DOCSLIB.ORG

Nominierte in Der Kategorie Konzerteinspielung

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Nominierte in Der Kategorie Konzerteinspielung Nominierte in der Kategorie Konzerteinspielung Martha Argerich Avi Avital Sergio Azzolini Nicola Benedetti Gábor Boldoczki Rudolf Buchbinder Seiji Ozawa / Mito Chamber Venice Baroque Orchestra Vladamir Jurowski / London Andrés Gabetta / Cappella Leonardo Muzii / Camerata Gabetta Christian Thielemann / Berliner Orchestra Rousseau Philharmonic Orchestra Art of the Mandolin Versailles Philharmoniker Beethoven / Grieg Elgar: Violin Concerto Kozeluch: Concertos and Symphony Beethoven: Piano Concerto No. 1 Renaud Capuçon Nikola Djoric Friedemann Eichhorn Martin Fröst Thibaut Garcia Alban Gerhardt Sir Simon Rattle / London Kurpfälzisches Christoph Eschenbach / Jukka-Pekka Saraste / WDR Kammerorchester Concerto Köln Ben Glassberg / Orchestre Sinfonieorchester Köln Symphony Orchestra Deutsche Radio national du Capitole de Toulouse Bach & Piazzolla Philharmonie Vivaldi Shostakovich: Cello Concertos Elgar: Violin concerto Aranjuez Say: Complete Violin Works Nominierte in der Kategorie Konzerteinspielung Onutė Gražinytė Hélène Grimaud Andreas Groethuysen & Yaara Tal Raphaela Gromes Augustin Hadelich Hilary Hahn Modestas Pitrėnas / Lithuanian Hélène Grimaud / Camerata Nicholas Carter / Rundfunk- Jakub Hruša / Reinhard Goebel / hr- Symphonieorchester des Mikko Franck / Orchestre National Symphony Orchestra Salzburg Sinfonieorchester Berlin Sinfonieorchester Bayerischen Rundfunks Philharmonique de Radio France Arvo Pärt: Lamentate The Messenger Klengel / Schumann Bohemian Tales Eberl / Dussek Paris Jörg Halubek Martin Helmchen Sebastian Hess / David Hirasaki / Sato / Sviridov / Matthias Höfs Heidrun Holtmann Stromberg Merino Ruiz Jamie Philips / Deutsche Radio il Gusto Barocco Andrew Manze /Deutsches Matthias Höfs / Concerto Köln, Philharmonie Symphonie-Orchester Berlin Rudolf Piehlmayer / Concerto Köln Hamburg Philharmonic Soloists, Bach: The Brandenburg Concertos Nürnberger Symphoniker Tzvi Avni Beethoven Piano Concerto Concertos 4 Violins German Brass, Virtuosi di Praga Concerto for two Cellos The Trumpets of Matthias Höfs Nominierte in der Kategorie Konzerteinspielung Alina Ibragimova Lucas & Arthur Jussen Sunwook Kim Sebastian Knauer Momo Kodama Christoph Koncz Vladimir Jurowski / State Zürcher Kammerorchester Myung-WhunChung / Staatskapelle Seiji Ozawa / Mito Chamber Christoph Koncz / Les Musiciens Academic SO of Russia 'Evgeny Dresden Orchestra Svetlanov’ The Russian Album This Is (Not) Beethoven du Louvre Mozart / Hosokawa Shostakovich: Violin Concertos Brahms: Piano Concerto No. 1 Mozart's Violin Patricia Kopatchinskaja Gidon Kremer Daniel Lozakovich Sebastian Manz Denis Matsuev Denis Matsuev Valery Gergiev / Münchner Riccardo Chailly / Lucerne Giovanni Antonini / Il Giardino Daniele Gatti / Beykirch, Lindberg / Deutsche Rainer Honeck / Festival Orchestra Armonico Gewandhausorchester Leipzig Philharmoniker Radio Philharmonie Kammerorchester Wien-Berlin Rachmaninoff What's Next Vivaldi? Mieczysław Weinberg Beethoven: Violin Concerto Clarinet Concertos: Lindberg & SHOSTAKOVICH – SCHNITTKE – Nielsen LUTOSLAWSKI Nominierte in der Kategorie Konzerteinspielung Midori Dai Miyata Nils Mönkemeyer Joseph Moog Anne-Sophie Mutter, Yo-Yo Ma David Nebel Daniel Dodds / Festival Strings Thomas Dausgaard / BBC Scottish Nicholas Milton / Deutsche & Daniel Barenboim Werner Ehrhardt / L'arte del mondo Kristjan