Best Professional Digital Film Editing Software
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Videos Bearbeiten Im Überblick: Sieben Aktuelle VIDEOSCHNITT Werkzeuge Für Den Videoschnitt
Miller: Texttool-Allrounder Wego: Schicke Wetter-COMMUNITY-EDITIONManjaro i3: Arch-Derivat mit bereitet CSVs optimal auf S. 54 App für die Konsole S. 44 Tiling-Window-Manager S. 48 Frei kopieren und beliebig weiter verteilen ! 03.2016 03.2016 Guter Schnitt für Bild und Ton, eindrucksvolle Effekte, perfektes Mastering VIDEOSCHNITT Videos bearbeiten Im Überblick: Sieben aktuelle VIDEOSCHNITT Werkzeuge für den Videoschnitt unter Linux im Direktvergleich S. 10 • Veracrypt • Wego • Wego • Veracrypt • Pitivi & OpenShot: Einfach wie noch nie – die neue Generation der Videoschnitt-Werkzeuge S. 20 Lightworks: So kitzeln Sie optimale Ergebnisse aus der kostenlosen Free-Version heraus S. 26 Verschlüsselte Daten sicher verstecken S. 64 Glaubhafte Abstreitbarkeit: Wie Sie mit dem Truecrypt-Nachfolger • SQLiteStudio Stellarium Synology RT1900ac Veracrypt wichtige Daten unauffindbar in Hidden Volumes verbergen Stellarium erweitern S. 32 Workshop SQLiteStudio S. 78 Eigene Objekte und Landschaften Die komfortable Datenbankoberfläche ins virtuelle Planetarium einbinden für Alltagsprogramme auf dem Desktop Top-Distris • Anydesk • Miller PyChess • auf zwei Heft-DVDs ANYDESK • MILLER • PYCHESS • STELLARIUM • VERACRYPT • WEGO • • WEGO • VERACRYPT • STELLARIUM • PYCHESS • MILLER • ANYDESK EUR 8,50 EUR 9,35 sfr 17,00 EUR 10,85 EUR 11,05 EUR 11,05 2 DVD-10 03 www.linux-user.de Deutschland Österreich Schweiz Benelux Spanien Italien 4 196067 008502 03 Editorial Old and busted? Jörg Luther Chefredakteur Sehr geehrte Leserinnen und Leser, viele kleinere, innovative Distributionen seit einem Jahrzehnt kommen Desktop- Immer öfter stellen wir uns aber die haben damit erst gar nicht angefangen und Notebook-Systeme nur noch mit Frage, ob es wirklich noch Sinn ergibt, oder sparen es sich schon lange. Open- 64-Bit-CPUs, sodass sich die Zahl der moderne Distributionen überhaupt Suse verzichtet seit Leap 42.1 darauf; das 32-Bit-Systeme in freier Wildbahn lang- noch als 32-Bit-Images beizulegen. -
Lightworks V12.6
Lightworks v12.6 User’s Guide Lightworks v12.6 Copyright and Disclaimer Copyright © 2016 by EditShare This guide, as well as any software described in it, is furnished under either a license or a confidentiality agreement, is confidential to EditShare, and may be used or copied only in accordance with the above mentioned agreements. The information in this document is furnished for your use only and is subject to change without notice. EditShare assumes no responsibility or liability for any errors or inaccuracies or completeness of this document. This document is the property of EditShare and is provided in accordance with an EditShare license agreement. Copying, modifying, or distributing this document in violation of the license agreement, Copyright Laws of England and Wales, or the Copyright Laws of any applicable foreign jurisdiction is expressly prohibited. EditShare is a registered trademark of EditShare in the US and other countries. Avid is a registered trademark of Avid Technology, Inc. DAVE is a registered trademark of Thursby Software Systems, Inc. Final Cut Pro, Leopard, Macintosh, and Macintosh OS are registered trademarks of Apple, Inc. Premiere is a registered trademark of Adobe, Inc. Windows is a registered trademark of Microsoft Corporation. All other brand and product names are trademarks or registered trademarks of their respective companies and are hereby acknowledged. Mention of trade names or commercial products does not constitute endorsement by EditShare except where explicitly stated. EditShare EMEA Clifton House Bunnian Place Basingstoke Hampshire, RG21 7JE England Tel: +44 (0) 20 7183 2255 Fax: +44 (0) 20 7183 2256 Email: [email protected] http://www.editshare.com February 3, 2016 2 TP-00258-01 Contents CHAPTER 1: INTRODUCTION . -
DIGITAL Filmmaking an Introduction Pete Shaner
