Vol. 84 Monday, No. 130 July 8, 2019 Pages 32255–32606
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Bennett, J. (2017) 'Towards a Framework for Creativity in Popular Music Degrees.' In: Smith, G.D., Moir, Z., Brennan, M., Kirkman, P
Bennett, J. (2017) 'Towards a framework for creativity in popular music degrees.' In: Smith, G.D., Moir, Z., Brennan, M., Kirkman, P. and Rambarran, S., eds. The Routledge research companion to popular music education. Abingdon: Routledge, pp. 285-297. This is an Accepted Manuscript of a book chapter published by Routledge in ‘The Routledge research companion to popular music education’ on 02/02/2017 available online at: https://www.routledge.com/The-Routledge-Research-Companion-to-Popular-Music-Education/Smith- Moir-Brennan-Kirkman-Rambarran/p/book/9781472464989 ResearchSPAce http://researchspace.bathspa.ac.uk/ This pre-published version is made available in accordance with publisher policies. Please cite only the published version using the reference above. Your access and use of this document is based on your acceptance of the ResearchSPAce Metadata and Data Policies, as well as applicable law:- https://researchspace.bathspa.ac.uk/policies.html Unless you accept the terms of these Policies in full, you do not have permission to download this document. This cover sheet may not be removed from the document. Please scroll down to view the document. Towards a Framework for Creativity in Popular Music Degrees Prof Joe Bennett, The Boston Conservatory Introduction: Music education and popular music education Let us begin with semantics. The only reason we might use the term ‘popular music degree’ is to differentiate its content from that of a ‘music degree’ – not ‘classical music degree’, but ‘music degree’. That is to say, the default semantic in higher music education is to assume that ‘music’ means ‘classical music’, despite the fact that the Western Art- music/classical canon represents a only a tiny proportion of the music that global society consumes today, and an even smaller proportion of what has been produced historically. -
The Hit Song Equation WHAT's the DIFFERENCE BETWE
Discovering Your Successful Songwriting Process John Chisum Module 11: The Hit Song Equation WHAT’S THE DIFFERENCE BETWEEN WHERE YOU ARE AND PRO SONGWRITERS? WHAT IS IT THEY KNOW THAT LETS THEM CRANK OUT HIT AFTER HIT? Hi everybody, John Chisum with you again to continue our journey into The Successful Christian Songwriting Course. And if you really want to know the answer to those two questions, here it is: Pro songwriters know that songs are more assembled than “written.” © All materials are the sole properties of John Chisum and Nashville Christian Songwriters. Reprint only by written permission. All Rights Reserved. Professional songwriters aren’t depending on the whims of inspiration or the occasional great idea to float through their heads to make them feel like writing. They understand that writing is a lot more like construction, like building a house, than what we think of as being inspired by God in a flash of lightning to write out lyrics in four minutes that will change the world…. Not saying that doesn’t happen from time to time, but it seems to happen for the people who already know how to write and are already writing at a pretty high level. Then there’s the rest of us, right?! I’ve watched it happen time and again when working with our NCS Boot Camp songwriters. They come into Boot Camp having written pretty much like you might be, writing from your intuition and what you think songwriting is…. © All materials are the sole properties of John Chisum and Nashville Christian Songwriters. -
Keep on Moving Forward
