Quick Guide Vers 3.4 Most Options Will Be Set Automatically, When the Info Needed by the Destination Format Is Contained in the Source Format
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Multimedia Systems DCAP303
Multimedia Systems DCAP303 MULTIMEDIA SYSTEMS Copyright © 2013 Rajneesh Agrawal All rights reserved Produced & Printed by EXCEL BOOKS PRIVATE LIMITED A-45, Naraina, Phase-I, New Delhi-110028 for Lovely Professional University Phagwara CONTENTS Unit 1: Multimedia 1 Unit 2: Text 15 Unit 3: Sound 38 Unit 4: Image 60 Unit 5: Video 102 Unit 6: Hardware 130 Unit 7: Multimedia Software Tools 165 Unit 8: Fundamental of Animations 178 Unit 9: Working with Animation 197 Unit 10: 3D Modelling and Animation Tools 213 Unit 11: Compression 233 Unit 12: Image Format 247 Unit 13: Multimedia Tools for WWW 266 Unit 14: Designing for World Wide Web 279 SYLLABUS Multimedia Systems Objectives: To impart the skills needed to develop multimedia applications. Students will learn: z how to combine different media on a web application, z various audio and video formats, z multimedia software tools that helps in developing multimedia application. Sr. No. Topics 1. Multimedia: Meaning and its usage, Stages of a Multimedia Project & Multimedia Skills required in a team 2. Text: Fonts & Faces, Using Text in Multimedia, Font Editing & Design Tools, Hypermedia & Hypertext. 3. Sound: Multimedia System Sounds, Digital Audio, MIDI Audio, Audio File Formats, MIDI vs Digital Audio, Audio CD Playback. Audio Recording. Voice Recognition & Response. 4. Images: Still Images – Bitmaps, Vector Drawing, 3D Drawing & rendering, Natural Light & Colors, Computerized Colors, Color Palletes, Image File Formats, Macintosh & Windows Formats, Cross – Platform format. 5. Animation: Principle of Animations. Animation Techniques, Animation File Formats. 6. Video: How Video Works, Broadcast Video Standards: NTSC, PAL, SECAM, ATSC DTV, Analog Video, Digital Video, Digital Video Standards – ATSC, DVB, ISDB, Video recording & Shooting Videos, Video Editing, Optimizing Video files for CD-ROM, Digital display standards. -
User Manual 1
Pro Maintenance Tools User Manual 1 Pro Maintenance Tools User Manual Pro Maintenance Tools (formerly Pro Maintenance Tools) is a utility pack designed to keep your Final Cut Studio, Final Cut Pro X, Avid Media Composer, Avid Symphony or Adobe Premiere Pro for Mac running at optimal performance and help resolve problems when they arise. The suite contains tools to repair corrupt QuickTime movies, locate corrupt clips within a timeline, diagnose crash logs, manage plugins, repair Final Cut Pro projects, manage autosaves, salvage movie data from corrupt files, and much more. Show-stopping problems always seem to occur on a deadline - Pro Maintenance Tools is designed to rapidly diagnose and fix common issues, ensuring users get back on track as quickly as possible. With the Task Scheduler utility, maintenance tasks can even be scheduled to run in the background for convenience. Pro Maintenance Tools includes: Autosave Manager – Flexible autosave management offering automatic archival or removal based on criteria including age and file size. Supports Final Cut Studio, Final Cut Pro X, Avid Media Composer, Avid Symphony and Adobe Premiere Pro Compressor Repair – Repairs the fragile links between Compressor and Qmaster. Supports Final Cut Studio and Final Cut Pro X Corrupt Clip Finder – Automatically locates corrupt clips in a project, saving hours of manual Last updated Aug 18, 2014 Pro Maintenance Tools User Manual 2 reconnecting. Supports Avid MXF with a third-party plugin such as MXF4Mac. Supports Final Cut Studio, Final Cut Pro X, Avid Media Composer, Avid Symphony and Adobe Premiere Pro Crash Analyzer – Analyzes your editing application crash logs, attempts to diagnose the cause of the crash and suggests ways to solve the problem. -
Photo Editing
