Shoulder Harnesses HS-804 730 TECHNICAL REPORT STANDARD TITLE PAGE 1
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MEDIEVAL ARMOR Over Time
The development of MEDIEVAL ARMOR over time WORCESTER ART MUSEUM ARMS & ARMOR PRESENTATION SLIDE 2 The Arms & Armor Collection Mr. Higgins, 1914.146 In 2014, the Worcester Art Museum acquired the John Woodman Higgins Collection of Arms and Armor, the second largest collection of its kind in the United States. John Woodman Higgins was a Worcester-born industrialist who owned Worcester Pressed Steel. He purchased objects for the collection between the 1920s and 1950s. WORCESTER ART MUSEUM / 55 SALISBURY STREET / WORCESTER, MA 01609 / 508.799.4406 / worcesterart.org SLIDE 3 Introduction to Armor 1994.300 This German engraving on paper from the 1500s shows the classic image of a knight fully dressed in a suit of armor. Literature from the Middle Ages (or “Medieval,” i.e., the 5th through 15th centuries) was full of stories featuring knights—like those of King Arthur and his Knights of the Round Table, or the popular tale of Saint George who slayed a dragon to rescue a princess. WORCESTER ART MUSEUM / 55 SALISBURY STREET / WORCESTER, MA 01609 / 508.799.4406 / worcesterart.org SLIDE 4 Introduction to Armor However, knights of the early Middle Ages did not wear full suits of armor. Those suits, along with romantic ideas and images of knights, developed over time. The image on the left, painted in the mid 1300s, shows Saint George the dragon slayer wearing only some pieces of armor. The carving on the right, created around 1485, shows Saint George wearing a full suit of armor. 1927.19.4 2014.1 WORCESTER ART MUSEUM / 55 SALISBURY STREET / WORCESTER, MA 01609 / 508.799.4406 / worcesterart.org SLIDE 5 Mail Armor 2014.842.2 The first type of armor worn to protect soldiers was mail armor, commonly known as chainmail. -
Expedition Conquistador Brochure
EXPEDITION CONQUISTADOR Traveling Exhibit Proposal The Palm Beach Museum of Natural History Minimum Requirements 500-3,500 sq. ft. (variable, based on available space) of display area 8-12 ft ceiling clearance Available for 6-8 week (or longer) periods Expedition Conquistador takes three to seven days to set up and take down Assistance by venue staff may be required to unload, set up and break down the exhibit Venue provides all set up/break down equipment, including pallet jacks, fork lift, etc. Structure of Exhibit Basic: Armored Conquistador Diorama – (3 foot soldiers or 1 mounted on horse, 120 sq. ft.) Maps and Maritime Navigation Display Weapons and Armor Display Trade in the New World Display Daily Life and Clothing Display American Indian Weaponry and material culture (contemporary 16th century) Optional: First Contact Diorama (explorers, foot soldiers, sailors, priests, American Indians) American Indian Habitation Diorama Living History Component Both the basic and optional versions of Expedition Conquistador can be adjusted via the modification of the number of displays to accommodate venues with limited exhibition space. We welcome your questions regarding “Expedition Conquistador” For additional information or to book reservations please contact Rudolph F. Pascucci The Palm Beach Museum of Natural History [email protected] (561) 729-4246 Expedition Conquistador Expedition Conquistador provides the The beginnings of European colonization in public with a vision of what life was like for the New World began a series of violent the earliest European explorers of the New changes. Cultures and technology both World as they battled to claim territory, clashed on a monumental basis. -
Archaeologist in the Archive. a Turning Point in the Study of Late-Medieval Helmets in Western Pomerania
FASCICULI ARCHAEOLOGIAE HISTORICAE FASC. XXXIII, PL ISSN 0860-0007 DOI 10.23858/FAH33.2020.011 ANDRZEJ JANOWSKI* ARCHAEOLOGIST IN THE ARCHIVE. A TURNING POINT IN THE STUDY OF LATE-MEDIEVAL HELMETS IN WESTERN POMERANIA Abstract: The article discusses three late-medieval head protectors from Western Pomerania, forgotten by Polish scholars after World War II. The first one is the great helm known as the Topfhelm from Dargen, the second, a bascinet with visor from Leszczyn and the last one, the jousting sallet from the collection of Szczecin masons. Knowledge about those helms is highly significant for studies of late-medieval armour in Western Pomerania. Keywords: Western Pomerania, medieval armour, great helm, bascinet, jousting sallet Received: 15.04.2020 Revised: 29.04.2020 Accepted: 27.07.2020 Citation: Janowski A. 2020. Archaeologist in the Archive. A Turning Point in the Study of Late-medieval Helmets in Western Pomerania. “Fasciculi Archaeologiae Historicae” 33, 167-174, DOI 10.23858/FAH33.2020.011 Elements of armour either in whole or in large The Great Helm from Dargen fragments belong to unique finds in the archaeology The first piece of head protection discussed here of the Middle Ages. Each more or less complete find is a find which must be known to all armour special- is considered a sensation. Western Pomeranian finds ists (Fig. 1). It is one of the best preserved and oldest are no different in this respect; new finds of this type great helms, dating back to the middle-second half of are few and far between.1 The study of primary sourc- the 13th century. -
