GRAMMY-Vinnaren Meghan Trainor Släpper Nya Singeln ”NO”

Total Page:16

File Type:pdf, Size:1020Kb

GRAMMY-Vinnaren Meghan Trainor Släpper Nya Singeln ”NO” 2016-03-04 16:36 CET GRAMMY-vinnaren Meghan Trainor släpper nya singeln ”NO” Nu är det klart att GRAMMY-vinnande multiplatinastjärnan Meghan Trainor släpper nya albumet Thank You den 13 maj. Ett första smakprov finns redan nu, singeln ”NO” har precis haft världspremiär! Med “NO” visar Meghan Trainor upp en ny artistisk sida då hon i låten väljer att flirta med 90-tals hiphop bounce kombinerat med kaxig refräng. Meghan har teamat ihop med producenten Ricky Reed (Jason Derulo, Pitbull, Twenty One Pilots) som även är medproducent av albumet. För några veckor sedan tog Meghan hem priset för ”Best New Artist” på GRAMMY Awards, en värdig sammanfattning av det gångna året. Med låten ”All About That Bass”toppade den då 21-åriga singer songwritern och producenten Billboardlistan i åtta veckor och sålde 9xPlatina i USA och 4xPlatina i Sverige. I Sverige har uppföljarsinglarna ”Lips Are Movin” sålt Platina, ”Dear Future Husband” sålt Platina, “Like I’m Gonna Lose You” featuring John Legend sålt Guld. Även debutalbumet Titlehar sålt Platina i Sverige. Meghan har över två miljarder visningar på Youtube. Meghan Trainor föddes i Massachusetts och växte upp på Nantucket island där hon som tonåring skrev låtar inspirerad av faderns skivsamling (från Frank Sinatra till Ray Charles och James Brown, jazz, doo-wop och R&B). Som 13- åring producerade hon sina egna låtar och när hon fyllde 18 fick hon ett förlagskontrakt och skrev till bland annat Rascal Flatts och Hunter Hayes. Meghan skrev tillsammans med producenten och låtskrivaren Kevin Kadish (Miley Cyrus, Jason Mraz) låten "All About That Bass" på 40 minuter. I februari 2014 stod Meghan med sin ukulele och framförde låten till legendariske Epic Records chairman och VDn Antonio ”L.A.” Reid som signade henne på studs. Låten är en av pophistoriens mest säljande singlar. Meghan Trainors album Thank You släpps 13 maj. www.meghan-trainor.com www.facebook.com/meghantrainorsongswww.twitter.com/meghan_trainorww w.instagram.com/meghan_trainor Kontaktpersoner Mikaela Lundberg Presskontakt Senior PR Manager [email protected] Isabel Rodriguez Presskontakt Senior PR Manager [email protected] +46 76 117 21 93 Nellie Sörman Presskontakt PR Manager [email protected] +46704713992 Janina Sibbel-Becker Presskontakt PR Manager - utländska artister [email protected] 073-643 45 55 08-412 17 00 Nina Thorsell Presskontakt Senior PR Manager [email protected] 0736-827180 08-412 1700.
Recommended publications
  • Future Husband EZ
    Future Husband EZ Count: 32 Wall: 4 Level: Basic Beginner Choreographer: Annemaree Sleeth - October 2014 (Australia) Music: Dear Future Husband by Meghan Trainor. Album: Title E.P . [ (Album: “Title”, 3:04, BPM: 159 – iTunes) No Tags No Restarts Yay! Begin on Lyrics (8 Beats in from Ah! ) 22 seconds in Sec 1 - 1-8: SIDE KICK, SIDE, KICK, SIDE, KICK, SIDE TOUCH (move arms L &R across body) 1-2 Step R side, kick L over R , 3-4 Step L side, kick R over L, 5-6 Step R side, kick L over R, 7-8 Step L side, Touch R tog, Sec 2 - 9-16: V STEP, ¼ V STEP (arms out like swimming breaststroke ) 1-2 Step R dia forward, step L diag forward 3-4 Step R back , step L together 5-6 Turn ¼ R step dia forward, step L diag forward 3.00 7-8 Step R back , step L together Sec 3 - 17- 24: HEEL TOE SWIVELS, HOLD, RIGHT HOLD, HEEL TOE SWIVELS LEFT, HOLD 1-2 Swivel heels R side, swivel R toes R side (add swivels arms on all swivel steps) 3-4 Swivel heels R side, hold (or clap your hands on holds) 5-6 Swivel heels L side, swivel toes L side 7-8 Swivel heels L side, hold (or clap your hands on holds (weight L) Sec 4 - 25 –32: ¼ L, FLICK, ¼ L, FLICK, HIP BUMPS 1-2 Step R fwd 1/4 turn L, Flick L, 12.00 3-4 turn1/4 L step L fwd , Flick R, 5-8 Step R side and Bumps hips R, L ,R , L ( swings hands to the sides) 9.00 Easier Option for Sec 4 Counts 1- 4 Counts 1- 4 Step R, Hold, ½ pivot L, hold : or flick into the hip bumps Ending Wall 14 9.00 to Face Front Dance First 8 Counts & add ¼ R step R side (arms out to each side finish ) Contact - Website: www.inlinedancing.webs.com - Email [email protected] Version 1 October 2014 .