All recommendations are from: http://www.mediabistro.com/10000words/7-essential-multimedia-tools-and-their_b376 Photo Editing Paid Free Photoshop Splashup Photoshop may be the industry leader when it comes to photo editing and graphic design, but Splashup, a free online tool, has many of the same capabilities at a much cheaper price. Splashup has lots of the tools you’d expect to find in Photoshop and has a similar layout, which is a bonus for those looking to get started right away. Requires free registration; Flash-based interface; resize; crop; layers; flip; sharpen; blur; color effects; special effects Fotoflexer/Photobucket Crop; resize; rotate; flip; hue/saturation/lightness; contrast; various Photoshop-like effects Photoshop Express Requires free registration; 2 GB storage; crop; rotate; resize; auto correct; exposure correction; red-eye removal; retouching; saturation; white balance; sharpen; color correction; various other effects Picnik “Auto-fix”; rotate; crop; resize; exposure correction; color correction; sharpen; red-eye correction Pic Resize Resize; crop; rotate; brightness/contrast; conversion; other effects Snipshot Resize; crop; enhancement features; exposure, contrast, saturation, hue and sharpness correction; rotate; grayscale rsizr For quick cropping and resizing EasyCropper For quick cropping and resizing Pixenate Enhancement features; crop; resize; rotate; color effects FlauntR Requires free registration; resize; rotate; crop; various effects LunaPic Similar to Microsoft Paint; many features including crop, scale -
How to Create Music with GNU/Linux
How to create music with GNU/Linux Emmanuel Saracco [email protected] How to create music with GNU/Linux by Emmanuel Saracco Copyright © 2005-2009 Emmanuel Saracco How to create music with GNU/Linux Warning WORK IN PROGRESS Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.2 or any later version published by the Free Software Foundation; with no Invariant Sections, no Front-Cover Texts, and no Back-Cover Texts. A copy of the license is available on the World Wide Web at http://www.gnu.org/licenses/fdl.html. Revision History Revision 0.0 2009-01-30 Revised by: es Not yet versioned: It is still a work in progress. Dedication This howto is dedicated to all GNU/Linux users that refuse to use proprietary software to work with audio. Many thanks to all Free developers and Free composers that help us day-by-day to make this possible. Table of Contents Forword................................................................................................................................................... vii 1. System settings and tuning....................................................................................................................1 1.1. My Studio....................................................................................................................................1 1.2. File system..................................................................................................................................1 1.3. Linux Kernel...............................................................................................................................2 -
Intro to Video Production Meaning Is More Than Dialogue in Videos
Intro to Video Production Meaning is more than dialogue in videos 2 Meaning is conveyed in videos through Visual metaphor Audio Editing 3 1 Visual Metaphor 4 Star Wars, 1977, Directed by George Lucas 5 Tools for Visual Metaphor Examples include ◦ Size ◦ Composition ◦ Movement (camera and subjects) ◦ Camera angles ◦ Color ◦ Lighting ◦ Scenery And many more 6 Color The Lord of the Rings: The Fellowship of the Ring, 2001, Directed by Peter Jackson 7 Color The Lord of the Rings: The Return of the King, 2003, Directed by Peter Jackson 8 Lighting Up, 2008, Directed by Pete Docter 9 Lighting Up, 2008, Directed by Pete Docter 10 Scenery Rocky, 1976, Directed by John G. Avildsen 11 Scenery Rocky, 1976, Directed by John G. Avildsen 12 2 Audio 13 The importance of music 14 The importance of music 15 Music can change a scene 16 Sound Effects Make a Difference as Well 17 Sound Effects Make a Difference as Well 18 Creative Commons Resources 19 Creative Commons (creativecommons.org) Attribution Share Alike Must attribute the Derivatives must use author/creator same or compatible license Noncommercial No derivative works Cannot be used for Can only be shared commercial purposes unaltered 20 Music and Sound Effects ◦ Free Music Archive (freemusicarchive.org) ◦ Jamendo (jamendo.com/start) ◦ IMSLP/Petrucci Music Library (imslp.org/wiki/Main_Page) ▫ Example ◦ Freesound (freesound.org) - includes sound effects ◦ Musopen (musopen.org) ◦ ccMixter (ccmixter.org) ◦ Internet Archive (archive.org/details/netlabels) 21 Videos ◦ YouTube search ◦ Archive.org (archive.org/details/stock_footage) ◦ NASA (nasa.gov/multimedia/videogallery/index.html) ◦ Hubble Space telescope (spacetelescope.org/videos/) ◦ Coverr (coverr.co) ◦ Public Domain Movies (publicdomainflix.com) 22 3 Editing 23 Transitioning Scenes with Editing Star Wars, 1977, Directed by George Lucas 24 Editing can change the emotion of a scene 25 Reaction Shot Mrs. -
