern mass culture” (1986, p. individual designers and artists, and students. This 196). article analyzes a particular software application which played the key role in the emergence of His analysis is accurate – except that these “computerized memory banks” did not really became this language: After Effects. Introduced in 1993, commonplace for another 15 years. Only when After Effects was the first software designed to the Web absorbed enough of the media archives do animation, compositing, and special effects on did it become this universal cultural memory bank the personal computer. Its broad effect on moving accessible to all cultural producers. -
The Political and Symbolic Importance of the United States in the Creation of Czechoslovakia
Graduate Theses, Dissertations, and Problem Reports 2014 Drawing borders: the political and symbolic importance of the United States in the creation of Czechoslovakia Samantha Borgeson West Virginia University Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Borgeson, Samantha, "Drawing borders: the political and symbolic importance of the United States in the creation of Czechoslovakia" (2014). Graduate Theses, Dissertations, and Problem Reports. 342. https://researchrepository.wvu.edu/etd/342 This Thesis is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. DRAWING BORDERS: THE POLITICAL AND SYMBOLIC IMPORTANCE OF THE UNITED STATES IN THE CREATION OF CZECHOSLOVAKIA Samantha Borgeson Thesis submitted to the Eberly College of Arts And Sciences at West Virginia University in partial fulfillment of the requirements for the degree -
KARAOKE Buch 2019 Vers 2
Wenn ihr euer gesuchtes Lied nicht im Buch findet - bitte DJ fragen Weitere 10.000 Songs in Englisch und Deutsch auf Anfrage If you can’t find your favourite song in the book – please ask the DJ More then 10.000 Songs in English and German toon request 10cc Dreadlock Holiday 3 Doors Down Here Without You 3 Doors Down Kryptonite 4 Non Blondes What's Up 50 Cent Candy Shop 50 Cent In Da Club 5th Dimension Aquarius & Let The Sunshine A Ha Take On Me Abba Dancing Queen Abba Gimme Gimme Gimme Abba Knowing Me, Knowing You Abba Mama Mia Abba Waterloo ACDC Highway To Hell ACDC T.N.T ACDC Thunderstruck ACDC You Shook Me All Night Long Ace Of Base All That She Wants Adele Chasing Pavements Adele Hello Adele Make You Feel My Love Adele Rolling In The Deep Adele Skyfall Adele Someone Like You Adrian (Bombay) Ring Of Fire Adrian Dirty Angels Adrian My Big Boner Aerosmith Dream On Aerosmith I Don’t Want To Miss A Thing Afroman Because I Got High Air Supply All Out Of Love Al Wilson The Snake Alanis Morissette Ironic Alanis Morissette You Oughta Know Alannah Miles Black Velvet Alcazar Crying at The Discotheque Alex Clare Too Close Alexandra Burke Hallelujah Alice Cooper Poison Alice Cooper School’s Out Alicia Keys Empire State Of Mind (Part 2) Alicia Keys Fallin’ Alicia Keys If I Ain’t Got You Alien Ant Farm Smooth Criminal Alison Moyet That Old Devil Called Love Aloe Blacc I Need A Dollar Alphaville Big In Japan Ami Stewart Knock On Wood Amy MacDonald This Is The Life Amy Winehouse Back To Black Amy Winehouse Rehab Amy Winehouse Valerie Anastacia I’m Outta Love Anastasia Sick & Tired Andy Williams Can’t Take My Eyes Off Of You Animals, The The House Of The Rising Sun Aqua Barbie Girl Archies, The Sugar, Sugar Arctic Monkeys I Bet You Look Good On The Dance Floor Aretha Franklin Respect Arrows, The Hot Hot Hot Atomic Kitten Eternal Flame Atomic Kitten Whole Again Avicii & Aloe Blacc Wake Me Up Avril Lavigne Complicated Avril Lavigne Sk8er Boi Aztec Camera Somewhere In My Heart Gesuchtes Lied nicht im Buch - bitte DJ fragen B.J. -
Man Is Indestructible: Legend and Legitimacy in the Worlds of Jaroslav Hašek
Man Is Indestructible: Legend and Legitimacy in the Worlds of Jaroslav Hašek The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Weil, Abigail. 2019. Man Is Indestructible: Legend and Legitimacy in the Worlds of Jaroslav Hašek. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:42013078 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use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
Karel Zeman Details
Embassy of the Czech Republic in Ottawa Film Adventurer Karel Zeman (2015) is a biographical film that looks back at the life, work and significance of a genius of world cinema. Featuring interviews with contemporary filmmakers, including Tim Burton and Terry Gilliam, we discover why his films are still relevant and in many ways unsurpassed. Today’s film students attempt to recreate several famous trick scenes from his films. Director: Tomáš Hodan | Screenplay: Tomáš Hodan, Ludmila Zemanová, Ondřej Beránek | Producer: Ondřej Beránek | Cast: Terry Gilliam, Tim Burton, Paul Wells, Ludmila Zemanová, Boris Masník, Koji Yamamura, etc. | Punk Film, Česká televize, Prokouk Productions Karel Zeman was born in Ostroměř in northern Bohemia. He started his professional career in advertising at the film studios of the global Czech shoe company Bata (whose headquarters were moved to Canada during World War II). Journey to the Beginning of Time released in 1955 became Zeman‘s breakthrough film, his first to combine live action, animation and puppetry. Three years later, Invention for Destruction saw him achieve world-wide fame. The film was immediately sold to 72 countries and became the most successful Czech film of all time. It was shown in 96 theatres in New York alone. Zeman continued to develop his highly successful combination of different film techniques in The Fabulous Baron Munchausen and the two Jules Verne adaptations that followed. Since the 1970s, motivated by his love for children and the desire to create films specially for them, Karel Zeman returned to making strictly animated films. He passed away on April 5, 1989.