Bilingual Identities in Two UK Communities
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Annual Report 2012 Adroddiad Blynyddol 2012
ANNUAL REPORT 2012 ADRODDIAD BLYNYDDOL 2012 CONTEMPORARY ART SOCIETY FOR WALES CYMDEITHAS CELFYDDYD GYFOES CYMRU T H E A L B A N Y G A L L E R Y Dominic Hills SUMMERMuriel Delahaye -EXHIBITION Gossiping 29 x 25ins, oil2011 on canvas st rd 1SUMMER July – 3 EXHIBITIONSeptember An exhibition of work by more than 70 artists 28th June - 10th August 2013 A changing exhibition of work by more than 50 artists Diagonal Shadow 65 x 120cms egg tempera CERI AUCKLAND DAVIES CERI AUCKLAND DAVIES 13th September - 5th October 2013 9th September – 1st October For images and74b details Albany ofRoad, future Cardiff, exhibitions, CF24 3RS view our website T: 029www.albanygallery.com 2048 7158 E: [email protected] W:www.albanygallery.com Gallery open: Monday – Saturday 10am – 5pm, Sundays and Bank Holidays 11am – 4pm 74b Albany Road, Cardiff CF24 3RS T: 029 2048 7158 E: [email protected] Gallery open: Monday - Saturday 10am - 5pm, Sundays and Bank Holidays 11am - 4pm contemporary art society for wales cymdeithas celfyddyd gyfoes cymru Charity No: 247947 OFFICERS OF THE SOCIETY AT 31st DECEMBER 2012 Patron The Right Honourable The Earl of Snowdon President Professor Bryan Hibbard Past President Mrs Betty Evans Vice Presidents Mr Ken Spurlock MBE Mrs J M Rees-Mathews ✝ Mr Peter Clee Dr Tudor Jones Bernard H Rees Chairperson Dr Chris Evans Vice Chairperson 1 Mr John Fitzgerald OBE Treasurer Mr Gwyn Stone Events Secretary Mrs Sian Williams Membership Secretary Dr Dan Evans Mulberry Lodge, 3 Pencisely Rd, Llandaff, Cardiff CF5 1DG Tel:02920 226029 Email:[email protected] -
A TIME for May/June 2016
EDITOR'S LETTER EST. 1987 A TIME FOR May/June 2016 Publisher Sketty Publications Address exploration 16 Coed Saeson Crescent Sketty Swansea SA2 9DG Phone 01792 299612 49 General Enquiries [email protected] SWANSEA FESTIVAL OF TRANSPORT Advertising John Hughes Conveniently taking place on Father’s Day, Sun 19 June, the Swansea Festival [email protected] of Transport returns for its 23rd year. There’ll be around 500 exhibits in and around Swansea City Centre with motorcycles, vintage, modified and film cars, Editor Holly Hughes buses, trucks and tractors on display! [email protected] Listings Editor & Accounts JODIE PRENGER Susan Hughes BBC’s I’d Do Anything winner, Jodie Prenger, heads to Swansea to perform the role [email protected] of Emma in Tell Me on a Sunday. Kay Smythe chats with the bubbly Jodie to find [email protected] out what the audience can expect from the show and to get some insider info into Design Jodie’s life off stage. Waters Creative www.waters-creative.co.uk SCAMPER HOLIDAYS Print Stephens & George Print Group This is THE ultimate luxury glamping experience. Sleep under the stars in boutique accommodation located on Gower with to-die-for views. JULY/AUGUST 2016 EDITION With the option to stay in everything from tiki cabins to shepherd’s huts, and Listings: Thurs 19 May timber tents to static camper vans, it’ll be an unforgettable experience. View a Digital Edition www.visitswanseabay.com/downloads SPRING BANK HOLIDAY If you’re stuck for ideas of how to spend Spring Bank Holiday, Mon 30 May, then check out our round-up of fun events taking place across the city. -
The Welsh Conservative Party and the National Assembly of Wales 1997
MSc (Econ) Department of International Politics, Aberystwyth University Submitted in partial fulfilment of the requirements for the degree of: MSc (Econ) Welsh Politics & Society (RT) The Welsh Conservative Party and the National Assembly of Wales 1997 – 2010 Kristian Hicks P a g e | 1 Abstract The Conservative Party in Wales has undergone a great deal of change since the creation of the National Assembly in 1999. As a party that vociferously opposed the passing of any devolution settlement,1 the ‘Yes’ outcome of the devolution referendum would push the party into a crisis of relevancy. How exactly does a conservative deal such changes in the structure of a political system? What are the environmental push-pull factors and themes that emanate from such a change?2 This dissertation seeks to explore such questions and also communicates the experiences of the Welsh Conservative party in the age of devolution. The structure of this dissertation is chronological in nature.3 It begins with the experiences of the Conservatives in the first assembly onwards to the present at the time of writing (2010). A myriad of materials will be utilised from the works of Conservative philosophers, specialists in devolution specifically of the Welsh form4, works on Welsh history and journalistic articles. 1 John Major, You can only be sure with the Conservatives, Conservative and Unionist Party Manifesto, 1997, P. 1 2 These themes include party leadership, the relationship between the Welsh and National party and the philosophy of conservatism as applied to institutional change amongst others. 4 Especially through the findings of the devolution monitoring reports. -
