Best of Nutcracker Show Program
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Transitions Dance Company
PRESS RELEASE Send date Transitions Dance Company: Triple Bill Trinity Laban’s leading student training company showcases dancers in three brand new works from established choreographers Choreographed by Dog Kennel Hill Project, Theo Clinkard and Ederson Rodrigues Xavier UK Tour 19 February – 27 May “Performances by this enterprising company are always an eye-opener.” (Guardian Guide) Transitions Dance Company’s triple bill showcases the next generation of contemporary dance performers from Trinity Laban with twelve MA students performing three brand new pieces from choreographers Dog Kennel Hill Project, Theo Clinkard and Ederson Rodrigues Xavier. Since it was founded in 1982 by original Martha Graham Dance Company member Bonnie Bird, this pioneering company has aimed to bridge the gap between training and a professional performance career for graduate dancers. Transitions Dance Company aims to allow company members to gain practical experience of life in a touring dance company whilst simultaneously completing their MA Dance Performance. Past alumni of the company include distinguished artists such as Sir Matthew Bourne (New Adventures), Luca Silvestrini (Luca Silvestrini’s Protein), and Emma Gladstone (Artistic Director and Chief Executive of Dance Umbrella). Fieldwork from performance and research collective Dog Kennel Hill Project explores how, as a newly formed company, the dancers locate themselves now and in relation to their past. Through a deconstructed series of arrivals and departures and a language of stumbles, false starts, surges and going round in circles, Fieldwork asks “when do we truly arrive anywhere?” my dance, your touch draws upon research that outlines how physical touch affects our behavioural, cultural, emotional and biological development. -
Social Social
à SÁBADO, 15 DE DEZEMBRO DE 2018 “Se não te lembram as menores tolices que o amor te levou a fazer, é por que jamais amaste.” William Shakespeare - Poeta (1564 - 1616) social à A jornalista Bárbara Scholl recebe inúmeras Liv homenagens pela Pondian data, com votos recebe de realizações e muitas sucesso de amigos, mensagens familiares e colegas Louise de carinho de trabalho. França de toda Parabéns! festeja galera. mais um ano de vida rodeada de amigos e familiares. Sempre Natalia Ramos ao lado do recebe muitas Destaque netinho, felicitações Toninha para a especiais. querida Castro Jaquelini comemora Okuma mais um que celebra aniversário. mais um aniversário. A professora de Química O sabadão é de muita da Etec, Luana Menezes, festa e alegria para a Henry Rabito de Oliveira O sorridente Vitor se prepara para apagar as professora de Serviços é muito homenageado pela Ribeiro recebe muitos velinhas neste domingo. Jurídicos da Etec, Maira data de hoje. cumprimentos da galera. Parabéns! Matos Sobreira. Site: O Extra.net Facebook: Jornal O Extra.net Instagram: jornaloextra.netoficial Whatsapp: 99711-2445 E-mail: [email protected] Fones: (17) 3462-1727 / 3442-2445 B2 | Geral | SÁBADO, 15 DE DEZEMBRO DE 2018 na curva do rio CHICO PIRANHA CLUBE DA MEMÓRIA Histórias do Tempo do Botinão Por CLAUDINEI CABREIRA Ruim de pontaria à Lembra dos natais de antigamente? tempo passa, o tem- capricho pela minha mãe com Ganhar de presente o sono, aprendi “contar carnei- po voa e aqui esta- a farinha “Sol Levante”, a mes- LP de Natal de 1968, rinhos”... mos nós diante de ma farinha que “O Inimitável” de Na manhã seguinte, a gente mais um final de ela usa- Roberto Carlos, era acordava bem cedinho e cor- o sonho da maioria Oano. -
The BALLET RUSSE De Monte Carlo