DIGITAL FILMMAKING An Introduction LICENSE, DISCLAIMER OF LIABILITY, AND LIMITED WARRANTY By purchasing or using this book (the “Work”), you agree that this license grants permission to use the contents contained herein, but does not give you the right of ownership to any of the textual content in the book or ownership to any of the information or products contained in it. This license does not permit uploading of the Work onto the Internet or on a network (of any kind) without the written consent of the Publisher. Duplication or dissemination of any text, code, simulations, images, etc. contained herein is limited to and subject to licensing terms for the respective products, and permission must be obtained from the Publisher or the owner of the content, etc., in order to reproduce or network any portion of the textual material (in any media) that is contained in the Work. MERCURY LEARNING AND INFORMATION (“MLI” or “the Publisher”) and anyone involved in the creation, writing, or production of the companion disc, accompanying algorithms, code, or computer programs (“the software”), and any accompanying Web site or software of the Work, cannot and do not warrant the performance or results that might be obtained by using the contents of the Work. The author, developers, and the Publisher have used their best efforts to insure the accuracy and functionality of the textual material and/or programs contained in this package; we, however, make no warranty of any kind, express or implied, regarding the performance of these contents or programs. The Work is sold “as is” without warranty (except for defective materials used in manufacturing the book or due to faulty workmanship). -
TRANSCRIPT Editing, Graphics and B Roll, Oh
TRANSCRIPT Editing, Graphics and B Roll, Oh My! You’ve entered the deep dark tunnel of creating a new thing…you can’t see the light of day… Some of my colleagues can tell you that I am NOT pleasant to be around when I am in the creative video-making tunnel and I feel like none of the footage I have is working the way I want it to, and I can’t seem to fix even the tiniest thing, and I’m convinced all of my work is garbage and it’s never going to work out right and… WOW. Okay deep breaths. I think it’s time to step away from the expensive equipment and go have a piece of cake…I’ll be back… Editing, for me at least, is the hardest, but also most creatively fulfilling part of the video-making process. I have such a love/hate relationship with editing because its where I start to see all the things I messed up in the planning and filming process. But it’s ALSO where - when I let it - my creativity pulls me in directions that are BETTER than I planned. Most of my best videos were okay/mediocre in the planning and filming stages, but became something special during the editing process. So, how the heck do you do it? There are lots of ways to edit, many different styles, formats and techniques you can learn. But for me at least, it comes down to being playful and open to the creative process. This is the time to release your curious and playful inner child. -
Multimedia Systems DCAP303
Multimedia Systems DCAP303 MULTIMEDIA SYSTEMS Copyright © 2013 Rajneesh Agrawal All rights reserved Produced & Printed by EXCEL BOOKS PRIVATE LIMITED A-45, Naraina, Phase-I, New Delhi-110028 for Lovely Professional University Phagwara CONTENTS Unit 1: Multimedia 1 Unit 2: Text 15 Unit 3: Sound 38 Unit 4: Image 60 Unit 5: Video 102 Unit 6: Hardware 130 Unit 7: Multimedia Software Tools 165 Unit 8: Fundamental of Animations 178 Unit 9: Working with Animation 197 Unit 10: 3D Modelling and Animation Tools 213 Unit 11: Compression 233 Unit 12: Image Format 247 Unit 13: Multimedia Tools for WWW 266 Unit 14: Designing for World Wide Web 279 SYLLABUS Multimedia Systems Objectives: To impart the skills needed to develop multimedia applications. Students will learn: z how to combine different media on a web application, z various audio and video formats, z multimedia software tools that helps in developing multimedia application. Sr. No. Topics 1. Multimedia: Meaning and its usage, Stages of a Multimedia Project & Multimedia Skills required in a team 2. Text: Fonts & Faces, Using Text in Multimedia, Font Editing & Design Tools, Hypermedia & Hypertext. 3. Sound: Multimedia System Sounds, Digital Audio, MIDI Audio, Audio File Formats, MIDI vs Digital Audio, Audio CD Playback. Audio Recording. Voice Recognition & Response. 4. Images: Still Images – Bitmaps, Vector Drawing, 3D Drawing & rendering, Natural Light & Colors, Computerized Colors, Color Palletes, Image File Formats, Macintosh & Windows Formats, Cross – Platform format. 5. Animation: Principle of Animations. Animation Techniques, Animation File Formats. 6. Video: How Video Works, Broadcast Video Standards: NTSC, PAL, SECAM, ATSC DTV, Analog Video, Digital Video, Digital Video Standards – ATSC, DVB, ISDB, Video recording & Shooting Videos, Video Editing, Optimizing Video files for CD-ROM, Digital display standards. -