If you enjoyed Shaashawn, Our incredibly talented artistic learn more at director and collaborative pianist are www.shaashawn.com. available for your event. They are also presenting a concert on Feb. 4, 2018 at Wesley United Methodist Church in Bloomsburg, PA, just up the road apiece. Look for them on Facebook. provides services that affirm and empower individuals and organizations via workshop facilitation and training on leadership, diversity, inclusion and social justice topics, advocacy for LGBTQQIAAPS-2+ loving communities, event planning (certified LGBTQ+ wedding planner), poetry (arts) performance, and vocal services such as voiceovers, keynote speaking, speech writing, and mistress of ceremonies. If you admire this program, consider these two vendors for your next communications, design or printing project. The Central Pennsylvania Womyn’s Chorus brings together a diverse group of women, united by the joy of singing, to celebrate and empower women and to affirm a positive image of lesbians and feminists. 16 2 15 14 3 Thanks! Donors Volunteers Giant Food Stores Marchel Barndt Capital Self Storage Pam Barndt Battlefield Bed & Breakfast Jane Brickley LulaRoe, Marie & Traci Donna Gomboc Diane Brannon-Nordthomme, Esq. Ginny DeChristopher Weis Markets, Jonestown Rd. Matt Hykes Boneshire Brew Works Cindy Garis John Folby Barbara Nelson* Christine Finnegan Julie Metzger Lucy Glorius* Arleen Shulman* These contributors are also Cynthia Swanson* Monthly Pledgers. Call us at Deborah Delgado* (717) 564-0112 to learn how you can support the -
AUDIO + VIDEO 9/14/10 Audio & Video Releases *Click on the Artist Names to Be Taken Directly to the Sell Sheet
NEW RELEASES WEA.COM ISSUE 18 SEPTEMBER 14 + SEPTEMBER 21, 2010 LABELS / PARTNERS Atlantic Records Asylum Bad Boy Records Bigger Picture Curb Records Elektra Fueled By Ramen Nonesuch Rhino Records Roadrunner Records Time Life Top Sail Warner Bros. Records Warner Music Latina Word AUDIO + VIDEO 9/14/10 Audio & Video Releases *Click on the Artist Names to be taken directly to the Sell Sheet. Click on the Artist Name in the Order Due Date Sell Sheet to be taken back to the Recap Page Street Date DV- En Vivo Desde Morelia 15 LAT 525832 BANDA MACHOS Años (DVD) $12.99 9/14/10 8/18/10 CD- FER 888109 BARLOWGIRL Our Journey…So Far $11.99 9/14/10 8/25/10 CD- NON 524138 CHATHAM, RHYS A Crimson Grail $16.98 9/14/10 8/25/10 CD- ATL 524647 CHROMEO Business Casual $13.99 9/14/10 8/25/10 CD- Business Casual (Deluxe ATL 524649 CHROMEO Edition) $18.98 9/14/10 8/25/10 Business Casual (White ATL A-524647 CHROMEO Colored Vinyl) $18.98 9/14/10 8/25/10 DV- Crossroads Guitar Festival RVW 525705 CLAPTON, ERIC 2004 (Super Jewel)(2DVD) $29.99 9/14/10 8/18/10 DV- Crossroads Guitar Festival RVW 525708 CLAPTON, ERIC 2007 (Super Jewel)(2DVD) $29.99 9/14/10 8/18/10 COLMAN, Shape Of Jazz To Come (180 ACG A-1317 ORNETTE Gram Vinyl) $24.98 9/14/10 8/25/10 REP A-524901 DEFTONES White Pony (2LP) $26.98 9/14/10 8/25/10 CD- RRR 177622 DRAGONFORCE Twilight Dementia (Live) $18.98 9/14/10 8/25/10 DV- LAT 525829 EL TRI Sinfonico (DVD) $12.99 9/14/10 8/18/10 JACKSON, MILT & HAWKINS, ACG A-1316 COLEMAN Bean Bags (180 Gram Vinyl) $24.98 9/14/10 8/25/10 CD- NON 287228 KREMER, GIDON -
NOW That's What I Call Party Anthems – Label Copy CD1 01. Justin Bieber
NOW That’s What I Call Party Anthems – Label Copy CD1 01. Justin Bieber - What Do You Mean? (Justin Bieber/Jason Boyd/Mason Levy) Published by Bieber Time Publishing/Universal Music (ASCAP)/Poo BZ Inc./BMG Publishing (ASCAP)//Mason Levy Productions/Artist Publishing Group West (ASCAP). Produced by MdL & Justin Bieber. 2015 Def Jam Recordings, a division of UMG Recordings, Inc. Licensed from Universal Music Licensing Division. 02. Mark Ronson feat. Bruno Mars - Uptown Funk (Mark Ronson/Jeff Bhasker/Bruno Mars/Philip Lawrence/Devon Gallaspy/Nicholaus Williams/Lonnie Simmons/Ronnie Wilson/Charles Wilson/Rudolph Taylor/Robert Wilson) Published by Imagem CV/Songs of Zelig (BMI)/Way Above Music/Sony ATV Songs LLC (BMI)/Mars Force Songs LLC (ASCAP)/ZZR Music LLC (ASCAP)/Sony/ATV Ballad/TIG7 Publishing (BMI)/TrinLanta Publishing (BMI)/ Sony ATV Songs LLC (BMI)/ Songs Of Zelig (BMI)/ Songs of Universal, Inc (BMI)/Tragic Magic (BMI)/ BMG Rights Management (ASCAP) adm. by Universal Music Publishing/BMG Rights Management (U.S.) LLC/Universal Music Corp/New Songs Administration Limited/Minder Music. Produced by Mark Ronson, Jeff Bhasker & Bruno Mars. 2014 Mark Ronson under exclusive licence to Sony Music Entertainment UK Limited. Licensed courtesy of Sony Music Entertainment UK Limited. 03. OMI - Cheerleader (Felix Jaehn Remix radio edit) (Omar Pasley/Clifton Dillon/Mark Bradford/Sly Dunbar/Ryan Robert Dillon) Published by Ultra International Music Publishing/Coco Plum Music Publishing. Produced by Clifton "Specialist" Dillon & Omar 'OMI" Pasley. 2014 Ultra Records, LLC under exclusive license to Columbia Records, a Division of Sony Music Entertainment. Licensed courtesy of Sony Music Entertainment UK Limited. -
