Amends Buffy the Vampire Slayer the First
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Community-Centered Cult Television Heroine, 1995-2007
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, and Student Research: Department of English English, Department of 2010 "Just a Girl": The Community-Centered Cult Television Heroine, 1995-2007 Tamy Burnett University of Nebraska at Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/englishdiss Part of the Feminist, Gender, and Sexuality Studies Commons, Literature in English, North America Commons, and the Visual Studies Commons Burnett, Tamy, ""Just a Girl": The Community-Centered Cult Television Heroine, 1995-2007" (2010). Dissertations, Theses, and Student Research: Department of English. 27. https://digitalcommons.unl.edu/englishdiss/27 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, and Student Research: Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. “JUST A GIRL”: THE COMMUNITY-CENTERED CULT TELEVISION HEROINE, 1995-2007 by Tamy Burnett A DISSERTATION Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Philosophy Major: English (Specialization: Women‟s and Gender Studies) Under the Supervision of Professor Kwakiutl L. Dreher Lincoln, Nebraska May, 2010 “JUST A GIRL”: THE COMMUNITY-CENTERED CULT TELEVISION HEROINE, 1995-2007 Tamy Burnett, Ph.D. University of Nebraska, 2010 Adviser: Kwakiutl L. Dreher Found in the most recent group of cult heroines on television, community- centered cult heroines share two key characteristics. The first is their youth and the related coming-of-age narratives that result. -
Pairing: Spike/Xander Rating: NC-17 Disclaimer: I'm Not Joss
Pairing: Spike/Xander Rating: NC-17 Disclaimer: I'm not Joss Warnings: angst and slash Summary: A decade post-series (and ignoring the comics), Xander is leading a normal life. Then he discovers Spike in an alley, amnesiac and human. Author's Note: This fic is complete and I'll post a chapter a day. The title is stolen from a poem by Jeff Clark, which can be read here. http://www.bostonreview.net/BR21.6/sampler2.ht ml And should be read, because it's oddly appropriate, although I discovered it after the fic was written. The Ghost Has No Home by Whichclothes Part One Xander Harris didn’t rescue anyone anymore. He’d done his time, he figured. Helped save the world enough times. Lost enough—his innocence, his friends, his eye. He’d more than earned an early retirement, with a normal life and normal job. He certainly didn’t go rushing in dangerous situations anymore, like confronting the three young thugs who were beating the homeless guy in the alley. But, okay, even retired, he could still pull out his cell phone and call 911. No risk to himself, nothing remotely heroic about that. Except his goddamn battery was dead. He stuffed the phone back in his pocket and walked away. Surely someone else would come along soon, someone who could remember to plug their phone into the recharger now and then. Xander had a house to get to, and a shower to take, and at seven he was going to pick up Nicole and they were going to see some movie with George Clooney in it and afterwards she might even decide to invite him into her place. -
Amends Script
Amends (October 31, 1998) Written by: Joss Whedon Teaser EXT. DUBLIN STREET - NIGHT (1838) A Dickensian vista of Christmas. Snow covers the street (though it is not falling now), people and carriages milling about in it. A group of five or so CAROLLERS stand by one corner, singing a traditional Christmas air. A young man (DANIEL) in a dark suit makes his way through the people, quickly and nervously. He looks about him constantly. He passes an alley and he is suddenly GRABBED and pulled inside. He lands in a heap in the corner, the figure that grabbed him standing over him. ANGEL Why, Daniel, wherever are you going? Angel is dressed similarly -- though a bit more elegantly -- to Daniel. He is smiling graciously, and in full vampface. Daniel cowers, scrambling backwards. DANIEL You -- you're not human... ANGEL Not of late, no. DANIEL What do you want? ANGEL Well, it happens that I'm hungry, Daniel, and seeing as you're somewhat in my debt... DANIEL Please... I can't... ANGEL A man playing at cards should have a natural intelligence or a great deal of money and you're sadly lacking in both. So I'll take my winnings my own way. He grabs him, hoists him up. Daniel cannot wrest Angel's grasp from his throat. He Buffy Angel Show babbles quietly: DANIEL The lord is my shepherd, I shall not want... he maketh me to lie down in green pastures... he... ANGEL Daniel. Be of good cheer. (smiling) It's Christmas! He bites. INT. MANSION - ANGEL'S BEDROOM - NIGHT Angel awakens in a start, sweating. -