Franco-Burgundian Armor of the 15Th Century
Franco-Burgundian Armor of the 15th Century Master Klaus AKA PPF Burgundy Pas d’Armes 15th Century Kit greatly admired and here is how to fake it! Spoiler Alert: A belted, sleeved surcoat will give you the right silhouette. A crest and mantle will make you look even better. Late-15th- century heraldic tabards. Kunsthisto risches Museum, Vienna. Late-15th-century tabard, The Hermitage, St. Petersburg. This one appears to be similar in form to the surcoats depicted in King René’s book. Simone de Varie, c. 1455, clad as in King Rene Great bascinets for the tournament, The Metropolitan Museum of Art, New York. Left, c.1450 Center, c. 1450-1500 Right, c. 1510 The “Avant Armor,” the oldest known near-complete medieval harness, Milanese, circa 1440. Originally from Schloss Churburg, now in the Kelvingrove Museum, Glasgow. Displayed with a Venetian sallet, aka a “barbuta,” c. 1450, it would originally have been worn with an Armet. An early “Gothic” (ie, German) style harness with sallet and bevor, c. 1470. Harness in the Italian style with a great bascinet., circa 1450. Kunsthistorisches Museum, Vienna. Illumination from Le Livre du Cueur d’Amours Espris by Duke René of Anjou (aka “King René’s Book of Love”), 1457. Illumination from Le Livre du Cueur d’Amours Espris by Duke René of Anjou (aka “King René’s Book of Love”), 1457. René d’Anjou’sTraittié : preparing for the grand melée. The noble competitors wear their specialized tournament harness, while their (presumably non-combatant) standard-bearers wear ordinary battle armor. Note the men with axes on the list barrier, about to cut the ropes. -
The Virtual Armory
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DigitalCommons@WPI Worcester Polytechnic Institute Digital WPI Interactive Qualifying Projects (All Years) Interactive Qualifying Projects July 2013 The irV tual Armory Jeffrey M. Bardon Worcester Polytechnic Institute Follow this and additional works at: https://digitalcommons.wpi.edu/iqp-all Repository Citation Bardon, J. M. (2013). The Virtual Armory. Retrieved from https://digitalcommons.wpi.edu/iqp-all/2532 This Unrestricted is brought to you for free and open access by the Interactive Qualifying Projects at Digital WPI. It has been accepted for inclusion in Interactive Qualifying Projects (All Years) by an authorized administrator of Digital WPI. For more information, please contact [email protected]. 48-JLS-0069 The Virtual Armory Interactive Qualifying Project Proposal Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for graduation by _____________________________ Jeffrey Bardon June 25th 2013 Professor Jeffrey L. Forgeng. Major Advisor Keywords: Higgins Armory, Arms and Armor, QR Code 1 Abstract This project developed a QR system to provide an interactive experience at the Higgins Armory Museum. I developed a web page that gives interesting facts on a medieval European helmet. When scanned, a QR Code next to the helmet brings up a mobile- friendly web page with information on the object, randomly selected from a pool of information, and an HTML-based game involving matching Greek, -
Ffib COSTUME of the Conquistadorss 1492-1550 Iss
The costume of the conquistadors, 1492-1550 Item Type text; Thesis-Reproduction (electronic) Authors Coon, Robin Jacquelyn, 1932- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 08/10/2021 16:02:18 Link to Item http://hdl.handle.net/10150/348400 ffiB COSTUME OF THE CONQUISTADORSs 1492-1550 iss ' ' " Oy _ , ' . ' Robin Goon A Thesis Submitted to the Faculty of the DEPiRTMENT OF DRAMA In Partial Fulfillment of the Requirements For the Degree of ■ MASTER OF ARTS v ' . In the Graduate College THE UHIFERSITI OF ARIZONA 1962 STATEMENT BY AUTHOR This thesis has been submitted in partial fulfillment of re quirements for an advanced degree at The University of Arizona and is deposited in The University Library to be made available to bor rowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that accurate acknowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in their judgment the proposed use of the material is in the interests of scholarship. In all other instances, however, permission must be obtained from the author. " / /? signed i i i Q-'l ^ > i / r ^ t. -