Thega.; EPORTISSUE 1930, Noven1iter 6, 1992 the First Single from the New Album: the RADICAL LIGHT /A\ SHEPARD
theGA.; EPORTISSUE 1930, NOVEN1ItER 6, 1992 the first single from the new album: THE RADICAL LIGHT /A\ SHEPARD "wakeupthe house" Produced by Vonda Shepard & Matthew Wilder Management: Patrick Rains & Associates 4::.!a.. the GAVIN REPORT (\JAME tir alira CC1 * Indicates Tie TOP 40 URBAN RAP MOST ADDED MOST ADDED MOST ADDED WHITNEY HOUSTON BELL BIV DeVOE PARIS I Will Always Love You (Arista) Gangsta (MCA) The Days Of Old (Scarface/Sex) RESTLESS HEART HI -FIVE DAS EFX When She Cries (RCA) Quality Time (Jive) Straight Out The Sewer (Atco/EastWest America) BOYZ II MEN WHITNEY HOUSTON ICE CUBE In The Still Of The Night (Motown) I Will Always Love You (Arista) Wicked (Priority) RECORD TO WATCH RECORD TO WATCH BRAND NUBIAN RETAIL [15j- WRECKX-N-EFFECT SILK Punks Jump Up To Get Beat Down Rump Shaker (MCA) Happy Days (Keia/Elektra) (Elektra) RADIO EPMD FREDDIE JACKSON R.E.M. Can I Touch You Head Banger Drive (Warner Bros.) Ca. itol (Def Jam/Chaos) COUNTRY JAZZ MOST ADDED MOST ADDED MOST ADDED WHITNEY HOUSTON GARTH BROOKS JACKIE McLEAN I Will Always Love You (Arista) Somewhere Other Than The Night (Liberty) Rhythm Of The Earth (Antilles/PolyGram) CELINE DION DIAMOND RIO MIKE STERN Love Can Move Mountains (Epic) In A Week Or Two (Arista) Standards (And Other Songs) (Atlantic) GENESIS CONFEDERATE RAILROAD GARY BURTON AND FRIENDS Never A Time (Atlantic) Queen Of Memphis (Atlantic) Six Pack (GRP) RECORD TO WATCH RECORD TO WATCH RECORD TO WATCH SONIA DADA MIKE REID JACKIE McLEAN You Ain't Thinking (About Me) (Chameleon/Elektra) Call Home (Columbia) RhythlOf -
Meghan-Trainor.Com
AGE: 21 HOMETOWN: CAPE COD, NANTUCKET, MA HOMEBASE: NASHVILLE, TN OCCUPATION: SINGER-SONGWRITER GENRE: POP YEARS ACTIVE: 2014 LABEL: EPIC RECORDS FOR FANS OF: TAYLOR SWIFT, DEMI LOVATO, SELENA GOMEZ, KELLY CLARKSON WEBSITE: MEGHAN-TRAINOR.COM TWITTER: TWITTER.COM/MEGHAN_TRAINOR 1.4MM FOLLOWERS FACEBOOK FACEBOOK.COM/MEGHANTRAINORSONGS 1.6MM LIKES VEVO: YOUTUBE.COM/MEGHANTRAINORVEVO OVER 1.4B VIEWS INSTAGRAM: INSTAGRAM.COM/MEGHAN_TRAINOR 2.2MM FOLLOWERS SOUNDCLOUD: SOUNDCLOUD.COM/MEGHAN-TRAINOR PRESS KIT: EPICPUBLICITY.COM/ARTIST/MEGHAN-TRAINOR 2 3 BIOGRAPHY When 2014 began, Massachusetts native Meghan Trainor was an aspir ing artist and When Trainor sat down to write, she asked herself what she would want to hear. “Iwanted little;known songwriter with big dreams. A multi;instrumentalist who was producing to talk about the mistakes I made growing up,” sh e says. “I wanted someone to tell me, her own tracks at age 13, Trainor had penned a handfulof songs for artists like Rascal ‘Make sur e he treats you perfectly before you do an ything with him.’ My mom and I ar e Flatts and Hunter Hayes by the time she brought her ukulele to audition for Epi c ver y clo se and sh e al ways said, ‘Love your self, ’ but I never got the Guy Talkc the ‘M ake Records chief L.A. Reid last February. “Afterward , I sat alone in the confer ence room Sure He Takes You On A Prop er Date’ talk. So I wrote songs about it for younger girls who with no cell phone thinking I’d blown it,” she recalls. -
THE MIDNIGHT ,I! INTERVIEW When Play with •T1 .Again, • -5 Am.I by Diane Maskell