Järvi / Baltic Sea Lucerne Symphony Orchestra Radiophilharmonie Daniel Barenboim / West- Philharmonic Beethoven Violin Concerto Edward Elgar - Ralph Vaughan Vivaldi - Paganini - Tartini Brahms: Piano Concerto No.1 Eastern Divan Orchestra Williams Triple Concerto Philipp Glass / Igor Strawinsky Lena Neudauer Schaghajegh Nosrati Selina Ott Manrico Padovani Hans-Christoph Rademann / Eckart Runge Johannes Moesus / Südwestdeutsches Robert Farkas / Rundfunk- Roberto Paternostro / ORF Boris Perrenoud / Prager Ensemble der Gaechinger Frank Strobel / Rundfunk- Cantorey Sinfonieorchester Berlin Kammerorchester Pforzheim Sinfonieorchester Berlin Vienna Radio Symphony Philharmoniker Orchestra Transitions Antonio Rosetti Anton Rubinstein Beethoven - Works for Violin Geburtstagskonzert für J.S. Bach Trumpet Concertos Nominierte in der Kategorie Konzerteinspielung Lahav Shani / Rotterdam Piano Duo Silver-Garburg Ferenc Snétberger Vladimir Soltan Kian Soltani Daniil Trifonov Philharmonic Orchestra Florian Krumpöck / Wiener Keller Quartett Utrecht String Quartet Daniel Barenboim / Beethoven: Symphony No. 7 Symphoniker Valery Gergiev / Mariinsky Klarinettenquintette Staatskapelle Berlin Orchestra Hallgató Brahms: Concerto For Piano Four Dvorák: Cello Concerto Hands Silver Age Jan Vogler Gottlieb Wallisch Yuja Wang Janusz Wawrowski Carolin Widmann See Siang Wong Măcelaru, Gergiev / WDR Gustavo Dudamel / Los Leo Hussain / ORF Radio- Sinfonieorchester; Mariinsky Orchestra Martin Haselböck / Orchester Grzegorz Nowak / Royal Peter Eötvös / Symphonieorchester Wien Wiener Akademie Angeles Philharmonic Philharmonic Orchestra Symphonieorchester des Muhly, Helbig, Long: "Three Continents" Fantasia Ludwig van Beethoven John Adams: Must The Devil Phoenix Bayerischen Rundfunks Have All The Good Tunes? Rebecca Saunders: Still - Aether - Alba - musica viva #35.
Load more

Recommended publications
  • Navigating, Coping & Cashing In
    The RECORDING Navigating, Coping & Cashing In Maze November 2013 Introduction Trying to get a handle on where the recording business is headed is a little like trying to nail Jell-O to the wall. No matter what side of the business you may be on— producing, selling, distributing, even buying recordings— there is no longer a “standard operating procedure.” Hence the title of this Special Report, designed as a guide to the abundance of recording and distribution options that seem to be cropping up almost daily thanks to technology’s relentless march forward. And as each new delivery CONTENTS option takes hold—CD, download, streaming, app, flash drive, you name it—it exponentionally accelerates the next. 2 Introduction At the other end of the spectrum sits the artist, overwhelmed with choices: 4 The Distribution Maze: anybody can (and does) make a recording these days, but if an artist is not signed Bring a Compass: Part I with a record label, or doesn’t have the resources to make a vanity recording, is there still a way? As Phil Sommerich points out in his excellent overview of “The 8 The Distribution Maze: Distribution Maze,” Part I and Part II, yes, there is a way, or rather, ways. But which Bring a Compass: Part II one is the right one? Sommerich lets us in on a few of the major players, explains 11 Five Minutes, Five Questions how they each work, and the advantages and disadvantages of each. with Three Top Label Execs In “The Musical America Recording Surveys,” we confirmed that our readers are both consumers and makers of recordings.
