Using Puppets Making to Promote Engagement and Motivating in Educational Study
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Poetry and History: Bengali Maṅgal-Kābya and Social Change in Precolonial Bengal David L
Western Washington University Western CEDAR A Collection of Open Access Books and Books and Monographs Monographs 2008 Poetry and History: Bengali Maṅgal-kābya and Social Change in Precolonial Bengal David L. Curley Western Washington University, [email protected] Follow this and additional works at: https://cedar.wwu.edu/cedarbooks Part of the Near Eastern Languages and Societies Commons Recommended Citation Curley, David L., "Poetry and History: Bengali Maṅgal-kābya and Social Change in Precolonial Bengal" (2008). A Collection of Open Access Books and Monographs. 5. https://cedar.wwu.edu/cedarbooks/5 This Book is brought to you for free and open access by the Books and Monographs at Western CEDAR. It has been accepted for inclusion in A Collection of Open Access Books and Monographs by an authorized administrator of Western CEDAR. For more information, please contact [email protected]. Table of Contents Acknowledgements. 1. A Historian’s Introduction to Reading Mangal-Kabya. 2. Kings and Commerce on an Agrarian Frontier: Kalketu’s Story in Mukunda’s Candimangal. 3. Marriage, Honor, Agency, and Trials by Ordeal: Women’s Gender Roles in Candimangal. 4. ‘Tribute Exchange’ and the Liminality of Foreign Merchants in Mukunda’s Candimangal. 5. ‘Voluntary’ Relationships and Royal Gifts of Pan in Mughal Bengal. 6. Maharaja Krsnacandra, Hinduism and Kingship in the Contact Zone of Bengal. 7. Lost Meanings and New Stories: Candimangal after British Dominance. Index. Acknowledgements This collection of essays was made possible by the wonderful, multidisciplinary education in history and literature which I received at the University of Chicago. It is a pleasure to thank my living teachers, Herman Sinaiko, Ronald B. -
Translations of Bhupen Hazarika Songs Translator Bios
Translations of Bhupen Hazarika Songs them. They would often ask me to translate into English so that they would understand the words better. That’s how I got into translating poems - and in Bhupen Hazarika (Assamese: ভূ পেন হাজৰিকা) (1926–2011) was an Indian lyricist, collaboration with my daughters and wife. It gives me sheer joy, particularly musician, singer, poet and film-maker from Assam. His songs, written and sung when I can translate with my daughters who love Bengali culture. They do not mainly in the Assamese language by himself, are marked by humanity and gloss over but take keen interest in conveying the nuances. universal brotherhood and have been translated and sung in many languages, most notably in Bengali and Hindi. He is also acknowledged to have introduced Pampi the culture and folk music of Assam and Northeast India to Hindi cinema at the I’m a digital mixed media performance artist and poet. I’m my father’s national level. daughter. Translating Bengali with my father is an exercise in remembering sweet sounds that swell me up and a challenge to see how much I’ve retained For a brief period he worked at All India Radio, Guwahati when he won a after almost three decades of living in the States – not to mention something scholarship from Columbia University and set sail for New York in 1949. There fun and frustrating to do with my old man. How much of it I still understand! he earned a PhD (1952) on his thesis "Proposals for Preparing India's Basic Education to use Audio-Visual Techniques in Adult Education". -
The Oral Literature of the Tea Garden Folk: Songs and Jatras
