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Annual Report 2012 Adroddiad Blynyddol 2012
ANNUAL REPORT 2012 ADRODDIAD BLYNYDDOL 2012 CONTEMPORARY ART SOCIETY FOR WALES CYMDEITHAS CELFYDDYD GYFOES CYMRU T H E A L B A N Y G A L L E R Y Dominic Hills SUMMERMuriel Delahaye -EXHIBITION Gossiping 29 x 25ins, oil2011 on canvas st rd 1SUMMER July – 3 EXHIBITIONSeptember An exhibition of work by more than 70 artists 28th June - 10th August 2013 A changing exhibition of work by more than 50 artists Diagonal Shadow 65 x 120cms egg tempera CERI AUCKLAND DAVIES CERI AUCKLAND DAVIES 13th September - 5th October 2013 9th September – 1st October For images and74b details Albany ofRoad, future Cardiff, exhibitions, CF24 3RS view our website T: 029www.albanygallery.com 2048 7158 E: [email protected] W:www.albanygallery.com Gallery open: Monday – Saturday 10am – 5pm, Sundays and Bank Holidays 11am – 4pm 74b Albany Road, Cardiff CF24 3RS T: 029 2048 7158 E: [email protected] Gallery open: Monday - Saturday 10am - 5pm, Sundays and Bank Holidays 11am - 4pm contemporary art society for wales cymdeithas celfyddyd gyfoes cymru Charity No: 247947 OFFICERS OF THE SOCIETY AT 31st DECEMBER 2012 Patron The Right Honourable The Earl of Snowdon President Professor Bryan Hibbard Past President Mrs Betty Evans Vice Presidents Mr Ken Spurlock MBE Mrs J M Rees-Mathews ✝ Mr Peter Clee Dr Tudor Jones Bernard H Rees Chairperson Dr Chris Evans Vice Chairperson 1 Mr John Fitzgerald OBE Treasurer Mr Gwyn Stone Events Secretary Mrs Sian Williams Membership Secretary Dr Dan Evans Mulberry Lodge, 3 Pencisely Rd, Llandaff, Cardiff CF5 1DG Tel:02920 226029 Email:[email protected] -
A TIME for May/June 2016
EDITOR'S LETTER EST. 1987 A TIME FOR May/June 2016 Publisher Sketty Publications Address exploration 16 Coed Saeson Crescent Sketty Swansea SA2 9DG Phone 01792 299612 49 General Enquiries [email protected] SWANSEA FESTIVAL OF TRANSPORT Advertising John Hughes Conveniently taking place on Father’s Day, Sun 19 June, the Swansea Festival [email protected] of Transport returns for its 23rd year. There’ll be around 500 exhibits in and around Swansea City Centre with motorcycles, vintage, modified and film cars, Editor Holly Hughes buses, trucks and tractors on display! [email protected] Listings Editor & Accounts JODIE PRENGER Susan Hughes BBC’s I’d Do Anything winner, Jodie Prenger, heads to Swansea to perform the role [email protected] of Emma in Tell Me on a Sunday. Kay Smythe chats with the bubbly Jodie to find [email protected] out what the audience can expect from the show and to get some insider info into Design Jodie’s life off stage. Waters Creative www.waters-creative.co.uk SCAMPER HOLIDAYS Print Stephens & George Print Group This is THE ultimate luxury glamping experience. Sleep under the stars in boutique accommodation located on Gower with to-die-for views. JULY/AUGUST 2016 EDITION With the option to stay in everything from tiki cabins to shepherd’s huts, and Listings: Thurs 19 May timber tents to static camper vans, it’ll be an unforgettable experience. View a Digital Edition www.visitswanseabay.com/downloads SPRING BANK HOLIDAY If you’re stuck for ideas of how to spend Spring Bank Holiday, Mon 30 May, then check out our round-up of fun events taking place across the city. -
The Welsh Conservative Party and the National Assembly of Wales 1997
MSc (Econ) Department of International Politics, Aberystwyth University Submitted in partial fulfilment of the requirements for the degree of: MSc (Econ) Welsh Politics & Society (RT) The Welsh Conservative Party and the National Assembly of Wales 1997 – 2010 Kristian Hicks P a g e | 1 Abstract The Conservative Party in Wales has undergone a great deal of change since the creation of the National Assembly in 1999. As a party that vociferously opposed the passing of any devolution settlement,1 the ‘Yes’ outcome of the devolution referendum would push the party into a crisis of relevancy. How exactly does a conservative deal such changes in the structure of a political system? What are the environmental push-pull factors and themes that emanate from such a change?2 This dissertation seeks to explore such questions and also communicates the experiences of the Welsh Conservative party in the age of devolution. The structure of this dissertation is chronological in nature.3 It begins with the experiences of the Conservatives in the first assembly onwards to the present at the time of writing (2010). A myriad of materials will be utilised from the works of Conservative philosophers, specialists in devolution specifically of the Welsh form4, works on Welsh history and journalistic articles. 