The RECORD SHOP Phil Hart, Mgr. presents The BALLET RUSSE de Monte Carlo IN THE PORTLAND AUDITORIUM Thursday, November 16,1944 AT 8:30 P. M. * PLEASE NOTE the following cast changes, due to a leg injury sustained by MR. FRANKLIN. In Le Bourgeois Gentilhornrne Cleonte M. Nicholas MAGALLANES In Gaite Parisienne Tbe Baron M. Nihita TALIN In Danses Concertantes Leon DANIELIAN in place of Frederic FRANKLIN In Rodeo Tbe Champion Roper Mr. Herbert BLISS PROGRAM II. A • "*j 3 • ,. y LE BOURGEOIS GENTILHOMME Choreography by George Balanchine Music by Richard Strauss Scenery and costumes by Eugene Berman Scenery executed by E. B. Dunkel Studios Costumes executed by Karinska, Inc. SERENADE This ballet depicts one episode from Moliere's immortal farce, "Le Bourgeois Gentilhomme." A young man, Cleonte, is in love with M. Jourdain's daughter, Luetic M. Jourdain disapproves of the match, as Cleonte is not of noble birth and it is M. Choreography by George BALANCHINE Music by P. I. Tschaikowsky Jourdain's lifetime ambition to shed his middle-class status and rise to aristocracy. Cleonte and his valet, Coviel, impersonate respectively the son of the Great Turk and his ambassador, and under this disguise Cleonte asks for the hand of Lucile. Lucile, at first, unaware of Cleonte's disguise, bitterly resents the wedlock and not Costumes by Jean LURCAT Costumes executed by H. MAHIEU, Inc. until Cleonte raises his mask does she willingly consent. In exchange for the hand of his bride, Cleonte makes M. Jourdain a Mamamouchi—a great dignitary of Turkey—"than which there is nothing more noble in the world," by means of an imposing ceremony. -
Press Kit for Ballets Russes, Presented by Capri Releasing
PRESENTS BALLETS RUSSES A film by Dan Geller and Dayna Goldfine. A fifty-year journey through the lives of the revolutionary artists who transformed dance. Running Time: 120 Minutes Media Contact: Anna Maria Muccilli AM Public Relations 1200 Bay St., Suite 900 Toronto, Ontario, M5R 2A5 416.969.9930 x 231 [email protected] For photography, please visit: http://www.caprifilms.com/capri_pressmaterial.html Geller/Goldfine P R O D U C T I O N S Ballets Russes Synopsis Ego, politics, war, money, fame, glamour, love, betrayal, grace… and dance. Ballets Russes is a feature-length documentary covering more than fifty years in the lives of a group of revolutionary artists. It tells the story of the extraordinary blend of Russian, American, European and Latin American dancers who, in collaboration with the greatest choreographers, composers and designers of the first half of the 20th century, transformed ballet from mere music hall divertissement to a true art form. From 1909, when Russian impresario Serge Diaghilev premiered his legendary Ballet Russe company in Paris, to 1962 when Serge Denham’s Ballet Russe de Monte Carlo performed for the last time in Brooklyn, Ballets Russes companies brought their popular, groundbreaking and often controversial choreographies to big cities and small towns around the world. Along the way, these artistic visionaries left their mark on virtually every other area of art and culture – from stage design, painting and music to Hollywood and Broadway. Through their inclusive cosmopolitanism, they also put the first African-American and Native American ballerinas on the stage. Using intimate interviews with surviving members of the Ballets Russes companies (now in their 70s, 80s and 90s) as well as rare archival materials and motion picture footage, Ballets Russes is both an ensemble character film and an historical portrait of the birth of an art form. -
Níveis 1 E 2 Manual Do Professor Ciclo Básico
E-Book Manual do Professor Ciclo Básico - Níveis 1 e 2 1º Edição Autoras: Cibele Nascente Barbosa Fabiana Guimarães Coordenação: Edleise Mendes Revisão Geral: Greice Kelly Silva Direção Geral: Fabricio Müller Luiz Carlos Folster Diagramação e Desenho Gráfico: Mara Magaldi M2 Bureau Creativo Nascente Barbosa, Cibele Manual do professor. Brasil intercultural ciclo básico: níveis 1 e 2 Cibele Nascente Barbosa y Fabiana Guimarães ; coordinado por Edleise Mendes; dirigido por Fabricio Alexandro Müller. - 1a ed. - Ciudad Autónoma de Buenos Aires: Casa do Brasil. 2015. E-Book. ISBN 978-987-27201-9-3 1. Enseñanza de Lenguas Extranjeras. 2. Portugués. I. Guimarães, Fabiana II. Mendes, Edleise, coord. III. Müller, Fabricio Alexandro, dir. IV. Título CDD 469.7 Fecha de catalogación: 29/04/2015 Hecho el depósito que marca la ley 11.723 Prohibida la reproducción total o parcial por cualquier medio o sistema sin el permiso expreso del autor. © Copyright 2015 - Casa do Brasil Diseñado en Argentina www.brasilintercultural.com.ar [email protected] Coleção Brasil intercultural Brasil Intercultural: língua e cultura brasileira para estrangeiros Manual do Professor Ciclo Básico 1) Apresentação da proposta da coleção A Coleção Brasil Intercultural – Língua e Cultura Brasileira para Estrangeiros compõe-se de um conjunto de quatro volumes, que cobrem os conteúdos de quatro ciclos de aprendizagem de português para falantes de outras línguas, com enfoque mais especíco nos falantes de língua espanhola. Cada um dos ciclos que estrutura o curso pleno em português organiza-se em dois níveis: Ciclo 1 (Básico 1 e Básico 2); Ciclo 2 (Intermediário 1 e Intermediário 2); Ciclo 3 (Avançado 1 e Avançado 2); Ciclo 4 (Avançado Superior 1 e Avançado Superior 2). -