CHAPTER 5 THE ORAL LITERATURE OF THE TEA GARDEN FOLK: SONGS AND JATRAS This chapter analyses other two components of the oral literature of the tea garden folk in Barak Valley. The components such as proverbs, riddles, tongue twisters and narratives have been discussed in the preceding chapter. Folk Songs Folk songs are spontaneous and most appealing form of folk literature. Songs are essential part of rituals, ceremonies and traditional celebrations of joys and sorrows. Songs are often accompanied by dances which reflect upon the lives and cultural complex of the folks. They are initiated on almost all occasions starting from child-birth to death and funeral. European administrators like G.A. Grierson collected and published Indian folk songs of the Bihar region as early as 1886. He even translated them. W.G. Archer (1974), Veirier Elwin (1946), A.G. Sherrif (1898) also showed interest and collected the folk songs. Of the Indian folklorist, Achyut Charan Choudhury (1856-1953) was the first amongst the folk song collectors. He collected the Gaur Govindo folk songs Pagal Thakwer Chora in the 15"' to 16"' century (Sharma 1999). Md. Asraf Hussain (1892-1965) classified folklore into thirty seven divisions, in which he mentions Baromashigan, Lacharigan, Poi (small poems) Baulgan (spiritual songs), Marphadgan (religious songs), Sarigan (boatman's songs or songs that men sing while at work), Gajirgan (boatman's song), Ullirgan (holi songs), Dhukargan (sorrowful songs), Bharotbibarangan (songs with Indian nationalistic fervour) Jakkargan (argumentative songs), Acharitagan (songs creating wonder), Bayan (descriptive) Morchiyagan,Shikhamulakgan (songs imparting moral lessons), Kathar katha (proverbial songs), Bandhagan andJarigan. -
To a Specific Tab Number CTRL+N (N Can Be 1-8) Switch to the Last Tab CTRL+9 Close Current Tab CTRL+W Close All Tabs ALT+F4 Close Other Tabs CTRL+ALT+F4
Open links in a new tab in the CTRL+click background Open links in a new tab in the CTRL+SHIFT+click foreground Open a new tab in the foreground CTRL+T Open a new tab from the Address bar ALT+ENTER Open a new tab from the search box ALT+ENTER Open Quick Tabs (thumbnail view) CTRL+Q Switch between tabs CTRL+TAB/CTRL+SHIFT+TAB Switch to a specific tab number CTRL+n (n can be 1-8) Switch to the last tab CTRL+9 Close current tab CTRL+W Close all tabs ALT+F4 Close other tabs CTRL+ALT+F4 Mouse shortcuts To The Manager , Visakhapatnam. Dear Sir, Sub: Pre-closure of Loan Account No_______________________________ This has reference to the above subject; I have decided to sell my property to Mr. ____________________ whose loan is sanctioned from IDBI Bank, Siripuram, Visakhapatnam. I requested IDBI Bank to close my loan Account No.___________________. Kiran Bedi (Hindi: िकरण बेदीीीीीीीीीीीीीीी ) (Punjabi:ਿਕਰਣ ਬੇਦੀ) (born 9 June 1949) is an Indian social activist and a retired Indian Police Service (IPS) officer. She became the first woman to join the IPS in 1972, and most recently held the post of Director General, BPR&D (Bureau of Police Research and Development), Ministry of Home Affairs. She retired from the IPS in December, 2007, after taking voluntary retirement. She was the host and TV judge of the popular TV series "Aap Ki Kachehri" (English, "Your Court"), broadcast on the Indian TV channel, Star Plus. This program features Indian families approaching her TV court and explaining their problems to her. -
Minutes of 32Nd Meeting of the Cultural
1 F.No. 9-1/2016-S&F Government of India Ministry of Culture **** Puratatav Bhavan, 2nd Floor ‘D’ Block, GPO Complex, INA, New Delhi-110023 Dated: 30.11.2016 MINUTES OF 32nd MEETING OF CULTURAL FUNCTIONS AND PRODUCTION GRANT SCHEME (CFPGS) HELD ON 7TH AND 8TH MAY, 2016 (INDIVIDUALS CAPACITY) and 26TH TO 28TH AUGUST, 2016 AT NCZCC, ALLAHABAD Under CFPGS Scheme Financial Assistance is given to ‘Not-for-Profit’ Organisations, NGOs includ ing Soc iet ies, T rust, Univ ersit ies and Ind iv id ua ls for ho ld ing Conferences, Seminar, Workshops, Festivals, Exhibitions, Production of Dance, Drama-Theatre, Music and undertaking small research projects etc. on any art forms/important cultural matters relating to different aspects of Indian Culture. The quantum of assistance is restricted to 75% of the project cost subject to maximum of Rs. 5 Lakhs per project as recommend by the Expert Committee. In exceptional circumstances Financial Assistance may be given upto Rs. 20 Lakhs with the approval of Hon’ble Minister of Culture. CASE – I: 1. A meeting of CFPGS was held on 7 th and 8th May, 2016 under the Chairmanship of Shri K. K. Mittal, Additional Secretary to consider the individual proposals for financial assistance by the Expert Committee. 2. The Expert Committee meeting was attended by the following:- (i) Shri K.K. Mittal, Additional Secretary, Chairman (ii) Shri M.L. Srivastava, Joint Secretary, Member (iii) Shri G.K. Bansal, Director, NCZCC, Allahabad, Member (iv ) Dr. Om Prakash Bharti, Director, EZCC, Kolkata, Member, (v) Dr. Sajith E.N., Director, SZCC, Thanjavur, Member (v i) Shri Babu Rajan, DS , Sahitya Akademi , Member (v ii) Shri Santanu Bose, Dean, NSD, Member (viii) Shri Rajesh Sharma, Supervisor, LKA, Member (ix ) Shri Pradeep Kumar, Director, MOC, Member- Secretary 3. -
Issn 2249-4529
ISSN 2249-4529 www.pintersociety.com GENERAL SECTION VOL: 9, No.: 1, SPRING 2019 UGC APPROVED (Sr. No.41623) BLIND PEER REVIEWED About Us: http://pintersociety.com/about/ Editorial Board: http://pintersociety.com/editorial-board/ Submission Guidelines: http://pintersociety.com/submission-guidelines/ Call for Papers: http://pintersociety.com/call-for-papers/ All Open Access articles published by LLILJ are available online, with free access, under the terms of the Creative Commons Attribution Non Commercial License as listed on http://creativecommons.org/licenses/by-nc/4.0/ Individual users are allowed non-commercial re-use, sharing and reproduction of the content in any medium, with proper citation of the original publication in LLILJ. For commercial re-use or republication permission, please contact [email protected] 118 | The Divine Marginalized: The Case of Goddess Manasa in Ketkadas Khemananda’s Manasa Mangal1 The Divine Marginalized: The Case of Goddess Manasa in Ketkadas Khemananda’s Manasa Mangal1 Azhar Uddin Sahaji Abstract: There are many folds and forms of marginalization that dominated human society and literature across the world. Man is marginalized based on his religion, society, race, economic sufficiency, gender and son on. Needless to say that the marginalized and those who marginalize have a power politics in play. But what if a goddess is marginalized by man? What if a goddess is shamed and abused for being blind in one eye and man is trying to dominate her because of (female) sex although she is divine? The case of snake goddess Manasa is very important in Ketkadas Khemananda, the sixteenth century Bengali poet to understand the paradigms of marginalization from an alternative perspective. -
Evolution and Assessment of South Asian Folk Music: a Study of Social and Religious Perspective
British Journal of Arts and Humanities, 2(3), 60-72, 2020 Publisher homepage: www.universepg.com, ISSN: 2663-7782 (Online) & 2663-7774 (Print) https://doi.org/10.34104/bjah.020060072 British Journal of Arts and Humanities Journal homepage: www.universepg.com/journal/bjah Evolution and Assessment of South Asian Folk Music: A Study of Social and Religious Perspective Ruksana Karim* Department of Music, Faculty of Arts, Jagannath University, Dhaka, Bangladesh. *Correspondence: [email protected] (Ruksana Karim, Lecturer, Department of Music, Jagannath University, Dhaka, Bangladesh) ABSTRACT This paper describes how South Asian folk music figured out from the ancient era and people discovered its individual form after ages. South Asia has too many colorful nations and they owned different culture from the very beginning. Folk music is like a treasure of South Asian culture. According to history, South Asian people established themselves here as a nation (Arya) before five thousand years from today and started to live with native people. So a perfect mixture of two ancient nations and their culture produced a new South Asia. This paper explores the massive changes that happened to South Asian folk music which creates several ways to correspond to their root and how they are different from each other. After many natural disasters and political changes, South Asian people faced many socio-economic conditions but there was the only way to share their feelings. They articulated their sorrows, happiness, wishes, prayers, and love with music, celebrated social and religious festivals all the way through music. As a result, bunches of folk music are being created with different lyric and tune in every corner of South Asia. -
Possible Impact of Cruise Tourism on Potential Livelihood Generation
Public Disclosure Authorized Public Disclosure Authorized Public Disclosure Authorized Conceptual Plan for Integrating Community-based Tourism along the Bangladesh- India Protocol Route for Inland Navigation Third Draft Report CUTS International Public Disclosure Authorized 1 Table of Contents Chapter 1: Background .................................................................................................................................... 5 1.1 SAWI Sundarbans Focus Area Program ...................................................................................... 5 1.2 Potential of developing River Cruise Tourism between Bangladesh and India .......... 7 1.3 Objectives of the Proposed Assignment ..................................................................................... 8 1.4 Approach and Methodology ............................................................................................................ 8 1.5 Challenges faced during the study ................................................................................................ 9 Chapter 2: Heritage, Nature and Tourist Attraction in the Sundarban landscape ....... 11 2.1 Brief History of Human Settlement in Sundarbans: A timeline ...................................... 11 2.2 History of Conservation in Sundarbans: A timeline ............................................................ 12 2.3 History of Inland Waterways: ...................................................................................................... 13 2.4 Places of Historical and Religious -
Identity and Composite Culture : the Bengal Case
Journal of the Asiatic Society of Bangladesh (Hum.), Vol. 58(1), 2013, pp. 1-25 IDENTITY AND COMPOSITE CULTURE : THE BENGAL CASE Sushil Chaudhury* The main thrust of the paper is to examine the evolution of a composite culture in Bengal, and to explain its nature and character, especially from the sixteenth to the eighteenth century which is the period when it evolved and flourished in the region. This exercise is significant even today as the legacy from the past is still vibrant in many parts of the country, Bangladesh or West Bengal. For instance, there was a news report in The Statesman of January 10, 2006 that at a place in rural Bengal, called Maynagar in Tamluk, about 90 kilometers west of Kolkata, a pir’s dargah is looked after by a Hindu trustee and a fair organized by the authorities of a Radhagobinda temple include a Muslim as part of centuries-old tradition.1 Such instances abound in many parts of Bengal even now and there is little doubt that this tradition comes down from several centuries earlier. While talking about the evolution of a composite culture, it is pertinent to see how it was intertwined with the question of identity of Bengali Muslims. The Islamic revitalizing and purificatory movements in Bengal in the nineteenth century laid bare the roots of cleavage and dualism between Bengali Muslim’s cultural position, caught between the opposite pulls of Bengal localism and Islamic extra-territoriality. The said new movements, combined with the changed social and political circumstances of Bengal under the British domination, sharpened the focus, as never before, on the “Islamic” identity of the Bengali believers, with the result that a massive and organized assault on the syncretistic tradition and on the cultural values and norms, necessary to sustain it, followed to which we shall turn later. -
Literary Cultures in History Reconstructions from South Asia
Literary Cultures in History Reconstructions from South Asia EDITED BY Sheldon Pollock UNIVERSITY OF CALIFORNIA PRESS Berkeley Los Angeles London 8 The Two Histories of Literary Culture in Bengal Sudipta Kaviraj INTRODUCTION A general reading of the history of a particular literature requires, first of all, a principle of organization. Histories of Bangla literature usually offer a narrative of continuity: they seek to show, quite legitimately, how the liter- ary culture develops through successive stages—how literary works of one period become the stock on which later stages carry out their productive op- erations. These studies are less interested in asking how literary mentalities come to be transformed or how a continuing tradition can be interrupted, or in speculating on possible reasons behind these significant literary turns. In an attempt to move away from these conventional histories, which record unproblematically the sequential narrative of the production of texts and their authors, this essay gives attention primarily to two questions. The first is: What were the major historical “literary cultures,” that is, the sensibilities or mentalities constructed around a common core of tastes, methods of tex- tual production, paratextual activities (like performance, recitation, or other use in religious, nonliterary contexts), reception, and the social composition of audiences? The second question, closely related to the first, is: How do literary cultures, especially deeply entrenched literary cultures, change? The treatment of Bangla literary history in this essay, therefore, focuses more on textualities or text types than on individual texts, and it offers hardly any literary-critical analysis of major canonical works. A figure like Rabin- dranath Tagore is treated with relative neglect, since he does not represent a phase of serious interpretative contention or rupture in literary production I thank Sheldon Pollock for detailed comments on this paper at different stages of its prepa- ration. -
Refugee?: Bengal Partition in Literature and Cinema
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-24-2015 12:00 AM "More or Less" Refugee?: Bengal Partition in Literature and Cinema Sarbani Banerjee The University of Western Ontario Supervisor Prof. Nandi Bhatia The University of Western Ontario Graduate Program in Comparative Literature A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Sarbani Banerjee 2015 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Comparative Literature Commons, Film and Media Studies Commons, Race, Ethnicity and Post-Colonial Studies Commons, South and Southeast Asian Languages and Societies Commons, and the Women's Studies Commons Recommended Citation Banerjee, Sarbani, ""More or Less" Refugee?: Bengal Partition in Literature and Cinema" (2015). Electronic Thesis and Dissertation Repository. 3125. https://ir.lib.uwo.ca/etd/3125 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. i “MORE OR LESS” REFUGEE? : BENGAL PARTITION IN LITERATURE AND CINEMA (Thesis format: Monograph) by Sarbani Banerjee Graduate Program in Comparative Literature A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Sarbani Banerjee 2015 ii ABSTRACT In this thesis, I problematize the dominance of East Bengali bhadralok immigrant’s memory in the context of literary-cultural discourses on the Partition of Bengal (1947). -
Baba Taraknath ” : a Case of Continuity and Development in the Folk Tradition of West Bengal, India
“ Baba Taraknath ” : A Case of Continuity and Development in the Folk Tradition of West Bengal, India By E. A. M o r in is Simon Fraser Lmwersity，Burnaby^ B.C. I ntroduction The folk culture of West Bengal remains a rich and popular cultural tradition.1 Tales and legends composed generations ago are still lively aspects of the general stock of culture of contemporary urbanite and villager alike. The themes and motifs of these compositions can be traced in modern Bengali plays, prose and poetry. Yet, while the indigenous folk tradition has maintained itself and retained popularity through all the major socio-cultural transformations that have affected Bengal over the centuries, the tradition has not stagnated, and modern izations have taken place. Bengali folk culture has retained popularity and vitality because the age-old themes of the tradition are given expression in modern forms and through media of communication which reach the general populace. The contemporary versions of folk tales are woven into the patterns of tradition while still reflecting the uniqueness of the living cultural environment of those to whom the tradition speaks. The tradition thus achieves resonance with both the historical and contemporary cultural reality of the storyteller and audience, as continuity is com bined with innovation to create a folk tradition that is distinctly Bengali, but which also reflects the changing- patterns of the regional culture. The Hindu tradition in West Bengal has always been popularized at the village and street level. There is evidence for the existence Asian Folklore Studies，V ol.41,1982: 67-81.