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JAN/ FEB 2018/19 Season wigmore-hall.org.uk 2 • SEPTEMBER-OCTOBER wigmore-hall.org.uk How to Book Wigmore Hall Box Office TICKETS 36 Wigmore Street, London W1U 2BP Unless otherwise stated, tickets are divided into five price ranges: In Person ■ Stalls C – M Highest price 7 days a week: 10.00am - 8.30pm. ■ Stalls A – B, N – P 2nd highest price Days without an evening concert: ■ Balcony A – D 2nd highest price 10.00am - 5.00pm. No advance booking in the ■ Stalls BB, CC, Q – S 3rd highest price half hour prior to a concert. ■ Stalls AA, T – V 4th highest price ■ Stalls W – X Lowest price By Telephone: 020 7935 2141 7 days a week: 10.00am - 7.00pm. AA AA Days without an evening concert: AA STAGE AA AA AA 10.00am - 5.00pm. BB BB There is a non-refundable £4.00 administration CC CC A A charge for each transaction. B B C C D D Online: wigmore-hall.org.uk E E F FRONT FRONT F STALLS STALLS 7 days a week; 24 hours a day. There is a G G non-refundable £3.00 administration charge. H H I I J J K K Standby Tickets L L M M Standby tickets for students, senior citizens and N N the unemployed are available from one hour O O P P before the performance (subject to availability) Q Q with best available seats sold at the lowest price. R R S S REAR REAR NB standby tickets are not available for T STALLS STALLS T U U Lunchtime and Sunday Morning Concerts. V V W W Group Discounts X X Discounts of 10% are available for groups of A A 12 or more, subject to availability. B B C BALCONY C D D Latecomers Latecomers will only be admitted during a The right is reserved to substitute artists and vary programmes if necessary. suitable pause in the performance. Wigmore Hall • HRH The Duke of Kent, KG Royal Patron The Wigmore Hall Trust • Registered Charity No. 1024838 Box Office: 020 7935 2141 Online Booking: wigmore-hall.org.uk January February 2 Jan 7.30pm Ilker Arcayürek/Simon Lepper 4 1 Feb 7.30pm 2019 Annual Jacqueline du Pré 18 3 Jan 3.00pm Wigmore Study Group: Schumann Song 4 Charity Concert How to Book 7.30pm Sergio Tiempo 4 2 Feb 7.30pm Piers Lane 19 4 Jan 7.30pm Iestyn Davies/James Hall/ 5 3 Feb 11.30am Zahir Quartet 19 The King’s Consort 3.00pm James Newby/Joseph Middleton 19 5 Jan 1.00pm Nobuaki Fukukawa/Eriko Takezawa 5 7.30pm Goldner String Quartet/Piers Lane 19 7.30pm Christoph Pohl/Marcelo Amaral 5 4 Feb 1.00pm Sophie Pacini 19 6 Jan 11.30am Rolston String Quartet 6 7.30pm Sophie Bevan/Malcolm Martineau 21 7.30pm Pavel Kolesnikov/Elīna Bukša/ 6 5 Feb 1.00pm Timothy Ridout/Frank Dupree 21 Hermès Quartet 7.30pm Escher String Quartet 20 7 Jan 1.00pm Alexander Gavrylyuk 6 6 Feb 7.30pm Britten Sinfonia 21 7.30pm Dominic Degavino/Matthew Scott/ 6 7 Feb 7.30pm Sonia Prina/Alina Pogostkina/Dorothee 22 Christine Zerafa Oberlinger/Sonatori de la Gioiosa Marca 8 Jan 3.00pm Wigmore Study Group: Schumann Song 4 8 Feb 7.30pm Llŷr Williams 21 7.30pm Sunwook Kim 6 9 Feb 1.00pm New Elizabethan Award Showcase 23 9 Jan 7.30pm Tasmin Little/Piers Lane 