User Manual 1
Pro Maintenance Tools User Manual 1 Pro Maintenance Tools User Manual Pro Maintenance Tools (formerly Pro Maintenance Tools) is a utility pack designed to keep your Final Cut Studio, Final Cut Pro X, Avid Media Composer, Avid Symphony or Adobe Premiere Pro for Mac running at optimal performance and help resolve problems when they arise. The suite contains tools to repair corrupt QuickTime movies, locate corrupt clips within a timeline, diagnose crash logs, manage plugins, repair Final Cut Pro projects, manage autosaves, salvage movie data from corrupt files, and much more. Show-stopping problems always seem to occur on a deadline - Pro Maintenance Tools is designed to rapidly diagnose and fix common issues, ensuring users get back on track as quickly as possible. With the Task Scheduler utility, maintenance tasks can even be scheduled to run in the background for convenience. Pro Maintenance Tools includes: Autosave Manager – Flexible autosave management offering automatic archival or removal based on criteria including age and file size. Supports Final Cut Studio, Final Cut Pro X, Avid Media Composer, Avid Symphony and Adobe Premiere Pro Compressor Repair – Repairs the fragile links between Compressor and Qmaster. Supports Final Cut Studio and Final Cut Pro X Corrupt Clip Finder – Automatically locates corrupt clips in a project, saving hours of manual Last updated Aug 18, 2014 Pro Maintenance Tools User Manual 2 reconnecting. Supports Avid MXF with a third-party plugin such as MXF4Mac. Supports Final Cut Studio, Final Cut Pro X, Avid Media Composer, Avid Symphony and Adobe Premiere Pro Crash Analyzer – Analyzes your editing application crash logs, attempts to diagnose the cause of the crash and suggests ways to solve the problem. -
Lightworks V14 Quick Start Guide
Lightworks 14.0 Quick Start Guide Copyright and Disclaimer Copyright © 2016 by EditShare This document, as well as any software described in it, is furnished under either a license or a confidentiality agreement, is confidential to EditShare, and may be used or copied only in accordance with the above mentioned agreements. The information in this document is furnished for your use only and is subject to change without notice. EditShare assumes no responsibility or liability for any errors or inaccuracies that may appear in this document. This document is the property of EditShare and is provided in accordance with an EditShare license agreement. Copying, modifying, or distributing this document in violation of the license agreement, Copyright Laws of England and Wales, or the Copyright Laws of any applicable foreign jurisdiction is expressly prohibited. EditShare is a registered trademark of EditShare in the US and other countries. Universal Media File is a trademark of EditShare in the US and other countries. Avid is a registered trademark of Avid Technology, Inc. DAVE is a registered trademark of Thursby Software Systems, Inc. Final Cut Pro, Leopard, Macintosh, and Macintosh OS are registered trademarks of Apple, Inc. Premiere is a registered trademark of Adobe, Inc. Windows is a registered trademark of Microsoft Corporation. All other brand and product names are trademarks or registered trademarks of their respective companies and are hereby acknowledged. To the best of our knowledge, the information in this document is accurate; however, EditShare assumes no responsibility or liability for the accuracy or completeness of this information. Mention of trade names or commercial products does not constitute endorsement by EditShare except where explicitly stated. -
Some Basic Questions and Simple Answers About Vegas Movie Studio 15 and How It Works
