35Th Concert Season
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Chopin's Nocturne Op. 27, No. 2 As a Contribution to the Violist's
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2014 A tale of lovers : Chopin's Nocturne Op. 27, No. 2 as a contribution to the violist's repertory Rafal Zyskowski Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Zyskowski, Rafal, "A tale of lovers : Chopin's Nocturne Op. 27, No. 2 as a contribution to the violist's repertory" (2014). LSU Doctoral Dissertations. 3366. https://digitalcommons.lsu.edu/gradschool_dissertations/3366 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. A TALE OF LOVERS: CHOPIN’S NOCTURNE OP. 27, NO. 2 AS A CONTRIBUTION TO THE VIOLIST’S REPERTORY A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Rafal Zyskowski B.M., Louisiana State University, 2008 M.M., Indiana University, 2010 May 2014 ©2014 Rafal Zyskowski All rights reserved ii Dedicated to Ms. Dorothy Harman, my best friend ever iii ACKNOWLEDGMENTS As always in life, the final outcome of our work results from a contribution that was made in one way or another by a great number of people. Thus, I want to express my gratitude to at least some of them. -
View Repertoire List
Repertoire List Victor Lim Solo J.S. Bach Prelude and Fugue in F sharp major Book 1 BWV 858 Prelude and Fugue in B flat major Book 1 BWV 866 Prelude and Fugue in F major Book 2 BWV 880 Bach/F,Busoni Chorale Prelude ‘Wachet Auf, Ruft Uns Die Stimme’ Bach/Cohen Chorale Prelude ‘Ertödt' uns durch dein' Güte’ Bach/Siloti Prelude in B minor J. Rameau La Dauphine D. Scarlatti Sonata in C K159 L.v. Beethoven Piano Sonata No.10 Op.14 No.2 Piano Sonata No.21 Op.53 'Waldstein' Piano Sonata No.26 Op.81a 'Les Adieux' Piano Sonata No.25 Op.57 ‘Appassionata’ Piano Sonata No.29 Op.106 ‘Hammerklavier’ J. Haydn Piano Sonata in F major Hob.XVI.23 Piano Sonata in B minor Hob.XVI:32 Piano Sonata in E minor Hob.XVI:34 Piano Sonata in C major Hob.XVI:50 W.A. Mozart Piano Sonata in B flat major K.570 Piano Sonata in A minor K.310 F. Schubert Piano Sonata No.13 in A major D.664 Allegreto in C minor D.915 J. Brahms 6 Klavierstücke Op.118 F. Bridge Three sketches F. Chopin Etudes Op.10 No.1,2,3,5,10,12 Fantaisie Op.49 Ballade No.4 Op.52 Barcarolle Op.60 Preludes Op.28 Mazurkas Op.59 Nocturne Op.9 No.2, Op.32 No.1&2 P. Grainger Ramble on the last duet in Richard Strauss’s Opera ‘Der Rosenkavalier’ E. Grieg Lyric Pieces Op.12 No.1, ‘Arietta’, Op.47 No.3 ‘Melodie’, Op.54 No.4 ‘Nocturne F. -
MARTHA ARGERICH Recorded Concerts & Recitals Previous Update: January 23, 2017 This Update: February 23, 2017
MARTHA ARGERICH Recorded Concerts & Recitals Compiled by Ateş TANIN Previous Update: January 23, 2017 This Update: February 23, 2017 New entries for this update are marked with [N] and corrections with [C]. The following is a list of recorded recitals I have and others I am aware of. Excerpts are not included. For commercially issued items I have only listed what I have or would be delighted to have. Comments, additions and corrections are welcome.Details of Argerich CDs issued by DOREMI are at http://www.doremi.com/Argerich.html Please contact me by e-mail: [email protected] LOGO: ** = I have the original issue; * = I have a CD-R/DVD±R copy of the original issue; SACD = Super Audio CD; BD = Blu-Ray; (LD) = Laserdisc; (PTA) = I have a Privately Taped Audio Recording; (PTV) = I have a Privately Taped Video Recording BACALOV, L. Astoriando 17/3/2010 - Rome - Bacalov - (PTA) 14/5/2011 - Oita - Hubert - Argerich’s Meeting Point AMP-1101 (2CD)** 19-25/10/2012 - Rosario (Argentina) - Rivera - Cosentino SC 1271-4 (4CD)** 19-25/10/2012 - Rosario (Argentina) - Rivera - Cosentino SC 1271-4 (4CD)** Portena for Two Pianos and