Justiça Multa Sindicato Por Descumprir Liminar E Invadir Locais Restritos Em NO
jno.com.br • EDIÇÃO Nº 3.770 • ANO 26 SÁBADO, 15 DE SETEMBRO DE 2018 • R$ 2,50 Compromisso com Nova Odessa. Compromisso com você. › FUTEBOL › OPINIÃO › EMPREGOS › “POPStar” Primeira Divisão do Campeona- ... O primeiro fato que merece Concessionária AutoBAn realiza Música cubana, rock antigo, jovem guar- to de Futebol Amador começa destaque é a falta de sintonia entre processo seletivo de ‘jovens da, MPB e música para meditação são neste sábado em Nova Odessa. os porta-vozes dos candidatos. ... aprendizes’ em Nova Odessa. alguns exemplos do que toca na playlist {Pág. 06} {Pág. 02} {Pág. 05} de Sergio Guizé. {Giros na Telinha} Divulgação Vereadores estudantes tomam posse Na manhã de ontem, os suplentes que representam 22 novos vereadores estudan- as 11 escolas municipais e três tes tomaram posse em sessão estaduais que defenderão os solene realizada no plenário interesses da comunidade da Câmara de Vereadores. escolar e da localidade onde No total são 11 titulares e 11 moram e estudam. {Pág. 07} Teatro Municipal recebe encontro musical hoje {Pág. 04} Justiça multa sindicato por descumprir liminar e invadir locais restritos em NO Em 21 de maio passado, três servidoras públicas lotadas no setor de Merenda Escolar registraram boletim de ocorrência na Polícia Civil acusando o presidente do Sindicato dos Servidores Públicos Municipais de Nova Odessa. {Pág. 03} Divulgação Vereadores e prefeito se reúnem com AutoBan em prol ao pós-Anhanguera Divulgação Seis vereadores e o pre- em busca de soluções para Ao sair do encontro, o chefe ladora de Serviços Públicos Qualidade DE vida É OBJetivo DE PROJeto volta- feito se reuniram na tarde a melhoria de acesso aos do executivo já fez contatos Delegados de Transporte do DO para O PÚblico FEMININO. -
Finding Aid for Bolender Collection
KANSAS CITY BALLET ARCHIVES BOLENDER COLLECTION Bolender, Todd (1914-2006) Personal Collection, 1924-2006 44 linear feet 32 document boxes 9 oversize boxes (15”x19”x3”) 2 oversize boxes (17”x21”x3”) 1 oversize box (32”x19”x4”) 1 oversize box (32”x19”x6”) 8 storage boxes 2 storage tubes; 1 trunk lid; 1 garment bag Scope and Contents The Bolender Collection contains personal papers and artifacts of Todd Bolender, dancer, choreographer, teacher and ballet director. Bolender spent the final third of his 70-year career in Kansas City, as Artistic Director of the Kansas City Ballet 1981-1995 (Missouri State Ballet 1986- 2000) and Director Emeritus, 1996-2006. Bolender’s records constitute the first processed collection of the Kansas City Ballet Archives. The collection spans Bolender’s lifetime with the bulk of records dating after 1960. The Bolender material consists of the following: Artifacts and memorabilia Artwork Books Choreography Correspondence General files Kansas City Ballet (KCB) / State Ballet of Missouri (SBM) files Music scores Notebooks, calendars, address books Photographs Postcard collection Press clippings and articles Publications – dance journals, art catalogs, publicity materials Programs – dance and theatre Video and audio tapes LK/January 2018 Bolender Collection, KCB Archives (continued) Chronology 1914 Born February 27 in Canton, Ohio, son of Charles and Hazel Humphries Bolender 1931 Studied theatrical dance in New York City 1933 Moved to New York City 1936-44 Performed with American Ballet, founded by -
Henri Matisse, Textile Artist by Susanna Marie Kuehl