Basic Answers What have I gotten myself into? Some basic questions and simple answers about Vegas Movie Studio 15 and how it works What is non-linear editing (NLE)? Non-linear editing is basically another term for editing video on a computer. “Non-linear” is in contrast to linear editing – the way video and �lm used to be edited in the days of tape and �lm reels. In those days, if you wanted to take a scene from the beginning of a reel of �lm or tape and you wanted to cut it with another at the end, you’d need to go through the entire reel to grab each scene. That’s linear editing. In order to get from this piece to that piece, you have to go through everything in between. In non-linear video, your scenes or clips appear in a catalog (the Project Media window) and you just grab and mix them in any order you want. A much easier way to work, don’t you think? What’s the difference between Vegas Movie Studio, Vegas Movie Studio Platinum and Vegas Pro? Well, in terms of the quality of the results, absolutely nothing. They all produce the same excellent quality of video outputs. The Pro version, however, includes a number of higher-end features (such as support for RED ONE camcorders) and the ability to embed one project into another. Vegas Movie Studio Platinum’s bundle includes DVD Architect (a DVD/BluRay authoring program), a slideshow creator tool and advanced color correction tools that are not included with plain vanilla Vegas Movie Studio. -
Free Video Tools
Free Video Tools How do you choose the right video editing software especially when you are a newbie and want a free video editing software before you dig deeper? Interface: For a newbie, a user-friendly interface can help you save a lot of time from learning and getting familiar with the program. Some users like to use modern and intuitive free video editor, while others just like to use old style editors. Formats: Make sure the software you choose enables you to export common used formats like MP4, MOV, AVI, MKV, etc, so that you can easily share your work on YouTube or other social media platform. Friendly reminder: generally speaking, MP4 is the most used format, so it is wiser to find a free video editor that supports MP4 at least. Below are some of the most popular free tools. Screen Recording Tools Ezvid is a 100% free video creation tool that allows you to capture everything that appears on your computer screen. It also allows you to edit your recorded videos by splitting your recordings, inserting text and audio, controlling the speed and even drawing directly on your screen. There’s also a Gaming Mode specially designed for gamers to avoid black screen problems when recording games such as Diablo III and Call of Duty which are full screen games. You can save your edited videos for later use or you may directly upload them on YouTube. https://www.ezvid.com/ TO LEARN MORE, VISIT US AT NVCC.EDU Blueberry Flashback Express recorder This recorder enables you to capture your screen while recording yourself through a webcam. -
Jr. Video Editor / Digital Content Coordinator Location: Castle Rock, Colorado (WFCF Headquarters)
Where Food Comes From, Inc. 303.895.3002 wfcfcare.com wfcfstorybit.com Where Food Comes From Position: Jr. Video Editor / Digital Content Coordinator Location: Castle Rock, Colorado (WFCF Headquarters) Video Editing / Storytelling for WFCF Storybit Video Series (wfcfstorybit.com) • Establish a clear understanding of the storyline and be able to effectively tell a story • Editing includes interview cutdowns, adding graphics and text when needed and music selection based on story direction • Create initial storyboard drafts of videos • Edit video to ensure the correct formatting and presentation for finalized videos according to Where Food Comes From brand specifications and designated social media channel Social Media Coordinator • Coordinating social media posts and advertising campaigns • Creating graphics and video content for posts • Research and manage influencer brand relationships • Develop, implement and manage our social media strategy that includes content that is informative and appealing o Research industry-related topics to be used on social, blogs and external and internal communication • Collaborate with other WFCF divisions to develop engaging content • Measure the success of every social media campaign • Keep abreast of the latest social media best practices and technologies • Use social media marketing tools such as Hootsuite • Communicate with industry professionals and influencers via social media to create a strong network Requirements: • 1-2 years of creative experience in filmmaking and videography, specifically -