Orchestra 10/6/2015 - Lugano - Hubert, O. della Svizzera italiana/Vedernikov - Warner 2564628549 (3CD) 17/7/2015 - Buenos Aires - Hubert, O. S. Nacional/Bacalov - (PTV) BACH, J.S. Concerto for Four Pianos and Strings in a, BWV 1065 22/7/2003 - Verbier - Kissin, Levine, Pletnev - Birthday Festival O. - RCA 82876 60942 9 (DVD)** 15/10/2004 - Buenos Aires - Sebastiani, Vallina, Balat - Sinfonietta Argerich/Ntaca - 3rd mvt encored - (PTA) 12/3/2012 - Athens - Kapelis, Maisky, Mogilevsky - Megaron Camerata/Korsten - (PTV) 21/10/2013 - Paris - Lim, Zilberstein, Vallina - Chamber O. -
Seattle Chamber Music Festival Repertoire, 1982
SEATTLE CHAMBER MUSIC SOCIETY REPERTOIRE LIST, 1982–2020 “THIRTY-NINE YEARS OF BEAUTIFUL MUSIC” James Ehnes, Artistic Director Toby Saks (1942-2013), Founder Adams, John Anonymous (arr. Delaware Staigers) China Gates for Piano (2013) Carnival of Venice for Trumpet and Piano (2003W) Hallelujah Junction for Two Pianos (2012, 2017W) Road Movies for Violin and Piano (2013) Arensky, Anton Piano Quintet in D major, Op. 51 (1997, 2003, 2011W) Aho, Kalevi Piano Trio in D minor, Op. 32 (1984, 1990, 1992, 1994, 2001, 2007, 2010O, ER-OS (2018) 2016W) Piano Trio in F minor, Op. 73 (2001W, 2009) Albéniz, Isaac Quartet for Violin, Viola and Two Celli in A minor, Op. 35 (1989, 1995, 2008, Iberia (3 selections from) (2003) 2011) Iberia “Evocation” (2015) Six Piéces for Piano, Op. 53 (2013) Alexandrov, Kristian Arlen, Harold Prayer for Trumpet and Piano (2013) Wizard of Oz Fantasy (arr. William Hirtz) (2002) Applebaum Arnold, Malcolm "Landscape of Dreams" (1990) Sonatina for Oboe and Piano, Op. 28 (2004) Andres, Bernard Babajanian, Arno Narthex for Flute and Harp (2000W) Piano Trio in F sharp minor (2015) Anderson, David Bach, Johann Sebastian Capriccio No. 2 for Solo Double Bass (2006) “Aus liebe will mein Heiland sterben” from St. Matthew Passion BWV 244 Four Short Pieces for Double Bass (2006) (for flute, arr. Bennett) (2019) Brandenburg Concerto No 3 in G major, BWV 1048 (2011) Anderson, Jordan Brandenburg Concertos (Complete) BWV 1046-1051 (2013W) Drafts for Double Bass and Piano (2006) Capriccio “On the Departure of a Beloved Brother” in B flat -
Third Dimension with Hermitage Piano & Special Guests August 15-22Nd Program Information & Musician Bios PROGRAM INFO
Third Dimension with Hermitage Piano & Special Guests August 15-22nd Program Information & Musician Bios PROGRAM INFORMATION Sunday, August 15th, 7pm Mrs. Amy Marcy Beach - Piano Trio Op. 150 Maurice Ravel - Piano Trio in a minor Antonin Dvorak - Piano Trio Op. 65 Performers: Hermitage Piano Trio: Misha Keylin, Sergey Antonov, Ilya Kazantsev Monday, August 16th, 7pm Frederic Chopin - Mazurkas • Op. 30 no.4 in C Sharp Minor • Op. 67 no.4 in A Minor • Op.68 no.4 in F Minor Frederic Chopin - Scherzo No 2 Op.31 in B Flat Minor Alexander Scriabin - Preludes • Op. 9 no.1 in C Sharp Minor for the Left Hand • Op.11 no.8 in F Sharp Minor • Op.11 no.10 in C Sharp Minor • Op.11 no.13 in G Flat Major • Op.11 no.14 in E Flat Minor • Op.15 no.2 in F Sharp Minor • Op.16 no.1 in B Major • Op.17 no.5 in F Minor • Op.22 no.1in G Sharp Minor • Op.37 no.1in B Flat Minor • Op.37 no.2 in f Sharp Major Alexander Scriabin - Etudes • Op.8 no.11 in B Flat Minor • Op.8 mo.12 in D Sharp Minor Performer: Ilya Kazantsev continued… Tuesday, August 17th, 7pm “Criminal Composers” This program will be announced from the stage Wednesday, August 18th, 7pm Johann Sebastian Bach - Goldberg Variations arranged for String Trio Performers: Misha Keylin, Mark Berger, Sergey Antonov Thursday, August 19th, 7pm Sergey Rachmaninoff - Sonata for Cello and Piano Op. 19 transcribed for Solo Piano Frederic Chopin - Two Nocturnes Op. -
Yuja Wang and Gautier Capuçon Fryderyk Chopin