Schwachstellen Der Kostenfreien Digital Audio Workstations (Daws)
Schwachstellen der kostenfreien Digital Audio Workstations (DAWs) BACHELORARBEIT zur Erlangung des akademischen Grades Bachelor of Science im Rahmen des Studiums Medieninformatik und Visual Computing eingereicht von Filip Petkoski Matrikelnummer 0727881 an der Fakultät für Informatik der Technischen Universität Wien Betreuung: Associate Prof. Dipl.-Ing. Dr.techn Hilda Tellioglu Mitwirkung: Univ.Lektor Dipl.-Mus. Gerald Golka Wien, 14. April 2016 Filip Petkoski Hilda Tellioglu Technische Universität Wien A-1040 Wien Karlsplatz 13 Tel. +43-1-58801-0 www.tuwien.ac.at Disadvantages of using free Digital Audio Workstations (DAWs) BACHELOR’S THESIS submitted in partial fulfillment of the requirements for the degree of Bachelor of Science in Media Informatics and Visual Computing by Filip Petkoski Registration Number 0727881 to the Faculty of Informatics at the Vienna University of Technology Advisor: Associate Prof. Dipl.-Ing. Dr.techn Hilda Tellioglu Assistance: Univ.Lektor Dipl.-Mus. Gerald Golka Vienna, 14th April, 2016 Filip Petkoski Hilda Tellioglu Technische Universität Wien A-1040 Wien Karlsplatz 13 Tel. +43-1-58801-0 www.tuwien.ac.at Erklärung zur Verfassung der Arbeit Filip Petkoski Wienerbergstrasse 16-20/33/18 , 1120 Wien Hiermit erkläre ich, dass ich diese Arbeit selbständig verfasst habe, dass ich die verwen- deten Quellen und Hilfsmittel vollständig angegeben habe und dass ich die Stellen der Arbeit – einschließlich Tabellen, Karten und Abbildungen –, die anderen Werken oder dem Internet im Wortlaut oder dem Sinn nach entnommen sind, auf jeden Fall unter Angabe der Quelle als Entlehnung kenntlich gemacht habe. Wien, 14. April 2016 Filip Petkoski v Kurzfassung Die heutzutage moderne professionelle Musikproduktion ist undenkbar ohne Ver- wendung von Digital Audio Workstations (DAWs). -
Podcast, Videocast and Screencast
7/9/2013 Blogging or internet boadcasting • Tips for blogging 1. Fun: The most important part of blogging is having fun and loving your blog. 2. Other media: Why limit yourself to just a blog? 3. Promotion: Commenting on other blogs and getting your blog noticed joins up with social networking sites, but do NOT SPAM ! 4. Collaboration: Use online relationships to collaborate on blog posts and expand your readership – encourage comments, comment on other people’s blogs, link freely and share traffic 5. Social networking: link your newest blog post to your Twitter/FB/Google+ etc. Broadcast Yourself: account for more exposure. 6. Diversity: Multi-media is almost a must these days. Text, video, photo, audio use them all and use them frequently to back up your comments. Podcast, Videocast and Screencast. 7. Brevity: Break up text with cuts, subheadings, bullet lists, photos to better catch the readers eye. 8. Personality: Write what you know, Write from your heart but don’t take the comments personally. There are mean, anonymous people out there surfing the web leaving rude, baseless comments, but there are also plenty more people with constructive comments to offer. 9. Originality: Find your Niche and hold tightly to it 10. Consistency: Posting once a day is considered normal. If you post three times a week, every week, this is considered the bare minimum for attracting and maintaining a strong readership. http://ec.l.thumbs.canstockphoto.com/canstock13762719.jpg http://media.rodemic.com/images/mic-chooser/soundbooth-button-broadcast.png http://www.sokalmediagroup.com/images/Broadcast-Button.jpg http://us.cdn1.123rf.com/168nwm/myvector/myvector1306/myvector130600104/20084211-antenna-smartphone-icon.jpgc Broadcast Yourself: Communications software Podcast • This type of software allows two computers with • A podcast is a type of digital media consisting modems to communicate through audio, video, of an episodic series of audio radio, video, and/or chat-based means. -
Avid Artist | Dnxiq
