British Federation of Film Societies – South West Group SELECTED NEW RELEASES for 2011/2012 SEASON

Total Page:16

File Type:pdf, Size:1020Kb

British Federation of Film Societies – South West Group SELECTED NEW RELEASES for 2011/2012 SEASON British Federation of Film Societies – South West Group SELECTED NEW RELEASES FOR 2011/2012 SEASON This is intended as a guide to the new and re-issued titles available on DVD and 35mm that are likely to be of interest to film societies and community cinemas. It is not an exhaustive list and other titles, including the more commercial releases, may be found by going to websites such as www.filmbank.co.uk . Full details of BFFS DVD Bookings are on the website: www.bffs.org.uk/services/blockbooking/bookafilm.html Finally, whilst every effort h as been taken to check the information, the compilers apologise in advance for any errors! Film Title Country Year Director Time 35mm DVD Shown S&S 127 Hours USA/UK/Australia 2010 Danny Boyle 93 Pathé FB Feb'11 Abel Mexico/USA 2010 Diego Luna 85 Network FB Feb'11 American, The USA/UK 2010 Anton Corbijn 104 UIP FB Dec'10 Animal Kingdom Australia 2010 David Michôd 114 Optimum FB ICO Mar'11 Another Year UK 2010 Mike Leigh 129 Mom Mom Dec'10 Arbor, The UK 2010 Clio Barnard 94 Verve Verve Nov'10 Archipelago UK 2010 Joanna Hogg 114 Art Eye BFI ICO Mar'11 Ballast US 2008 Lance Hammer 96 Axiom BFFS SNVS Apr'11 Benda Bilil! Congo/Fra 2010 F De La Tullaye 85 Trinity BFFS SNVS Apr'11 Biutiful Spain/Mexico 2010 Alejandro Inarritu 148 Opt FB ICO Feb'11 Black Swan USA 2010 Darren Aronofsky 108 Fox FB Feb'11 Blue Valentine USA 2009 Derek Cianfrance 112 Opt FB Feb'11 Brighton Rock UK 2010 Rowan Jaffe 110 Opt FB ICO Feb'11 Cameraman: Jack Cardiff UK 2010 Craig McGall 85 ICO/Opt ICO SW A Jul'10 Catfish USA 2010 H Joost & A Schulman 88 Mom Mom ICO Jan'11 Cave of Forgotten Dreams Canada/USA/France 2010 Werner Herzog 90 Phouse PH Apr'11 Chico & Rita Spain/UK 2010 Fernando Trueba et al. 93 Cin NX FB Dec'10 Countdown to Zero USA 2010 Lucy Walker 92 Dogwoof BFFS BFFS Debt, The USA 2010 John Madden 114 UIP/WD FB Essential Killing Pol/Nor/Ire/Hungary 2010 Jerzy Skolimowski 84 Art Eye BFI Apr'11 Eyes Wide Open Israel/Ger/Fra 2009 Haim Tabakman 91 Pecca BFFS Jun'10 Farewell France 2009 Christian Carion 113 Works May’11 From Time to Time UK 2010 Julian Fellowes 95 Ealing Moviola SW A Gasland USA 2010 Josh Fox 107 Dogwoof BFFS Feb'11 Great White Silence, The UK 1924 Herbert Ponting 108 BFI BFI SNVS Illusionist, The UK/France 2010 Sylvain Chomet 79 Pathé FB Sep'10 Inside Job USA 2010 Charles Ferguson 109 Sony FB ICO Mar'11 Into Eternity Den/Swe/Fin/Italy 2010 Michael Madsen 75 Dogwoof BFFS SNVS Dec'10 Jig UK 2010 Sue Bourne 97 Arrow BFFS Jun'10 Kids Are All Right, The USA 2010 Lisa Cholodenko 106 UIP FB Nov'10 King's Speech, The UK 2010 Tom Hopper 119 Mom Mom ICO Feb'11 Life, Above All South Africa 2010 Oliver Schmitz 106 Pecca BFFS SNVS Jun'11 Loose Cannons Italy 2010 Ferzan Ozpetek 108 Pecca BFFS SW S Jan'11 Louise-Michel France 2008 B Delephine, G Kervern 94 Axiom BFFS SNVS May'11 Made in Dagenham UK 2010 Nigel Cole 113 Param FB Oct'10 Mammuth France 2010 B Delephine, G Kervern 92 Axiom BFFS Mary & Max Australia 2008 Adam Elliot 102 Soda BFI Nov'10 