The Cost of Butterfly Kisses
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Exploring the Educational Future Me
/ me y/j mane / content / entaconnect.com g www.in // : p htt . g Publishin y ©2012 Museum Roundtable. Allrights Education reserved. Journal of Museum Education, of Museum Journal sequencesincrease divide rapid betweenthe huge of the in average and wealthy increasingly are streets concernedthe aboutcon the neighborhood. oftheir We online realm as as the navigating children comfortable natives,” of“digital eration graphic, economic, first gen nurturing the are political andsocial forces. We formsentails, of credentialing. alternate for inturn createsamarket which struggle economic calculate the value to ofadegree that (anddebt) cost with the learning higher measure. education entering as Students today acost-saving has opened upawealth ofnew learners, resourcesto whileschools online embrace century skills ascreativity such collaboration, andcritical thinking. Internet The traditionalclassrooms key notbe foster bestthat to may the 21st- environment systems (e.g., homeschooling andcharter schools). is a There consensusgrowing faction with traditionalschools andincreasing with alternative experimentation educational rising system:include Indicators levels ofdissatis inAmerica’s change suggests weface.Forecasting cusp onthe futures oftransformative weare that disrupt futureandimagine ourexpectedvariety the the into ofpotential path and the trends may role of us notice that The tohelp studies events is futures Mane of These educational forces play out in a centuryThese outina shaped play forces demo educational by larger landscape oflearning. -
End of Year Charts: 2010
End Of Year Charts: 2010 Chart Page(s) Top 200 Singles .. .. .. .. .. 2 - 5 Top 200 Albums .. .. .. .. .. 6 - 9 Top 200 Compilation Albums .. .. .. 10 - 13 All rights reserved. No portion of this publication may be reproduced, stored in a retrieval system, posted on an Internet/Intranet web site or forum, forwarded by email, or otherwise transmitted in any form or by any means, electronic, mechanical, photocopying, recording without prior written permission of UKChartsPlus Published by: UKChartsPlus e-mail: [email protected] http://www.UKChartsPlus.co.uk - 1 - Symbols: Platinum (600,000) Gold (400,000) Silver (200,000) 12” Vinyl only 2010 7” Vinyl only Download only Entry Date 2010 2009 2008 2007 Title - Artist Label (Cat. No.) (w/e) High Wks 1 -- -- -- LOVE THE WAY YOU LIE - Eminem featuring Rihanna Interscope (2748233) 03/07/2010 2 28 2 -- -- -- WHEN WE COLLIDE - Matt Cardle Syco (88697837092) 25/12/2010 13 3 3 -- -- -- JUST THE WAY YOU ARE (AMAZING) - Bruno Mars Elektra ( USAT21001269) 02/10/2010 12 15 4 -- -- -- ONLY GIRL (IN THE WORLD) - Rihanna Def Jam (2755511) 06/11/2010 12 10 5 -- -- -- OMG - Usher featuring will.i.am LaFace ( USLF20900103) 03/04/2010 1 41 6 -- -- -- FIREFLIES - Owl City Island ( USUM70916628) 16/01/2010 13 51 7 -- -- -- AIRPLANES - B.o.B featuring Hayley Williams Atlantic (AT0353CD) 12/06/2010 1 31 8 -- -- -- CALIFORNIA GURLS - Katy Perry featuring Snoop Dogg Virgin (VSCDT2013) 03/07/2010 12 28 WE NO SPEAK AMERICANO - Yolanda Be Cool vs D Cup 9 -- -- -- 17/07/2010 1 26 All Around The World/Universal -
Pairing: Spike/Xander Rating: NC-17 Disclaimer: I'm Not Joss
Pairing: Spike/Xander Rating: NC-17 Disclaimer: I'm not Joss Warnings: angst and slash Summary: A decade post-series (and ignoring the comics), Xander is leading a normal life. Then he discovers Spike in an alley, amnesiac and human. Author's Note: This fic is complete and I'll post a chapter a day. The title is stolen from a poem by Jeff Clark, which can be read here. http://www.bostonreview.net/BR21.6/sampler2.ht ml And should be read, because it's oddly appropriate, although I discovered it after the fic was written. The Ghost Has No Home by Whichclothes Part One Xander Harris didn’t rescue anyone anymore. He’d