Third Dimension with Hermitage Piano & Special Guests August 15-22Nd Program Information & Musician Bios PROGRAM INFO
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Shostakovich (1906-1975)
RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES A Discography of CDs and LPs Prepared by Michael Herman Dmitri Shostakovich (1906-1975) Born in St. Petersburg. He entered the Petrograd Conservatory at age 13 and studied piano with Leonid Nikolayev and composition with Maximilian Steinberg. His graduation piece, the Symphony No. 1, gave him immediate fame and from there he went on to become the greatest composer during the Soviet Era of Russian history despite serious problems with the political and cultural authorities. He also concertized as a pianist and taught at the Moscow Conservatory. He was a prolific composer whose compositions covered almost all genres from operas, ballets and film scores to works for solo instruments and voice. Symphony No. 1 in F minor, Op. 10 (1923-5) Yuri Ahronovich/Moscow Radio Symphony Orchestra ( + Overture on Russian and Kirghiz Folk Themes) MELODIYA SM 02581-2/MELODIYA ANGEL SR-40192 (1972) (LP) Karel Ancerl/Czech Philharmonic Orchestra ( + Symphony No. 5) SUPRAPHON ANCERL EDITION SU 36992 (2005) (original LP release: SUPRAPHON SUAST 50576) (1964) Vladimir Ashkenazy/Royal Philharmonic Orchestra ( + Symphonies Nos. 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14 and 15, Festive Overture, October, The Song of the Forest, 5 Fragments, Funeral-Triumphal Prelude, Novorossiisk Chimes: Excerpts and Chamber Symphony, Op. 110a) DECCA 4758748-2 (12 CDs) (2007) (original CD release: DECCA 425609-2) (1990) Rudolf Barshai/Cologne West German Radio Symphony Orchestra (rec. 1994) ( + Symphonies Nos. 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14 and 15) BRILLIANT CLASSICS 6324 (11 CDs) (2003) Rudolf Barshai/Vancouver Symphony Orchestra ( + Symphony No. -
Chopin's Nocturne Op. 27, No. 2 As a Contribution to the Violist's
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2014 A tale of lovers : Chopin's Nocturne Op. 27, No. 2 as a contribution to the violist's repertory Rafal Zyskowski Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Zyskowski, Rafal, "A tale of lovers : Chopin's Nocturne Op. 27, No. 2 as a contribution to the violist's repertory" (2014). LSU Doctoral Dissertations. 3366. https://digitalcommons.lsu.edu/gradschool_dissertations/3366 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. A TALE OF LOVERS: CHOPIN’S NOCTURNE OP. 27, NO. 2 AS A CONTRIBUTION TO THE VIOLIST’S REPERTORY A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Rafal Zyskowski B.M., Louisiana State University, 2008 M.M., Indiana University, 2010 May 2014 ©2014 Rafal Zyskowski All rights reserved ii Dedicated to Ms. Dorothy Harman, my best friend ever iii ACKNOWLEDGMENTS As always in life, the final outcome of our work results from a contribution that was made in one way or another by a great number of people. Thus, I want to express my gratitude to at least some of them. -
BIOGRAPHIES Violin Faculty Justin Chou Is a Performer, Teacher And
MASTER PLAYERS FESTIVAL: BIOGRAPHIES Violin faculty Justin Chou is a performer, teacher and concert producer. He has assisted and performed in productions such as the Master Players Concert Series, IVSO 60th anniversary, Asian Invasion recital series combining classical music and comedy, the 2012 TEDxUD event that streamed live across the Internet and personal projects like Violins4ward, which recently produced a concert titled “No Violence, Just Violins” to promote violence awareness and harmonious productivity. Chou’s current project, Verdant, is a spring classical series based in Wilmington, Delaware, that presents innovative concerts by growing music into daily life, combining classical performance with unlikely life passions. As an orchestral musician, he spent three years as concertmaster of the Illinois Valley Symphony, with duties that included solo performances with the orchestra. Chou also