The Classic Suit of Armor
Project Number: JLS 0048 The Classic Suit of Armor An Interactive Qualifying Project Report Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for the Degree of Bachelor of Science by _________________ Justin Mattern _________________ Gregory Labonte _________________ Christopher Parker _________________ William Aust _________________ Katrina Van de Berg Date: March 3, 2005 Approved By: ______________________ Jeffery L. Forgeng, Advisor 1 Table of Contents ABSTRACT .................................................................................................................................................. 5 INTRODUCTION ........................................................................................................................................ 6 RESEARCH ON ARMOR: ......................................................................................................................... 9 ARMOR MANUFACTURING ......................................................................................................................... 9 Armor and the Context of Production ................................................................................................... 9 Metallurgy ........................................................................................................................................... 12 Shaping Techniques ............................................................................................................................ 15 Armor Decoration -
Armour & Weapons in the Middle Ages
& I, Ube 1bome Hnttquarg Series ARMOUR AND WEAPONS IN THE MIDDLE AGES t Digitized by the Internet Archive in 2014 https://archive.org/details/armourweaponsinmashd PREFACE There are outward and visible signs that interest in armour and arms, so far from abating, is steadily growing. When- ever any examples of ancient military equipment appear n in sale-rooms a keen and eager throng of buyers invariably | assembles ; while one has only to note the earnest and ' critical visitors to museums at the present time, and to compare them with the apathetic onlookers of a few years J ago, to realize that the new generation has awakened to j j the lure of a fascinating study. Assuredly where once a single person evinced a taste for studying armour many | now are deeply interested. t The books dealing with the subject are unfortunately ' either obsolete, like the works of Meyrick, Planche, Fos- broke, Stothard, and others who flourished during the last L century, or, if recent, are beyond the means of many would-be students. My own book British and Foreign Arms and Armour is now out of print, while the monographs of I Charles ffoulkes, the Rev. Charles Boutell, and | Mr Mr Starkie Gardner are the only reasonably priced volumes j now obtainable. It seemed, therefore, desirable to issue a small handbook which, while not professing in the least to be comprehensive, would contain sufficient matter to give the young student, y the ' man in the street,' and the large and increasing number of persons who take an intelligent interest in the past just j that broad outline which would enable them to understand more exhaustive tomes upon armour and weapons, and 5 ARMOUR AND WEAPONS possibly also to satisfy those who merely wish to glean sufficient information to enable them to discern inac- curacies in brasses, effigies, etc., where the mind of the medieval workman—at all times a subject of the greatest interest—has led him to introduce features which were not in his originals, or details which he could not possibly have seen. -
Low-Tech Armortm
LOADOUTS:TM LOW-TECH ARMORTM Written by DAN HOWARD Edited by JASON “PK” LEVINE Illustrated by DAVID DAY, DAN HOWARD, and SHANE L. JOHNSON GURPS System Design T STEVE JACKSON e23 Manager T STEVEN MARSH GURPS Line Editor T SEAN PUNCH Marketing Director T LEONARD BALSERA Managing Editor T PHILIP REED Director of Sales T ROSS JEPSON Assistant GURPS Line Editor T JASON “PK” LEVINE Prepress Checker T NIKKI VRTIS Production Artist & Indexer T NIKOLA VRTIS Page Design T PHIL REED and JUSTIN DE WITT Art Direction T MONICA STEPHENS GURPS FAQ Maintainer T VICKY “MOLOKH” KOLENKO Lead Playtester: Douglas H. Cole Playtesters: Roger Burton West, Nathan Joy, Rob Kamm, Stephen Money, David Nichols, and Antoni Ten Monrós GURPS, Warehouse 23, and the all-seeing pyramid are registered trademarks of Steve Jackson Games Incorporated. Pyramid, Loadouts, Low-Tech Armor, e23, and the names of all products published by Steve Jackson Games Incorporated are registered trademarks or trademarks of Steve Jackson Games Incorporated, or used under license. GURPS Loadouts: Low-Tech Armor is copyright © 2013 by Steve Jackson Games Incorporated. Some art © 2013 JupiterImages Corporation. All rights reserved. The scanning, uploading, and distribution of this material via the Internet or via any other means without the permission of the publisher is illegal, and punishable by law. Please purchase only authorized electronic editions, and do not participate in or encourage the electronic piracy of copyrighted materials. Your support of the author’s rights is appreciated. An e23 Sourcebook for GURPS® STEVE JACKSON GAMES Stock #37-1581 Version 1.0 – December 2013 ® CONTENTS INTRODUCTION . -
