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Bennett, J. (2017) 'Towards a Framework for Creativity in Popular Music Degrees.' In: Smith, G.D., Moir, Z., Brennan, M., Kirkman, P
Bennett, J. (2017) 'Towards a framework for creativity in popular music degrees.' In: Smith, G.D., Moir, Z., Brennan, M., Kirkman, P. and Rambarran, S., eds. The Routledge research companion to popular music education. Abingdon: Routledge, pp. 285-297. This is an Accepted Manuscript of a book chapter published by Routledge in ‘The Routledge research companion to popular music education’ on 02/02/2017 available online at: https://www.routledge.com/The-Routledge-Research-Companion-to-Popular-Music-Education/Smith- Moir-Brennan-Kirkman-Rambarran/p/book/9781472464989 ResearchSPAce http://researchspace.bathspa.ac.uk/ This pre-published version is made available in accordance with publisher policies. Please cite only the published version using the reference above. Your access and use of this document is based on your acceptance of the ResearchSPAce Metadata and Data Policies, as well as applicable law:- https://researchspace.bathspa.ac.uk/policies.html Unless you accept the terms of these Policies in full, you do not have permission to download this document. This cover sheet may not be removed from the document. Please scroll down to view the document. Towards a Framework for Creativity in Popular Music Degrees Prof Joe Bennett, The Boston Conservatory Introduction: Music education and popular music education Let us begin with semantics. The only reason we might use the term ‘popular music degree’ is to differentiate its content from that of a ‘music degree’ – not ‘classical music degree’, but ‘music degree’. That is to say, the default semantic in higher music education is to assume that ‘music’ means ‘classical music’, despite the fact that the Western Art- music/classical canon represents a only a tiny proportion of the music that global society consumes today, and an even smaller proportion of what has been produced historically. -
The Hit Song Equation WHAT's the DIFFERENCE BETWE
Discovering Your Successful Songwriting Process John Chisum Module 11: The Hit Song Equation WHAT’S THE DIFFERENCE BETWEEN WHERE YOU ARE AND PRO SONGWRITERS? WHAT IS IT THEY KNOW THAT LETS THEM CRANK OUT HIT AFTER HIT? Hi everybody, John Chisum with you again to continue our journey into The Successful Christian Songwriting Course. And if you really want to know the answer to those two questions, here it is: Pro songwriters know that songs are more assembled than “written.” © All materials are the sole properties of John Chisum and Nashville Christian Songwriters. Reprint only by written permission. All Rights Reserved. Professional songwriters aren’t depending on the whims of inspiration or the occasional great idea to float through their heads to make them feel like writing. They understand that writing is a lot more like construction, like building a house, than what we think of as being inspired by God in a flash of lightning to write out lyrics in four minutes that will change the world…. Not saying that doesn’t happen from time to time, but it seems to happen for the people who already know how to write and are already writing at a pretty high level. Then there’s the rest of us, right?! I’ve watched it happen time and again when working with our NCS Boot Camp songwriters. They come into Boot Camp having written pretty much like you might be, writing from your intuition and what you think songwriting is…. © All materials are the sole properties of John Chisum and Nashville Christian Songwriters. -