Avid Artist | DNxIQ Avid Artist | DNxIQ™ is a powerful, professional video I/O interface designed to simplify and accelerate your entire HD, high-res, and Ultra HD workflow. Available as standalone hardware or bundled with industry-standard Media Composer® software, Avid Artist | DNxIQ enables you to capture, monitor, and output media quickly—in the highest quality possible. And because the interface, which includes hardware by Blackmagic Design, is designed to be open and flexible, you can use it with Avid and other creative tools too. Only Avid Artist | DNxIQ includes Audio Punch-in for Media Composer via the front panel mic input, and baseband hardware encoding of Avid DNxHR media. Capture and play back stunning high-resolution video Key features Create and deliver rich, detailed media in the highest quality imaginable, from • Capture and play back SD, HD, Ultra HD, 2K, and first ingest to final output. Avid Artist | DNxIQ features advanced 12G-SDI, 4K media optical and HDMI 2.0 connections that enable you to work with HD, 2K, • Edit faster and more efficiently with onboard media Ultra HD, and 4K material. It supports frame rates up to 60 fps, bit depth up encoding and conversion to 12 bits, and 2D or stereoscopic 3D media. And because it comes jam- • Work with your favorite creative tools, including packed with a wide array of analog and digital connections, it can be used Media Composer, DaVinci Resolve, Apple Final Cut with just about every camera, deck, display, and device you have or want. Pro, and Adobe Premiere Pro • Connect a wide range of video and audio gear Create with your favorite video and audio tools through a host of connections, including: With support for an ever-growing list of Avid and third-party media tools, Avid • Four sets of 4 SDI connectors—4 in, 4 loop, Artist | DNxIQ is an easy and ideal fit for any production environment. -
10 Tips for Better Camp Videos
Video Tools by Taco Hornbaker 10 TIPS FOR BETTER CAMP VIDEOS Video packs multisensory power. It moves emotions and captures attention even in a media-saturated world. Video is the original viral, and it continues to draw extremely high rates of digital engagement and shareability. It’s one of the most effective ways to show and tell the stories of camps and conference centers. Smartphones have delivered video to our pockets and made it possible for camp and conference constituents to carry, watch and share camp stories r e k a b n r o H from almost anywhere. What an amazing opportunity! But it’s good video o c a T y b , h c that cuts through the digital clutter. These tips and tools can help improve n a R y e l l a V r your videos and help you better engage broader audiences. Roll ’em. e ̈ v i R f o y s e t r u o C ® 22 www.ccca.org June/July 2016 PRACTICAL TIPS AND TOOLS TO HELP YOU VISUALLY TELL YOUR STORY June/July 2016 www.ccca.org 23 ® 1. Depth of Field 2. Slow Motion Depth of field is the distance between Using slow motion effectively creates the nearest and farthest object in focus. beautiful cinematic footage that brings This is a major shooting style often out the emotions of the film to the seen in films but unnoticed when viewer. To accomplish that correctly, used correctly. try filming your video at 60 frames per Shallow: A shallow depth of field second (FPS) or higher. -
INTEGRATING ADOBE with AVID: WORKFLOWS for MEDIA ENTERPRISES Enable Real-Time Collaboration for News, Sports, and Post Production
INTEGRATING ADOBE WITH AVID: WORKFLOWS FOR MEDIA ENTERPRISES Enable real-time collaboration for news, sports, and post production Imagine being able to access your organization’s entire media KEY FEATURES library, share projects, and collaborate with other editors › Accelerate news, sports, and post- and content contributors from anywhere, with your editing production workflows with a scalable tool of choice—Adobe® Premiere® Pro or Media Composer®. platform that connects tools and Avid makes this possible. With direct connection to the teams together MediaCentral® platform and Avid NEXIS® shared storage, › Browse, search for, and access media Premiere Pro users gain powerful media asset management across multiple MediaCentral databases and storage capabilities, enabling them to find media quickly and Avid NEXIS systems directly within and collaborate with other Adobe and Avid users to turn Premiere Pro, Media Composer, or around better stories faster. a web browser SIMPLIFY MEDIA AND PRODUCTION MANAGEMENT › Enable real-time and remote collaboration across flash, online, nearline, and archive MediaCentral integrates directly with