HENRI MATISSE, TEXTILE ARTIST COSTUMES DESIGNED FOR THE BALLETS RUSSES PRODUCTION OF LE CHANT DU ROSSIGNOL, 1919–1920 Susanna Marie Kuehl Submitted in partial fulfillment of the requirements for the degree Master of Arts in the History of Decorative Arts Masters Program in the History of Decorative Arts The Smithsonian Associates and Corcoran College of Art + Design 2011 ©2011 Susanna Marie Kuehl All Rights Reserved To Marie Muelle and the anonymous fabricators of Le Chant du Rossignol TABLE OF CONTENTS Page Acknowledgements . ii List of Figures . iv Chapter One: Introduction: The Costumes as Matisse’s ‘Best Spokesman . 1 Chapter Two: Where Matisse’s Art Meets Textiles, Dance, Music, and Theater . 15 Chapter Three: Expression through Color, Movement in a Line, and Abstraction as Decoration . 41 Chapter Four: Matisse’s Interpretation of the Orient . 65 Chapter Five: Conclusion: The Textile Continuum . 92 Appendices . 106 Notes . 113 Bibliography . 134 Figures . 142 i ACKNOWLEDGEMENTS As in all scholarly projects, it is the work of not just one person, but the support of many. Just as Matisse created alongside Diaghilev, Stravinsky, Massine, and Muelle, there are numerous players that contributed to this thesis. First and foremost, I want to thank my thesis advisor Dr. Heidi Näsström Evans for her continual commitment to this project and her knowledgeable guidance from its conception to completion. Julia Burke, Textile Conservator at the National Gallery of Art in Washington DC, was instrumental to gaining not only access to the costumes for observation and photography, but her energetic devotion and expertise in the subject of textiles within the realm of fine arts served as an immeasurable inspiration. -
Premieres on the Cover People
PDL_REGISTRATION_210x297_2017_Mise en page 1 01.06.17 10:52 Page1 Premieres 18 Bertaud, Valastro, Bouché, BE PART OF Paul FRANÇOIS FARGUE weighs up four new THIS UNIQUE ballets by four Paris Opera dancers EXPERIENCE! 22 The Boy in the Striped Pyjamas MIKE DIXON considers Daniel de Andrade's take on John Boyne's wartime novel 34 Swan Lake DEBORAH WEISS on Krzysztof Pastor's new production that marries a slice of history with Reece Clarke. Photo: Emma Kauldhar the traditional story P RIX 38 Ballet of Difference On the Cover ALISON KENT appraises Richard Siegal's new 56 venture and catches other highlights at Dance INTERNATIONAL BALLET COMPETITION 2017 in Munich 10 Ashton JAN. 28 TH – FEB. 4TH, 2018 AMANDA JENNINGS reviews The Royal DE Ballet's last programme in London this Whipped Cream 42 season AMANDA JENNINGS savours the New York premiere of ABT's sweet confection People L A U S ANNE 58 Dangerous Liaisons ROBERT PENMAN reviews Cathy Marston's 16 Zenaida's Farewell new ballet in Copenhagen MIKE DIXON catches the live relay from the Royal Opera House 66 Odessa/The Decalogue TRINA MANNINO considers world premieres 28 Reece Clarke by Alexei Ratmansky and Justin Peck EMMA KAULDHAR meets up with The Royal Ballet’s Scottish first artist dancing 70 Preljocaj & Pite principal roles MIKE DIXON appraises Scottish Ballet's bill at Sadler's Wells 49 Bethany Kingsley-Garner GERARD DAVIS catches up with the Consort and Dream in Oakland 84 Scottish Ballet principal dancer CARLA ESCODA catches a world premiere and Graham Lustig’s take on the Bard’s play 69 Obituary Sergei Vikharev remembered 6 ENTRE NOUS Passing on the Flame: 83 AUDITIONS AND JOBS 78 Luca Masala 101 WHAT’S ON AMANDA JENNINGS meets the REGISTRATION DEADLINE contents 106 PEOPLE PAGE director of Academie de Danse Princesse Grace in Monaco Front cover: The Royal Ballet - Zenaida Yanowsky and Roberto Bolle in Ashton's Marguerite and Armand. -
2018 Alumni Performance 45Th Anniversary Show Program
A Message from Josefa Villanueva-Reyes, Artistic Director and Founder: I welcome you with great joy and happiness to celebrate the Santa Clara Ballet’s 45th Anniversary of the Nutcracker Ballet. The Santa Clara Ballet continues the legacy left to us by our late Director and choreographer, Benjamin Reyes, by sharing this favorite family Christmas Ballet with our community, our student and professional dancers and our loyal supporters. The Company’s roots started right here in Santa Clara, and has continued despite the usual problems of obtaining funding and support. We can continue because of all of you who are present in our performances, and through your generous donations and volunteer work. The Company continues its work in spreading the awareness and the love of dance to warm families and contribute to the quality of life of the community. For this Sunday’s performance of our 45th Annual Nutcracker, the stage will be graced by