AUDIO + VIDEO 9/14/10 Audio & Video Releases *Click on the Artist Names to Be Taken Directly to the Sell Sheet
NEW RELEASES WEA.COM ISSUE 18 SEPTEMBER 14 + SEPTEMBER 21, 2010 LABELS / PARTNERS Atlantic Records Asylum Bad Boy Records Bigger Picture Curb Records Elektra Fueled By Ramen Nonesuch Rhino Records Roadrunner Records Time Life Top Sail Warner Bros. Records Warner Music Latina Word AUDIO + VIDEO 9/14/10 Audio & Video Releases *Click on the Artist Names to be taken directly to the Sell Sheet. Click on the Artist Name in the Order Due Date Sell Sheet to be taken back to the Recap Page Street Date DV- En Vivo Desde Morelia 15 LAT 525832 BANDA MACHOS Años (DVD) $12.99 9/14/10 8/18/10 CD- FER 888109 BARLOWGIRL Our Journey…So Far $11.99 9/14/10 8/25/10 CD- NON 524138 CHATHAM, RHYS A Crimson Grail $16.98 9/14/10 8/25/10 CD- ATL 524647 CHROMEO Business Casual $13.99 9/14/10 8/25/10 CD- Business Casual (Deluxe ATL 524649 CHROMEO Edition) $18.98 9/14/10 8/25/10 Business Casual (White ATL A-524647 CHROMEO Colored Vinyl) $18.98 9/14/10 8/25/10 DV- Crossroads Guitar Festival RVW 525705 CLAPTON, ERIC 2004 (Super Jewel)(2DVD) $29.99 9/14/10 8/18/10 DV- Crossroads Guitar Festival RVW 525708 CLAPTON, ERIC 2007 (Super Jewel)(2DVD) $29.99 9/14/10 8/18/10 COLMAN, Shape Of Jazz To Come (180 ACG A-1317 ORNETTE Gram Vinyl) $24.98 9/14/10 8/25/10 REP A-524901 DEFTONES White Pony (2LP) $26.98 9/14/10 8/25/10 CD- RRR 177622 DRAGONFORCE Twilight Dementia (Live) $18.98 9/14/10 8/25/10 DV- LAT 525829 EL TRI Sinfonico (DVD) $12.99 9/14/10 8/18/10 JACKSON, MILT & HAWKINS, ACG A-1316 COLEMAN Bean Bags (180 Gram Vinyl) $24.98 9/14/10 8/25/10 CD- NON 287228 KREMER, GIDON -
NOW That's What I Call Party Anthems – Label Copy CD1 01. Justin Bieber
NOW That’s What I Call Party Anthems – Label Copy CD1 01. Justin Bieber - What Do You Mean? (Justin Bieber/Jason Boyd/Mason Levy) Published by Bieber Time Publishing/Universal Music (ASCAP)/Poo BZ Inc./BMG Publishing (ASCAP)//Mason Levy Productions/Artist Publishing Group West (ASCAP). Produced by MdL & Justin Bieber. 2015 Def Jam Recordings, a division of UMG Recordings, Inc. Licensed from Universal Music Licensing Division. 02. Mark Ronson feat. Bruno Mars - Uptown Funk (Mark Ronson/Jeff Bhasker/Bruno Mars/Philip Lawrence/Devon Gallaspy/Nicholaus Williams/Lonnie Simmons/Ronnie Wilson/Charles Wilson/Rudolph Taylor/Robert Wilson) Published by Imagem CV/Songs of Zelig (BMI)/Way Above Music/Sony ATV Songs LLC (BMI)/Mars Force Songs LLC (ASCAP)/ZZR Music LLC (ASCAP)/Sony/ATV Ballad/TIG7 Publishing (BMI)/TrinLanta Publishing (BMI)/ Sony ATV Songs LLC (BMI)/ Songs Of Zelig (BMI)/ Songs of Universal, Inc (BMI)/Tragic Magic (BMI)/ BMG Rights Management (ASCAP) adm. by Universal Music Publishing/BMG Rights Management (U.S.) LLC/Universal Music Corp/New Songs Administration Limited/Minder Music. Produced by Mark Ronson, Jeff Bhasker & Bruno Mars. 2014 Mark Ronson under exclusive licence to Sony Music Entertainment UK Limited. Licensed courtesy of Sony Music Entertainment UK Limited. 03. OMI - Cheerleader (Felix Jaehn Remix radio edit) (Omar Pasley/Clifton Dillon/Mark Bradford/Sly Dunbar/Ryan Robert Dillon) Published by Ultra International Music Publishing/Coco Plum Music Publishing. Produced by Clifton "Specialist" Dillon & Omar 'OMI" Pasley. 2014 Ultra Records, LLC under exclusive license to Columbia Records, a Division of Sony Music Entertainment. Licensed courtesy of Sony Music Entertainment UK Limited. -
Meghan-Trainor.Com