Adobe Premiere Pro as a panel storage tiers—on premises or in the cloud within its interface, enabling editors to browse, search, access, and edit content and metadata across local and remote databases— › Centralize your entire media library across without leaving Premiere. Working in concert with Avid NEXIS shared multiple Avid and third-party storage tiers storage, you have access to the same accelerated workflows as for faster, easier file search and access Avid users, from importing media and phonetic search, to sending sequences to playback and multiplatform delivery. › Plan stories, assign tasks, create and edit content, track progress, and make updates ENABLE REMOTE COLLABORATION from anywhere, using any device Connect and collaborate with other Adobe and Avid editors— › Save time and minimize mistakes and stress regardless of location. -
Adobe Premiere Pro CS4 Troubleshooting Legal Notices
Adobe Premiere Pro CS4 Troubleshooting Legal notices Legal notices For legal notices, see http://help.adobe.com/en_US/legalnotices/index.html. A note to our customers Adobe provides this searchable PDF of archived technical support documents as a service to our customers who own and continue to enjoy older, unsupported versions of our software products. The information in these documents is not updated, and will become increasingly less accurate as hardware, browsers, and operating systems continue to evolve. Please be aware that these archived documents reflect historical issues and solutions for products that are no longer supported. Adobe does not warrant that the information in this document is accurate. Last updated 11/13/2015 iii Contents Video clips from GoPro cameras import as audio-only in Adobe Premiere Pro CS4 . .1 Troubleshoot video files | Premiere Pro CS4, CS5, CS5.5, CS6, CC . .1 Troubleshoot digital video capture and playback in Adobe Premiere Pro CS4 on Windows . .6 Supported file formats | Premiere Pro CS4 . 11 Adobe Premiere Pro CS4 crashes when rendering AVC-Intra clips with Crop effect applied . 13 Multiplexed MPEG2-DVD files exported with PCM audio from Adobe Media Encoder import with no audio. 15 Adobe Media Encoder doesn't launch, returns errors . 15 Lens Flare effects created in Premiere Pro CS4 preview and render with artifacts in Premiere Pro CS5 . 16 Getting Started with Adobe Premiere Pro . 16 JRun 4: Manually Configuring External Web Server Connectors . 17 Install additional speech libraries | Premiere Pro CC (8.1) and earlier . 20 Import of spanned XDCAM EX clips through Media Browser hangs Premiere Pro CS4 . -
Mass Communication III Year Intro to Audio Visual Media Paper- II
B.A. (HONS.) Mass Communication III Year Sub. – INTRODUCTION TO AUDIO VISUAL MEDIA Paper II B.A. (HONS.) Mass Communication III Year Intro to audio visual media Paper- II Unit-I Brief history of television in India, private channel Camera and its parts Television language & grammar Unit-II Television production process Unit III Lighting :types of lighting Equipment layout in TV studio chroma key, Unit IV microphone, vision mixer Principles of editing, types of cut & continuity, video Unit V editing device B.A. (HONS.) Mass Communication III Year Sub. – INTRODUCTION TO AUDIO VISUAL MEDIA Paper II Unit-I Brief history of television in India, private channel Television came to India on September 15, 1959 with experimental transmission from Delhi. It was a modest beginning with a make shift studio, a low power transmitter and only 21 community television sets.All India Radio provided the engineering and programme professionals. A daily one-hour service with a news bulletin was started in 1965. In1972 television services were extended to a second city—Mumbai. By1975 television stations came up in Calcutta, Chennai, Srinagar, Amritsar and Lucknow. In 1975-76 the Satellite Instructional Television Experiment brought television programmes for people in 2400 villages inthe most inaccessible of the least developed areas tlirough a satellite lentto India for one year.Doordarshan is a Public broadcast terrestrial ltelevision channel run by Prasar Bharati, a board formedby the Government of India. It is one of the largest broadcasting organizations in the world in terms of the of studios and transmitters. Doordarshanhad its beginning with the experimental telecast started in Delhi in September, 1959 with a small transmitter and a makeshift studio.