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Central Florida Future, Vol. 34 No. 14, November 21, 2001
University of Central Florida STARS Central Florida Future University Archives 11-21-2001 Central Florida Future, Vol. 34 No. 14, November 21, 2001 Part of the Mass Communication Commons, Organizational Communication Commons, Publishing Commons, and the Social Influence and oliticalP Communication Commons Find similar works at: https://stars.library.ucf.edu/centralfloridafuture University of Central Florida Libraries http://library.ucf.edu This Newspaper is brought to you for free and open access by the University Archives at STARS. It has been accepted for inclusion in Central Florida Future by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation "Central Florida Future, Vol. 34 No. 14, November 21, 2001" (2001). Central Florida Future. 1606. https://stars.library.ucf.edu/centralfloridafuture/1606 HAPPY THANKS61VIN6! from The Central THE central florida Florida Future • November 21, 2001 •THE STUDENT NEWSPAPER SERVING UCF SINCE 1968 • www.UCFjuture.com International 0 Hunger Banquet educates Week offered • forums, Study students about poverty Abroad Fair • KRISTA ZILIZI STAFF WRITER PADRA SANCHEZ S'rAfp WRITER • Students got the chance to experience the different social On Nov. 13, UCF held a classes that populate the world series of open forums for students, • at Volunteer UCF's annual faculty and staff about pertinent Hunger Banquet last week. international issues. Held in the "This is a small slice of Student Union's Key West Room, JOE KALEITA I CFF each forum followed a town hall life as it plays out ~ach day in lower class students, who were the world," said Nausheen format, with a panel of guest forced to sit on the floor, had to eat speakers and open microphones Farooqui, Hunger and with "rats". -
Endless Summer Song List
ENDLESS SUMMER BAND MASTER SONG LIST 30's-40's continued… continued… B FLAT BLUES BEGIN THE BEGUINE GET READY SIXTEEN CANDLES BUGLE BOY GIVE ME SOME LOVING SOUL & INSPIRATION CAB DRIVER GREAT BALLS O FIRE SOUL MEDLEY CHATANOOGA CHO CHO GREEN RIVER SOULMAN DANNY BOY HAND JIVE STAND BY ME FLY ME TO THE MOON HANG ON SLOOPY STOP IN THE NAME OF LOVE GIRL FROM IPANEMA HANKY PANKY SUMMER TIME BLUES HELLO DOLLY HARD DAYS NIGHT SURFIN USA HIT THE ROAD JACK HEAR U KNOCKIN SWEET SOUL MUSIC IN THE MOOD HOLD ON IM COMING TEDDY BEAR MACK THE KNIFE HOUNDOG TEQUILA MISTY I FALL TO PIECES THE LETTER MONA LISA I FEEL GOOD THE STROLL MOONLIGHT SERENADE I FOUGHT THE LAW THE WANDERER MR SANDMAN I GET AROUND THE WAY YOU LOOK TONIGHT ON BROADWAY I HEARD IT THROUGH THE GRAPEVINE THINK SATIN DOLL I SAW HER STANDING THERE TICKET TO RIDE SAVE THE LAST DANCE FOR ME ITS MY PARTY TRAVELING BAND SENTIMENTAL JOURNEY ITS ALL RIGHT TUTTI FRUTTI SHADOW OF YOUR SMILE JAILHOUSE ROCK TWIST STRING OF PEARLS JENNY TAKE A RIDE UNCHAINED MELODY TAKE THE A - TRAIN JIM DANDY VIVA LAS VEGAS THAT SUNDAY THAT SUMMER JOHNNY B GOOD WAKE UP LIL SUSIE THAT’S LIFE KANSAS CITY WHAT A WONDERFUL WORLD UNFORGETTABLE KNOCK ON WOOD WHEN A MAN LOVES A WOMAN WHY HAVENT I LA BAMBA WHOLE LOTTA SHAKING GOIN' ON 50's-60's LAND OF 1000 DANCES WILD THING All SHOOK UP LETS TWIST AGAIN WOOLY BULLY ARE YOU LONESOME TONIGHT LION SLEEPS TONIGHT AT THE HOP LOCOMOTION BABY LOVE LOUIE LOUIE BARBARA ANN LOVIN FEELIN BLACK IS BLACK LUCILLE BORN TO BE WILD MIDNIGHT HOUR BOYFRIENDS BACK MONY MONY BROWN EYED GIRL -
Chart Book Template
Real Chart Page 1 become a problem, since each track can sometimes be released as a separate download. CHART LOG - F However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or as soon as known. Symbol Explanations s j For the above reasons many remixed songs are listed as re-entries, however if the title is Top Ten Hit Number One hit. altered to reflect the remix it will be listed as would a new song by the act. This does not apply ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to records still in the chart and the sales of the mix would be added to the track in the chart. Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not This may push singles back up the chart or keep them around for longer, nevertheless the have made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been chart is a sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to released in the UK, or imported here. encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause. The chart statistics were compiled only from sales of SINGLES each week. Not only that but Date of Entry every single sale no matter where it occurred! Format rules, used by other charts, where unnecessary and therefore ignored, so you will see EP’s that charted and other strange The Charts were produced on a Sunday and the sales were from the previous seven days, with records selling more than other charts. -
Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’S Blown Away Tour
COUNTRY CULTURE AND CROSSOVER: Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’s Blown Away Tour Krisandra Ivings A Thesis Presented In Partial Fulfillment of the Requirement for the Degree Master of Arts in Music with Specialization in Women’s Studies University of Ottawa © Krisandra Ivings, Ottawa, Canada, 2016 Abstract This thesis examines the complex and multi-dimensional narratives presented in the work of mainstream female country artist Carrie Underwood, and how her blending of musical genres (pop, rock, and country) affects the narratives pertaining to gender and sexuality that are told through her musical texts. I interrogate the relationships between and among the domains of music, lyrics, images, and staging in Underwood’s live performances (Blown Away Tour: Live DVD) and related music videos in order to identify how these gendered narratives relate to genre, and more specifically, where these performances and videos adhere to, expand on, or break from country music tropes and traditions. Adopting an interlocking theoretical approach grounded in genre theory, gender theory, narrative theory in the context of popular music, and happiness theory, I examine how, as a female artist in the country music industry, Underwood uses genre-blending to construct complex gendered narratives in her musical texts. Ultimately, I find that in her Blown Away Tour: Live DVD, Underwood uses diverse narrative strategies, sometimes drawing on country tropes, to engage techniques and stylistic influences of several pop and rock styles, and in doing so explores the gender norms of those genres. ii Acknowledgements A great number of people have supported this thesis behind the scenes, whether financially, academically, or emotionally. -
Walk of Shame / Walk of Love
WALK OF SHAME / WALK OF LOVE POPULAR SONGS Fight For Your Right To Party – Beastie Boys Saw Her Standing There – The Beatles Twist and Shout – The Beatles Living on a Prayer – Bon Jovi Summer of 69 – Bryan Adams Sweet Child O Mine – Guns n Roses I Love Rock n Roll – Joan Jett Folsom Prison Blues – Johnny Cash Don’t Stop Believing – Journey Simple Man – Lynryd Skynrd Sweet Home Alabama – Lynryd Skynrd Let’s Get It On – Marvin Gaye Billie Jean – Michael Jackson Sweet Caroline – Neil Diamond Stand By Me – Otis Redding Honky Tonk Woman – Rolling Stones (I Can’t Get No) Satisfaction – Rolling Stones Paint it Black – Rolling Stones American Girl – Tom Petty Free Falling – Tom Petty Mary Jane’s Last Dance – Tom Petty Brown Eyed Girl – Van Morrison Blister in the Sun – Violent Femmes Play That Funky Music – Wild Cherry Bad Things – Jace Everett 90s SONGS 3am – Matchbox 20 500 Miles – The Proclaimers Absolutely (Story of a Girl) All Star – SmashMouth All The Small Things – Blink 182 Badfish – Sublime Basket Case – Green Day Breakfast at Tiffany’s – Deep Blue Something Bust a Move – Young MC Bye Bye Bye – N Sync Hey Jealousy – Gin Blossoms Inside Out – Even 6 I Want It That Way – Backstreet Boys Laid – James Last Kiss – Pearl Jam Let Her Cry – Hootie and the Blowfish Losing My Religion – R.E.M. My Own Worst Enemy – Lit Santeria - Sublime Save Tonight – Eagle Eye Cherry Semi Charmed Life – Third Eye Blind The Middle – Jimmy Eat World Under the Bridge – Red Hot Chili Peppers Waterfalls - TLC What I Got – Sublime What’s My Age Again? – Blink 182 What’s Up – 4 Non Blondes Wonderwall – Oasis You Oughta Know – Alanis Morrisette 2000s + Today SONGS Uptown Funk – Bruno Mars Closer – Chainsmokers Get Lucky – Daft Punk Cake By The Ocean – DNCE Don't Stop Now - Dua Lipa Shape Of You – Ed Sheeran Sugar, We’re Going Down – Fall Out Boy The Anthem – Good Charlotte I Love It – Icona Pop Can’t Stop The Feeling! – Justin Timberlake Timber – Kesha Mr. -