AGE: 21 HOMETOWN: CAPE COD, NANTUCKET, MA HOMEBASE: NASHVILLE, TN OCCUPATION: SINGER-SONGWRITER GENRE: POP YEARS ACTIVE: 2014 LABEL: EPIC RECORDS FOR FANS OF: TAYLOR SWIFT, DEMI LOVATO, SELENA GOMEZ, KELLY CLARKSON WEBSITE: MEGHAN-TRAINOR.COM TWITTER: TWITTER.COM/MEGHAN_TRAINOR 1.4MM FOLLOWERS FACEBOOK FACEBOOK.COM/MEGHANTRAINORSONGS 1.6MM LIKES VEVO: YOUTUBE.COM/MEGHANTRAINORVEVO OVER 1.4B VIEWS INSTAGRAM: INSTAGRAM.COM/MEGHAN_TRAINOR 2.2MM FOLLOWERS SOUNDCLOUD: SOUNDCLOUD.COM/MEGHAN-TRAINOR PRESS KIT: EPICPUBLICITY.COM/ARTIST/MEGHAN-TRAINOR 2 3 BIOGRAPHY When 2014 began, Massachusetts native Meghan Trainor was an aspir ing artist and When Trainor sat down to write, she asked herself what she would want to hear. “Iwanted little;known songwriter with big dreams. A multi;instrumentalist who was producing to talk about the mistakes I made growing up,” sh e says. “I wanted someone to tell me, her own tracks at age 13, Trainor had penned a handfulof songs for artists like Rascal ‘Make sur e he treats you perfectly before you do an ything with him.’ My mom and I ar e Flatts and Hunter Hayes by the time she brought her ukulele to audition for Epi c ver y clo se and sh e al ways said, ‘Love your self, ’ but I never got the Guy Talkc the ‘M ake Records chief L.A. Reid last February. “Afterward , I sat alone in the confer ence room Sure He Takes You On A Prop er Date’ talk. So I wrote songs about it for younger girls who with no cell phone thinking I’d blown it,” she recalls. -
Songwriter Endorsers.Xlsx
U.S. COPYRIGHT OFFICE LIBRARY OF CONGRESS Designation of Mechanical Licensing Collective and Digital Licensee Coordinator Docket No. 2018-11 EXHIBITS 5 TO 10 TO THE DESIGNATION PROPOSAL OF MECHANICAL LICENSING COLLECTIVE PRYOR CASHMAN LLP Frank P. Scibilia Benjamin K. Semel 7 Times Square New York, New York 10036-6569 Attorneys for Mechanical Licensing Collective EXHIBIT 5 Before the U.S. COPYRIGHT OFFICE LIBRARY OF CONGRESS Washington, D.C. In the Matter of': Docket No. 2018-11 DESIGNATION OF MECHANICAL LICENSING COLLECTIVE AND DIGITAL LICENSEE COORDINATOR DECLARATION OF BART HERBISON 1. My name is Bart Herbison. I am the Executive Director of the Nashville Songwriters Association International ("NSAI"), a position which I have held since 1997. I submit this declaration in support of the submission of Mechanical Licensing Collective ("MLC") to be designated as the mechanical licensing collective pursuant to the Music Modernization Act (the "MMA"). Songwriters are the backbone of the American music industry. And, since it was established in 1967, NSAI has worked tirelessly to advocate for the American songwriting profession. NSAI is now the largest not-for-profit songwriter trade association in the world, with approximately 5,000 members and approximately 100 local chapters. 3. Our mission is to advocate for songwriters' legal and economic interests and educate a new generation of American songwriters. To accomplish this mission, NSAI provides an array of services to songwriters. Some services are educational. For instance, NSAI helps songwriters improve their craft through: workshops; mentoring from experienced songwriters; feedback on songs from experienced writers and peer-to- peer review; online services for our members; regularly-held song contests and other events; pitch sessions; and in connecting aspiring professional songwriters with colleagues in the music industry. -
SOS-Feb-2015-Kevin-K