Yuja Wang and Gautier Capuçon Saturday, April 13, 2019 at 8:00pm This is the 932nd concert in Koerner Hall Yuja Wang, piano Gautier Capuçon, cello PROGRAM Fryderyk Chopin: Cello Sonata in G Minor, op. 65 I. Allegro moderato II. Scherzo: Allegro con brio III. Largo IV. Finale: Allegro Fryderyk Chopin: Introduction and Polonaise brillante in C Major, op. 3 INTERMISSION César Franck: Sonata in A Major, for cello and piano I. Allegretto ben moderato II. Allegro III. Recitativo - Fantasia (Ben moderato) IV. Allegretto poco mosso Fryderyk Chopin Born in Żelazowa Wola, nr. Warsaw, Poland, March 1, 1810; died in Paris, France, October 17, 1849 Cello Sonata in G Minor, op. 65 (1845-6) If the piano was the centre of Chopin’s universe, the cello was a significant satellite. Three of his four chamber works are for cello, including the Cello Sonata. It is a late work and it gave him two years of trouble to get it into a shape he wished to publish. Its many sketches reveal that Chopin worked hard at finding a balance between the two instruments and that he had in mind a sonata where the themes constantly evolve and relate back to one central idea. At its core, this idea is the interval of a falling second, heard in the opening theme. It propels the energetic, mazurka-like Scherzo and haunts the melancholy beauty of the slow movement. It also drives the finale, both its twisting, tarantella-like first theme and its expansion into a syncopated dance theme, first given to the cello. -
Summer 2006 BARGE MUSIC
Summer 2006 BARGE MUSIC FULTON FERRY LANDING, BROOKLYN It doesn't take long to hear what makes Bargemusic the perfect chamber music hall ... In a standard hall, even a comparatively small one like Alice Tully or Merkin, the sound they produced would have been not just quiet, but distant as well. In the intimate confines of Bargemusic, though, this restrained passage sacrificed nothing in presence or fine-grained detail. Allan Kozinn - The New York Times 52 WEEKS A YEAR WWW.BARGEMUSIC.ORG THURSDAY, FRIDAY, 718 624-2083, 718 624-4061 SATURDAY AND [email protected] SUNDAY ••To understand the universality of music, try swaying in the wakes of passing sightseeing boats while listening to Liszt's music. .. played on a piano framed against the night skyline of Lower Manhattan. Moored beneath the Brooklyn Bridge and floating in the East River, Bargemusic, its loyal followers and its beautiful if improbable setting soldier on. " - Bernard Holland, The New York Times June 25, 2005 RESERVATIONS Call: (718) 624-2083 in the office or (718) 624-4061 on the Barge. Seats are assigned in order of phone call or email. Email: [email protected] Ticket Prices: Regular: $35 / Enhanced: $40 * Senior: $30 (Thursdays and Fridays) / Full-time Student: $20 Special concerts as listed, for everyone. Purchase tickets at the concert by cash or check only, please. Ask about group sales. Credit Cards by Phone: Purchase tickets with MasterCard or VISA, only by telephone at (718) 624-2083. Cancellations: Please let us know before the concert if you cannot attend so that your seat can be reassigned. -
CHOPIN and HIS WORLD August 11–13 and 17–20, 2017
SUMMERSCAPE CHOPIN AND HIS WORLD August 11–13 and 17–20, 2017 BARD thank you to our donors The Bard Music Festival thanks its Board of Directors and the many donors who contributed so generously to The Andrew W. Mellon Foundation Challenge Grant. We made it! Your support enabled us to complete the two-for-one match and raise $3 million for an endowment for the festival. Because of you, this unique festival will continue to present chamber and orchestral works, rediscovered pieces, talks and panels, and performances by emerging and favorite musicians for years to