7 7.30pm Michael Collins/Michael McHale 23 10 Jan 7.30pm Alexander Melnikov/Andreas Staier 7 10 Feb 11.30am Narek Hakhnazaryan/Oxana Shevchenko 23 11 Jan 10.15am Chamber Tots: On the Farm 7 7.30pm Jean-Efflam Bavouzet 23 11.45am Chamber Tots: On the Farm 7 11 Feb 1.00pm François-Frédéric Guy 23 3.00pm Wigmore Study Group: Schumann Song 4 7.30pm Sergey Khachatryan/Alisa Weilerstein/ 24 7.30pm Anne Schwanewilms/Malcolm Martineau 8 Inon Barnatan/Colin Currie/ 12 Jan 10.30am Family Day: Chamber Challenge 7 Owen Gunnell/Sam Walton 5.30pm Nash Ensemble 9 12 Feb 10.00am Big Sing! 24 7.30pm Nash Ensemble 9 6.15pm Bechstein Sessions: Diphonon Duo 25 7.30pm Leon McCawley 25 13 Jan 11.30am Hyeyoon Park/Sholto Kynoch 9 7.30pm Doric String Quartet 9 13 Feb 12.15pm Pre-Concert Talk 25 1.00pm Britten Sinfonia 25 14 Jan 1.00pm Juilliard String Quartet 9 7.30pm Nikolaj Znaider/Robert Kulek 26 7.30pm Robin Tritschler/Graham Johnson 10 14 Feb 11.00am For Crying Out Loud! 26 15 Jan 7.30pm Juilliard String Quartet 10 12.30pm For Crying Out Loud! 26 16 Jan 7.30pm Christian Gerhaher/Gerold Huber 10 4.45pm Introduction to Music: Schubert 26 17 Jan 7.30pm The Sixteen/Harry Christophers 10 7.30pm Stile Antico 27 18 Jan 11.00am For Crying Out Loud! 11 15 Feb 6.00pm Razumovsky Academy Young Artists 27 12.30pm For Crying Out Loud! 11 7.30pm Razumovsky Ensemble 27 7.30pm Christian Zacharias Lecture-Recital 11 16 Feb 3.00pm Family Concert: Nicola Benedetti 27 19 Jan 7.30pm Alina Ibragimova/Cédric Tiberghien 11 7.30pm Nash Ensemble/Lucy Crowe 27 20 Jan 11.30am Israeli Chamber Project/Antje Weithaas 11 17 Feb 11.30am Trio Isimsiz 30 7.30pm The Endellion String Quartet 12 7.30pm Elīna Garanča/Malcolm Martineau 30 21 Jan 1.00pm Leila Josefowicz/John Novacek 12 18 Feb 1.00pm Kitty Whately/Simon Lepper 30 7.30pm Rafał Blechacz 12 6.00pm Home from Home 28 7.30pm Learning Gala Concert 28 22 Jan 1.00pm François Le Roux/Olivier Godin 12 7.30pm Mary Bevan/Marcus Farnsworth/ 14 19 Feb 7.30pm Henk Neven/Imogen Cooper 30 Christopher Glynn 20 Feb 10.00am Family Sounds 30 23 Jan 7.30pm Pekka Kuusisto/Atte Kilpeläinen/ 13 1.00pm Family Sounds 30 Tomas Djupsjöbacka/Jukka Huitila 7.30pm Skride Quartet 31 24 Jan 10.15am Chamber Tots: Under the Sea 14 21 Feb 11.00am Relaxed Concert: Soraya Mafi 31 11.45am Chamber Tots: Under the Sea 14 4.45pm Introduction to Music: Schubert 26 7.30pm Ailish Tynan/Anna Huntley/Benjamin 14 7.30pm Les Talens Lyriques/Christophe Rousset/ 31 Appl/William Thomas/Graham Johnson Eugénie Warnier/Emiliano Gonzalez Toro/ Magnus Staveland 25 Jan 1.00pm ECMA: Simply Quartet 15 7.30pm Roman Rabinovich 16 22 Feb 10.30am Family Day: Lullabies 32 7.30pm Elias String Quartet 32 26 Jan 11.00am ECMA Masterclass: Johannes Meissl/ 15 Simply Quartet 23 Feb 7.30pm Trio Zimmermann 32 1.00pm ECMA: Trio Vitruvi 15 24 Feb 11.30am Albion Quartet 32 7.30pm Borodin Quartet/Alexei Volodin 16 7.30pm Kirill Gerstein 32 27 Jan 11.30am Borodin Quartet/Michael Collins 16 25 Feb 1.00pm Quatuor Arod/Timothy Ridout 33 