    [Show full text]
  • 2 December 2016 Page 1 of 11
    Radio 3 Listings for 26 November – 2 December 2016 Page 1 of 11 SATURDAY 26 NOVEMBER 2016 Clarinet Sonata in E flat major (Op.120 No 2) Heath Quartet Hans Christian Braein (clarinet), Havard Gimse (piano) HARMONIA MUNDI HMU907665 (CD) SAT 01:00 Through the Night (b0834064) 6:27 AM String quartets by Mozart, Shostakovich and Tchaikovsky Dallapiccola, Luigi (1904-1975) Brahms: Complete String Quintets Due Cori di Michelangelo Buonarroti il Giovane BRAHMS: String Quintet No. 1 in F major Op. 88; String John Shea presents a concert from the Asasello String Quartet, The Netherlands Chamber Choir, Eric Ericson (conductor) Quintet No. 2 in G major Op. 111 performing Mozart, Shostakovich and Tchaikovsky. 6:39 AM Roland Glassl (viola), Mandelring Quartett Bach, Johann Sebastian [1685-1750] AUDITE AUDITE97724 (CD) 1.01 AM Keyboard Concerto No.2 in E major (BWV.1053) Mozart, Wolfgang Amadeus (1756-1791) Angela Hewitt (piano), CBC Vancouver Orchestra, Mario 11.15am - Mozart Piano Concertos String Quartet in B flat major, K.159 Bernardi (conductor). Mozart: Piano Concertos Nos. 1-4 ©Pasticcio Concertos© Asasello Quartet MOZART: Piano Concerto No. 1 in F major, K37; Piano 1:16 AM SAT 07:00 Breakfast (b083qmvh) Concerto No. 2 in B flat major, K39; Piano Concerto No. 3 in D Shostakovich, Dmitri [1906-1975] Saturday - Martin Handley major, K40; Piano Concerto No. 4 in G major, K41 String Quartet No. 3 in F major Op.73 Ronald Brautigam (fortepiano), Die Kolner Akademie, Michael Asasello Quartet Martin Handley presents Radio 3©s classical Breakfast show Alexander Willens (conductor) 1:49 AM featuring listener requests and at 8.55am, "Power of Three" - the BIS BIS2094 (Hybrid SACD) Tchaikovsky, Peter Ilyich [1840-1893] next instalment of a 70-part daily series of pioneering sounds String Quartet No.