Codex Martialis: Weapons of the Ancient World
Cod ex Mart ial is Weapo ns o f t he An cie nt Wor ld : Par t 2 Arm or a nd M issile Weapo ns Codex Martialis : Weapons of the A ncient World Par t II : Ar mo r an d Mi ss il e We ap on s 1 188.6.65.233 Cod ex Mart ial is Weapo ns o f t he An cie nt Wor ld : Par t 2 Arm or a nd M issile Weapo ns Codex Martialis: Weapons of the Ancient World Part 2 , Ar mor an d Missile Weapo ns Versi on 1 .6 4 Codex Ma rtia lis Copyr ig ht 2 00 8, 2 0 09 , 20 1 0, 2 01 1, 20 1 2,20 13 J ean He nri Cha nd ler 0Credits Codex Ma rtia lis W eapons of th e An ci ent Wo rld : Jean He nri Chandler Art ists: Jean He nri Cha nd ler , Reyna rd R ochon , Ram on Esteve z Proofr ead ers: Mi chael Cur l Special Thanks to: Fabri ce C og not of De Tail le et d 'Esto c for ad vice , suppor t and sporad ic fa ct-che cki ng Ian P lum b for h osting th e Co de x Martia lis we bsite an d co n tinu in g to prov id e a dvice an d suppo rt wit ho ut which I nev e r w oul d have publish ed anyt hi ng i ndepe nd ent ly. -
Jack Waddell MEDIEVAL ARMS, ARMOR, and TACTICS And
MEDIEVAL ARMS, ARMOR, AND TACTICS And Interactive Qualifying Project Submitted to the faculty Of the WORCESTER POLYTECHNIC INSTITUTE In partial fulfillment of the requirements of the Degree of Bachelor or Science By Jack Waddell And 7 Brent Palermo Date: December 10th , 2002 Approved: Abstract This project examined and photographed nearly 300 examples of medieval arms and armor in the Higgins Armory collection, and documented the characteristics of armor, weapons, and their associated tactics during the middle ages (approximately 500CE to 1500CE) as well as the historical and technological background against which they were employed. 2 Acknowledgements We would like to thank the Higgins Armory Museum for providing us with access to authentic medieval artifacts and essential research tools. 3 Table of Contents 1. Abstract Vol 1, p 2 2. Acknowledgements 3 3. Table of Contents 4 4. Introduction (By Brent Palermo) 5 5. Historical background of the Middle Ages (By Jack Waddell) 6 a. History 6 b. Feudalism 35 c. War in the Middle Ages 40 d. Medieval Technology 47 6. Armor of the Middle Ages (By Jack Waddell) 55 a. Introduction 55 b. Armor for the Body 57 c. Armor for the Head 69 d. Armor for the Legs 78 e. Armor for the Arms 81 f. Shields 87 g. Snapshots of Armor Ensembles over Time 90 7. Weapons of the Middle Ages (By Brent Palermo) 100 a. Daggers 100 b. Swords 105 c. Axes 112 d. Halberds 115 e. Glaives 116 f. Bills 117 g. Maces 117 h. Morning Stars 118 i. Flails 119 j. War Hammers 120 k. -
Qarmor Available in the Known World
Playing the Game: Combat ARMOR AVAILABLE IN THEQ KNOWN WORLD The Armor on this list (a partial list, at that) is described by the ‘suit,’ in effect a complete outfit that is usually calledharness a . Armor is not that different from clothing (and indeed clothing is included on this list), in the sense that it not only has a function to protect the wearer but also reflects the style and fashions of the material Culture in which the wearer lives. It’s also simpler to describe armor as a suit or harness rather than having you buy and track each individual piece of armor that you are wearing, which can get very complicated with as many Hit Locations as there are in Artesia AKW. There is, however, a short list of individual pieces with which you can customize the harnesses listed here. The listings include a description of the outfit, its base weight, the protective value of the outfit, and its cost. Armor Type is listed in cases where the armor shapes damage; this is Mail, Scale, or Plate, and refers to the predominant armor type used. Guides should use discretion in applying Armor Type to individual hit locations; some common sense can be applied (a warrior wearing leather gloves should receive a leather Armor Type benefit when hit in the hands, regardless of the armor worn). The protective value is listed as Cut/Puncture/Impact protection. Each harness has an Overall Protective Value, but may also have Exposed body parts (with no protection), Weak Points, and Strong Points. The armor listed here is pre-manufactured munition armor – bought off the rack, so to speak.