Drug Facts Week Message Timely with Death of Amy Winehouse
Drug Facts Week Message Timely with Death of Amy Winehouse Details Created on Friday, 23 December 2011 11:52 Amy Winehouse, the former Grammy award-winning artist who had a very public battle with substance use disorder and her use of several illicit and licit substances, died in July of this year. Last week, however, the long awaited cause of Amy Winehouse's death was disclosed at a coroner's court in London. The findings show that Amy had died from her use of alcohol, not from the illicit substances which were the focus of much media attention. Her tragic and unfortunate loss serves to educate us that there is no "safe drug". Every time someone takes an addictive substance whether it be alcohol or cocaine, tobacco or ecstasy, there are significant risks that need to be understood. Unfortunately, our society has focused its attention in regards to the dangers of addiction according to cultural misperceptions. This non-scientific view has allowed for the de- sensitization of the real dangers of legal drugs such as alcohol and tobacco, or prescription drugs which as a result of being improperly used is resulting in an alarming rise in the use of opiates. Seeking to spread the message that all drugs carry risks and are harmful to the body, President Obama's Administration for the second year in a row is holding "Drug Facts Week" from October 31st through November 6th. The weeklong event will seek to connect teens with scientifically proven facts about drugs and substance use disorder. Last year's successful Drug Facts Week saw over 100 community events and discussions between teens and scientists. -
1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29. -
09.08.2010 / Kw 32
09.08.2010 / KW 32 Interpret Titel Punkte Label / Vertrieb Platz Tendenz Letzte Woche 2 Wochen Vor 3 Wochen Vor Veränderung Höchste Platzierung Wochen platziert Verkaufscharts 1 ● 1 1 2 YOLANDA BE COOL & DCUP We No Speak Americano 4005 Sweat It Out!/Superstar/Zebralution/Universal/UV 0 1 10 X 2 ● 2 2 4 PH ELECTRO Englishman In New York 2810 Yawa/Kontor New Media 0 2 5 - 3 ▲ 4 5 5 EDWARD MAYA FEAT. VIKA JIGULINA Stereo Love 2365 Universal/UV 1 3 34 X 4 ▼ 3 3 1 AVICII & SEBASTIEN DRUMS My Feelings For You 2233 Superstar/Zebralution -1 1 9 X 5 ▲ 14 44 - LASERKRAFT 3D Nein, Mann! 2052 We Play/Kontor New Media 9 5 3 - 6 ● 6 6 3 DAVID GUETTA & CHRIS WILLIS FEAT. FERGIE AND LMFAO Gettin' Over You 2014 Virgin/EMI 0 1 18 X 7 ▼ 5 4 10 JASPER FORKS River Flows In You (The Vocal Mixes) 1974 Kontor/Kontor New Media -2 4 5 X 8 ▲ 9 14 16 LADY GAGA Alejandro 1441 Streamline/KonLive/Interscope/Universal/UV 1 8 11 X 9 ▼ 8 8 8 LOONA Vamos A La Playa 1343 FutureBase/Kontor New Media -1 8 6 X 10 ● 10 9 9 KATY PERRY FEAT. SNOOP DOGG California Gurls 1299 Capitol/EMI 0 9 8 X 11 ● 11 13 15 SWEDISH HOUSE MAFIA FEAT. PHARRELL One (Your Name) 1156 EMI 0 10 13 X 12 ▲ 74 - - PICCO Venga 1068 Yawa/Kontor New Media 62 12 2 - 13 ▼ 7 7 6 COMICCON Komodo '10 1038 Zoo Digital/Zooland/Kontor New Media -6 5 7 - 14 ▼ 12 11 14 DARIUS & FINLAY FEAT. -
Biu Withers by Rob Bowman He Was the Leading Figure in the Nascent Black Singer-Songwriter Movement of the Early 1970S