    [Show full text]
  • Bournemouth Symphony Orchestra Announce Electrifying 2019/20 Season Strauss’ Masterpiece the Pinnacle of a High-Octane Year: Karabits, Montero and More
    Bournemouth Symphony Orchestra Announce Electrifying 2019/20 Season Strauss’ masterpiece the pinnacle of a high-octane year: Karabits, Montero and more 2 October 2019 – 13 May 2020 Kirill Karabits, Chief Conductor of the Bournemouth Symphony Orchestra [credit: Konrad Cwik] EMBARGO: 08:00 Wednesday 15 May 2019 • Kirill Karabits launches the season – his eleventh as Chief Conductor of the BSO – with a Weimar- themed programme featuring the UK premiere of Liszt’s melodrama Vor hundert Jahren • Gabriela Montero, Venezuelan pianist/composer, is the 2019/20 Artist-in-Residence • Concert staging of Richard Strauss’s opera Elektra at Symphony Hall, Birmingham and Lighthouse, Poole under the baton of Karabits, with a star-studded cast including Catherine Foster, Allison Oakes and Susan Bullock • The Orchestra celebrates the second year of Marta Gardolińska’s tenure as BSO Leverhulme Young Conductor in Association • Pianist Sunwook Kim makes his professional conducting debut in an all-Beethoven programme • The Orchestra continues its Voices from the East series with a rare performance of Chary Nurymov’s Symphony No. 2 and the release of its celebrated Terterian performance on Chandos • Welcome returns for Leonard Elschenbroich, Ning Feng, Alexander Gavrylyuk, Steven Isserlis, Simone Lamsma, John Lill, Carlos Miguel Prieto, Robert Trevino and more • Main season debuts for Jake Arditti, Stephen Barlow, Andreas Bauer Kanabas, Jeremy Denk, Tobias Feldmann, Andrei Korobeinikov and Valentina Peleggi • The Orchestra marks Beethoven’s 250th anniversary, with performances by conductors Kirill Karabits, Sunwook Kim and Reinhard Goebel • Performances at the Barbican Centre, Sage Gateshead, Cadogan Hall and Birmingham Symphony Hall in addition to the Orchestra’s regular venues across a 10,000 square mile region in the South West Bournemouth Symphony Orchestra announces its 2019/20 season with over 140 performances across the South West and beyond.
    [Show full text]
  • Zu Opus Klassik
    Nominierte in der Kategorie Instrumentalist/in des Jahres Hinrich Alpers Piotr Anderszewski Nicholas Angelich Iveta Apkalna Martha Argerich Martha Argerich Bach: Well-tempered Beethoven / Liszt Clavier Prokofiev Widor & Vierne Beethoven / Grieg Beethoven Avi Avital Sergio Azzolini Sergei Babayan Daniel Barenboim Thomas Bartlett Lisa Batiashvili Art of the Mandolin Kozeluch: Concertos Rachmaninoff Complete Piano Sonatas Shelter City Lights and Symphony / Diabelli Variations Nominierte in der Kategorie Instrumentalist/in des Jahres Katharina Bäuml Nicola Benedetti Kristian Bezuidenhout Eva Bindere Claudio Bohórquez Gábor Boldoczki Earth Music Elgar: Violin Concerto Beethoven: 9. Sinfonie / Tālivaldis Ķeniņš Piazzolla Versailles Chorfantasie Luiza Borac Rudolf Buchbinder Khatia Buniatishvili Gautier Capuçon Renaud Capuçon Bertrand Chamayou Constantin Silvestri Beethoven: Piano Concerto 1 Labyrinth Emotions Elgar: Violin concerto Good Night! Nominierte in der Kategorie Instrumentalist/in des Jahres Seong-Jin Cho Zlata Chochieva Florian Christl Daniel Ciobanu Carlos Cipa Xavier de Maistre The Wanderer (re)creations Episodes Daniel Ciobanu Correlations (on 11 pianos) Serenata Latina Nikola Djoric Magne H. Draagen Friedemann Eichhorn Isang Enders Christian Euler Reinhold Friedrich Echoes of Leipzig in Bach & Piazzolla Say: Complete Violin Vox Humana Viola Solo Blumine Nidaros Cathedral Works Nominierte in der Kategorie Instrumentalist/in des Jahres Reinhold Friedrich Sebastian Fritsch Martin Fröst Thibaut Garcia Brandon Patrick George Alban
    [Show full text]
  • Regulations & Programme 2021