Overexposure to and of the Media in Kenneth Goldsmith's Work
Aji Page 1 10/13/09 Hélène Aji Université du Maine « The Weather [to]Day » Overexposure to and of the Media in Kenneth Goldsmith’s Work “All the News that’s Fit to Print” The New York Times Late Edition New York: Today, mostly cloudy, high 83. Tonight, warm and muggy, low 73. Tomorrow, cloudy with a few showers, high 80. Yesterday, high 83, low 7. Weather map is on Page A20. (Day 11) A couple of breaks of sunshine over the next couple of hours, what little sunshine there is left. Remember, this is the shortest day of the year. Looks like the clear skies hold off till later on tonight. It will be brisk and cold, low temperatures will range from twenty-nine in some suburbs to thirty-eight in midtown. Not a bad shopping day tomorrow, sunshine to start, then increasing clouds, still breezy, with a high near fifty. (The Weather 3) Over the span of nine books and some fifteen years, Kenneth Goldsmith, now in his forties, living in New York and working in Philadelphia, unfolds what he calls in turn a poetics of uncreativity and a poetics of boredom. Each text draws from the quotidian in its most minute details to produce text that is either borrowed and collaged or simply transcribed. In Day (2003), he types down the September 1, 2000 issue of the New York Times from the top left of the front page to the bottom right of the last page, thus producing an impressive volume of highly tedious thus hardly legible text of 836 pages. -
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ARTS COUNCIL CONTENTS C hairina;,'~ Introduction 4 The Arts Council of Great Britain, as a 5 publicly accountable body, publishes an Sui kA• 1r. -C;eneral's Preface 8 Annual Report to provide Parliament and Departmental Report s 14 the general public with an overview of th e Scotland year's work and to record ail grants an d Wales 15 guarantees offered in support of the arts . Council 16 Membership of Council and Staff 17 A description of the highlights of th e Advisory Panels and Committee s 18 Council's work and discussion of its policie s Staff 23 appear in the newspaper Arts in Action Annual Accounts 25 which is published in conjunction with thi s Funds, Exhibitions, SchewsandAuvrd~ Report and can be obtained, free of charge , from the Arts Council Shop, 8 Long Acre , London WC2 and arts outlets throughou t the country . The objects for which the Arts Council of Great Britain is established are : I To develop and improve the knowledge , understanding and practice of the arts ; 2 To increase the accessibility of the arts to the public throughout Great Britain ; 3 To co-operate with governmen t departments, local authorities and othe r bodies to achieve these objects. CHAIRMAN'S INTRODUCTION and performing artists and of helping t o wherever possible both Mth local build up the audiences which must be th e authorities and with private sponsors. real support for the arts . It is the actua l event, the coming together of artist an d The Arts Council is very conscious that th e audience, which matters . -
Why Learning to Read Is Easier in Welsh Than in English: Orthographic Transparency Effects Evinced with Frequency-Matched Tests
Applied Psycholinguistics 22 (2001), 571–599 Printed in the United States of America Why learning to read is easier in Welsh than in English: Orthographic transparency effects evinced with frequency-matched tests NICK C. ELLIS and A. MARI HOOPER University of Wales, Bangor ADDRESS FOR CORRESPONDENCE Nick C. Ellis, School of Psychology, University of Wales, Bangor, Gwynedd LL57 2DG, United Kingdom. E-mail: [email protected] ABSTRACT This study compared the rate of literacy acquisition in orthographically transparent Welsh and ortho- graphically opaque English using reading tests that were equated for frequency of written exposure. Year 2 English-educated monolingual children were compared with Welsh-educated bilingual chil- dren, matched for reading instruction, background, locale, and math ability. Welsh children were able to read aloud accurately significantly more of their language (61% of tokens, 1821 types) than were English children (52% tokens, 716 types), allowing them to read aloud beyond their compre- hension levels (168 vs. 116%, respectively). Various observations suggested that Welsh readers were more reliant on an alphabetic decoding strategy: word length determined 70% of reading latency in Welsh but only 22% in English, and Welsh reading errors tended to be nonword mispro- nunciations, whereas English children made more real word substitutions and null attempts. These findings demonstrate that the orthographic transparency of a language can have a profound effect on the rate of acquisition and style of reading adopted by its speakers. Systems that are noisy and inconsistent are harder to sort out than systems that are reliable and categorical. There is now a large body of research demonstrating that greater ambiguity in the mappings between the forms and functions of a particular language causes less successful learning because of a larger degree of competition among the cues in the learning set (Bates & MacWhinney, 1987; MacWhinney, 1987). -