come. Bard Music Festival Mellon Challenge Donors Edna and Gary Lachmund Anonymous Alison L. and John C. Lankenau Helen and Roger Alcaly Glenda A. Fowler Law and Alfred J. Law Joshua J. Aronson Dr. Nancy Leonard and Dr. Lawrence Kramer Kathleen Augustine Dr. Leon M. and Fern Lerner John J. Austrian ’91 and Laura M. Austrian Mrs. Mortimer Levitt Mary I. Backlund and Virginia Corsi Catherine and Jacques Luiggi Nancy Banks and Stephen Penman John P. MacKenzie Matthew Beatrice Amy and Thomas O. Maggs Howard and Mary Bell Daniel Maki Bessemer National Gift Fund Charles Marlow Dr. Leon Botstein and Barbara Haskell Katherine Gould-Martin and Robert L. Martin Marvin Bielawski MetLife Foundation David J. Brown Kieley Michasiow-Levy Prof. Mary Caponegro ’78 Andrea and Kenneth L. Miron Anna Celenza Karl Moschner and Hannelore Wilfert Fu-Chen Chan Elizabeth R. and Gary J. Munch Lydia Chapin and David Soeiro Martin L. and Lucy Miller Murray Robert and Isobel Clark Phillip Niles Michelle R. Clayman Michael Nishball Prof. -
Considering Form in Chopin's Sonatas and Ballades Jonathan Edward Mitchell Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2012 Dialogues, dysfunctional transitions, and embodied plot schemas: (Re) considering form in Chopin's sonatas and ballades Jonathan Edward Mitchell Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Mitchell, Jonathan Edward, "Dialogues, dysfunctional transitions, and embodied plot schemas: (Re) considering form in Chopin's sonatas and ballades" (2012). LSU Doctoral Dissertations. 2364. https://digitalcommons.lsu.edu/gradschool_dissertations/2364 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. DIALOGUES, DYSFUNCTIONAL TRANSITIONS, AND EMBODIED PLOT SCHEMAS: (RE) CONSIDERING FORM IN CHOPIN’S SONATAS AND BALLADES A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College In partial fulfillment of the requirements for the degree of Doctor of Philosophy in The School of Music by Jonathan Mitchell B.M., Millsaps College, 2004 M.M., Louisiana State University, 2006 December 2012 ACKNOWLEDGMENTS I am grateful for the numerous people that have contributed to this dissertation. I would like to first thank my committee members: to Dr. Inessa Bazayev, my advisor, for all of her gracious and helpful suggestions regarding analysis, writing, formatting, and design; to Dr. David Smyth, for inspiring my interest in Sonata Theory; to Dr. -
MTO 21.4: Aziz, the Evolution of Chopin's Sonata Forms
Volume 21, Number 4, December 2015 Copyright © 2015 Society for Music Theory Andrew I. Aziz NOTE: The examples for the (text-only) PDF version of this item are available online at: http://www.mtosmt.org/issues/mto.15.21.4/mto.15.21.4.aziz.php KEYWORDS: Chopin, sonata form, concerto, Schubert, Type 2, resetting of the formal compass ABSTRACT: This study examines the evolving use of sonata form by Chopin, with specific focus on the ways that formal innovations in his early sonatas (opp. 4 and 8) and piano concertos (opp. 11 and 21) anticipate formal patterns in his late piano sonatas (Nos. 2 and 3) and the Cello Sonata; in particular, I excavate Chopin’s application of the second theme group (S) as a primary form-defining unit. In doing so, I investigate additional sonata forms by Chopin and Schubert, introduce a new formal function called “resetting of the formal compass” (RFC), and reconsider a recent debate between Hepokoski/Darcy and Wingfield, providing evidence for the resurgence of early Classical conventions in the heart of the Romantic era. Received May 2015 Introduction [0.1] This study offers a new perspective for analyzing the sonata forms of Chopin. I show that his sonata-allegro movements are not just “deformations” of the Classical sonata, but instead adhere to principles suggesting a progressive logic. The progression begins with the early sonatas (opp. 4 and 8), which deviate considerably from the Classical template; continues through the compositional fulcrum of the two concertos (opp. 11 and 21); and concludes with the oft-performed and -analyzed late sonatas, opp. -