done his time, he figured. Helped save the world enough times. Lost enough—his innocence, his friends, his eye. He’d more than earned an early retirement, with a normal life and normal job. He certainly didn’t go rushing in dangerous situations anymore, like confronting the three young thugs who were beating the homeless guy in the alley. But, okay, even retired, he could still pull out his cell phone and call 911. No risk to himself, nothing remotely heroic about that. Except his goddamn battery was dead. He stuffed the phone back in his pocket and walked away. Surely someone else would come along soon, someone who could remember to plug their phone into the recharger now and then. Xander had a house to get to, and a shower to take, and at seven he was going to pick up Nicole and they were going to see some movie with George Clooney in it and afterwards she might even decide to invite him into her place. -
Leveled Books by Reading Level
A Curly and His Friends Tony Mitton Rigby A Do You Want to Be My Friend? Eric Carle Scholastic A Friends Lesly Wing Jan Rigby A Goodnight Bobbie Alison Hawes Rigby A I Like Gay Su Pinnell Scholastic A Look! Now Look! Jan Pritchett Rigby A Scaredy Cat Fay Robinson Rigby A School Gay Su Pinnell Scholastic A That's Mine! Claire Llewllyn Rigby A Things Birds Eat, The Betrey Chessen Scholastic A Time for School Maria Fleming A We Are Playing Jan Pritchett Rigby B Big and Little Jacob Cesaro Rigby B Bobbie and the Monster Monica Hughes Rigby B Bobbie and the Parade Monica Hughes Rigby B Curly Finds a Home Tony Mitton Rigby B Curly Is Hungry Tony Mitton Rigby B Eat It, Print It Stephanie Varnali Rigby B Explore in a Cave Dana Meachen Rau Abrams and Company B Gifts for Everyone Claire Llewllyn Rigby B Going Shopping Alison Hawes Rigby B Have You Seen My Cat? Eric Carle Scholastic B I Like Dogs Barbara Mitchelhill Rigby B Juggling Alison Hawes Rigby B Max Gets Ready Fay Robinson Rigby B Mixing Colors Isabel Bissett Rigby B Monster Soup Paul Shipton Rigby B Mud! Charnan Simon Houghton Mifflin B Ned's Noise Machine Monica Hughes Rigby B Pet Vet, The Marcia Leonard Houghton Mifflin B Playhouse, The Monica Hughes Rigby B Shells Coral White Rigby B Wash Day Sydnie Meltzer Kleinhenz Scholastic B What Can You See? Simon Browne Rigby B What Is It? Fay Robinson Rigby B What's in the Box? Nancy Ianni Rigby B Where Is Eric? Anne Bauers Rigby B Who Lives in a Tree? Susan Canizares Scholastic B Wings Paloma Kennedey Rigby C At Last! Alison Hawes Rigby C Baby -
Slayage, Number 3: Clark and Miller
Daniel A. Clark & P. Andrew Miller Buffy, the Scooby Gang, and Monstrous Authority: BtVS and the Subversion of Authority (1) Buffy the Vampire Slayer, like much of the fare on the WB network (the show's home for the first five seasons), is marketed to and most popular among younger viewers. Like Dawson's Creek, Charmed, Roswell, and Popular, it depicts a young attractive cast struggling with the issues that typically face young adult characters on television, if not young adults in real life. A recent promotional spot on the WB for these shows features the stars laughing, dancing, and partying. The spot ends with the phrase “The night is young” on the screen. Current promotional spots feature the same imagery with a hip-hop version of The Who's "My Generation" on the soundtrack. They are young and hip and appeal to a young audience that uses television as one of the cultural texts that informs their interpretive communities. There are a number of elements of BtVS that have potential significance for an audience, but the ones on which we choose to focus are the issues of authority and power in the show. Issues of power and authority provide the show with most of its plot lines as well as thematic context. (2) Authority is viewed primarily through the eyes of the show's teen protagonists and so takes on the guise of traditional figures from the spheres in which the characters travel: school authority embodied by administrators, teachers, professors, and coaches; social authority embodied by parents; and civic authority embodied by local and federal officials and police. -