1 John Major, You can only be sure with the Conservatives, Conservative and Unionist Party Manifesto, 1997, P. 1 2 These themes include party leadership, the relationship between the Welsh and National party and the philosophy of conservatism as applied to institutional change amongst others. 4 Especially through the findings of the devolution monitoring reports. -
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ARTS COUNCIL CONTENTS C hairina;,'~ Introduction 4 The Arts Council of Great Britain, as a 5 publicly accountable body, publishes an Sui kA• 1r. -C;eneral's Preface 8 Annual Report to provide Parliament and Departmental Report s 14 the general public with an overview of th e Scotland year's work and to record ail grants an d Wales 15 guarantees offered in support of the arts . Council 16 Membership of Council and Staff 17 A description of the highlights of th e Advisory Panels and Committee s 18 Council's work and discussion of its policie s Staff 23 appear in the newspaper Arts in Action Annual Accounts 25 which is published in conjunction with thi s Funds, Exhibitions, SchewsandAuvrd~ Report and can be obtained, free of charge , from the Arts Council Shop, 8 Long Acre , London WC2 and arts outlets throughou t the country . The objects for which the Arts Council of Great Britain is established are : I To develop and improve the knowledge , understanding and practice of the arts ; 2 To increase the accessibility of the arts to the public throughout Great Britain ; 3 To co-operate with governmen t departments, local authorities and othe r bodies to achieve these objects. CHAIRMAN'S INTRODUCTION and performing artists and of helping t o wherever possible both Mth local build up the audiences which must be th e authorities and with private sponsors. real support for the arts . It is the actua l event, the coming together of artist an d The Arts Council is very conscious that th e audience, which matters . -
Why Learning to Read Is Easier in Welsh Than in English: Orthographic Transparency Effects Evinced with Frequency-Matched Tests
Applied Psycholinguistics 22 (2001), 571–599 Printed in the United States of America Why learning to read is easier in Welsh than in English: Orthographic transparency effects evinced with frequency-matched tests NICK C. ELLIS and A. MARI HOOPER University of Wales, Bangor ADDRESS FOR CORRESPONDENCE Nick C. Ellis, School of Psychology, University of Wales, Bangor, Gwynedd LL57 2DG, United Kingdom. E-mail: [email protected] ABSTRACT This study compared the rate of literacy acquisition in orthographically transparent Welsh and ortho- graphically opaque English using reading tests that were equated for frequency of written exposure. Year 2 English-educated monolingual children were compared with Welsh-educated bilingual chil- dren, matched for reading instruction, background, locale, and math ability. Welsh children were able to read aloud accurately significantly more of their language (61% of tokens, 1821 types) than were English children (52% tokens, 716 types), allowing them to read aloud beyond their compre- hension levels (168 vs. 116%, respectively). Various observations suggested that Welsh readers were more reliant on an alphabetic decoding strategy: word length determined 70% of reading latency in Welsh but only 22% in English, and Welsh reading errors tended to be nonword mispro- nunciations, whereas English children made more real word substitutions and null attempts. These findings demonstrate that the orthographic transparency of a language can have a profound effect on the rate of acquisition and style of reading adopted by its speakers. Systems that are noisy and inconsistent are harder to sort out than systems that are reliable and categorical. There is now a large body of research demonstrating that greater ambiguity in the mappings between the forms and functions of a particular language causes less successful learning because of a larger degree of competition among the cues in the learning set (Bates & MacWhinney, 1987; MacWhinney, 1987). -