    [Show full text]
  • Bennett, J. (2017) 'Towards a Framework for Creativity in Popular Music Degrees.' In: Smith, G.D., Moir, Z., Brennan, M., Kirkman, P
    Bennett, J. (2017) 'Towards a framework for creativity in popular music degrees.' In: Smith, G.D., Moir, Z., Brennan, M., Kirkman, P. and Rambarran, S., eds. The Routledge research companion to popular music education. Abingdon: Routledge, pp. 285-297. This is an Accepted Manuscript of a book chapter published by Routledge in ‘The Routledge research companion to popular music education’ on 02/02/2017 available online at: https://www.routledge.com/The-Routledge-Research-Companion-to-Popular-Music-Education/Smith- Moir-Brennan-Kirkman-Rambarran/p/book/9781472464989 ResearchSPAce http://researchspace.bathspa.ac.uk/ This pre-published version is made available in accordance with publisher policies. Please cite only the published version using the reference above. Your access and use of this document is based on your acceptance of the ResearchSPAce Metadata and Data Policies, as well as applicable law:- https://researchspace.bathspa.ac.uk/policies.html Unless you accept the terms of these Policies in full, you do not have permission to download this document. This cover sheet may not be removed from the document. Please scroll down to view the document. Towards a Framework for Creativity in Popular Music Degrees Prof Joe Bennett, The Boston Conservatory Introduction: Music education and popular music education Let us begin with semantics. The only reason we might use the term ‘popular music degree’ is to differentiate its content from that of a ‘music degree’ – not ‘classical music degree’, but ‘music degree’. That is to say, the default semantic in higher music education is to assume that ‘music’ means ‘classical music’, despite the fact that the Western Art- music/classical canon represents a only a tiny proportion of the music that global society consumes today, and an even smaller proportion of what has been produced historically.
    [Show full text]
  • The Hit Song Equation WHAT's the DIFFERENCE BETWE
    Discovering Your Successful Songwriting Process John Chisum Module 11: The Hit Song Equation WHAT’S THE DIFFERENCE BETWEEN WHERE YOU ARE AND PRO SONGWRITERS? WHAT IS IT THEY KNOW THAT LETS THEM CRANK OUT HIT AFTER HIT? Hi everybody, John Chisum with you again to continue our journey into The Successful Christian Songwriting Course. And if you really want to know the answer to those two questions, here it is: Pro songwriters know that songs are more assembled than “written.” © All materials are the sole properties of John Chisum and Nashville Christian Songwriters. Reprint only by written permission. All Rights Reserved. Professional songwriters aren’t depending on the whims of inspiration or the occasional great idea to float through their heads to make them feel like writing. They understand that writing is a lot more like construction, like building a house, than what we think of as being inspired by God in a flash of lightning to write out lyrics in four minutes that will change the world…. Not saying that doesn’t happen from time to time, but it seems to happen for the people who already know how to write and are already writing at a pretty high level. Then there’s the rest of us, right?! I’ve watched it happen time and again when working with our NCS Boot Camp songwriters. They come into Boot Camp having written pretty much like you might be, writing from your intuition and what you think songwriting is…. © All materials are the sole properties of John Chisum and Nashville Christian Songwriters.