    XXIXe CONCOURS INTERNATIONAL DE PIANO CLARA HASKIL 27.08.-03.09.2021 VEVEY (SWITZERLAND) REGULATIONS & PROGRAMME 2021 REGISTRATION CLOSES: WEDNESDAY 28 APRIL 2021 1 RegulationsFONDATION SI BÉMOL and programme, April 2020, Concours International de Piano Clara Haskil CLARA HASKIL PRIZE WINNERS 1963 No prize awarded 1965 Christoph Eschenbach Germany 1967 Dinorah Varsi Uruguay 1969 No prize awarded 1971 No competition 1973 Richard Goode United States 1975 Michel Dalberto France 1977 Evgeni Koroliov USSR 1979 Cynthia Raim United States 1981 Konstanze Eickhorst Germany 1983 No prize awarded 1985 Nataša Veljković Yugoslavia 1987 Hiroko Sakagami Japan 1989 Gustavo Romero United States 1991 Steven Osborne Scotland 1993 Till Fellner Austria 1995 Mihaela Ursuleasa Romania 1997 Delphine Bardin France 1999 Finghin Collins Ireland 2001 Martin Helmchen Germany 2003 No prize awarded 2005 Sunwook Kim South Korea 2007 Hisako Kawamura Japan 2009 Adam Laloum France 2011 Cheng Zhang China 2013 Cristian Budu Brazil 2015 No prize awarded 2017 Mao Fujita Japan 2019 No prize awarded 2 Regulations and programme, April 2020, Concours International de Piano Clara Haskil I. GENERAL INFORMATION THE CLARA HASKIL COMPETITION The Competition’s purpose is to discover a young musician capable of representing the Competition’s va- lues: musicality, sensitivity, humility, constant re-evaluation, continual striving for excellence, attention to chamber music partners and respect for the composer’s musical text. These values are inspired by the life and career of Clara Haskil, a Swiss pianist born in Bucharest, Romania in 1895 and who died in Brussels in 1960. The programme reflects Clara Haskil’s vast repertoire through a recital, a chamber music performance and a concerto with orchestra.
    [Show full text]
  • Vienna Philharmonic Orchestra Probably No Individual Composer Has Ever En- Gether, “I Was Leader of the Second Violins
    CAL PERFORMANCES PRESENTS PROGRAM NOTES Friday, February 25, 2011, 8pm Franz Schubert (1797–1828) anything else, he learned it all from God him- Zellerbach Hall Symphony No. 2 in B-flat major, D. 125 self”) and the famed Antonio Salieri (“You can do everything, you are a genius”), but also by his Composed in 1815. fellow students. Josef von Spaun, who became a lifelong friend, wrote of their school days to- Vienna Philharmonic Orchestra Probably no individual composer has ever en- gether, “I was leader of the second violins. Little gendered such an avalanche of new music as Schubert stood behind me and fiddled. [Many Semyon Bychkov, conductor flowed from Franz Schubert’s pen in 1815. There orchestras, except for the cellists, performed are almost 200 separate works from that one standing until the mid-19th century.] Very soon, year: the Second and Third Symphonies, a string I noticed that the little musician far surpassed quartet, two piano sonatas and four other large me in rhythmic surety. This aroused my interest PROGRAM piano works, two Masses, four choral composi- and made me realize with what animation the tions, five operas and 146 songs, eight coming in lad, who seemed otherwise quiet and indifferent, a single day in May. Schubert capped the year’s gave himself up to the impression of the beauti- Franz Schubert (1797–1828) Symphony No. 2 in B-flat major, D. 125 (1815) activities by producing Der Erlkönig on New ful symphonies which we played.” The school or- Year’s Eve. He was 18. chestra tackled works by Haydn, Mozart (“You Largo — Allegro vivace A year earlier, in the autumn of 1814, could hear the angels sing,” Schubert wrote of Andante Schubert had been exempted from compul- the G minor Symphony) and early Beethoven, Menuetto: Allegro vivace sory 13-year (!) military service because of his as well as such lesser masters as Krommer, Presto vivace short stature (barely five feet) and terrible eye- Kozeluch, Méhul and Weigl.