Miral Fra/It/Israel/India 2010 Julian Schnabel 113 Pathé FB ICO Jan'11 Monsters UK 2010 Gareth Edwards 93 Vertigo Vertigo SW S Jan'11 Mother South Korea 2009 Joon-ho Bong 128 ICO/Opt ICO SW A Sep'10 My Afternoons with Margueritte France 2010 Jean Becker 82 Phouse PH SW S Nov'10 My Dog Tulip USA 2009 Paul & Sandra Fierlinger 82 Axiom BFFS SNVS Jun'11 My Son, My Son, What Have Ye Done? USA/Germany 2009 Werner Herzog 91 Scanbox Oct'10 Neds UK/France/Italy 2010 Peter Mullan 124 E One. FB ICO Feb'11 Never Let Me Go USA/UK 2010 Mark Romanek 103 Fox FB/MPLC ICO Mar'11 Of Gods and Men France 2010 Xavier Beauvois 122 Art Eye BFI SW S Jan'11 Oranges and Sunshine UK 2010 Jim Loach 105 Icon FB Apr'11 Film Title Country Year Director Time 35mm DVD Shown S&S Ordinary Execution, An France 2010 Marc Dugain 106 Arrow BFFS ICO Dec'10 Out of the Ashes UK/Norway 2010 T Alborne, Lucy Martens 90 ICO ICO ICO Dec'10 Outside the Law Fra/Algeria/Belg 2010 Rachid Bouchareb 138 ICO/Opt ICO Jun'11 Pina Ger/Fra/UK 2011 Wim Wenders 106 Art Eye BFI May'11 Please Give USA 2009 Nicole Holofcener 90 Sony FB SW A Jul'10 Pomegranates and Myrrh Palestine 2009 Najwa Najjar 95 n/a BFFS BFFS Portugese Nun, The Portugal/France 2009 Eugene Green 127 ICA ICA Feb'11 Restrepo USA 2010 Tim Hetherington.. 93 Dogwoof Dogwoof SW A Nov'10 Route Irish UK/Fra/Ita/Belg/Spa 2010 Ken Loach 109 Art Eye BFI Apr’11 Screaming Man, A Fra/Chad/Belg/Cam 2010 Mahamet Saleh Haroun 93 Soda BFI? Jun’11 Secret in Their Eyes, The Spain/Argentina 2009 Juan Jose Campanella 129 Metro FB/MPLC SW A Sep'10 Secret of Kells, The Fra/Belg/Ireland 2008 Tomm Moore 78 Opt FB Nov'10 Skeletons UK 2009 Nick Whitfield 94 Soda BFI SW A Sep'10 Social Network, The USA 2010 David Fincher 115 Sony FB Nov'10 Still Walking Japan 2008 Koe-eda Hirokazu 114 Verve Verve SW S Feb'10 Submarine UK 2010 Richard Ayoade 97 Opt FB Apr'11 Tamara Drewe UK 2010 Stephen Frears 111 Mom FB Oct'10 Town, The USA 2010 Ben Affleck 124 Warner FB Nov'10 Treacle Jr UK 2010 Jamie Thraves 85 Soda BFI SNVS True Grit USA 2010 Joel Coen, Ethan Coen 110 Para FB Feb'11 Undertow Peru/Col/Fra/Ger 2009 Javier Funtes-Leven 101 Axiom BFFS BFFS Sep'10 Waste Land UK/Brazil 2010 Lucy Walker 98 E One FB ICO Mar'11 Way Back, The USA 2010 Peter Weir 132 E One FB Feb'11 West is West UK 2010 Andy De Emmony 103 Icon BFI ICO Mar'11 Winter's Bone USA 2010 Debra Granik 100 Art Eye BFI SW S Oct'10 Win Win USA 2011 Tom McCarthy 105 Fox FB Jun’11 Key to ‘Shown’ : SW A: Autumn 2010 Viewings Torquay/Warminster SW S: Spring 2011 Viewing, Launceston/Wotton ICO : ICO Screening Days, Manchester SNVS : BFFS Film Day May 2011 BFFS : BFFS National Conference S&S : month of Sight & Sound review Key to 35mm and DVD Distributors: Art Eye Artificial Eye Arrow Arrow Axiom Axiom BFFS BFFS Booking BFI BFI Cin NX Cinema NX Dogwoof Dogwoof Pictures E One E One Films Ealing Ealing Studios Enter Entertainment FB Filmbank Fox 20 th Century Fox ICA ICA Projects Icon Icon Metro Metrodome Mom Momentum Netw Network Opt Optimum Phouse Picturehouse Para Paramount Pecca Peccadillo Scanbox Scanbox Enter’mnt Soda Soda Pictures Sony Sony Trinity Trinity UIP Universal Verve Verve Vertigo Vertigo WD Walt Disney Warner Warner Brothers Works The Works UK Dist BFFS SW Group .