INSIDE TRACK Kevin Kadish at The Carriage House. Secrets Of The Mix Engineers: Kevin Kadish Channelling their shared love of ’50s kitsch, Kevin Kadish and Meghan Trainor created 2014’s ‘All About That Bass’ Written by Meghan Trainor & most talked-about hit single — and turned Kevin Kadish Trainor into a superstar overnight. Produced by Kevin Kadish PAUL TINGEN song, its celebration of big bass, aka big Tennessee song contest at the age of 17. booty, aka big bum, proving the source of In the Spring of 2013 her publisher Carla eghan Trainor’s ‘All About endless controversy. Wallace had the bright idea of introducing That Bass’ has topped hit The song’s staggering success has Trainor to musician, writer, engineer, mixer M parades in two dozen countries, catapulted the two protagonists behind it and producer Kevin Kadish. Wallace must including the US — where it went four from relative obscurity into the limelight. still be feeling pretty pleased with herself, times platinum, with well over four million Singer Meghan Trainor was only 20 when for a couple of hours into their first writing sales, and was recently nominated for two it was released, and had until then not session together, Trainor and Kadish had Grammy Awards — and the UK, where really aimed at being an artist. Originally co-written and recorded most of ‘All it went ‘only’ platinum with more than from Massachusetts, her ambition was About That Bass’. half a million sales. During its extended to be a songwriter, and she was signed Kevin Kadish’s rise to the top has also reign at the top, ‘All About That Bass’ to Big Yellow Dog Music, a Nashville been the subject of a sizeable number also was the world’s most discussed publisher, after winning the 2011 Sonicbids of articles, with the press sometimes 20 February 2015 / www.soundonsound.com No Concept, No Song Over many years as a professional songwriter, Kevin Kadish has evolved his own methods. -
BILLBOARD COUNTRY UPDATE [email protected]
Country Update BILLBOARD.COM/NEWSLETTERS SEPTEMBER 23, 2019 | PAGE 1 OF 23 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Bentley “Living” It Up On Chart Cody Johnson, “God’s Country” And The >page 4 Evolution Of The Classic Country Song Chuck Dauphin Remembered When the Nashville Songwriters Association International his second Warner Music Nashville album, Durango — owned >page 10 (NSAI) gave out its annual awards on Sept. 17, songwriter of by Howie Edelman — decided that throwing a party for some the year Josh Osborne (“Hotel Key,” “Kiss Somebody”) and of the old guard might familiarize them with Johnson’s music the trio that penned song of the year “Break Up in the End” — and inspire them to dig into their catalogs for the gems that Chase McGill, Jessie Jo Dillon and Jon Nite — claimed their never quite got cut. Brantley Gilbert’s trophies on the stage of the historic Ryman Auditorium. Durango A&R executive Scott Gunter specifically asked Tootsie’s Role But when Durango Management held a Sept. 18 event to for songs that were written before 2000, and by the next day, >page 12 find songs for untapped music Cody Johnson, and thankful those current notes were hitmakers were already rolling in Luke Bryan Switches not on the invite from the likes of It Up list. Instead, the Allen Shamblin >page 12 aptly named ( “ T h e H o u s e back-alley That Built Me”), h a n g o u t O l d Steve Bogard Makin’ Tracks: Glory filled up (“Carried Away”) Chris Young’s with writers such and Kerry Kurt as Mike Reid Phillips ( “ I “Drowning” STRAIT JOHNSON OSBORNE >page 17 (“Stranger in Don’t Need Your My House”), Jim Rockin’ Chair”), McBride (“Chattahoochee”), Michael P. -
Vol. 84 Monday, No. 130 July 8, 2019 Pages 32255–32606