Buffy the Vampire Slayer Fights Back Generate Attack, Recruit Points, and Against the Players! the Big Bad, Like Special Abilities
® ™ Overview How to Win Welcome to Legendary ®: Buffy the Players must work together to attack Vampire Slayer! Big Bads like the evil Big Bad successfully four The Master, Angelus, and Glorificus times. If they do this, then the Big command a mob of Demonic Villains, Bad is beaten once and for all, and planning dark Schemes to wreak all the players win the game for the havoc on Sunnydale, home of the forces of good! In addition, defeating Hellmouth. Only you can stop them Villains and rescuing Bystanders by leading Buffy and the rest of the earns each player Victory Points. Scooby gang. After the Big Bad is defeated, the player with the most Victory Points In this game for 1-5 players, each is the best slayer of all and the player starts with their own deck individual winner. of basic cards. At the start of your turn, you play the top card of the Villain Deck for Villains to invade How the Evil the Sunnydale, capture Bystanders, Big Bad Wins and create special events. Then, you Unlike other games, Legendary ®: play Hero cards from your hand to Buffy the Vampire Slayer fights back generate Attack, Recruit Points, and against the players! The Big Bad, like special abilities. You use your Attack The Master or Angelus, isn’t played to defeat Villains. You use Recruit by a player. Instead, the game itself Points to recruit better Heroes for plays the part of the Big Bad. your deck. Throughout the game the Big Whenever your deck runs out of Bad works to accomplish an evil cards, you shuffle your discard pile Scheme. -
Buffy at Play: Tricksters, Deconstruction, and Chaos
BUFFY AT PLAY: TRICKSTERS, DECONSTRUCTION, AND CHAOS AT WORK IN THE WHEDONVERSE by Brita Marie Graham A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in English MONTANA STATE UNIVERSTIY Bozeman, Montana April 2007 © COPYRIGHT by Brita Marie Graham 2007 All Rights Reserved ii APPROVAL Of a thesis submitted by Brita Marie Graham This thesis has been read by each member of the thesis committee and has been found to be satisfactory regarding content, English usage, format, citations, bibliographic style, and consistency, and is ready for submission to the Division of Graduate Education. Dr. Linda Karell, Committee Chair Approved for the Department of English Dr. Linda Karell, Department Head Approved for the Division of Graduate Education Dr. Carl A. Fox, Vice Provost iii STATEMENT OF PERMISSION TO USE In presenting this thesis in partial fulfillment of the requirements for a master’s degree at Montana State University, I agree that the Library shall make it availably to borrowers under rules of the Library. If I have indicated my intention to copyright this thesis by including a copyright notice page, copying is allowable only for scholarly purposes, consistent with “fair use” as prescribed in the U.S. Copyright Law. Requests for permission for extended quotation from or reproduction of this thesis in whole or in parts may be granted only by the copyright holder. Brita Marie Graham April 2007 iv ACKNOWLEDGMENTS In gratitude, I wish to acknowledge all of the exceptional faculty members of Montana State University’s English Department, who encouraged me along the way and promoted my desire to pursue a graduate degree. -
Spike/Xander Rating: NC17/Slash Spoilers: Through Btvs Season 6 Ep “Hell’S Bells”
Pairing: Spike/Xander Rating: NC17/Slash Spoilers: Through BtVS season 6 ep “Hell’s Bells”. Notes: Fluff, the whole fluff, and nothing but the fluff. Written in response to The Batpack Wank Fanfic Challenge 2003 in honor of National Masturbation Month. Feedback: It’s ALL about the feedback (and naked Spike)! Don’t make me beg, it’s not pretty. Disclaimer: I don’t own these characters, just borrowing them for awhile. Everything belongs to Joss Whedon, Mutant Enemy, Kuzui Enterprises, Grr Argh, the WB, UPN, Fox, and whomever else they really belong to, although I wouldn’t mind having a Spike of my own. Who would? The story is mine, though. Thanks: Tammy, for the beta, and for being a wonderful bud. Dedication: To Gabrielle, who credits me, and this series in particular, for her new S/X obsession, and whose feedback is inspiring Women Suck by Spikedluv 1 Women Suck Summary: Spike shows Xander that he doesn’t need women...for anything. Written: June 2, 2003 Xander sat at the bar drinking his third beer. Now that he was old enough, he could legally drink his sorrows away. God, life sucked, he thought miserably. He wished... No, wait, wishing was bad. You never knew who might be listening. He carefully looked over his shoulder, and then surveyed the bar, looking for his ex-fiancé—the ex- ex-vengeance demon, patron demoness of women scorned, or some such, one of which she was now, or again—or her ‘justice demon’ friend, Halfrek. He didn’t see either one of them, but still, better safe than sorry. -