Chopin Classical Music: Be an Instant Expert
CLASSICAL MUSIC: BE AN CHOPIN INSTANT EXPERT About the Instant Expert Series Many people think that learning about classical music and the people that create it would require so much time and energy that the prospect of diving in overwhelms them. Naxos, the world’s leading classical label, has mined its vast catalog of recordings (and the brains of its global staff of classical music connoisseurs) to design a new series called “Instant Expert” which is available by Chopin download only. Each “Instant Expert” volume focuses on the music of one composer, featuring a Classical Music: Be An curated collection of that composer’s greatest hits as well as some unique or historically significant Instant Expert compositions. In addition, each download is accompanied by a podcast hosted by Raymond Bisha, Naxos of America Director of Media Relations, and a booklet containing track information and an abridged biography of the composer. – Kelly M. Rach, National Publicist, Naxos of America –2– Fryderyk Chopin (3/01/1810-10/17/1849) Born near Warsaw in 1810, the son of a French émigré and a Polish mother, Chopin won Chopin early fame in the relatively limited circles of his native country before seeking his fortune Classical Music: Be An abroad in Paris. His departure from Warsaw Instant Expert coincided with the unsuccessful national rising against Russian domination and Chopin found himself in Paris in the company of a number of other Polish exiles. He was able to establish himself as a pianist and as a teacher of the piano, primarily in fashionable society. For some ten years, Chopin enjoyed a liaison with the writer George Sand but broke with her during the last years of his life, brought to a close by the tuberculosis from which he had long suffered. -
Chopin Piano Competitions in Darmstadt
50 YEARS CHOPIN- GESELLSCHAFT IN DER BUNDESREPUBLIK DEUTSCHLAND E.V. COMMEMORATIVE PUBLICATION to celebrate the 50th anniversary 1970 – 2020 CHOPIN-GESELLSCHAFT in der Bundesrepublik Deutschland e.V. (Chopin Society in the Federal Republic of Germany) 1 Management and organisation Table of contents Members of the Governing Body 5 Thanks to patrons and sponsors Aleksandra Mikulska 6 Greetings President Jill Rabenau 12 Interview with Aleksandra Mikulska Vice President 16 Events in the jubilee year 2020 Marietta Grollich-Voos Hartmut Stolzmann 18 50 Years Chopin Society in the Federal Republic of Germany Dr. Helmut Kelleter 20 Chopin in a new light – Concerts of the Chopin Society Advisory Body 26 The lasting importance of Chopin’s piano technique – Masterclasses Ulrich Diefenbach 32 Chopin Piano Competitions in Darmstadt – A success story Chairman Claudia Ehry, Regine Heck, Jörg Höhle, Malcolm Howlett, 42 Warsaw impressions Jochen Jeschke, Robert Naucke, Erhard Rabenau, Sabine Simon, Wolfgang Voos, Barbara Weiler, Ting Zheng 44 Building bridges – Festivals of Polish Music and Culture in Darmstadt 48 The early years 50 Maciej Lukaszczyk – A life dedicated to Chopin 54 Tabular history of the Chopin Society in the Federal Republic of Germany 64 Thoughts on Chopin 66 Chopin: His life – his works – his times 72 Chopin Piano Competitions in Darmstadt – the facts 2 3 Thanks to patrons and sponsors Our thanks go to the following patrons and sponsors – Hessisches Ministerium für Wissenschaft und Kunst (Hessian Ministry of Science and Art) – Wissenschaftsstadt