3.00pm ECMA: Trio Gaon/Cosmos Quartet 15 7.30pm Marlis Petersen/Anke Vondung/ 33 7.30pm Christian Blackshaw 16 Werner Güra/Paul Armin Edelmann/ Christoph Berner/Camillo Radicke 28 Jan 1.00pm Simon Höfele/Frank Dupree 16 7.30pm Sofia Fomina/Oleksiy Palchykov/Rodion 17 26 Feb 11.00am Schools Concert: Nicola Benedetti 33 Pogossov/Iain Burnside 1.00pm Schools Concert: Nicola Benedetti 33 7.30pm Quatuor Zaïde 33 29 Jan 7.30pm Les Arts Florissants/William Christie 17 27 Feb 7.30pm Garrick Ohlsson 33 30 Jan 7.30pm The Cardinall’s Musick 17 28 Feb 1.00pm Orchestra of St John’s/John Lubbock/ 34 31 Jan 6.00pm Pre-Concert Talk 18 Sir Vince Cable/Paul Blezard 7.30pm Julia Kleiter/Werner Güra/ 18 4.45pm Introduction to Music: Schubert 26 Christoph Berner 7.00pm Dame Emma Kirkby 34 4 • JANUARY Box Office: 020 7935 2141 Wednesday 2 January Wigmore Study Group: 7.30pm Schumann Song Ilker Arcayürek tenor Simon Lepper piano Thursday 3 January 3.00pm – 6.00pm Schumann Kerner Lieder Op. 35 Schumann Blondels Lied; Loreley; Der Tuesday 8 January arme Peter; Nachtlied; Sängers Trost; 3.00pm – 6.00pm Schneeglöckchen Op. 96 No. 2; Ihre Stimme; Friday 11 January Der Himmel hat eine Träne geweint; 3.00pm – 6.00pm 6 Gedichte von N Lenau und Requiem Op. 90 £40 £35 £30 £25 £18 ‘Sometimes it seems as though I am embarking on completely new paths in Thursday 3 January music,’ Schumann wrote, during his 7.30pm famous Liederjahr in 1840. He had spent a decade devoting himself to the piano, Sergio Tiempo piano before his legal battle to marry Clara Journey to Debussy Wieck against her father’s wishes led to months of feeling too troubled to compose. Rameau L’enharmonique Turning to song began a period of intense Debussy Hommage à Rameau; Ce qu’a vu le creativity: ‘I want to sing myself to death vent d’ouest; L’isle joyeuse; Golliwogg’s Cake- like a nightingale.’ Come and explore Walk; Des pas sur la neige Schumann’s wonderful song cycles in Chopin Piano Sonata No. 2 in B flat minor three afternoons presented by composer Op. 35 ‘Funeral March’ Julian Philips, with pianist Laura Roberts Wagner Prelude from Tristan und Isolde (arr. and specialist guest speakers and student Kocsis) performers from the Guildhall School of Liszt Nuages gris S199 Music & Drama. Evans Waltz for Debby (arr. Tiempo) Messiaen Regard du Père Series ticket price £70 including three Villa-Lobos From A prole do bebê Book I: study sessions and a ticket for the evening Branquinha, Moreninha, A Pobrezinha & concert on Friday 11 January O Polichinelo Ginastera Malambo Op. 7 Robert Schumann £40 £35 £30 £25 £18 Ilker Arcayürek Sergio Tiempo © Janina Laszlo © Sussie Ahlburg wigmore-hall.org.uk JANUARY • 5 Friday 4 January Saturday 5 January 7.30pm 1.00pm Iestyn Davies countertenor Nobuaki Fukukawa horn James Hall countertenor Eriko Takezawa piano The King’s Consort Avex Recital Series 2019 Rebecca Miles recorder Ian Wilson recorder Britten Prologue from Serenade for tenor, Reiko Ichise bass viol Lynda Sayce theorbo horn and strings Op.