Buffy the Vampire Slayer Fights Back Generate Attack, Recruit Points, and Against the Players! the Big Bad, Like Special Abilities
® ™ Overview How to Win Welcome to Legendary ®: Buffy the Players must work together to attack Vampire Slayer! Big Bads like the evil Big Bad successfully four The Master, Angelus, and Glorificus times. If they do this, then the Big command a mob of Demonic Villains, Bad is beaten once and for all, and planning dark Schemes to wreak all the players win the game for the havoc on Sunnydale, home of the forces of good! In addition, defeating Hellmouth. Only you can stop them Villains and rescuing Bystanders by leading Buffy and the rest of the earns each player Victory Points. Scooby gang. After the Big Bad is defeated, the player with the most Victory Points In this game for 1-5 players, each is the best slayer of all and the player starts with their own deck individual winner. of basic cards. At the start of your turn, you play the top card of the Villain Deck for Villains to invade How the Evil the Sunnydale, capture Bystanders, Big Bad Wins and create special events. Then, you Unlike other games, Legendary ®: play Hero cards from your hand to Buffy the Vampire Slayer fights back generate Attack, Recruit Points, and against the players! The Big Bad, like special abilities. You use your Attack The Master or Angelus, isn’t played to defeat Villains. You use Recruit by a player. Instead, the game itself Points to recruit better Heroes for plays the part of the Big Bad. your deck. Throughout the game the Big Whenever your deck runs out of Bad works to accomplish an evil cards, you shuffle your discard pile Scheme. -
Buffy at Play: Tricksters, Deconstruction, and Chaos
BUFFY AT PLAY: TRICKSTERS, DECONSTRUCTION, AND CHAOS AT WORK IN THE WHEDONVERSE by Brita Marie Graham A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in English MONTANA STATE UNIVERSTIY Bozeman, Montana April 2007 © COPYRIGHT by Brita Marie Graham 2007 All Rights Reserved ii APPROVAL Of a thesis submitted by Brita Marie Graham This thesis has been read by each member of the thesis committee and has been found to be satisfactory regarding content, English usage, format, citations, bibliographic style, and consistency, and is ready for submission to the Division of Graduate Education. Dr. Linda Karell, Committee Chair Approved for the Department of English Dr. Linda Karell, Department Head Approved for the Division of Graduate Education Dr. Carl A. Fox, Vice Provost iii STATEMENT OF PERMISSION TO USE In presenting this thesis in partial fulfillment of the requirements for a master’s degree at Montana State University, I agree that the Library shall make it availably to borrowers under rules of the Library. If I have indicated my intention to copyright this thesis by including a copyright notice page, copying is allowable only for scholarly purposes, consistent with “fair use” as prescribed in the U.S. Copyright Law. Requests for permission for extended quotation from or reproduction of this thesis in whole or in parts may be granted only by the copyright holder. Brita Marie Graham April 2007 iv ACKNOWLEDGMENTS In gratitude, I wish to acknowledge all of the exceptional faculty members of Montana State University’s English Department, who encouraged me along the way and promoted my desire to pursue a graduate degree. -
Spike/Xander Rating: NC17/Slash Spoilers: Through Btvs Season 6 Ep “Hell’S Bells”