Vol. 84 Monday, No. 130 July 8, 2019 Pages 32255–32606 OFFICE OF THE FEDERAL REGISTER VerDate Sep 11 2014 22:51 Jul 05, 2019 Jkt 247001 PO 00000 Frm 00001 Fmt 4710 Sfmt 4710 E:\FR\FM\08JYWS.LOC 08JYWS jbell on DSK3GLQ082PROD with FRONTWS II Federal Register / Vol. 84, No. 130 / Monday, July 8, 2019 The FEDERAL REGISTER (ISSN 0097–6326) is published daily, SUBSCRIPTIONS AND COPIES Monday through Friday, except official holidays, by the Office PUBLIC of the Federal Register, National Archives and Records Administration, under the Federal Register Act (44 U.S.C. Ch. 15) Subscriptions: and the regulations of the Administrative Committee of the Federal Paper or fiche 202–512–1800 Register (1 CFR Ch. I). The Superintendent of Documents, U.S. Assistance with public subscriptions 202–512–1806 Government Publishing Office, is the exclusive distributor of the official edition. Periodicals postage is paid at Washington, DC. General online information 202–512–1530; 1–888–293–6498 Single copies/back copies: The FEDERAL REGISTER provides a uniform system for making available to the public regulations and legal notices issued by Paper or fiche 202–512–1800 Federal agencies. These include Presidential proclamations and Assistance with public single copies 1–866–512–1800 Executive Orders, Federal agency documents having general (Toll-Free) applicability and legal effect, documents required to be published FEDERAL AGENCIES by act of Congress, and other Federal agency documents of public Subscriptions: interest. Assistance with Federal agency subscriptions: Documents are on file for public inspection in the Office of the Federal Register the day before they are published, unless the Email [email protected] issuing agency requests earlier filing. -
GRAMMY-Vinnaren Meghan Trainor Släpper Nya Singeln ”NO”
2016-03-04 16:36 CET GRAMMY-vinnaren Meghan Trainor släpper nya singeln ”NO” Nu är det klart att GRAMMY-vinnande multiplatinastjärnan Meghan Trainor släpper nya albumet Thank You den 13 maj. Ett första smakprov finns redan nu, singeln ”NO” har precis haft världspremiär! Med “NO” visar Meghan Trainor upp en ny artistisk sida då hon i låten väljer att flirta med 90-tals hiphop bounce kombinerat med kaxig refräng. Meghan har teamat ihop med producenten Ricky Reed (Jason Derulo, Pitbull, Twenty One Pilots) som även är medproducent av albumet. För några veckor sedan tog Meghan hem priset för ”Best New Artist” på GRAMMY Awards, en värdig sammanfattning av det gångna året. Med låten ”All About That Bass”toppade den då 21-åriga singer songwritern och producenten Billboardlistan i åtta veckor och sålde 9xPlatina i USA och 4xPlatina i Sverige. I Sverige har uppföljarsinglarna ”Lips Are Movin” sålt Platina, ”Dear Future Husband” sålt Platina, “Like I’m Gonna Lose You” featuring John Legend sålt Guld. Även debutalbumet Titlehar sålt Platina i Sverige. Meghan har över två miljarder visningar på Youtube. Meghan Trainor föddes i Massachusetts och växte upp på Nantucket island där hon som tonåring skrev låtar inspirerad av faderns skivsamling (från Frank Sinatra till Ray Charles och James Brown, jazz, doo-wop och R&B). Som 13- åring producerade hon sina egna låtar och när hon fyllde 18 fick hon ett förlagskontrakt och skrev till bland annat Rascal Flatts och Hunter Hayes. Meghan skrev tillsammans med producenten och låtskrivaren Kevin Kadish (Miley Cyrus, Jason Mraz) låten "All About That Bass" på 40 minuter. -
Songlist Tkr-320