    [Show full text]
  • DBS Orchestras Auditions 2019-2020.Pdf
    Diocesan Boys’ School Music Department Application Form DBS Orchestras 2019-2020 “Don Juan”, Richard Strauss DBS Symphony Orchestra Vigadó Concert Hall, Budapest 18 July 2019 - P.1 - DBS Symphony Orchestra The orchestra program at the Diocesan Boys’ School seeks to provide professional orchestral training ​ to students through great emphasis in quality, dedication, time management, and professionalism. Rather than spending endless hours in extra rehearsals, rehearsal policies have been implemented in the orchestra program with the objective of training our students to effectively accomplishing the most in the shortest amount of time without sacrificing any quality in their performances. We sincerely hope that such training in teamwork and in discipline will greatly benefit our students, whether or not they choose to pursue music as a career profession. **Regular rehearsals for the Symphony Orchestra will be tailored to accommodate our students’ ​ academic demands at school, and will therefore not be scheduled during class time1 or after school. For ​ ​ more information please refer to Tentative Rehearsal Schedule at the end of this document. ​ ​ Brief History of the DBS Symphony Orchestra: Founded in 1956 by Rev’d George She, a former Headmaster of the school, the DBS Symphony Orchestra is one of the most ​ historic orchestras in Hong Kong. ​ While early performances consisted of only 18 members, with Lo King Man as the conductor, the Orchestra currently has over 90 musicians, and is the most frequent “Champion” of the ​ Hong Kong Schools Music Festival Symphony Orchestra (Senior) Category ever since the founding of the competition. The orchestra is best known for its performances of music from the 19th century, including Richard Strauss tone poems, as well as various Mahler, Tchaikovsky, Rachmaninov, and Brahms symphonies.
    [Show full text]
  • 2018/19 Season
    JAN/ FEB 2018/19 Season wigmore-hall.org.uk 2 • SEPTEMBER-OCTOBER wigmore-hall.org.uk How to Book Wigmore Hall Box Office TICKETS 36 Wigmore Street, London W1U 2BP Unless otherwise stated, tickets are divided into five price ranges: In Person ■ Stalls C – M Highest price 7 days a week: 10.00am - 8.30pm. ■ Stalls A – B, N – P 2nd highest price Days without an evening concert: ■ Balcony A – D 2nd highest price 10.00am - 5.00pm. No advance booking in the ■ Stalls BB, CC, Q – S 3rd highest price half hour prior to a concert. ■ Stalls AA, T – V 4th highest price ■ Stalls W – X Lowest price By Telephone: 020 7935 2141 7 days a week: 10.00am - 7.00pm. AA AA Days without an evening concert: AA STAGE AA AA AA 10.00am - 5.00pm. BB BB There is a non-refundable £4.00 administration CC CC A A charge for each transaction. B B C C D D Online: wigmore-hall.org.uk E E F FRONT FRONT F STALLS STALLS 7 days a week; 24 hours a day. There is a G G non-refundable £3.00 administration charge. H H I I J J K K Standby Tickets L L M M Standby tickets for students, senior citizens and N N the unemployed are available from one hour O O P P before the performance (subject to availability) Q Q with best available seats sold at the lowest price. R R S S REAR REAR NB standby tickets are not available for T STALLS STALLS T U U Lunchtime and Sunday Morning Concerts.