THE MIDNIGHT _,I! INTERVIEW When Play with •t1 .again, • -5 am.I By Diane Maskell 00: So where did your idea for a personal lubricant for men begin? you ' re Robb Carr: Probably in the bedroom, but it wound up in the kitchen! 00: Just like Mrs. Fields ... RC: The only difference is my product tastes better. ready to 00: How is it that a concert pianist can design a personal lubricant? Do you have a background in chemistry? RC: No, but I have a bachelor's degree in masturbation. As they say, necessity is the mother of invention. A few years ago, I was in the throes of an ending relationship. Not only was I not ''h ow,I '' emotionally ready to be with someone else, but I wasn't wild about the risk factors either. For me, it was appropriate to make the most of solo sex. I wasn't impressed with the lubricants on the market, so I made my own. Over a period of time, I managed to come up with one in particu talk to us ... lar that I really got off on ... so to speak. For advertising information contact: Diane Maskell 804-625-0700 voice 804-625-6024 fax Robb Carr, a concert pianist, resides in California. Call 1-800-828-6367 to place your order for MEN"S CREAM! 00: Was it your intention to market this lubricant? RC: At first, no. But after receiving positive feedback and encouragement from friends who tested my culinary exploits, the suggestion to market the lube hit me as being a wonderfully bizarre and amusing idea. -
Homecoming 1993 Kristy Scott ^ Foghorn Staff Writer
FOGHORSan Francisco N UNIVERSITY OF SAN FRANCISCO VOLUME 89, NUMBER 15 THURSDAY, FEBRUARY 25,1993 Resident advisor selection process underway Homecoming 1993 Kristy Scott ^ Foghorn Staff Writer The first round of interviews for Resident Advisors is currently underway. Resident advisor selection began this month with applications due on Feb. 15. Applicants were notified if they had been invited to the first phase of the interviews which began on the 16 of the month. Those interviews will continue to be conducted through Feb. 28. They consist of both a one-on-one individual interview with two current R.A.sand then agroup interview with other applicants, R. A.s, and an Office of Residence Life (ORL) central staff member present. The central staff and the present R.A.s will then place the candidates into two groups: recommend and do not recommend. Those being recommended for next year's positions will be sent letters asking them to return for the final interviewing process on March 8. The interviews will be held from March 10 through 16, and will consist of an interview with a hall director. Applicants being accepted for the 1993-1994 residential advi sor program will be notified on March 19. Last year, ORL's central staff input was the main determination point for selection of the candidates. However, this year both R.A. 's and central staff members felt that the previous interview ing process did not allow applicants a fair chance of performing in both group and individual meetings. "We're trying to provide another layer of interviews to benefit both the applicant, who will now have two chances at dealing with situations presented to them and also to give both the staff and Homecoming Saturday events include: former R.A.'s more criteria to base their selection on," Lisa 2:00 p.m. -
Songwriter Endorsers.Xlsx
U.S. COPYRIGHT OFFICE LIBRARY OF CONGRESS Designation of Mechanical Licensing Collective and Digital Licensee Coordinator Docket No. 2018-11 EXHIBITS 5 TO 10 TO THE DESIGNATION PROPOSAL OF MECHANICAL LICENSING COLLECTIVE PRYOR CASHMAN LLP Frank P. Scibilia Benjamin K. Semel 7 Times Square New York, New York 10036-6569 Attorneys for Mechanical Licensing Collective EXHIBIT 5 Before the U.S. COPYRIGHT OFFICE LIBRARY OF CONGRESS Washington, D.C. In the Matter of': Docket No. 2018-11 DESIGNATION OF MECHANICAL LICENSING COLLECTIVE AND DIGITAL LICENSEE COORDINATOR DECLARATION OF BART HERBISON 1. My name is Bart Herbison. I am the Executive Director of the Nashville Songwriters Association International ("NSAI"), a position which I have held since 1997. I submit this declaration in support of the submission of Mechanical Licensing Collective ("MLC") to be designated as the mechanical licensing collective pursuant to the Music Modernization Act (the "MMA"). Songwriters are the backbone of the American music industry. And, since it was established in 1967, NSAI has worked tirelessly to advocate for the American songwriting profession. NSAI is now the largest not-for-profit songwriter trade association in the world, with approximately 5,000 members and approximately 100 local chapters. 3. Our mission is to advocate for songwriters' legal and economic interests and educate a new generation of American songwriters. To accomplish this mission, NSAI provides an array of services to songwriters. Some services are educational. For instance, NSAI helps songwriters improve their craft through: workshops; mentoring from experienced songwriters; feedback on songs from experienced writers and peer-to- peer review; online services for our members; regularly-held song contests and other events; pitch sessions; and in connecting aspiring professional songwriters with colleagues in the music industry. -