ListVer.1.1 SONGLIST TKR-320 MTV Song Title No. Popularized By Composer/Lyricist AKIN KA NA LANG 19039 ITCHYWORMS J. Nicolas ALAB NG PUSO 19001 RIVERMAYA Rico Blanco Moy Ortiz/Edith BAKA IKAW 19002 THE COMPANY Gallardo BAKIT NGAYON KALANG 19003 FREESTYLE Ogie Alcasid BASTA’T KASAMA KITA 19031 DINGDONG & JESSA Greg Caro BITIW 19036 SPONGECOLA Rey Dilay & Yuzon Doug Frank/ BREAK IT TO ME GENTLY 19004 MARK BAUTISTA Doug James Marvin Etzion/ CAN’T CRY HARD ENOUGH 19019 RACHELLE ANN GO David Williams CAPTAIN BARBELL 19005 OGIE ALCASID Ogie Alcasid DI KO NA KAYANG MASAKTAN PA 19006 OGIE ALCASID/ REGINE VELASQUEZ Ogie Alcasid Peter Allen/ DON’T CRY OUT LOUD 19007 RACHELLE ANN GO Carole Bayer Sager DOOBIDOO 19042 KAMIKAZEE Danny Javier FALLIN’ 19008 REGINE VELASQUEZ Marvin Hamslich Vehnee Saturno/ FOREVER’S NOT ENOUGH 19009 SARAH GERONIMO Doris Saturno Melquiades Marcus GITARA 19043 PAROKYA NI EDGAR Valdes II Linda Creed/ HALF CRAZY 19010 FREESTYLE Lonnie Jordan Clem Castro & HEAVEN KNOWS 19044 ORANGE & LEMONS Mcoy Fundales Harry Hess/Pete HONESTLY 19020 RACHELLE ANN GO Lesperance/Darren Smith HOW COULD YOU SAY YOU LOVE ME 19011 SARAH GERONIMO Vehnee Saturno Ty Lacy/ I NEED YOU 19012 MARK BAUTISTA Dennis Matkosky Burt Bacharach/ I SAY A LITTLE PRAYER 19013 POPS FERNANDEZ/ JANNO GIBBS Hal David IKAW 19033 SARAH GERONIMO Medwin Marfil IKAW ANG #1 19027 WILLIE REVILLAME Vehnee A. Saturno KIKAY 19014 HOTBABES Christian Martinez LIFE IS WOW 19069 CHARICE PEMPENGCO MAHIRAP MAGMAHAL NG SYOTA NG IBA 19047 HILERA Jim Paredes Chito Miranda Jr. & MANG JOSE 19041 PAROKYA NI EDGAR Darius Semana MUSIKERO 19015 AFTER IMAGE Wency Cornejo NAKAPAGTATAKA 19045 SPONGECOLA Jim Paredes NGAYON, BUKAS, KAHAPON 19016 WENCY CORNEJO/ RACHEL ALEJANDRO Wency Cornejo NGITI 19032 RONNIE LIANG Vince Katindoy Peter Harrison/ ON THE WINGS OF LOVE 19017 REGINE VELASQUEZ Jefrey Osborne Moy Ortiz/ PAGDATING NG PANAHON 19018 SHARON CUNETA Edith Gallardo PARA SA’YO 19046 PAROKYA NI EDGAR Chito Miranda Jr. -
Beyonce? Sam Smith? Sia? Pharrell?
Lifestyle FRIDAY, FEBRUARY 6, 2015 Smith’s stardom Grammy predictions secure, but legacy Beyonce? Sam Smith? Sia? Pharrell? a work-in-progress ill Beyonce reign as queen of the Brandy Clark; Haim; Sam Smith. s one of only a handful of artists to be nominated for four Grammys, or will the pop diva be Moody: I mean, is this even a competition? of the top Grammy Awards in a single year, 22-year-old Wdethroned by newcomer Sam Smith? Sam Smith. ABrit singer Sam Smith seems primed for a coronation on The AP makes educated guesses at who will Fekadu: Who dat? Who dat? Not I to the G- music’s biggest night. But whether he can make the jump to last- dominate music’s biggest night Sunday, when G-Y. Sam Smith will take this one. ing stardom once the Grammy afterparties die down remains an Smith, Beyonce and Pharrell are the top con- Pop Solo Performance: “All of Me (Live),” open question. What’s beyond question is Smith’s status as tenders with six nominations apiece. The John Legend; “Chandelier,” Sia; “Stay With Me 2014’s obvious breakout star. His June debut, “In the Lonely Grammy Awards will air live on CBS at 8 pm (Darkchild Version),” Sam Smith; “Shake It Off,” Hour,” stood as the year’s third-bestselling release in the US, EST. Here’s how we think the night will go: Taylor Swift; “Happy (Live),” Pharrell. behind only the twin juggernauts of Taylor Swift and “Frozen.” Album of the Year: “Morning Phase,” Beck; Fekadu: Pharrell’s No.1 hit was released Three of his singles charted in the top 10; his first US headlining “Beyonce,” Beyonce; “X,” Ed Sheeran; “In the too early for eligibility and voters didn’t care tour has him playing such massive venues as LA’s Forum and Lonely Hour,” Sam Smith; “G I R L,” Pharrell.