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  • Regulations & Programme 2021

    Regulations & Programme 2021

    XXIXe CONCOURS INTERNATIONAL DE PIANO CLARA HASKIL 27.08.-03.09.2021 VEVEY (SWITZERLAND) REGULATIONS & PROGRAMME 2021 REGISTRATION CLOSES: WEDNESDAY 28 APRIL 2021 1 RegulationsFONDATION SI BÉMOL and programme, April 2020, Concours International de Piano Clara Haskil CLARA HASKIL PRIZE WINNERS 1963 No prize awarded 1965 Christoph Eschenbach Germany 1967 Dinorah Varsi Uruguay 1969 No prize awarded 1971 No competition 1973 Richard Goode United States 1975 Michel Dalberto France 1977 Evgeni Koroliov USSR 1979 Cynthia Raim United States 1981 Konstanze Eickhorst Germany 1983 No prize awarded 1985 Nataša Veljković Yugoslavia 1987 Hiroko Sakagami Japan 1989 Gustavo Romero United States 1991 Steven Osborne Scotland 1993 Till Fellner Austria 1995 Mihaela Ursuleasa Romania 1997 Delphine Bardin France 1999 Finghin Collins Ireland 2001 Martin Helmchen Germany 2003 No prize awarded 2005 Sunwook Kim South Korea 2007 Hisako Kawamura Japan 2009 Adam Laloum France 2011 Cheng Zhang China 2013 Cristian Budu Brazil 2015 No prize awarded 2017 Mao Fujita Japan 2019 No prize awarded 2 Regulations and programme, April 2020, Concours International de Piano Clara Haskil I. GENERAL INFORMATION THE CLARA HASKIL COMPETITION The Competition’s purpose is to discover a young musician capable of representing the Competition’s va- lues: musicality, sensitivity, humility, constant re-evaluation, continual striving for excellence, attention to chamber music partners and respect for the composer’s musical text. These values are inspired by the life and career of Clara Haskil, a Swiss pianist born in Bucharest, Romania in 1895 and who died in Brussels in 1960. The programme reflects Clara Haskil’s vast repertoire through a recital, a chamber music performance and a concerto with orchestra.
  • The “Sublime Singing” (Gramophone, 2017) of Soprano Miriam Allan

    The “Sublime Singing” (Gramophone, 2017) of Soprano Miriam Allan

    The “sublime singing” (Gramophone, 2017) of Soprano Miriam Allan has been enjoyed across the world, from her native Australia, through Japan and Singapore, as well as at festivals throughout Europe and North America. During the 2019-20 season she will perform with David Bates’ La Nuova Musica at London’s Wigmore Hall & St John’s Smith Square, reunite with Dunedin Consort for Bach’s St Matthew Passion and sing Monteverdi Vespers and Mozart’s Mass in C Minor at Cadogan Hall. 2019 has, thus far, seen her return to Australia as artist in residence at the Newcastle Music Festival, sing Iphis (Jeptha, Handel) at Trigonale Festival, perform as Emma Kirkby’s guest during the latter’s 70th birthday recital at the Wigmore Hall, and sing Handel & Corelli motets with Les Arts Florissants prior to continuing their cycle of Gesualdo Madrigals. Of her performance as Josabeth (Athalia, Handel, Pinchgut Opera) the Sydney Morning Herald said “Miriam Allan … sang with ravishing sound, limpid elegance and precision, decorating lines with stylish ornamental arabesque.” Other recent performances have seen her debut with Sir Roger Norrington and the London Philharmonic Orchestra (2nd woman, Dido and Aeneas, Purcell) as well as Bach St Matthew Passion at Wigmore Hall with Dunedin Consort and John Butt and her debut with Portland Baroque, performing Messiah. A performance of this same work was “the vocal magic of the night…she took the audience’s breath away.” (Sydney Morning Herald, 2017) Other recent highlights have included Bach cantatas at the BBC Proms, a recital of Dowland lute songs within the enclaves of Windsor Castle and performances with the Queensland Orchestra and Erin Helyard.