11 July 2006 Mumbai Train Bombings
11 July 2006 Mumbai train bombings July 2006 Mumbai train bombings One of the bomb-damaged coaches Location Mumbai, India Target(s) Mumbai Suburban Railway Date 11 July 2006 18:24 – 18:35 (UTC+5.5) Attack Type Bombings Fatalities 209 Injuries 714 Perpetrator(s) Terrorist outfits—Student Islamic Movement of India (SIMI), Lashkar-e-Toiba (LeT; These are alleged perperators as legal proceedings have not yet taken place.) Map showing the 'Western line' and blast locations. The 11 July 2006 Mumbai train bombings were a series of seven bomb blasts that took place over a period of 11 minutes on the Suburban Railway in Mumbai (formerly known as Bombay), capital city of the Indian state of Maharashtra and India's financial capital. 209 people lost their lives and over 700 were injured in the attacks. Details The bombs were placed on trains plying on the western line of the suburban ("local") train network, which forms the backbone of the city's transport network. The first blast reportedly took place at 18:24 IST (12:54 UTC), and the explosions continued for approximately eleven minutes, until 18:35, during the after-work rush hour. All the bombs had been placed in the first-class "general" compartments (some compartments are reserved for women, called "ladies" compartments) of several trains running from Churchgate, the city-centre end of the western railway line, to the western suburbs of the city. They exploded at or in the near vicinity of the suburban railway stations of Matunga Road, Mahim, Bandra, Khar Road, Jogeshwari, Bhayandar and Borivali. -
Scuttlebutt from the Spermaceti Press 2015
Jan 15 #1 Scuttlebutt from the Spermaceti Press Sherlockians (and Holmesians) gathered in New York to celebrate the Great Detective's 161st birthday during the long weekend from Jan. 7 to Jan. 11. The festivities began with the traditional ASH Wednesday dinner sponsored by The Adventuresses of Sherlock Holmes at Annie Moore's, and continued with the Christopher Morley Walk led by Jim Cox and Dore Nash on Thursday morn- ing, followed by the usual lunch at McSorley's. The Baker Street Irregulars' Distinguished Speaker at the Midtown Executive Club on Thursday evening was Alan Bradley, co-author of MS. HOLMES OF BAKER STREET (2004), and author of the award-winning "Flavia de Luce" series; the title of his talk was "Ha! The Stars Are Out and the Wind Has Fallen" (his paper will be published in the next issue of The Baker Street Journal). The William Gillette Luncheon at Moran's Restaurant was well attended, as always, and the Friends of Bogie's at Baker Street (Paul Singleton and An- drew Joffe) entertained the audience with an updated version of "The Sher- lock Holmes Cable Network" (2000). The luncheon also was the occasion for Al Gregory's presentation of the annual Jan Whimsey Award (named in memory of his wife Jan Stauber), which honors the most whimsical piece in The Ser- pentine Muse last year: the winner (Jenn Eaker) received a certificate and a check for the Canonical sum of $221.17. And Otto Penzler's traditional open house at the Mysterious Bookshop provided the usual opportunities to browse and buy. -
A Critical Analysis of the Role of Community Sport in Encouraging the Use of the Welsh Language Among Young People Beyond the School Gate
A critical analysis of the role of community sport in encouraging the use of the Welsh language among young people beyond the school gate Lana Evans Thesis submitted to Cardiff Metropolitan University in fulfilment of the requirement for the degree of Doctor of Philosophy at Cardiff School of Sport and Health Sciences, Cardiff Metropolitan University, Cardiff April 2019 Director of Studies: Dr Nicola Bolton Supervisors: Professor Carwyn Jones, Dr Hywel Iorwerth Table of Contents ACKNOWLEDGEMENTS ................................................................................................................................ I ABSTRACT ....................................................................................................................................................... II PEER-REVIEWED PUBLICATIONS ............................................................................................................. III CHAPTER ONE INTRODUCTION INTRODUCTION..................................................................................................................................................... 1 BACKGROUND ...................................................................................................................................................... 2 The Regression of the Welsh Language during the Twentieth Century ......................................................... 2 Political Attempts to Reverse the Decline ..................................................................................................... -