Pairing: Spike/Xander Rating: NC17/Slash Spoilers: Through BtVS season 6 ep “Hell’s Bells”. Notes: Fluff, the whole fluff, and nothing but the fluff. Written in response to The Batpack Wank Fanfic Challenge 2003 in honor of National Masturbation Month. Feedback: It’s ALL about the feedback (and naked Spike)! Don’t make me beg, it’s not pretty. Disclaimer: I don’t own these characters, just borrowing them for awhile. Everything belongs to Joss Whedon, Mutant Enemy, Kuzui Enterprises, Grr Argh, the WB, UPN, Fox, and whomever else they really belong to, although I wouldn’t mind having a Spike of my own. Who would? The story is mine, though. Thanks: Tammy, for the beta, and for being a wonderful bud. Dedication: To Gabrielle, who credits me, and this series in particular, for her new S/X obsession, and whose feedback is inspiring Women Suck by Spikedluv 1 Women Suck Summary: Spike shows Xander that he doesn’t need women...for anything. Written: June 2, 2003 Xander sat at the bar drinking his third beer. Now that he was old enough, he could legally drink his sorrows away. God, life sucked, he thought miserably. He wished... No, wait, wishing was bad. You never knew who might be listening. He carefully looked over his shoulder, and then surveyed the bar, looking for his ex-fiancé—the ex- ex-vengeance demon, patron demoness of women scorned, or some such, one of which she was now, or again—or her ‘justice demon’ friend, Halfrek. He didn’t see either one of them, but still, better safe than sorry. -
Newsletter 1
NUMS Paws & Print October 2012 Volume 6, Issue 2 Survey for October Autumn What teachers like about Halloween. Past the humid summer Think about what you like the best during But not quite winter frost this season/holiday. By: Jessica V. I spend my days of autumn Ms. Fry -- “I love dressing up to hand out Watching the fall of every leaf candy”. that’s lost Mrs. Sheets -- “I like Halloween because of Little animals scurry the candy and the spookiness.” And I like the change of leaves Mrs.. Wade -- ”I like Halloween because Not quite myself anymore the choice of costume.” Not quite like me Mrs.Welch __ “I like Halloween because of True I still laugh and smile the pumpkins.” I still sing my songs Mrs. Miller --”I like Halloween because of I still write out my little lyrics the candy.” As fall sings along Mr. George --”I like Halloween because of My voice has grown quieter the candy.” My mindset changing too Mr. Mayers --”I like Halloween because of I watch the autumn colors shift the costumes and the haunted houses.” Into winter blue Spring is nowhere near me Mrs.McMahan -- Halloween is during the Fall season & I love Fall. Summer slips to grey Mrs. Mathys--”I like Halloween because of Winter’s slow and cold advancing the candy.” But today is an Autumn day Mrs. Chapman -- “The pumpkins and the jack o’lanterns By Kaleah P. North Star Halloween Party By: Madison P. On Halloween, there will be a party up at North Star from the end of school until 6:00. -
A PDF Copy of This Issue of Slayage Is Available Here
Slayage: Number Six Slayage 6 September 2002 [2.2] David Lavery and Rhonda V. Wilcox, Co-Editors Click on a contributor's name in order to learn more about him or her. A PDF copy of this issue (Acrobat Reader required) of Slayage is available here. A PDF copy of the entire volume can be accessed here. J. Gordon Melton (University of California, Santa Barbara), Images from the Hellmouth: Buffy the Vampire Slayer Comic Books 1998-2002 PDF Version (Acrobat Reader Required) Reid B. Locklin (Boston University), Buffy the Vampire Slayer and the Domestic Church: Re-Visioning Family and the Common Good PDF Version (Acrobat Reader Required) Frances Early (Mount St. Vincent University), Staking Her Claim: Buffy the Vampire Slayer as Transgressive Woman Warrior PDF Version (Acrobat Reader Required) David Lavery (Middle Tennessee State University), "Emotional Resonance and Rocket Launchers": Joss Whedon's Commentaries on the Buffy the Vampire Slayer DVDs PDF Version (Acrobat Reader Required) Recommended. Here and in each issue 1 3 of Slayage the editors will recommend 2 [1.2] 4 [1.4] [1.1] [1.3] writing on BtVS available on the Internet. 5 6 [2.2] 7 [2.3] 8 [2.4] [2.1] Robert Hanks, Deconstructing Buffy 11-12 9 10 [3.2] [3.3- [3.1] (from ) 4] Manuel de la Rosa, Buffy the Vampire Slayer, the Girl Power Movement, and 13-14 Heroism 15 [4.3] [4.1- Archives Andy Sawyer, In a Small Town in 2] California . the Subtext is Becoming Text (from ) Anthony Cordesman, Biological Warfare and the "Buffy" Paradigm" Paula Graham, Buffy Wars: The Next file:///C|/Documents%20and%20Settings/David%20Lavery/Lavery%20Documents/SOIJBS/Numbers/slayage6.htm (1 of 2)12/21/2004 4:23:36 AM Slayage, Number 6: Melton J. -