The Cost of Butterfly Kisses
50ftqueenie made a request that really tickled my muse. So, rather than spoil you by telling you what she requested, I just present her story... Spike/Xander (pre-slash) Warnings: A bit of blackmail and manipulation Rating: Teen Episode Spoilers: Once More with Feeling 187,000 words Summary: Xander's been a bad boy, and Spike is about to figure out how to make the most of it. The Cost of Butterfly Kisses by Litgal Part One "Right then, you get all your singing out, then?" Spike asked. He lit a cigarette and looked around the Magic Box. Slayer wasn't around. It was just the sad little puppy-boy behind the counter. "What do you want, Spike?" Xander demanded, bristling with anger. Well, if Spike had to wait around for the slayer, he might as well entertain himself. If he was being honest with himself, he wanted to make a little trouble. If it weren't for the chip, he'd likely go out and gut some bloke and do something creative with the intestines. Days like this made him miss Drusilla. "Just thought I'd check in and see if ya were stupid enough to summon any more demons lately," Spike commented as he leaned against the counter. Xander flinched back from the question, but then, he should. It was bloody stupid. Harris had been around long enough to keep his mitts off magical amulets, and making a wish was even more idiotic than usual. Surprisingly, Xander didn't blow. "Go away, Spike," he said, his voice quiet, even if it was trembling with emotion. -
A PDF Copy of This Issue of Slayage Is Available Here
Slayage: Number Six Slayage 6 September 2002 [2.2] David Lavery and Rhonda V. Wilcox, Co-Editors Click on a contributor's name in order to learn more about him or her. A PDF copy of this issue (Acrobat Reader required) of Slayage is available here. A PDF copy of the entire volume can be accessed here. J. Gordon Melton (University of California, Santa Barbara), Images from the Hellmouth: Buffy the Vampire Slayer Comic Books 1998-2002 PDF Version (Acrobat Reader Required) Reid B. Locklin (Boston University), Buffy the Vampire Slayer and the Domestic Church: Re-Visioning Family and the Common Good PDF Version (Acrobat Reader Required) Frances Early (Mount St. Vincent University), Staking Her Claim: Buffy the Vampire Slayer as Transgressive Woman Warrior PDF Version (Acrobat Reader Required) David Lavery (Middle Tennessee State University), "Emotional Resonance and Rocket Launchers": Joss Whedon's Commentaries on the Buffy the Vampire Slayer DVDs PDF Version (Acrobat Reader Required) Recommended. Here and in each issue 1 3 of Slayage the editors will recommend 2 [1.2] 4 [1.4] [1.1] [1.3] writing on BtVS available on the Internet. 5 6 [2.2] 7 [2.3] 8 [2.4] [2.1] Robert Hanks, Deconstructing Buffy 11-12 9 10 [3.2] [3.3- [3.1] (from ) 4] Manuel de la Rosa, Buffy the Vampire Slayer, the Girl Power Movement, and 13-14 Heroism 15 [4.3] [4.1- Archives Andy Sawyer, In a Small Town in 2] California . the Subtext is Becoming Text (from ) Anthony Cordesman, Biological Warfare and the "Buffy" Paradigm" Paula Graham, Buffy Wars: The Next file:///C|/Documents%20and%20Settings/David%20Lavery/Lavery%20Documents/SOIJBS/Numbers/slayage6.htm (1 of 2)12/21/2004 4:23:36 AM Slayage, Number 6: Melton J. -
Kwartalnik Neofilol. 2-18.Indd
KWARTALNIK NEOFILOLOGICZNY, LXV, 2/2018 R FIONA HAYWARD (INDEPENDENT ACADEMIC) BUFFY THE VAMPIRE SLAYER. THE MAIDEN IS DEATH: DEATH IS HER GIFT1 ABSTRACT Buffy The Vampire Slayer was a television series broadcast from 1997 to 2003. The narrative follows the heroine, Buffy Summers, ostensibly a normal teen, however she is also the latest in a long line of Slayers. Death is a gift of the Slayer. The three facets of this gift point to the conclusion that Buffy, the Maiden, is Death. KEYWORDS: Buffy, vampire slayer, death, maiden, quest, gift STRESZCZENIE Buffy The Vampire Slayer jest serialem telewizyjnym, który był wyświetlany w latach 1997–2003. Fabuła śledzi losy bohaterki, Buffy Summers, pozornie przeciętnej nastolatki, która jednakże jest najmłodszym przedstawicielem rodu Slayers – Pogromców. Śmierć jest ich “darem”. Wiele aspektów tego “daru” prowadzi do podsumowania, że Buffy – dziewica – jest Śmiercią. SŁOWA KLUCZOWE: Buffy, pogromczyni wampirów, śmierć, dziewica, misja, dar INTRODUCTION ‘Death is what I live and breathe’. (Potential. S7E12) It is at the live, beating heart of who Buffy Summers is. Buffy Summers, a lightweight, sunny, Valley Girl name but Buffy is The Slayer, the heart of darkness. Take away the weapons, take away her friends, take away hope, strip back all the wit and banter, and what is left is the very image of Death, because that is what The Slayer is. Buffy challenges many filmic conventions – in horror the pretty blonde is the victim of the vampires; Buffy subverts that with deliberate intent. Joss Whedon is often quoted as saying he wanted to explore what it would be like for the vampire 1 I would like to thank and acknowledge the encouragement of Fiona Papps, the editorial assistance of Meg Hayward and Joanna Wlochal for the Polish translation. -