    [Show full text]
  • K O N Zerte W Issen Sch Aft M U Seen
    INTENDANT ROLANDO VILLAZÓN 2 7 . J Ä N M N O E Z A R R T – W 6 O C . H F E E B 2 R 0 2 U 2 A 2 R 2 Konzerte Wissenschaft Museen 2 7 . J Ä N M N O E Z A O R R f f i T c i – a W l T i m 6 O e p C i . e c e H M F o E z E a r t w B 2 o c h R 0 e 2 U 2 A 2 R 2 Konzerte Wissenschaft Museen Partner in Education der Stiftung Mozarteum Salzburg VORWORT Liebe amigas y amigos! Was für eine große Freude, Sie zur Mozartwoche 2022 wieder in Salzburg begrüßen zu dürfen, ganz besonders natürlich mit den großen Herausforderungen für uns alle in diesen Zeiten. Wir freuen uns maßlos, für Sie wieder die leuchtende Musik Mozarts zu spielen und zu singen und konzentrieren uns 2022 ganz besonders auf die Musik, die Mozart für Streichinstrumente komponiert hat. Bei der Zusammenstellung des Programms, mit all unseren wunderbaren Künstlerinnen und Künstlern, kam mir ein Bild in den Sinn: Mozart auf einer Saite, hoch über dem Land, kein Netz unter ihm, voller Anmut, manchmal Pirouetten drehend, während er seine eigene Geige spielt... Diese in meiner Vorstellung gemalte Szene wurde noch lebendiger, als ich seine Violin- konzerte wieder hörte, seine kraftvolle Sinfonia concertante, das entzückende Concertone, seine Quintette, Trios und Quartette; man kann Mozarts unvergleichliche Kompositionen nicht nur hören, sondern man kann ihn fühlen, wie er auf dieser Saite tanzt, mit sicheren und exquisiten Schritten voranschreitet und langsam gleitet, wenn er will, dass wir uns in uns selbst vertiefen.
    [Show full text]
  • Brahms String Sextets Nos. 1 & 2
    1 STRING SEXTETS BRAHMS NOS. 1 & 2 RENAUD CAPUÇON CHRISTOPH KONCZ GÉRARD CAUSSÉ MARIE CHILEMME GAUTIER CAPUÇON CLEMENS HAGEN 2 Johannes Brahms 1833-1897 String Sextet No. 1 Op. 18 in B-flat Major . si bémol majeur . B-dur 1. I Allegro ma non troppo 14 :34 2. II Andante ma moderato 9 :22 3. III Scherzo: Allegro molto 3:02 4. IV Poco allegretto e grazioso 10:17 String Sextet No. 2, Op. 36 in G Major . sol majeur . G-dur 5. I Allegro non troppo 14:07 6. II Scherzo: Allegro non troppo 7:18 7. III Poco adagio 8:54 8. IV Poco allegro 9:11 Total: 76:49 Renaud Capuçon violon I, violin I Christoph Koncz violon II, violin II Gérard Caussé alto I, viola I Marie Chilemme alto II, viola II Gautier Capuçon violoncelle, cello I (1 - 4) & II (5 - 8) Clemens Hagen violoncelle , cello II (1- 4) & I (5 - 8) 3 Enregistrer les sextuors de Brahms était un rêve d’enfance. Ces œuvres sont des chefs-d’œuvre du compositeur, et c’est toujours un bonheur immense que de les jouer ou de les entendre. Tous les six, nous partageons le même amour de la musique de chambre. Nous nous sommes connus à Vienne, Paris ou Salzburg et étions réunis lors du Festival de Pâques d’Aix en Provence en 2016 pour ce concert capté en live. Nous sommes heureux de le partager avec vous. For as long as I can remember, I’ve dreamt of making a recording of the Brahms sextets. These works are among the composer’s greatest masterpieces, and it’s always a huge pleasure to play them and listen to them.