    [Show full text]
  • Keep on Moving Forward
    If you enjoyed Shaashawn, Our incredibly talented artistic learn more at director and collaborative pianist are www.shaashawn.com. available for your event. They are also presenting a concert on Feb. 4, 2018 at Wesley United Methodist Church in Bloomsburg, PA, just up the road apiece. Look for them on Facebook. provides services that affirm and empower individuals and organizations via workshop facilitation and training on leadership, diversity, inclusion and social justice topics, advocacy for LGBTQQIAAPS-2+ loving communities, event planning (certified LGBTQ+ wedding planner), poetry (arts) performance, and vocal services such as voiceovers, keynote speaking, speech writing, and mistress of ceremonies. If you admire this program, consider these two vendors for your next communications, design or printing project. The Central Pennsylvania Womyn’s Chorus brings together a diverse group of women, united by the joy of singing, to celebrate and empower women and to affirm a positive image of lesbians and feminists. 16 2 15 14 3 Thanks! Donors Volunteers Giant Food Stores Marchel Barndt Capital Self Storage Pam Barndt Battlefield Bed & Breakfast Jane Brickley LulaRoe, Marie & Traci Donna Gomboc Diane Brannon-Nordthomme, Esq. Ginny DeChristopher Weis Markets, Jonestown Rd. Matt Hykes Boneshire Brew Works Cindy Garis John Folby Barbara Nelson* Christine Finnegan Julie Metzger Lucy Glorius* Arleen Shulman* These contributors are also Cynthia Swanson* Monthly Pledgers. Call us at Deborah Delgado* (717) 564-0112 to learn how you can support the
    [Show full text]
  • AUDIO + VIDEO 9/14/10 Audio & Video Releases *Click on the Artist Names to Be Taken Directly to the Sell Sheet
    NEW RELEASES WEA.COM ISSUE 18 SEPTEMBER 14 + SEPTEMBER 21, 2010 LABELS / PARTNERS Atlantic Records Asylum Bad Boy Records Bigger Picture Curb Records Elektra Fueled By Ramen Nonesuch Rhino Records Roadrunner Records Time Life Top Sail Warner Bros. Records Warner Music Latina Word AUDIO + VIDEO 9/14/10 Audio & Video Releases *Click on the Artist Names to be taken directly to the Sell Sheet. Click on the Artist Name in the Order Due Date Sell Sheet to be taken back to the Recap Page Street Date DV- En Vivo Desde Morelia 15 LAT 525832 BANDA MACHOS Años (DVD) $12.99 9/14/10 8/18/10 CD- FER 888109 BARLOWGIRL Our Journey…So Far $11.99 9/14/10 8/25/10 CD- NON 524138 CHATHAM, RHYS A Crimson Grail $16.98 9/14/10 8/25/10 CD- ATL 524647 CHROMEO Business Casual $13.99 9/14/10 8/25/10 CD- Business Casual (Deluxe ATL 524649 CHROMEO Edition) $18.98 9/14/10 8/25/10 Business Casual (White ATL A-524647 CHROMEO Colored Vinyl) $18.98 9/14/10 8/25/10 DV- Crossroads Guitar Festival RVW 525705 CLAPTON, ERIC 2004 (Super Jewel)(2DVD) $29.99 9/14/10 8/18/10 DV- Crossroads Guitar Festival RVW 525708 CLAPTON, ERIC 2007 (Super Jewel)(2DVD) $29.99 9/14/10 8/18/10 COLMAN, Shape Of Jazz To Come (180 ACG A-1317 ORNETTE Gram Vinyl) $24.98 9/14/10 8/25/10 REP A-524901 DEFTONES White Pony (2LP) $26.98 9/14/10 8/25/10 CD- RRR 177622 DRAGONFORCE Twilight Dementia (Live) $18.98 9/14/10 8/25/10 DV- LAT 525829 EL TRI Sinfonico (DVD) $12.99 9/14/10 8/18/10 JACKSON, MILT & HAWKINS, ACG A-1316 COLEMAN Bean Bags (180 Gram Vinyl) $24.98 9/14/10 8/25/10 CD- NON 287228 KREMER, GIDON
    [Show full text]