Recommended publications
  • Best-Selling Band of the Decade Back with 'Over the Top' Tour
    PAGE b10 THE STATE JOURNAL Ap RiL 20, 2012 Friday ALMANAC 50 YEARS AGO Nickelback is ready to rock Three Frankfort High School records were lowered in a dual track meet with M.M.I., but it wasn’t enough for the victory. The Panthers Best-selling band of the decade back with ‘over the top’ tour were edged out by the Cadets 59.5 to 56.5 at the Kentucky State College Alumni field. ing hard-rock journey nearly By Brian MccolluM Tommy Harp, Artist Mont- two decades ago in a rural d eTroiT Free Press fort and Robert Davis set farm and mining region of DETROIT – Before Nickel- new standards for Frankfort Alberta. It helps that Nickel- back became the best-selling High in hurdles, shot put and back is something of a fam- band of the past 10 years, re- broad jump, respectively. members Mike Kroeger, they ily affair, with a core that in- were four guys in a cold van cludes Kroeger’s half-brother Chad Kroeger on vocals and 25 YEARS AGO slogging across Canada with Former Frankfort In- longtime buddy Ryan Peake a small set of songs and big dependent School Dis- on guitar. Drummer Dan- dreams of a break. trict superintendents F.D. iel Adair (ex-3 Doors Down) Since then, there have Wilkinson, Lee Tom Mills, joined in 2005. been plenty of surreal, down- Jim Pack and Ollie Leathers “We try hard not to be dif- the-rabbit-hole moments, as joined current superinten- the bassist calls them: Like ferent,” says Mike Kroeger.
    [Show full text]
  • Wanting, Not Waiting
    WINNERSdateline OF THE OVERSEAS PRESS CLUB AWARDS 2011 Wanting, Not Waiting 2012 Another Year of Uprisings SPECIAL EDITION dateline 2012 1 letter from the president ne year ago, at our last OPC Awards gala, paying tribute to two of our most courageous fallen heroes, I hardly imagined that I would be standing in the same position again with the identical burden. While last year, we faced the sad task of recognizing the lives and careers of two Oincomparable photographers, Tim Hetherington and Chris Hondros, this year our attention turns to two writers — The New York Times’ Anthony Shadid and Marie Colvin of The Sunday Times of London. While our focus then was on the horrors of Gadhafi’s Libya, it is now the Syria of Bashar al- Assad. All four of these giants of our profession gave their lives in the service of an ideal and a mission that we consider so vital to our way of life — a full, complete and objective understanding of a world that is so all too often contemptuous or ignorant of these values. Theirs are the same talents and accomplishments to which we pay tribute in each of our awards tonight — and that the Overseas Press Club represents every day throughout the year. For our mission, like theirs, does not stop as we file from this room. The OPC has moved resolutely into the digital age but our winners and their skills remain grounded in the most fundamental tenets expressed through words and pictures — unwavering objectivity, unceasing curiosity, vivid story- telling, thought-provoking commentary.