has performed in various orchestras in principal positions, including an international tour to Colombia with the University of Delaware Symphony Orchestra, and in the state of Wisconsin, with the University of Wisconsin Symphony Orchestra, the Lake Geneva Symphony Orchestra and the Beloit-Janesville Symphony. Chou received his master of music degree from UD under Prof. Xiang Gao, with a full assistantship, and his undergraduate degree from the University of Wisconsin, with Profs. Felicia Moye and Vartan Manoogian, where he received the esteemed Ivan Galamian Award. Chou also has received honorable mention in competitions like the Milwaukee Young Artist and Youth Symphony Orchestras competitions. Xiang Gao, MPF founding artistic director Recognized as one of the world's most successful performing artists of his generation from the People's Republic of China, Xiang Gao has solo performed for many world leaders and with more than 100 orchestras worldwide. -
Pianistta Tbilisis Meeqvse Saertasoriso Konkursi
pianistTa Tbilisis meeqvse saerTaSoriso konkursi 1-11 oqtomberi, 2017 damfuZnebeli: saqarTvelos musikaluri konkursebis fondi damfuZnebeli da samxatvro xelmZRvaneli manana doijaSvili THE SIXTH TBILISI INTERNATIONAL PIANO COMPETITION OCTOBER 1-11, 2017 Founded by THE GEORGIAN MUSIC COMPETITIONS FUND Founder & Artistic Director MANANA DOIJASHVILI The Georgian Music Competitions Fund V. Sarajishvili Tbilisi State Conservatoire Grand Hall Directorate of the Sixth Tbilisi International Piano Competition 8 Griboedov St. Tbilisi 0108 Georgia Tel: (+995 32) 292-24-46 Tel/fax: (+995 32) 292-24-47 E-mail: [email protected] Web site: www.tbilisipiano.org.ge 1 konkursis Catarebis pirobebi 1. pianistTa Tbilisis meeqvse saerTaSoriso konkursi Catardeba TbilisSi 2017 wlis 1-11 oqtombers. 2. konkursi tardeba 4 weliwadSi erTxel. 3. konkursSi monawileobis miReba SeuZlia yvela erovnebis musikoss, romelic dabadebulia 11984984 wwlislis 1111 ooqtombridanqtombridan 22001001 wwlislis 1 ooqtombramde.qtombramde. 4. konkursi tardeba oTx turad: I, II, III (naxevarfinali), IV (finali). naxevarfinalSi daiSveba 12 monawile, finalSi ki - 6. 5. yvela mosmena sajaroa. 6. programebi sruldeba zepirad. 7. turebSi nawarmoebebis gameoreba ar SeiZleba. 8. warmodgenil programebSi cvlilebebi dauSvebelia. 9. monawileTa gamosvlis Tanmimdevrobas gadawyvets kenWisyra. es Tanmimdevroba SenarCunebuli iqneba konkursis bolomde. 10. yoveli monawile valdebulia daeswros kenWisyras, romelic Catardeba 22017017 wwlislis 1 ooqtombers.qtombers. 11. naxevarfinalis monawileebs gadaecemaT sertifikatebi. -
Conducting Studies Conference 2016
Conducting Studies Conference 2016 24th – 26th June St Anne’s College University of Oxford Conducting Studies Conference 2016 24-26 June, St Anne’s College WELCOME It is with great pleasure that we welcome you to St Anne’s College and the Oxford Conducting Institute Conducting Studies Conference 2016. The conference brings together 44 speakers from around the globe presenting on a wide range of topics demonstrating the rich and multifaceted realm of conducting studies. The practice of conducting has significant impact on music-making across a wide variety of ensembles and musical contexts. While professional organizations and educational institutions have worked to develop the field through conducting masterclasses and conferences focused on professional development, and academic researchers have sought to explicate various aspects of conducting through focussed studies, there has yet to be a space where this knowledge has been brought together and explored as a cohesive topic. The OCI Conducting Studies Conference aims to redress this by bringing together practitioners and researchers into productive dialogue, promoting practice as research and raising awareness of the state of research in the field of conducting studies. We hope that this conference will provide a fruitful exchange of ideas and serve as a lightning rod for the further development of conducting studies research. The OCI Conducting Studies Conference Committee, Cayenna Ponchione-Bailey Dr John Traill Dr Benjamin Loeb Dr Anthony Gritten University of Oxford University of -