  • NOW That's What I Call Party Anthems – Label Copy CD1 01. Justin Bieber
    NOW That’s What I Call Party Anthems – Label Copy CD1 01. Justin Bieber - What Do You Mean? (Justin Bieber/Jason Boyd/Mason Levy) Published by Bieber Time Publishing/Universal Music (ASCAP)/Poo BZ Inc./BMG Publishing (ASCAP)//Mason Levy Productions/Artist Publishing Group West (ASCAP). Produced by MdL & Justin Bieber. 2015 Def Jam Recordings, a division of UMG Recordings, Inc. Licensed from Universal Music Licensing Division. 02. Mark Ronson feat. Bruno Mars - Uptown Funk (Mark Ronson/Jeff Bhasker/Bruno Mars/Philip Lawrence/Devon Gallaspy/Nicholaus Williams/Lonnie Simmons/Ronnie Wilson/Charles Wilson/Rudolph Taylor/Robert Wilson) Published by Imagem CV/Songs of Zelig (BMI)/Way Above Music/Sony ATV Songs LLC (BMI)/Mars Force Songs LLC (ASCAP)/ZZR Music LLC (ASCAP)/Sony/ATV Ballad/TIG7 Publishing (BMI)/TrinLanta Publishing (BMI)/ Sony ATV Songs LLC (BMI)/ Songs Of Zelig (BMI)/ Songs of Universal, Inc (BMI)/Tragic Magic (BMI)/ BMG Rights Management (ASCAP) adm. by Universal Music Publishing/BMG Rights Management (U.S.) LLC/Universal Music Corp/New Songs Administration Limited/Minder Music. Produced by Mark Ronson, Jeff Bhasker & Bruno Mars. 2014 Mark Ronson under exclusive licence to Sony Music Entertainment UK Limited. Licensed courtesy of Sony Music Entertainment UK Limited. 03. OMI - Cheerleader (Felix Jaehn Remix radio edit) (Omar Pasley/Clifton Dillon/Mark Bradford/Sly Dunbar/Ryan Robert Dillon) Published by Ultra International Music Publishing/Coco Plum Music Publishing. Produced by Clifton "Specialist" Dillon & Omar 'OMI" Pasley. 2014 Ultra Records, LLC under exclusive license to Columbia Records, a Division of Sony Music Entertainment. Licensed courtesy of Sony Music Entertainment UK Limited.
    [Show full text]
  • Meghan-Trainor.Com
    AGE: 21 HOMETOWN: CAPE COD, NANTUCKET, MA HOMEBASE: NASHVILLE, TN OCCUPATION: SINGER-SONGWRITER GENRE: POP YEARS ACTIVE: 2014 LABEL: EPIC RECORDS FOR FANS OF: TAYLOR SWIFT, DEMI LOVATO, SELENA GOMEZ, KELLY CLARKSON WEBSITE: MEGHAN-TRAINOR.COM TWITTER: TWITTER.COM/MEGHAN_TRAINOR 1.4MM FOLLOWERS FACEBOOK FACEBOOK.COM/MEGHANTRAINORSONGS 1.6MM LIKES VEVO: YOUTUBE.COM/MEGHANTRAINORVEVO OVER 1.4B VIEWS INSTAGRAM: INSTAGRAM.COM/MEGHAN_TRAINOR 2.2MM FOLLOWERS SOUNDCLOUD: SOUNDCLOUD.COM/MEGHAN-TRAINOR PRESS KIT: EPICPUBLICITY.COM/ARTIST/MEGHAN-TRAINOR 2 3 BIOGRAPHY When 2014 began, Massachusetts native Meghan Trainor was an aspir ing artist and When Trainor sat down to write, she asked herself what she would want to hear. “Iwanted little;known songwriter with big dreams. A multi;instrumentalist who was producing to talk about the mistakes I made growing up,” sh e says. “I wanted someone to tell me, her own tracks at age 13, Trainor had penned a handfulof songs for artists like Rascal ‘Make sur e he treats you perfectly before you do an ything with him.’ My mom and I ar e Flatts and Hunter Hayes by the time she brought her ukulele to audition for Epi c ver y clo se and sh e al ways said, ‘Love your self, ’ but I never got the Guy Talkc the ‘M ake Records chief L.A. Reid last February. “Afterward , I sat alone in the confer ence room Sure He Takes You On A Prop er Date’ talk. So I wrote songs about it for younger girls who with no cell phone thinking I’d blown it,” she recalls.