our Alumni who serve as a testament to the success of the company’s influence to the community and the world beyond. Thank you for your presence today and please continue to join us on our journey. Josefa Reyes JOSEFA VILLANUEVA-REYES started her training in the Philippines with Roberta and Ricardo Cassell (a student of Vincenzo Celli). She was formerly a member of the San Francisco Ballet Company and the San Francisco Opera Ballet. Previous to that, she performed as a principal dancer with the San Francisco Ballet Celeste for four years. Her performing experience included multiple lead roles from the classical repertory. Villanueva-Reyes taught at the San Francisco Conservatory of Ballet and Theatre Arts as well as San Jose City College. -
Queensland Ballet
Queensland Front cover: Rachael Walsh as Fonteyn & Christian Tátchev as Nureyev dance The Lady of the Camellias pas de deux in François Klaus’s Fonteyn Remembered; Photographer: Ken Sparrow Below: Sarah Thompson and children taking class at the Open Day BAllet ANNuAl REPORT 2010 Queensland Ballet Thomas Dixon Centre Cnr Drake St & Montague Rd West End Queensland 4101 Australia Phone: 07 3013 6666 Fax: 07 3013 6600 Email: [email protected] Web: www.queenslandballet.com.au Christian Tátchev and Keian langdon in François Klaus’s Don Quixote (excerpt), 50th Anniversary International Gala; Photographer: Ken Sparrow Christian Tátchev as Romeo & Rachael Walsh as Juliet in François Klaus’s Romeo & Juliet; Photographer: Ken Sparrow Queensland Ballet 2010 AnnuAl RepoRt CONTENTS Company profile 1 2010 highlights 2 50 year chronology 3 Chair’s review 7 Artistic Director’s report 8 Chief Executive Officer’s report 10 2010 performance summary 11 The Company 15 Acknowledgements 17 Directors’ report 19 Lead Auditor’s Independence Declaration 25 Financial report 26 Independent auditor’s report 41 Appendix A: 2010 strategic performance 42 Appendix B: Queensland Ballet Friends 44 QUEENSlAnD BALLET 1 COMPANY PROFILE Queensland Ballet is the advanced dance training to students in ouR DReAm Years 10, 11, and 12 at Kelvin Grove State flagship ballet company of the College as well as the introductory Track By 2013, Queensland Ballet will be State of Queensland, with a Dance and Mid-Trackdance programs for recognised, not only in Queensland but reputation for a fresh, energetic Years 3 to 9. throughout Australia and also overseas, for: and eclectic repertoire ranging Community education and outreach is » creating and presenting a broad from short works for children to achieved through a range of programs. -
Ballets Russes Press
A ZEITGEIST FILMS RELEASE THEY CAME. THEY DANCED. OUR WORLD WAS NEVER THE SAME. BALLETS RUSSES a film by Dayna Goldfine and Dan Geller Unearthing a treasure trove of archival footage, filmmakers Dan Geller and Dayna Goldfine have fashioned a dazzlingly entrancing ode to the rev- olutionary twentieth-century dance troupe known as the Ballets Russes. What began as a group of Russian refugees who never danced in Russia became not one but two rival dance troupes who fought the infamous “ballet battles” that consumed London society before World War II. BALLETS RUSSES maps the company’s Diaghilev-era beginnings in turn- of-the-century Paris—when artists such as Nijinsky, Balanchine, Picasso, Miró, Matisse, and Stravinsky united in an unparalleled collaboration—to its halcyon days of the 1930s and ’40s, when the Ballets Russes toured America, astonishing audiences schooled in vaudeville with artistry never before seen, to its demise in the 1950s and ’60s when rising costs, rock- eting egos, outside competition, and internal mismanagement ultimately brought this revered company to its knees. Directed with consummate invention and infused with juicy anecdotal interviews from many of the company’s glamorous stars, BALLETS RUSSES treats modern audiences to a rare glimpse of the singularly remarkable merger of Russian, American, European, and Latin American dancers, choreographers, composers, and designers that transformed the face of ballet for generations to come. — Sundance Film Festival 2005 FILMMAKERS’ STATEMENT AND PRODUCTION NOTES In January 2000, our Co-Producers, Robert Hawk and Douglas Blair Turnbaugh, came to us with the idea of filming what they described as a once-in-a-lifetime event.