PERFORMERS BiU Withers By Rob Bowman He was the leading figure in the nascent black singer-songwriter movement of the early 1970s. BILL WITHERS WAS SIMPLY NOT BORN TO PLAY THE record industry game. His oft-repeated descriptor for A&R men is “antagonistic and redundant.” Not surprisingly, most A&R men at Columbia Records, the label he recorded for beginning in 1975, considered him “difficult.” Yet when given the freedom to follow his muse, Withers wrote, sang, and in many cases produced some of our most enduring classics, including “Ain’t No Sunshine,” “Lean on Me,” “Use Me,” “Lovely Day,” “Grandma’s Hands,” and “Who Is He (and What Is He to You).” ^ “Not a lot of people got me,” Withers recently mused. “Here I was, this black guy playing an acoustic guitar, and I wasn’t playing the gut-bucket blues. People had a certain slot that they expected you to fit in to.” ^ Withers’ story is about as improb able as it could get. His first hit, “Ain’t No Sunshine,” recorded in 1971 when he was 33, broke nearly every pop music rule. Instead of writing words for a bridge, Withers audaciously repeated “I know” twenty-six times in a row. Moreover, the two-minute song had no introduction and was released as a throwaway B-side. Produced by Stax alumni Booker T. Jones for Sussex Records, the single’s struc ture, sound, and sentiment were completely unprecedented and pos sessed a melody and lyric that tapped into the Zeitgeist of the era. Like much of Withers’ work, it would ultimately prove to be timeless. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
TALKING to YOUNG PEOPLE ABOUT DRUGS and ALCOHOL a Useful Guide for Parents, Teachers and Anyone Looking out for a Child Or Young Person
TALKING TO YOUNG PEOPLE ABOUT DRUGS AND ALCOHOL A useful guide for parents, teachers and anyone looking out for a child or young person. HOW TO SAY THE RIGHT THING It can be difficult to talk about issues such as drugs and alcohol, especially if you aren’t sure about the facts. Yet with the right kind of advice you can play an important role in keeping young people safe and you can help them to make safer decisions as they grow older. This guide won’t turn you into an expert overnight, but it will help you to hold useful and worthwhile conversations. It will help you to become someone a young person can confide in, and talk to about drugs, alcohol and any other concerns they may have. This guide can also help if you’re a teacher, or someone who looks out for young people as part of your job or responsibilities. It’s been written with experts from AMY WINEHOUSE FOUNDATION the Amy Winehouse Foundation Resilience team, who work in secondary schools, Charity registered in England and Wales no. 1143740. colleges and community settings across the country. With many years experience of A company limited by guarantee. Registered no. 7737209. working with young people, this team knows what works (and what doesn’t work) Registered office: 5a Bear Lane London SE1 0UH when it comes to talking with young people about drugs and alcohol. 2 3 WHY MIGHT A YOUNG PERSON TRY DRUGS OR ALCOHOL? THE HELP To be very clear, not every young person will choose to try drugs or drink YOU CAN OFFER alcohol. -
Brooklyn Hits Song List
The Brooklyn Hits Song List For more information contact: John Gray 480-262-4956 www.thebrooklynhits.com [email protected] A Taste of Honey - Boogie Oogie Oogie AC/DC - You Shook Me All Night Long Adele - Rollin In The Deep Adele - Hello A-ha - Take on Me Alicia Keys - No One Amy Winehouse - Rehab Amy Winehouse - Valerie Aretha Franklin - Respect Aretha Franklin - Chain Of Fools Aretha Franklin - Natural Woman Aretha Franklin - I Say A Little Prayer B52s - Love Shack Bastille - Pompeii Ben E. King - Stand By Me Betty Everett - Shoop Shoop (It's In His Kiss) Beyonce - Single Ladies Beyonce - Love On Top Beyonce - Halo Belinda Carlisle - Heaven is a place on Earth Bill Medley & Jennifer Warnes - I've Had The Time Of My Life Bill Withers - Just The Two Of Us Bill Withers - Lean On Me Billy Joel - Just The Way You Are Billy Joel - Uptown Girl Billy Joel - New York State Of Mind Bob Marley - No Woman No Cry Bob Marley - Is This Love Bob Seger - Old Time Rock & Roll Bruno Mars - 24k Magic Bruno Mars - Uptown Funk Bruno Mars - Locked Out Of Heaven Bruno Mars - Marry You Bruno Mars - Just The Way You Are Bruno Mars - Treasure Bruno Mars (feat. Cardi B) - Finesse Camina Cabello - Havana Carl Carlton - She's A Bad Mama Jama Carly Rae Jepsen - Call Me Maybe Ceelo Green - Forget You Christina Perri - A Thousand Years Chuck Berry - Johnny B. Good Clean Bandit - Rather Be Cyndi Lauper - Girls Just Wanna Have Fun Darius Rucker - Wagon Wheel Dexy's Midnight Runners - Come On Eileen Drake - Hold On I'm Coming Home Diana Ross - I'm Coming Out Due