SOS-Feb-2015-Kevin-K
INSIDE TRACK Kevin Kadish at The Carriage House. Secrets Of The Mix Engineers: Kevin Kadish Channelling their shared love of ’50s kitsch, Kevin Kadish and Meghan Trainor created 2014’s ‘All About That Bass’ Written by Meghan Trainor & most talked-about hit single — and turned Kevin Kadish Trainor into a superstar overnight. Produced by Kevin Kadish PAUL TINGEN song, its celebration of big bass, aka big Tennessee song contest at the age of 17. booty, aka big bum, proving the source of In the Spring of 2013 her publisher Carla eghan Trainor’s ‘All About endless controversy. Wallace had the bright idea of introducing That Bass’ has topped hit The song’s staggering success has Trainor to musician, writer, engineer, mixer M parades in two dozen countries, catapulted the two protagonists behind it and producer Kevin Kadish. Wallace must including the US — where it went four from relative obscurity into the limelight. still be feeling pretty pleased with herself, times platinum, with well over four million Singer Meghan Trainor was only 20 when for a couple of hours into their first writing sales, and was recently nominated for two it was released, and had until then not session together, Trainor and Kadish had Grammy Awards — and the UK, where really aimed at being an artist. Originally co-written and recorded most of ‘All it went ‘only’ platinum with more than from Massachusetts, her ambition was About That Bass’. half a million sales. During its extended to be a songwriter, and she was signed Kevin Kadish’s rise to the top has also reign at the top, ‘All About That Bass’ to Big Yellow Dog Music, a Nashville been the subject of a sizeable number also was the world’s most discussed publisher, after winning the 2011 Sonicbids of articles, with the press sometimes 20 February 2015 / www.soundonsound.com No Concept, No Song Over many years as a professional songwriter, Kevin Kadish has evolved his own methods. -
BILLBOARD COUNTRY UPDATE [email protected]
Country Update BILLBOARD.COM/NEWSLETTERS SEPTEMBER 23, 2019 | PAGE 1 OF 23 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Bentley “Living” It Up On Chart Cody Johnson, “God’s Country” And The >page 4 Evolution Of The Classic Country Song Chuck Dauphin Remembered When the Nashville Songwriters Association International his second Warner Music Nashville album, Durango — owned >page 10 (NSAI) gave out its annual awards on Sept. 17, songwriter of by Howie Edelman — decided that throwing a party for some the year Josh Osborne (“Hotel Key,” “Kiss Somebody”) and of the old guard might familiarize them with Johnson’s music the trio that penned song of the year “Break Up in the End” — and inspire them to dig into their catalogs for the gems that Chase McGill, Jessie Jo Dillon and Jon Nite — claimed their never quite got cut. Brantley Gilbert’s trophies on the stage of the historic Ryman Auditorium. Durango A&R executive Scott Gunter specifically asked Tootsie’s Role But when Durango Management held a Sept. 18 event to for songs that were written before 2000, and by the next day, >page 12 find songs for untapped music Cody Johnson, and thankful those current notes were hitmakers were already rolling in Luke Bryan Switches not on the invite from the likes of It Up list. Instead, the Allen Shamblin >page 12 aptly named ( “ T h e H o u s e back-alley That Built Me”), h a n g o u t O l d Steve Bogard Makin’ Tracks: Glory filled up (“Carried Away”) Chris Young’s with writers such and Kerry Kurt as Mike Reid Phillips ( “ I “Drowning” STRAIT JOHNSON OSBORNE >page 17 (“Stranger in Don’t Need Your My House”), Jim Rockin’ Chair”), McBride (“Chattahoochee”), Michael P.