    [Show full text]
  • Dear Future Husband’: Young People’S Critical Exploration of Gender and Sexuality in Pop Music Videos
    Networking Knowledge 10(3)Sex and Sexualities in Popular Culture (Oct. 2017) ‘Dear Future Husband’: young people’s critical exploration of gender and sexuality in pop music videos ELLY SCRINE, University of Melbourne ABSTRACT This study aimed to explore how young people can critically engage with music videos to explore dominant constructions of gender and sexuality. As the primary consumers of popular music and music videos, adolescents are also a group who exist in a unique sociocultural space, where both misogyny and feminism are present in their highly media-driven lives. This study used focus group workshops with young people in high school to generate qualitative data based on the participants’ discussion and interpretations of gender and sexuality in two music videos. Seven groups of young people aged 14 – 16 analysed two popular music videos and reflected particularly upon discourses of expected femininity and female sexuality. Discussion elucidated insightful analysis around gendered subjectivity, and presented three complex and opposing themes, which are explored in detail. A cohesive thread emerged in the data in which young people demonstrated their capacity to identify hegemonic gender constructs, while also relying on these constructs to read and police the women shown in the music videos. KEYWORDS Gender, sexuality, popular music, music videos, adolescents Gender in young people’s current lives Young people establish their identity and independence through the broader political, cultural and socio-structural contexts in which they operate. High schools exist not only as a physical place in which adolescents spend a significant amount of their time, but also a socio-political sphere where the performance, negotiation and reproduction of gender norms are enacted through overt and covert structures (Blakemore, Berenbaum, & Liben 2013, 365).
    [Show full text]
  • LN PR Template
    MEGHAN TRAINOR ANNOUNCES DATES FOR THE MTRAIN TOUR LAUNCHING THIS SUMMER – Tickets On Sale Beginning March 20 at LiveNation.com – – Music Video for Recently Gold-Certified Single "Dear Future Husband" Premieres Today – – SOLD OUT THAT BASS TOUR Receives Unanimous Critical Praise – – Nominated and Performing at iHeartRadio Music Awards & Nominated for Two Nickelodeon Kids' Choice Awards – NEW YORK (Mar. 16, 2015) – Just as her critically acclaimed, sold out THAT BASS TOUR comes to a close this week, GRAMMY® Award-nominated multi-platinum international superstar Meghan Trainor reveals dates for her headline summer jaunt — THE MTRAIN TOUR — supporting her #1 debut album TITLE [Epic Records]. Promoted exclusively by Live Nation, THE MTRAIN TOUR kicks off Friday July 3 at Borgata in Atlantic City, New Jersey and will make stops in nearly 30 major markets across the country this summer. Tickets go on-sale beginning at 10:00 a.m. local time on Friday, March 20 at www.livenation.com. Rising star Charlie Puth and British trio Life of Dillon will open THE MTRAIN TOUR. Following a string of scorching performances, Trainor's show promises to be one of the hottest tickets of the summer. Don't miss it! For all the latest updates on THE MTRAIN TOUR, visit: www.meghan-trainor.com. In tandem with the tour announcement, she premiered the undeniable, unique, and unforgettable music video for new single "Dear Future Husband" on NBC's The TODAY Show and Cosmopolitan.com this morning. Recently certified Gold by the RIAA, the track impacts radio today as well. You can watch the video here: http://smarturl.it/DFHvideo Fans and tastemakers continue to recognize her as pop culture trailblazer and dynamic presence.
    [Show full text]
  • The Revels Repertoire
    THE REVELS REPERTOIRE POP Ain’t It Fun – Paramore Don’t StoP the Music – Rihanna All About That Bass – Meghan Trainor Dynamite – Taio Cruz American Boy – Estelle Everybody – Backstreet Boys Animal – Neon Trees Everybody Talks – Neon Trees Baby I Love Your Way – Big Mountain, Tom Exs and Ohs – Elle King Lord-Alge Firework – Katy Perry Back to Black – Amy Winehouse Forever – Chris Brown Bad Guy – Billie Eilish Forget You – CeeLo Green Bad Romance – Lady Gaga Feels – Calvin Harris, Pharrell Williams, Bang Bang – Jessie J, Ariana Grande, Nicki Katy Perry Minaj Feel It Coming – The Weeknd Believe – Cher Feel It Still – Portugal. The Man Best Day of My Life – American Authors Get Lucky – Daft Punk Born This Way – Lady Gaga Get the Party Started – P!nk Bye Bye Bye – *NSYNC Give Me Everything – Ne-yo and Pitbull Cake by the Ocean – DNCE Good as Hell – Lizzo California Gurls – Katy Perry HaPPy – Pharrel Call Me Maybe – Carly Rae JePsen Havana – Camila Cabello Can’t Hold Us – Macklemore & Ryan Lewis Heaven – Los Lonely Boys Can’t StoP the Feeling – Justin Timberlake Hey Soul Sister – Train Candyman – Christina Aguilera High Horse – Kacey Musgraves Chandelier – Sia Ho Hey – The Lumineers CheaP Thrills – Sia Hold My Hand – Jess Glynne Cheerleader – OMI Holiday – Madonna Closer – The Chainsmokers I Don’t Like It, I Love It – Flo Rida and Robin Counting Stars – OneRePublic Thicke Crazy – Gnarls Barkley I Kissed a Girl – Katy Perry CreeP – TLC I Love It – Icona PoP Cruel Summer – Bananarama I Love You Always Forever – Donna Lewis Dancing on My Own – Robyn Into You – Ariana Grande Dear Future Husband – Meghan Trainor I Will Wait – Mumford & Sons Déjà Vu – Beyonce Ice Ice Baby – Vanilla Ice Domino – Jessie J Juice – Lizzo 1 Just Dance – Lady Gaga ShaPe of You – Ed Sheeran Just Fine – Mary J.