A Critical Analysis of the Role of Community Sport in Encouraging the Use of the Welsh Language Among Young People Beyond the School Gate
A critical analysis of the role of community sport in encouraging the use of the Welsh language among young people beyond the school gate Lana Evans Thesis submitted to Cardiff Metropolitan University in fulfilment of the requirement for the degree of Doctor of Philosophy at Cardiff School of Sport and Health Sciences, Cardiff Metropolitan University, Cardiff April 2019 Director of Studies: Dr Nicola Bolton Supervisors: Professor Carwyn Jones, Dr Hywel Iorwerth Table of Contents ACKNOWLEDGEMENTS ................................................................................................................................ I ABSTRACT ....................................................................................................................................................... II PEER-REVIEWED PUBLICATIONS ............................................................................................................. III CHAPTER ONE INTRODUCTION INTRODUCTION..................................................................................................................................................... 1 BACKGROUND ...................................................................................................................................................... 2 The Regression of the Welsh Language during the Twentieth Century ......................................................... 2 Political Attempts to Reverse the Decline ..................................................................................................... -
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ARTS n jr. J .r . The Arts Council of Grea t Britain was formed in August 1946 to continue in peacetim e the work begun with Government support by th e Council for the Encouragement of Music and the Arts. The Arts Council operates under a revised Royal Charter granted in 1967 in which its objects are stated as : (a) to develop and improve th e knowledge, understanding an d practice of the arts ; (b)to increase the accessibilit y of the arts to the public throughout Great Britain ; (c) to advise and co-operat e with departments of government, local authoritie s and other bodies . The Arts Council, as a publicl y S3 accountable body, publishes a n ro annual report and accounts t o a n provide Parliament and th e general public with an overview e 3 Front coeari Ttra renovated AUmmbre of the year 's work . Theatre, Bradford . The ar" are rogeaerating Bradford as "the City of Er*00"lnnrenk an.ee"ns ►aurisre and bariaees. The rota of the arts as cololysts for urban rerrerrel 4 discussed In John Davison's or"* a s the Arts Council's urfaen Renaissance ro"WEl9e. Chairmen's iMroduelion 2 Lord flees-Mogg reflects on his seven years at the Arts Counci l Secretary-Genewl's report 4 Luke Rittner highlights the issue s and achievements of 19$1/8 8 Arts review b Departmental reports on policies which promoted the arts during 1487/88 Special reporfs Appraisals How the Arts Council appraises its 26 clients, and why. by Lynda Murdi n Nubian renaissance The role the 28 arts are playing in regenerating the inner cities . -
Dilys Jackson CV