Symphony Orchestra Ithaca College Symphony Orchestra
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 4-29-2012 Concert: Symphony Orchestra Ithaca College Symphony Orchestra Jeffery Meyer Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Ithaca College Symphony Orchestra and Meyer, Jeffery, "Concert: Symphony Orchestra" (2012). All Concert & Recital Programs. 4061. https://digitalcommons.ithaca.edu/music_programs/4061 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. Symphony Orchestra Jeffery Meyer, conductor Christopher Miley, alto saxophone Peter Volpert, cello Sean Cotty, piano Ford Hall Sunday, April 29, 2012 4:00 p.m. Now in its second century, the Ithaca College School of Music affirms its fundamental belief that music and the arts are essential components of the human experience. The School of Music prepares students to be world-class professionals and the music leaders of tomorrow - ready to transform individuals and communities by advancing the art of music. Program Heavy Rotation (2012) Daniel Koontz I. (b. 1969) II. III. IV. * World Premiere Concerto for Saxophone Henri Tomasi I. Andante-Allegro-Lent (1901-1971) Christopher Miley, saxophone Cello Concerto in D Minor Eduoard Lalo I. Lento-Allegro Maestoso (1823-1892) Peter Volpert, cello Intermission Totentanz Franz Liszt paraphrase of the "Dies Irae" for pianoforte (1811-1886) and orchestra Sean Cotty, piano Selections from Romeo and Juliet Sergei Prokofiev The Montagues and Capulets (1891-1953) Juliet the Young Girl Romeo at the Grave of Juliet The Death of Tybalt This concert is being webstreamed live. -
View Repertoire List
Repertoire List Victor Lim Solo J.S. Bach Prelude and Fugue in F sharp major Book 1 BWV 858 Prelude and Fugue in B flat major Book 1 BWV 866 Prelude and Fugue in F major Book 2 BWV 880 Bach/F,Busoni Chorale Prelude ‘Wachet Auf, Ruft Uns Die Stimme’ Bach/Cohen Chorale Prelude ‘Ertödt' uns durch dein' Güte’ Bach/Siloti Prelude in B minor J. Rameau La Dauphine D. Scarlatti Sonata in C K159 L.v. Beethoven Piano Sonata No.10 Op.14 No.2 Piano Sonata No.21 Op.53 'Waldstein' Piano Sonata No.26 Op.81a 'Les Adieux' Piano Sonata No.25 Op.57 ‘Appassionata’ Piano Sonata No.29 Op.106 ‘Hammerklavier’ J. Haydn Piano Sonata in F major Hob.XVI.23 Piano Sonata in B minor Hob.XVI:32 Piano Sonata in E minor Hob.XVI:34 Piano Sonata in C major Hob.XVI:50 W.A. Mozart Piano Sonata in B flat major K.570 Piano Sonata in A minor K.310 F. Schubert Piano Sonata No.13 in A major D.664 Allegreto in C minor D.915 J. Brahms 6 Klavierstücke Op.118 F. Bridge Three sketches F. Chopin Etudes Op.10 No.1,2,3,5,10,12 Fantaisie Op.49 Ballade No.4 Op.52 Barcarolle Op.60 Preludes Op.28 Mazurkas Op.59 Nocturne Op.9 No.2, Op.32 No.1&2 P. Grainger Ramble on the last duet in Richard Strauss’s Opera ‘Der Rosenkavalier’ E. Grieg Lyric Pieces Op.12 No.1, ‘Arietta’, Op.47 No.3 ‘Melodie’, Op.54 No.4 ‘Nocturne F. -
MARTHA ARGERICH Recorded Concerts & Recitals Previous Update: January 23, 2017 This Update: February 23, 2017
MARTHA ARGERICH Recorded Concerts & Recitals Compiled by Ateş TANIN Previous Update: January 23, 2017 This Update: February 23, 2017 New entries for this update are marked with [N] and corrections with [C]. The following is a list of recorded recitals I have and others I am aware of. Excerpts are not included. For commercially issued items I have only listed what I have or would be delighted to have. Comments, additions and corrections are welcome.Details of Argerich CDs issued by DOREMI are at http://www.doremi.com/Argerich.html Please contact me by e-mail: [email protected] LOGO: ** = I have the original issue; * = I have a CD-R/DVD±R copy of the original issue; SACD = Super Audio CD; BD = Blu-Ray; (LD) = Laserdisc; (PTA) = I have a Privately Taped Audio Recording; (PTV) = I have a Privately Taped Video Recording BACALOV, L. Astoriando 17/3/2010 - Rome - Bacalov - (PTA) 14/5/2011 - Oita - Hubert - Argerich’s Meeting Point AMP-1101 (2CD)** 19-25/10/2012 - Rosario (Argentina) - Rivera - Cosentino SC 1271-4 (4CD)** 19-25/10/2012 - Rosario (Argentina) - Rivera - Cosentino SC 1271-4 (4CD)** Portena for Two Pianos and Orchestra 10/6/2015 - Lugano - Hubert, O. della Svizzera italiana/Vedernikov - Warner 2564628549 (3CD) 17/7/2015 - Buenos Aires - Hubert, O. S. Nacional/Bacalov - (PTV) BACH, J.S. Concerto for Four Pianos and Strings in a, BWV 1065 22/7/2003 - Verbier - Kissin, Levine, Pletnev - Birthday Festival O. - RCA 82876 60942 9 (DVD)** 15/10/2004 - Buenos Aires - Sebastiani, Vallina, Balat - Sinfonietta Argerich/Ntaca - 3rd mvt encored - (PTA) 12/3/2012 - Athens - Kapelis, Maisky, Mogilevsky - Megaron Camerata/Korsten - (PTV) 21/10/2013 - Paris - Lim, Zilberstein, Vallina - Chamber O. -
Jeffery Meyer Born in Chicago, Jeffery Meyer Began His Musical Studies As
Jeffery Meyer Born in Chicago, Jeffery Meyer began his musical studies as a pianist, and shortly thereafter continued on to study composition and conducting. Since 2002, he has been the artistic director of the St. Petersburg Chamber Philharmonic in St. Petersburg, Russia, one of St. Petersburg’s most innovative and progressive ensembles. He has appeared with orchestras in the United States and abroad, including ensembles such as the Milwaukee Symphony Orchestra, Syracuse Symphony Orchestra, Cayuga Chamber Orchestra, Philippine Philharmonic Orchestra, Thailand Philharmonic Orchestra, Sichuan Symphony, Orquesta Sinfónica de Xalapa, and the Orchestra Sinfonico “Haydn” di Bolzano e Trento. In recent concert seasons, he has been seen conducting, performing as piano soloist and chamber musician, as well as conducting from the keyboard in the United States, Canada, Mexico, Russia, Italy, Spain, Germany, Austria, Norway and throughout Eastern and Southeastern Asia. Called “one of the most interesting and creatively productive conductors working in St. Petersburg” by Sergei Slonimsky, he is an active participant in the music of our time, has collaborated with dozens of composers, and commissioned and premiered numerous new works. The New York Times described his performances with the St. Petersburg Chamber Philharmonic in its United States debut at Symphony Space’s 2010 “Wall-to-Wall, Behind the Wall” Festival in New York City as “impressive”, “powerful”, “splendid”, and “blazing.” His programming has been recognized with three ASCAP Awards for Adventurous Programming, as well as the Vytautas Marijosius Memorial Award for Programming. In 2007, he made his Glinka Hall conducting debut in the final concert of the 43rd St. Petersburg “Musical Spring” International Festival, and in 2009, he conducted the opening concert of the 14th International Musical Olympus Festival at the Hermitage Theatre and was invited back to perform in the 2011 festival. -
International Conducting Studies Conference 2018 21St – 23Rd June St Anne’S College University of Oxford
International Conducting Studies Conference 2018 21st – 23rd June St Anne’s College University of Oxford International Conducting 2018 Studies Conference 21-23 June, St Anne’s College WELCOME It is with great pleasure that we welcome you to St Anne’s College and the Oxford Conducting Institute International Conducting Studies Conference 2018. The conference brings together 40 speakers from around the globe, presenting on a wide range of topics that demonstrate the rich and multifaceted realm of conducting studies. The discipline of conducting is at the core of a multitude of global musical endeavours, continually shaping musical practices and experiences in substantial ways. Scholars and practitioners have explored, and continue to explore, historical, philosophical, social and psychological aspects of conducting across a wide range of practices; The OCIICSC 2018 aims to bring together these diverse perspectives in the pursuit of a shared and more cohesive knowledge. While professional organizations and educational