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ARTS n jr. J .r . The Arts Council of Grea t Britain was formed in August 1946 to continue in peacetim e the work begun with Government support by th e Council for the Encouragement of Music and the Arts. The Arts Council operates under a revised Royal Charter granted in 1967 in which its objects are stated as : (a) to develop and improve th e knowledge, understanding an d practice of the arts ; (b)to increase the accessibilit y of the arts to the public throughout Great Britain ; (c) to advise and co-operat e with departments of government, local authoritie s and other bodies . The Arts Council, as a publicl y S3 accountable body, publishes a n ro annual report and accounts t o a n provide Parliament and th e general public with an overview e 3 Front coeari Ttra renovated AUmmbre of the year 's work . Theatre, Bradford . The ar" are rogeaerating Bradford as "the City of Er*00"lnnrenk an.ee"ns ►aurisre and bariaees. The rota of the arts as cololysts for urban rerrerrel 4 discussed In John Davison's or"* a s the Arts Council's urfaen Renaissance ro"WEl9e. Chairmen's iMroduelion 2 Lord flees-Mogg reflects on his seven years at the Arts Counci l Secretary-Genewl's report 4 Luke Rittner highlights the issue s and achievements of 19$1/8 8 Arts review b Departmental reports on policies which promoted the arts during 1487/88 Special reporfs Appraisals How the Arts Council appraises its 26 clients, and why. by Lynda Murdi n Nubian renaissance The role the 28 arts are playing in regenerating the inner cities . -
December 2020 Vol
TITLE I NEWSLETTER DEcEmbER 2020 VoL. 1 issuE 1 Welcome to our first issue of the Title Children like to get into the holiday I Newsletter. I am so sorry that this is spirit of giving presents. late, but working from home, I Unfortunately, most of them do not discovered that my home computer is have any money to purchase a “store lacking some of the programs needed bought” item. A gift coupon book of to create the newsletter, and I simply promises makes a great gift and best can not afford them. So, this one will of all, it doesn’t cost anything. look a bit different. Materials: We are all trying hard to provide your 8 ½ by 11 heavy paper or youngsters with the best education cardboard for the cover possible under these Covid 19 restrictions. We have also discovered 10 pieces of 8 ½ by 11 paper some absolutely fabulous parents, glue and a stapler If you have any questions, please contact me, Cookie Stewart at who have been helping us tirelessly in Method: educating the children. [email protected] Cut the cover and paper into a large The first round of NWEA testing is Or call me at 508-398-1638 and oval. Have the child draw his or her please leave a message, because if I underway, and much to my surprise, face on the cover. my youngsters are just where they am teaching I do not answer my should be at this time in the year! Print the words “I promise” on a phone. -
Politics, History, and the Pet Shop Boys
H-Announce Call for chapter proposals — A Cloud in a Box: Politics, History, and the Pet Shop Boys Announcement published by Bodie Ashton on Wednesday, December 2, 2020 Type: Call for Publications Date: February 19, 2021 Subject Fields: Cultural History / Studies, Film and Film History, Music and Music History, Popular Culture Studies, Theatre & Performance History / Studies “Politicians are a bit pathetic. There’s no two ways about that.” — Neil Tennant. THE RELATIONSHIP BETWEEN the Pet Shop Boys and the political has always been one of contention. In their four decades (and counting) of pop music, the duo—Neil Tennant and Chris Lowe—have amassed a large discography, not to mention film scores, movie productions, and their own stage shows. In the process, they have often thrown a critical light on what they see as the great hypocrisies of music and stardom. ‘I don’t really like the idea of people projecting themselves as being important humanitarian figures, which is the tendency for rock personalities nowadays’, Tennant once told journalists, in reference to Bono and U2—a reference further explored in the song How Can You Expect to Be Taken Seriously? on the 1990 album Behaviour. In an interview with Reuters, Tennant elaborated: ‘I don’t want to talk about it. We are musicians, not politicians.’ That being said, there is no doubt that the Pet Shop Boys have shaped their music, their careers, and their very presence through politics, the presentation of memory, and history. Tennant’s background in political history aside, the oeuvre of the group is littered with allusions to historical figures, events, and circumstances, from King Zog of Albania and T.E.