    [Show full text]
  • To Download the Printable 2021 Films Synopsis
    IAranf |r 2i0c2a0 |n 9 3V mino • lNeartrative Feature CAanlaedax |a 20n19d | r65e m itnh • Deo cFumoenotalry Feature Director: Mona Zandi Haghighi Director/Producer: Pedro Pires Producer: Alireza Shojanoori Writers: Pedro Pires, Josiane Lapointe Cast: Fatemeh Motamed Arya, Saeed Aghakhani, Cast: Alexandre Demard Reza Babak Fifteen years after a psychotic event on the South Middle-aged Shokoo finds out that ex-husband, China Sea flipped his life upside down, Alex, a sensi - Fereydoun, has been placed in a nursing home by tive, refined and schizophrenic man is at a cross - their children. She, and second husband Reza, roads. His grand-mother and confidante, who decide to take care of Fereydoun themselves, but would like to die with peace of mind, insists that he in their own home. In doing so, the relationship tries to find a girlfriend. His encounter with a young between Shokoo and Fereydoun is significantly psychotic woman gives birth to an ardently passion - transformed. This new situation affects Reza and ate relationship, making him slowly drift away from Shokoo’s daily life and unexpected changes take his usual emotional boundaries. While the South place in the lives of all three characters. China Sea’s troubled waters well up in his mind, he gradually isolates himself, in danger of being swal - Sat, Jun 19 | 10am lowed by paranoia’s unfathomable abyss. An inti - Sedona Performing Arts Center mate odyssey, at once troubling and sublime. Total Running Time: 1:33 Preceded by: CNanyadca t| o20p20h | 9o mbin i•a Documentary Short Amundsen: Director/Producer/Writer: Jean-François Boisvenue The Greatest Expedi tion Norway, Sweden, Czech Republic | 2019 | 125 min “Nyctophobia” is an essay-documentary about Narrative Feature psychological distress.
    [Show full text]
  • Les Musiciens Du Louvre Christoph Koncz Mozarts Geige
    Les Musiciens du Louvre Christoph Koncz Mozarts Geige Sonntag 18. Oktober 2020 11:00 und 13:30 Bitte beachten Sie: Ihr Husten stört Besucher und Künstler. Wir halten daher für Sie an den Garderoben Ricola-Kräuterbonbons bereit. Sollten Sie elektronische Geräte, insbesondere Mobiltelefone, bei sich haben: Bitte schalten Sie diese zur Vermeidung akustischer Störungen unbedingt aus. Wir bitten um Ihr Verständnis, dass Bild- und Tonaufnahmen aus urheberrechtlichen Gründen nicht gestattet sind. Wenn Sie einmal zu spät zum Konzert kommen sollten, bitten wir Sie um Verständnis, dass wir Sie nicht sofort einlassen können. Wir bemühen uns, Ihnen so schnell wie möglich Zugang zum Konzertsaal zu gewähren. Ihre Plätze können Sie spätestens in der Pause einnehmen. Bitte warten Sie den Schlussapplaus ab, bevor Sie den Konzertsaal verlassen. Es ist eine schöne und respektvolle Geste den Künstlern und den anderen Gästen gegenüber. Mit dem Kauf der Eintrittskarte erklären Sie sich damit einverstanden, dass Ihr Bild möglicherweise im Fernsehen oder in anderen Medien ausgestrahlt oder veröffentlicht wird. Vordruck/Lackform_1920.indd 2-3 17.07.19 10:18 WWieie schön,schön, dass SieSie dada sind sind LLassenassen Sie unsuns dasdas heutigeheutige KoKonzertnzert gemein gemeinsamsam und sichersicher ggenießen,enießen, iindemndem wir : .. etwas etwas mehr mehr Zeit Zeit und und Geduld Geduld mitbringen mitbringen . unsereunsere DatenDaten erfassenerfassen lassenlassen zweckzweckss eveeventuellerntueller RückverfolgungRückverfolgung . unsereunsere MaskenMasken aauchuch wwährendährend des KonzertsKonzerts tratragengen .. den den gewohnten gewohnten Abstand Abstand einhalten einhalten .. auf auf Händeschütteln Händeschütteln verzichtenverzichten undund unsereunsere HändeHände desinfizierendesinfizieren . inin unsereunsere EllbogenEllbogen nnieseniesen oder hustenhusten VVielenielen Dank!Dank! 1,51,5 1,5 20622_KM_18-10-20_b.indd 1 15.10.20 12:09 Les Musiciens du Louvre Christoph Koncz Violine und Leitung Mozarts Geige Sonntag 18.
    [Show full text]