    [Show full text]
  • UNESCO Condemns Killing of Journalists Assassinated Journalists in Libya
    UNESCO Condemns Killing of Journalists Assassinated Journalists in Libya Musa Abdul Kareem (Libyan) Journalist at Sabbha-based newspaper Fasanea Killed on 31 July 2018 UNESCO Statement Jeroen Oerlemans (Dutch) Veteran war photographer Killed in Libya on 2 October 2016 [UNESCO Statement] Abdelqadir Fassouk (Libyan) Photojournalist and correspondent for satellite news channel Arraed TV Killed in Libya on 21 July 2016 [UNESCO Statement] Khaled al-Zintani (Libyan) Freelance journalist Killed in Libya on 23 June 2016 [UNESCO Statement] Mohamed Jalal (Egyptian) Photographer Killed in Libya on 27 April 2015 [UNESCO Statement] Yousef Kader Boh (Libyan) Journalist for Barqa TV Killed in Libya on 27 April 2015 1 UNESCO Condemns Killing of Journalists Assassinated Journalists in Libya [UNESCO Statement] Abdallah Al Karkaai (Libyan) Journalist for Barqa TV Killed in Libya on 27 April 2015 [UNESCO Statement] Younes Al Mabruk Al Nawfali (Libyan) Journalist for Barqa TV Killed in Libya on 27 April 2015 [UNESCO Statement] khaled Al Sobhi (Libyan) Journalist for Barqa TV Killed in Libya on 27 April 2015 [UNESCO Statement] Muftah al-Qatrani (Libyan) Journalist for Libya Al-Wataniya TV Killed in Libya on 22 April 2015 [UNESCO Statement] Moatasem Billah Werfali (Libyan) Freelance journalist and presenter for Libya Alwatan radio Killed in Libya on 8 October 2014 [UNESCO Statement] Tayeb Issa Hamouda 2 UNESCO Condemns Killing of Journalists Assassinated Journalists in Libya (Libyan) One of the founders of the Touareg cultural television channel Tomast Killed
    [Show full text]
  • Chronicling the Soldier's Life in Afghanistan Transcript
    Perspective Shifts Interviewer So today is May the third— Sebastian Junger Yeah. Interviewer 2011.  We’re in the studios of West Point Center for Oral History with Sebastian Junger.  And Sebastian, I would like to ask you—you know, there’s a lot of material we can go into, but since we’re here at West Point I’d like to focus on your most recent work, and ask you to tell me when you first got interested in war. Sebastian Junger I mean, I just have the assumption that every little boy is interested in war.  I remember growing up, you know, and all the adults that I knew had fought in World War II.  And when we played war, some of the boys had to play Germans, and no one wanted to play Germans, and everyone wanted to be Americans.  And the Vietnam War was going on, and so it started deploying with that.  But you know, like I—since I was a little boy, I mean it’s just—it’s exciting to pick up a crooked stick and pretend to shoot it at somebody.  I mean it says terrible things about the human species, I suppose, but that’s what little boys do—or a lot of them. Sebastian Junger And—but then after Vietnam, the Vietnam War was so controversial, and I—you know, I came from a part of society—Massachusetts, pretty liberal background—that was very, very against the war.  And the whole enterprise and the military and everything, I was just—found really unpleasant and distasteful, and that started to change after I started covering wars myself.
    [Show full text]
  • Susan Swan: Michael Crummey's Fictional Truth
    Susan Swan: Michael Crummey’s fictional truth $6.50 Vol. 27, No. 1 January/February 2019 DAVID M. MALONE A Bridge Too Far Why Canada has been reluctant to engage with China ALSO IN THIS ISSUE CAROL GOAR on solutions to homelessness MURRAY BREWSTER on the photographers of war PLUS Brian Stewart, Suanne Kelman & Judy Fong Bates Publications Mail Agreement #40032362. Return undeliverable Canadian addresses to LRC, Circulation Dept. PO Box 8, Station K, Toronto, ON M4P 2G1 New from University of Toronto Press “Illuminating and interesting, this collection is a much- needed contribution to the study of Canadian women in medicine today.” –Allyn Walsh McMaster University “Provides remarkable insight “Robyn Lee critiques prevailing “Emilia Nielsen impressively draws into how public policy is made, discourses to provide a thought- on, and enters in dialogue with, a contested, and evolves when there provoking and timely discussion wide range of recent scholarship are multiple layers of authority in a surrounding cultural politics.” addressing illness narratives and federation like Canada.” challenging mainstream breast – Rhonda M. Shaw cancer culture.” –Robert Schertzer Victoria University of Wellington University of Toronto Scarborough –Stella Bolaki University of Kent utorontopress.com Literary Review of Canada 340 King Street East, 2nd Floor Toronto, ON M5A 1K8 email: [email protected] Charitable number: 848431490RR0001 To donate, visit reviewcanada.ca/ support Vol. 27, No. 1 • January/February 2019 EDITORS-IN-CHIEF Murray Campbell (interim) Kyle Wyatt (incoming) [email protected] 3 The Tools of Engagement 21 Being on Fire ART DIRECTOR Kyle Wyatt, Incoming Editor-in-Chief A poem Rachel Tennenhouse Nicholas Bradley ASSISTANT EDITOR 4 Invisible Canadians Elaine Anselmi How can you live decades with someone 22 In the Company of War POETRY EDITOR and know nothing about him? Portraits from behind the lens of Moira MacDougall Finding Mr.