Enthusiastic Cactus Promotes RHA at Stockton Get Involved Fair Artist
} “Remember, no one can make you feel inferior without your consent.” -Eleanor Roosevelt President Donald Trump’s First State of Union The Address Argo (gettyimages) The Independent Student Newspaper of Stockton University February 5, 2018 VOLUME 88 ISSUE 15 PAGE 7 Stockton in Manahawkin Opens Larger Site, Expands In This Issue Health Science Programs Diane D’Amico additional general education courses for the convenience FOR THE ARGO of students living in Ocean County. “I love it, said student Ann Smith, 21, of Ma- nahawkin, who along with classmates in the Accelerated BSN, or TRANSCEL program, used the site for the first time on Jan. 18. The Accelerated BSN students will spend one full (twitter) day a week in class at the site in addition to their clinical assignments and other classes. Former Stockton Employee is Art work from the Noyes Museum collection, in- Now Professional Wrester cluding some by Fred Noyes, is exhibited throughout the site, adding color and interest. PAGE 5 “It is much more spacious and very beautiful,” said student Christian Dy of Mullica Hill. The new site includes a lobby/lounge area with seating where students can eat lunch. There is a faculty lounge and small student hospitality area with snacks and (Photo courtesy of Stockton University) coffee. “They are here all day, and we want to them feel Students arriving for the spring semester at Stock- welcomed and comfortable,” said Michele Collins-Davies, ton University at Manahawkin discovered it had grown to the site manager. (liveforlivemusic) more than three times its size. “They did a really good job,” said student Lindsay The expansion into the adjacent 7,915 square-foot Carignan of Somers Point, who said her drive is a bit lon- LCD Soundsystem’s First building at 712 E. -
Cynthea Masson, Malaspina University-College
Cynthea Masson, Malaspina University-College “What Did You Sing About?”: Acts of Questioning in “Once More, with Feeling” "Am I crazy? Am I dreamin'? Am I marrying a demon?" Where else but on Buffy the Vampire Slayer could these questions not only be posed but sung as "a retro pastiche" (6.7)? Questions abound in "Once More, with Feeling"—the answers, however, are a little less forthcoming, as I will outline in this paper. Commentary on Buffy's musical episode often focuses on the revelations of truth that form the content of the songs.1 Richard Albright aptly synthesizes this view when he states, "We soon realize that each of the characters sings what they secretly feel, so the songs represent the real and the true" (para. 11). Or, as Anne Billson puts it, the characters are "compelled to blurt out their innermost secrets in song" (110). I disagree—in part. That is, the truths or secrets revealed in "Once More, with Feeling" may be a distraction from other truths or secrets that the characters are not yet able to admit aloud, even in song, even to themselves. If, as Rhonda Wilcox notes, the musical device of the episode "works like a soliloquy, in that we can be assured we will hear the interior truth for that character," then another aspect of the soliloquy should be considered (193; my emphasis).2 Anthony J. Gilbert argues that the speaker of a soliloquy "may say what he wants to believe is true, at a conscious level, but which he knows to be false, at an unconscious level" (223).