DilysJackson-CV2019.docx DILYS JACKSON MRBS 29 Ilton Road, Penylan, Cardiff CF23 5DU, UK +44(0)29 20473625 / +44(0)7779 263 835 Studio: 54b Bute Street, Cardiff, UK [email protected] www.dilysjackson.co.uk BIOGRAPHY 1956-60 Slade School of Fine Art, University College London DipFA 1961-62 Swansea College of Art, South Wales ATD 1965-66 Art Instructor, Coed Ffranc Youth Centre, South Wales 1966-92 Teacher & Head Teacher, Special Schools, Cardiff, Wales 1967 Guide Lecturer, Pictures for Schools Exhibition, National Museum of Wales, Cardiff 1971-72 University of Wales Swansea, Dip. Special Education 1973-76 Open University, BA Psychology 1986-97 South East Wales Women’s Arts Festivals Organiser Open Exhibitions 1987-89 University of Wales Institute Cardiff, (now Cardiff Metropolitan University), MA Fine Art 1994-98 Artist-in-Residence, Groundwork Bridgend 1998-03 Groundwork Bridgend and Neath Port Talbot: Environmental Arts Manager 2003-present Freelance sculptor and lecturer, Organiser of conferences and curator COLLECTIONS Galleri Brinken, Stockholm Vaughan College, Leicester Mid Glamorgan Education Authority New Hall Collection, Cambridge The Contemporary Art Society of Wales Salem Art Works, New York State, USA Franconia Sculpture Park, Minnesota, USA The National Library of Wales, Aberystwyth, Wales Llantarnam Grange Arts Centre, Cwmbran, Wales South Wales University, Pontypridd, Wales The National Museum and Gallery of Wales Llandough Hospital, Wales Numerous private: UK, Europe, Canada & USA The Sculpture Park, Churt, Surrey Sausmarez Manor, Guernsey Set House Gallery, Pembrokeshire, Wales Numerous private collections Page 1 of 12 Dilys Jackson MRBS CV – updated January 2019 DilysJackson-CV2019.docx SOLO EXHIBITIONS 1960 Galleri Brinken, Stockholm 1969 Llantarnam Grange, Cwmbran. -
ALAN SALISBURY a RETROSPECTIVE (Download PDF)
ALAN SALISBUA RETROSPECTIVERY EDITED BY DR CERI THOMAS Self Portrait with Self Portraits with reference to Caravaggio’s ‘Boy with a Basket of Fruit’ 2012, oil on board, 62 x 60cm, collection of the artist ALAN SALISBURY: A RETROSPECTIVE CONTENTS All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any ACKNOWLEDGEMENTS 6 form or by any means, electronic, mechanical or otherwise, without prior permission in writing from the publishers. Tony Curtis, Ceri Thomas and Frances Woodley have asserted their right to be identified as the authors of this work in SALISBURY PLAYING – PLACING ALAN 9 accordance with the Copyright, Designs and Patent Act 1988. Dr Ceri Thomas © Paintings/images are copyright of Alan Salisbury © Interview text is copyright of Alan Salisbury and Tony Curtis ALAN SALISBURY 21 © Essay texts are copyright of Ceri Thomas (ed.) and Frances Woodley Interview with Professor Tony Curtis All photography by Geraint Jones and Alan Salisbury unless otherwise stated. STILL LIFE AND INTIMATE PORTRAITS – WORLDS IN THE MAKING 39 Design by A1 Design, Cardiff Frances Woodley Printed by Gomer Press, Llandysul ISBN 978-1-909838-14-7 IMAGES 1 49 Anna Wants A Dog Portraits Still Lifes The Art Of Goalkeeping Commedia Del Goalie IMAGES 2 83 Drawings Gardens Landscapes Published by the University of South Wales, 2015 ALAN SALISBURY 98 © Copyright University of South Wales, 2015 Curriculum Vitae Front cover image, detail from: Bread Roll and Tomato with reference to works by Luis Melendez 2011, oil on board, 37.5 x 28cm, private collection Full image on page 64 ACKNOWLEDGEMENTS transformed into a much larger undertaking touring to a number of venues largely through Tony’s enthusiasm and his entrepreneurial energy and ability. -
The Role of Urdd Gobaith Cymru Accepted for Publication In
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Loughborough University Institutional Repository Youth organisations and the reproduction of nationalism in Britain: the role of Urdd Gobaith Cymru Rhys Jones, Department of Geography and Earth Sciences, Aberystwyth University Peter Merriman, Department of Geography and Earth Sciences, Aberystwyth University Sarah Mills, Department of Geography, Loughborough University th Accepted for publication in Social & Cultural Geography on 28 September 2015 Introduction In this paper we examine the role played by youth organisations in shaping the national identities of young people in the UK. We argue that, in general, the role of youth organisations in shaping the individual and group identities of young people