    [Show full text]
  • Wmc Investigation: 10-Year Analysis of Gender & Oscar
    WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S.
    [Show full text]
  • NOMINEES for the 32Nd ANNUAL NEWS & DOCUMENTARY EMMY
    NOMINEES FOR THE 32 nd ANNUAL NEWS & DOCUMENTARY EMMY ® AWARDS ANNOUNCED BY THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES Winners to be announced on September 26th at Frederick P. Rose Hall, Home of Jazz at Lincoln Center Larry King to Receive Lifetime Achievement Award New York, N.Y. – July 18, 2011 (revised 8.24.11) – Nominations for the 32nd Annual News and Documentary Emmy ® Awards were announced today by the National Academy of Television Arts & Sciences (NATAS). The News & Documentary Emmy® Awards will be presented on Monday, September 26 at a ceremony at Frederick P. Rose Hall, Home of Jazz at Lincoln Center, located in the Time Warner Center in New York City. The event will be attended by more than 1,000 television and news media industry executives, news and documentary producers and journalists. Emmy ® Awards will be presented in 42 categories, including Breaking News, Investigative Reporting, Outstanding Interview, and Best Documentary, among others. This year’s prestigious Lifetime Achievement Award will be given to broadcasting legend and cable news icon Larry King. “Larry King is one of the most notable figures in the history of cable news, and the National Academy of Television Arts and Sciences is delighted to present him with this year’s lifetime achievement award,” said Malachy Wienges, Chairman, NATAS. “Over the course of his career Larry King has interviewed an enormous number of public figures on a remarkable range of topics. In his 25 years at CNN he helped build an audience for cable news and hosted more than a few history making broadcasts.
    [Show full text]
  • Michael Kamber
    Why Photography WHY PHOTOGRAPHY Michael Kamber I grew up in a time, in the 1960s and 70s, when photographs made a difference. My family got The Portland Press Herald every morning. There was always a black-and-white news image on the front page. This photo was a representation of an important event in the world from the previous day. Weekly news magazines, such as Time and Newsweek, were packed with photos too; I pored over them eagerly, occasionally cutting photos from their pages. They were my only links to far-off happenings in a distant world. The iconic photos of the civil rights movement in particular were burned into my consciousness. I studied the defiant marchers, snarling dogs, and pot-bellied Southern sheriffs with insouciant grins. Pictures from the Vietnam War changed my consciousness as well. We watched grainy clips on TV every evening. Yet it was the photos, rather than the news footage, that seared the deepest. I remember the photos and the photographers: Larry Burrow's color work from the field of battle, exhausted men and blood-stained ban- dages against the brown earth; Henri Huet, a French-Vietnamese As- sociated Press photographer, took pictures with the eye of a poet; the classic images that I would see again and again in my youth: Eddie Adams' Saigon execution photo; Nick Ut's picture of the napalmed girl running down Highway One. These photos were credited with 69 CREATIVE LIVES turning the American public against the war. These photos provided evidence of people's lives, their suffering, American foreign-policy failures; realities that needed to change.