Intro to Video Production Meaning Is More Than Dialogue in Videos
Intro to Video Production Meaning is more than dialogue in videos 2 Meaning is conveyed in videos through Visual metaphor Audio Editing 3 1 Visual Metaphor 4 Star Wars, 1977, Directed by George Lucas 5 Tools for Visual Metaphor Examples include ◦ Size ◦ Composition ◦ Movement (camera and subjects) ◦ Camera angles ◦ Color ◦ Lighting ◦ Scenery And many more 6 Color The Lord of the Rings: The Fellowship of the Ring, 2001, Directed by Peter Jackson 7 Color The Lord of the Rings: The Return of the King, 2003, Directed by Peter Jackson 8 Lighting Up, 2008, Directed by Pete Docter 9 Lighting Up, 2008, Directed by Pete Docter 10 Scenery Rocky, 1976, Directed by John G. Avildsen 11 Scenery Rocky, 1976, Directed by John G. Avildsen 12 2 Audio 13 The importance of music 14 The importance of music 15 Music can change a scene 16 Sound Effects Make a Difference as Well 17 Sound Effects Make a Difference as Well 18 Creative Commons Resources 19 Creative Commons (creativecommons.org) Attribution Share Alike Must attribute the Derivatives must use author/creator same or compatible license Noncommercial No derivative works Cannot be used for Can only be shared commercial purposes unaltered 20 Music and Sound Effects ◦ Free Music Archive (freemusicarchive.org) ◦ Jamendo (jamendo.com/start) ◦ IMSLP/Petrucci Music Library (imslp.org/wiki/Main_Page) ▫ Example ◦ Freesound (freesound.org) - includes sound effects ◦ Musopen (musopen.org) ◦ ccMixter (ccmixter.org) ◦ Internet Archive (archive.org/details/netlabels) 21 Videos ◦ YouTube search ◦ Archive.org (archive.org/details/stock_footage) ◦ NASA (nasa.gov/multimedia/videogallery/index.html) ◦ Hubble Space telescope (spacetelescope.org/videos/) ◦ Coverr (coverr.co) ◦ Public Domain Movies (publicdomainflix.com) 22 3 Editing 23 Transitioning Scenes with Editing Star Wars, 1977, Directed by George Lucas 24 Editing can change the emotion of a scene 25 Reaction Shot Mrs. -
MAGIX Movie Edit Pro Versions Starting from Version 17 and Can Be Done Online Or by Phone
Recording 27 Recording Recording Attention users of older versions: The process described here applies to Version 17 and higher. Earlier versions had a separate workspace for RECORDING. You can access a similar menu to the one described here using the RECORD button. Nearly every project begins by importing recordings to your computer. You will find all the recording options by pressing the record button below the video monitor. "Record" under the video monitor. The RECORDING SOURCE SELECTION dialog opens. The three most popular video formats will appear in the top row: AVCHD, HDV and DV. Below you will also find analog VIDEO recording as well as AUDIO recording and a capture function for the computer monitor and still frames. 28 Recording Recording sources Import AVCHD movies AVCHD uses the MPEG4 codec. When using the program for the first time, you will be asked to activate it together with the Dolby Digital stereo decoder. Activation is free in all MAGIX Movie Edit Pro versions starting from version 17 and can be done online or by phone. You must register MAGIX Movie Edit Pro for online activation. Follow the activation instructions. In Movie Edit Pro 17 AVCHD activation was free only in Plus and Premium versions. AVCHD is the current trend in consumer cameras. Using this recording and coding process, you can record FullHD video using minimal space. These cameras no longer use tapes for recording, but instead use a hard drive, memory card or a DVD as the storage device. These movie files can be imported directly. Recording 29 Follow these steps to import AVCHD files: Connect your AVCHD camera or a memory card containing AVCHD files to your computer.