has been neglected. In particular, there has been a dearth of research on the key role played by youth organisations in shaping the cultural and political identities of youth in the various territories – or what are sometimes called the devolved nations – of the UK. This second area of neglect is particularly surprising, given the potential for youth organisations in these territories to reflect and help to promote national identities within them. Our aim in this paper is to begin to fill this gap by examining the role played by a key youth organisation in Wales – Urdd Gobaith Cymru (literally Wales’ Guild of Hope) – in reflecting and shaping Welsh national identities. In doing so, this paper makes two contributions to existing debates in social, cultural and political geography. First, in relation to scholarship on the cultural and political geographies of the nation, the paper highlights how youth organisations imagine, represent and reproduce the nation. -
The Battle of Grosmont
GWENT LOCAL HISTORY (Formerly Presenting Monmouthshire) - Number 97 On many occasions Local History cannot be meaningful in a purely 'local' context. An event or process identified in a particular place may be part of a much wider perspective that the local historian must be aware of in order to give his work its proper focus. The Battle of Grosmont was a turning-point in the Glyndwr Rebellion that had covered the length and breadth of Wales and the borders in the early years of the fifteenth century. Secretary: Jenny Render Editor: Tony Hopkins Gwent Record Office Autumn 2004 THE BATTLE OF GROSMONT, 1405: A reinterpretation by Nick Thomas-Symonds (researched by Gareth McCann) Introduction Owain Glyndwr was declared Prince of Wales on 16 September 1400 at his own manor. The apparent pretext was a disagreement with his neighbour, Lord Grey of Ruthin, over either a deliberately delayed summons for Glyndwr to accompany the king on his expedition to Scotland or a local boundary dispute. For Rees Davies, 'this was a premeditated act based on long-festering grievances and an attachment to the ideology of an independent Wales governed by its own native, legitimate ruler.'2 Indeed, from this apparently minor event, Wales was to become a region in revolt. The Battle of Grosmont is one of the Anglo-Welsh battles of this time. It occurred almost exactly half-way through the 'revolt' period of 1400-1409, in March 1405. The significance of the Battle of Grosmont can be located in the context of the Glyndwr revolt, or in terms of providing a brief historical window into the early character of Prince Henry of Monmouth, later Henry V (r. -
Desert Island Times Summer Special
D E S E RT I S L A N D T I M E S S h a r i n g f e l l o w s h i p i n NEWPORT SE WALES U3A Summer Special 17th August 2020 Tintern Abbey, one of our local Historical gems A miscellany of Contributions From OUR members NEWPORT U3A TIMETABLE SUBJECT WEDNESDAY THURSDAY FRIDAY ALL THAT JAZZ 12:15 - 13:15 W3 ART 10:00 - 12:00 W CAFÉ CULTURE/MONTHLY MEETING 10:00 - 12:00 W2 CHOIR. 10:00 - 12:00 W CLASSICAL MUSIC APPRECIATION 13:15 - 15:15 W1,3 CRAFT 10:00 - 12:00 W CREATIVE WRITING 13:15 - 15:15 W CRYPTIC CROSSWORDS 14:15 - 15:30 W2,4 CURRENT AFFAIRS 10:15 - 11:45 W 1,3,4,5 CYCLING Tuesdays April tO OctObEr - Contact Convenor for details EASY MOVEMENT 12:15 - 13:30 W FAMILY HISTORY 13:15 - 15:15 W2,4,5 FRENCH DEBS 14:15 - 15:45 W FRENCH INTERMEDIATE 09:45 - 11:15 W FRENCH LIT 09:45 - 11:15 W FRENCH CONVERSATION 11:30 - 13:00 W GARDENING & WILDLIFE 10:00 - 12:00 W1,3 GERMAN 14:15 - 15:45 W2,4 HISTORY 13:45 - 15:15 W1,3,4 ITALIAN CONVERSATION 12:30 - 13:30 ITALIAN IMPROVERS 13:30 - 14:45 W LINE DANCING 12:15 - 13:15 W1,3 LISTENING TO MUSIC 10:00 - 12:00 W MEDITATION 12:15 - 13:15 W1,3,4 PLAY READING 14:00 - 15:30 W READING 1 12:00 - 13:00 W2 READING 2 13:00 - 14:00 W2 REMINISCENCES 13:30 - 15:00 W2 STANDING PILATES 13:30 - 14:30 W SKITTLES (ST JULIANS INN) 13:15 – 14.30 W2,3 SPANISH (BEGINNERS) 10:00 - 11:15 W SPANISH (ADVANCED) 11:30 - 13:00 W SPECIAL EVENTS, TRIPS As advErtisEd SUNDAY LUNCH CLUB Monthly abOut 13:00.