    [Show full text]
  • Freelancers on the Frontline: Influences on Conflict Coverage
    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 5-2015 Freelancers on the Frontline: Influences on Conflict vCo erage Denae Lynn D'Arcy University of Tennessee - Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Broadcast and Video Studies Commons, and the Journalism Studies Commons Recommended Citation D'Arcy, Denae Lynn, "Freelancers on the Frontline: Influences on Conflict Coverage. " PhD diss., University of Tennessee, 2015. https://trace.tennessee.edu/utk_graddiss/3330 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Denae Lynn D'Arcy entitled "Freelancers on the Frontline: Influences on Conflict Coverage." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy, with a major in Communication and Information. Catherine, A. Luther, Major Professor We have read this dissertation and recommend its acceptance: Michael T. Martinez, Patricia M. Freeland, James G. Stovall Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) Freelancers on the Frontline: Influences on Conflict Coverage A Dissertation Presented for the Doctor of Philosophy Degree The University of Tennessee, Knoxville Denae Lynn D’Arcy May 2015 ii Copyright © 2015 by Denae Lynn D’Arcy All rights reserved iii This dissertation is dedicated to freelance journalists who have lost their lives while covering conflict.
    [Show full text]
  • The Future of Foreign Reporting
    Montana Journalism Review Volume 1 Issue 40 Issue 40, 2011 Article 1 2011 Beyond Our Borders: The future of foreign reporting University of Montana--Missoula. School of Journalism Follow this and additional works at: https://scholarworks.umt.edu/mjr Part of the Journalism Studies Commons Let us know how access to this document benefits ou.y Recommended Citation School of Journalism, University of Montana--Missoula. (2011) "Beyond Our Borders: The future of foreign reporting," Montana Journalism Review: Vol. 1 : Iss. 40 , Article 1. Available at: https://scholarworks.umt.edu/mjr/vol1/iss40/1 This Full Issue is brought to you for free and open access by ScholarWorks at University of Montana. It has been accepted for inclusion in Montana Journalism Review by an authorized editor of ScholarWorks at University of Montana. For more information, please contact [email protected]. School of Journalism: Beyond Our Borders: The future of foreign reporting MONTANA M JOURNALISM RJ REVIEW BEYOND OUR BORDERS The future of foreign reporting THE UNIVERSITY OF MONTANA SCHOOL OF JOURNALISM VOL. 40, SUMMER 2011 Published by ScholarWorks at University of Montana, 2015 1 Montana Journalism Review, Vol. 1 [2015], Iss. 40, Art. 1 https://scholarworks.umt.edu/mjr/vol1/iss40/1 2 School of Journalism: Beyond Our Borders: The future of foreign reporting EDITOR’S NOTE In tribute to American photo- freelancing for Getty Images, and to two an unforgettable series detailing the journalist Chris Hondros, 41, who other extraordinary photojournalists, shooting of an Iraqi family by U.S. died in Misrata, Libya, on April 20 both British citizens, who ventured to troops.
    [Show full text]
  • Africa Loses a Friend Tim Hetherington
    Africa Loses a Friend – Tim Hetherington Published here courtesy of New Africa Analysis The acclaimed British photojournalist and film maker, Tim Hetherington, died in a mortar attack in the besieged city of Misrata, Libya, on 20 April 2011. He was aged 40. I had the privilege of knowing and working with him during my time as the British High Commissioner to Sierra Leone and subsequently. His death came as a deep shock. I did not even know that he was in Misrata but it did not surprise me. Tim was always in one of the “hot spots” of the world, fearlessly bringing the “human touch” to the most appalling conflicts. The last time we had been in touch earlier this year was to congratulate him for being nominated for an Oscar for the documentary he and his colleague Sebastian Junger had produced, Restrepo, which documented the lives of US soldiers in Afghanistan, after they had spent a year embedded with a group of US soldiers in one of the most advanced and dangerous “hot spots”. Tim possessed the “human touch” in abundance. It was what gave him his special skills as an acclaimed photographer and film maker but more importantly his unique compassion as a friend and humanitarian. He saw himself more as a storyteller than a reporter. Always sensitive to those around him, as The Times obituary said of him, “his interest was not so much the inhumanity of war as in the humanity of those caught up in it.” Just days before his death he was making thousands of cheese sandwiches on board the vessel taking him into the port of Misrata for those fleeing the horrors of the Libyan conflict.
    [Show full text]
  • 2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
    2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter
    [Show full text]