institutions have worked to develop the field through conducting master-classes and conferences focused on professional development, and academic researchers have sought to explicate various aspects of conducting through focussed studies, researchers and practitioners are rarely in dialogue about these findings and experiences. The OCIICSC 2018 seeks to redress this by continuing the conversation fostered at the 2016 conference, again bringing together practitioners and researchers to participate in productive and scholarly dialogue. We hope that this conference will provide a fruitful exchange of ideas and again serve as a catalyst for the further development of the topic of Conducting Studies. The OCI International Conducting Studies Conference 2018 Committee Dr Cayenna Dr John Traill Prof. -
Seattle Chamber Music Festival Repertoire, 1982
SEATTLE CHAMBER MUSIC SOCIETY REPERTOIRE LIST, 1982–2020 “THIRTY-NINE YEARS OF BEAUTIFUL MUSIC” James Ehnes, Artistic Director Toby Saks (1942-2013), Founder Adams, John Anonymous (arr. Delaware Staigers) China Gates for Piano (2013) Carnival of Venice for Trumpet and Piano (2003W) Hallelujah Junction for Two Pianos (2012, 2017W) Road Movies for Violin and Piano (2013) Arensky, Anton Piano Quintet in D major, Op. 51 (1997, 2003, 2011W) Aho, Kalevi Piano Trio in D minor, Op. 32 (1984, 1990, 1992, 1994, 2001, 2007, 2010O, ER-OS (2018) 2016W) Piano Trio in F minor, Op. 73 (2001W, 2009) Albéniz, Isaac Quartet for Violin, Viola and Two Celli in A minor, Op. 35 (1989, 1995, 2008, Iberia (3 selections from) (2003) 2011) Iberia “Evocation” (2015) Six Piéces for Piano, Op. 53 (2013) Alexandrov, Kristian Arlen, Harold Prayer for Trumpet and Piano (2013) Wizard of Oz Fantasy (arr. William Hirtz) (2002) Applebaum Arnold, Malcolm "Landscape of Dreams" (1990) Sonatina for Oboe and Piano, Op. 28 (2004) Andres, Bernard Babajanian, Arno Narthex for Flute and Harp (2000W) Piano Trio in F sharp minor (2015) Anderson, David Bach, Johann Sebastian Capriccio No. 2 for Solo Double Bass (2006) “Aus liebe will mein Heiland sterben” from St. Matthew Passion BWV 244 Four Short Pieces for Double Bass (2006) (for flute, arr. Bennett) (2019) Brandenburg Concerto No 3 in G major, BWV 1048 (2011) Anderson, Jordan Brandenburg Concertos (Complete) BWV 1046-1051 (2013W) Drafts for Double Bass and Piano (2006) Capriccio “On the Departure of a Beloved Brother” in B flat -
1/7 1Ears the SHEPHERD SCHOOL ~ SIC RJCE UNIVERSITY / PROGRAM )
SHEPHERD SCHOOL V CHAMBER ORCHESTRA LARRY RACHLEFF, music director Thursday, April 2 7, 2 006 8:00 p.m. Stude Concert Hall ( . 1975 -2005 Ce l e b r ating ~ 1/7 1ears THE SHEPHERD SCHOOL ~ SIC RJCE UNIVERSITY / PROGRAM ) Invocatio (2004) (Premiere) Philip Miller (b. 1961) Paul Kim, conductor Begleitmusik zu einer Lichtspielszene, Arnold Schoenberg Op. 34 (Accompaniment to a (1874-1951) cinematographic scene) INTERMISSION / Symphony No. 6 in F Major, Ludwig van Beethoven Op. 58 "Pastorale" (1770-1827) I Angenehme, heitere Empfindungen, welche bei der Ankunft auf dem Lande im Menschen erwachen. Allegro ma non troppo II Szene am Bach. Andante molto moto III Lustiges Zusammensein der Landleute. Allegro IV. Donner. Sturms. Allegro V. Hirtengesang. Wohltatige, mit Dank an die Gottheit verbundene Gefiihle nach dem Sturm. Allegretto The reverberative acoustics ofStude Concert Hall magnify the slightest sound made by the audience. Your care and courtesy will be appreciated. 1 The taking ofphotographs and use of recording equipment are prohibited. SHEPHERD SCHOOL CHAMBER ORCHESTRA Violin I Flute Trumpet Yeon-Kyung Joo, Catherine Branch Lacey Hays concertmaster Clint Foreman John Williamson Jason Moody Jennifer Hooker Stephanie Nussbaum Ariella Perlman Trombone Mary Boland Mark Holley Cristian Macelaru Piccolo Colin Wise Eva Liebhaber Clint Foreman Ariella Perlman Bass Trombone Violin II Michael Brown Heidi Schaul-Yoder, Oboe principal Dean Baxtresser Piano Molly Emerman Diana Owens HyojinAhn Francis Liu Jaren Philleo Levi Hammer Emily Cox Clarinet