    [Show full text]
  • Songwriter Endorsers.Xlsx
    U.S. COPYRIGHT OFFICE LIBRARY OF CONGRESS Designation of Mechanical Licensing Collective and Digital Licensee Coordinator Docket No. 2018-11 EXHIBITS 5 TO 10 TO THE DESIGNATION PROPOSAL OF MECHANICAL LICENSING COLLECTIVE PRYOR CASHMAN LLP Frank P. Scibilia Benjamin K. Semel 7 Times Square New York, New York 10036-6569 Attorneys for Mechanical Licensing Collective EXHIBIT 5 Before the U.S. COPYRIGHT OFFICE LIBRARY OF CONGRESS Washington, D.C. In the Matter of': Docket No. 2018-11 DESIGNATION OF MECHANICAL LICENSING COLLECTIVE AND DIGITAL LICENSEE COORDINATOR DECLARATION OF BART HERBISON 1. My name is Bart Herbison. I am the Executive Director of the Nashville Songwriters Association International ("NSAI"), a position which I have held since 1997. I submit this declaration in support of the submission of Mechanical Licensing Collective ("MLC") to be designated as the mechanical licensing collective pursuant to the Music Modernization Act (the "MMA"). Songwriters are the backbone of the American music industry. And, since it was established in 1967, NSAI has worked tirelessly to advocate for the American songwriting profession. NSAI is now the largest not-for-profit songwriter trade association in the world, with approximately 5,000 members and approximately 100 local chapters. 3. Our mission is to advocate for songwriters' legal and economic interests and educate a new generation of American songwriters. To accomplish this mission, NSAI provides an array of services to songwriters. Some services are educational. For instance, NSAI helps songwriters improve their craft through: workshops; mentoring from experienced songwriters; feedback on songs from experienced writers and peer-to- peer review; online services for our members; regularly-held song contests and other events; pitch sessions; and in connecting aspiring professional songwriters with colleagues in the music industry.
    [Show full text]
  • SOS-Feb-2015-Kevin-K
    INSIDE TRACK Kevin Kadish at The Carriage House. Secrets Of The Mix Engineers: Kevin Kadish Channelling their shared love of ’50s kitsch, Kevin Kadish and Meghan Trainor created 2014’s ‘All About That Bass’ Written by Meghan Trainor & most talked-about hit single — and turned Kevin Kadish Trainor into a superstar overnight. Produced by Kevin Kadish PAUL TINGEN song, its celebration of big bass, aka big Tennessee song contest at the age of 17. booty, aka big bum, proving the source of In the Spring of 2013 her publisher Carla eghan Trainor’s ‘All About endless controversy. Wallace had the bright idea of introducing That Bass’ has topped hit The song’s staggering success has Trainor to musician, writer, engineer, mixer M parades in two dozen countries, catapulted the two protagonists behind it and producer Kevin Kadish. Wallace must including the US — where it went four from relative obscurity into the limelight. still be feeling pretty pleased with herself, times platinum, with well over four million Singer Meghan Trainor was only 20 when for a couple of hours into their first writing sales, and was recently nominated for two it was released, and had until then not session together, Trainor and Kadish had Grammy Awards — and the UK, where really aimed at being an artist. Originally co-written and recorded most of ‘All it went ‘only’ platinum with more than from Massachusetts, her ambition was About That Bass’. half a million sales. During its extended to be a songwriter, and she was signed Kevin Kadish’s rise to the top has also reign at the top, ‘All About That Bass’ to Big Yellow Dog Music, a Nashville been the subject of a sizeable number also was the world’s most discussed publisher, after winning the 2011 Sonicbids of articles, with the press sometimes 20 February 2015 / www.soundonsound.com No Concept, No Song Over many years as a professional songwriter, Kevin Kadish has evolved his own methods.
    [Show full text]