The Role of Disability in Buffy the Vampire Slayer Amanda H
CORE Metadata, citation and similar papers at core.ac.uk Provided by University of New Mexico University of New Mexico UNM Digital Repository Special Education ETDs Education ETDs 7-12-2014 The Role of Disability in Buffy the Vampire Slayer Amanda H. Heggen Follow this and additional works at: https://digitalrepository.unm.edu/educ_spcd_etds Recommended Citation Heggen, Amanda H.. "The Role of Disability in Buffy the Vampire Slayer." (2014). https://digitalrepository.unm.edu/ educ_spcd_etds/16 This Dissertation is brought to you for free and open access by the Education ETDs at UNM Digital Repository. It has been accepted for inclusion in Special Education ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. The Role of Disability in Buffy the Vampire Slayer i Amanda H. Heggen Candidate Special Education Department This dissertation is approved, and it is acceptable in quality and form for publication: Approved by the Dissertation Committee: Dr. Julia Scherba de Valenzuela , Chairperson Dr. Susan Copeland Dr. James Stone Dr. David Witherington The Role of Disability in Buffy the Vampire Slayer ii THE ROLE OF DISABILITY IN BUFFY THE VAMPIRE SLAYER by AMANDA H. HEGGEN B.A. Psychology, Goshen College, 2001 M.A. Special Education, Univeristy of New Mexico, 2006 DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Special Education The University of New Mexico Albuquerque, New Mexico May, 2014 The Role of Disability in Buffy the Vampire Slayer iii Acknowledgements The list of people who have contributed to this dissertation in many forms, from much-needed pep talks to intensely brilliant advice on how to present my findings, is epic. -
Passion Script
Passion (January 21, 1998) Written by: Ty King Teaser BLACK: Over which, a VOICE… ANGEL (V.O.) (softly) Passion… FADE UP ON: INT. THE BRONZE - NIGHT The place is teeming with the hip, young, non-speaking extra crowd. WE HEAR MUSIC, MUFFLED CONVERSATIONS and AMBIENT NOISE, but no SPECIFIC DIALOG. On the dance floor, BUFFY shares a "friendly" dance with XANDER as WILLOW and CORDELIA watch from a table. WE CIRCLE around just outside the perimeter of the crowd, always focusing on the sensuously gyrating Slayer on the floor. ALL MOTION SLOWS TO A LANGUID CRAWL (SLO-MO) as we recognize ANGEL, a face in the back of the crowd across the room. From the shadows, he watches Buffy with a fierce intensity, his eyes fixed in an unblinking, unsettling stare. ANGEL (V.O.) …it is born… The rest of the world seems to part as WE BEGIN A SLOW PUSH in on Angel, keeping Buffy in the FOREGROUND. ANGEL (V.O.) …and though uninvited, unwelcome, unwanted… SOMEONE walks by FOREGROUND, WIPING THE SHOT, REVEALING that Angel has vanished. ANGEL (V.O.) …like a cancer, it takes root. CUT TO: EXT. ENTRANCE TO THE BRONZE - (LATER THAT) NIGHT WE STILL HEAR only AMBIENT NOISE and MUFFLED TALK as Buffy and pals exit the Bronze, moving past a COUPLE necking carnally in a dark niche. The couples' Buffy Angel Show passion hides their faces. ANGEL (V.O.) It festers. It bleeds. It scabs… As our gang passes the couple, the FEMALE slides to the ground like a spent rag doll, revealing the MALE to be a "post-suck" Angel in vamp face. -
Opposing Buffy
Opposing Buffy: Power, Responsibility and the Narrative Function of the Big Bad in Buffy Vampire Slayer By Joseph Lipsett B.A Film Studies, Carleton University A thesis submitted to the Faculty of Graduate Studies and Research In partial fulfillment of the requirements for the degree of Masters of Arts in Film Studies Carleton University, Ottawa, Ontario April 25, 2006 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Library and Bibliotheque et Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-16430-3 Our file Notre reference ISBN: 978-0-494-16430-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce,Canada de reproduire, publier, archiver, publish, archive, preserve, conserve,sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet,distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform,et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation.