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Home , Ayub Ogada, Chris Hondros, Joel Goodman, Mary Harron, Sebastian Junger, Tim Hetherington

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WHICH WAY IS THE FRONT LINE FROM HERE? THE LIFE AND TIME OF

A film by (79 min., USA, 2013) Language: English

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WHICH WAY IS THE FRONT LINE FROM HERE? THE LIFE AND TIME OF TIM HETHERINGTON

A MOVING PORTRAIT OF THE ACCLAIMED WAR PHOTOGRAPHER AND FILMMAKER BY JOURNALIST SEBASTIAN JUNGER HIS “RESTREPO” CO-DIRECTOR

On April 20, 2011, shortly after the release of his documentary “Restrepo” — and only six weeks after attending the Oscar® ceremony as a nominee — photographer and filmmaker Tim Hetherington was killed by mortar fire in the city of , , where he’d been covering the civil war. He bled out in the back of a pick-up truck while being raced to the hospital, comforted by a Spanish photojournalist who was holding his hand and trying to keep him awake. Those moments ended a brilliant ten-year career in which Hetherington not only covered such dramatic frontline stories as and , but also transcended the conventional boundaries of image-making to become one of the most important journalists of his generation. In the powerful new feature-length HBO documentary WHICH WAY IS THE FRONT LINE FROM HERE? THE LIFE AND TIME OF TIM HETHERINGTON, bestselling author Sebastian Junger (“The Perfect ,” “War”), Hetherington’s “Restrepo” co-director, traces his close friend’s work across the world's battlefields to reveal what made him such a singular talent — and remarkable human being. The film also illuminates the incredible risks of the combat journalists' profession, at a time when they are dying with greater and greater frequency in war zones. An official selection of the 2013 , WHICH WAY IS THE FRONT LINE FROM HERE? debuts on HBO on April 18, 2013. The film screened just three years after “Restrepo” was awarded the Grand Jury Prize at Sundance in documentary competition. Hetherington and Junger spent a year embedded in Afghanistan with an American platoon in “Restrepo,” which was

2 nominated for an Academy Award® for Best Documentary Feature the following year. Less than an hour after hearing rumors that Tim Hetherington had been wounded in Libya, Sebastian Junger received confirmation on that he had been killed, along with Getty photographer . When a number of journalists who’d been present at the mortar attack came to New York for Hetherington’s memorial service, Junger interviewed them in an attempt to understand his friend’s tragic death. Suddenly he found himself making a documentary. “Tim worked as a visual artist,” says director Junger, “and after his death, a film seemed like the most appropriate way to honor him. Tim was very brave not only in combat — I have been under fire with him many times — but in life. The artistic choices he made were incredibly risky, but he was very sure of himself and wound up completely reinventing his craft. The title of my film, WHICH WAY IS THE FRONT LINE FROM HERE?, refers as much to Tim’s artistic instincts as to any combat situation he may have been in.” Only 40 when he died, British-born, -based Hetherington documented the experience of war from the perspective of the individual, mostly in West and the Middle East. His stunning photographic work, whether of child soldiers on the frontlines or intimate portraits of sleeping American servicemen in a combat outpost, earned him several major awards, including four World Press prizes. In 2007 he published “Liberia Bit by Bit: Long Story Retold,” three years after working as cinematographer on the documentary “Liberia: An Uncivil War.” He later published “Infidel,” a book of his photographs from “Restrepo.” Hetherington had a brilliant visual mind, but he was defined just as much for his compassion and humanitarianism. “I become deeply embedded emotionally in all the work I do,” he once said. Through his photographs and films, he gave us new ways to look at and think about human suffering. In spite of the settings in which he worked, Hetherington did not consider himself just a combat reporter. While he’d risen to prominence covering war zones, his ultimate value as an artist lay in his ability to integrate multiple media

3 formats and forge a sympathy with his subjects. This allowed him a huge amount of artistic freedom to explore the nature of war — what it was, not just how it presented itself. In Liberia, for example, he probed how young soldiers self- consciously imitate what they have seen in the mass media to determine how they should act. In Afghanistan, he explored how remote and hostile terrain could be transformed, through soldiers’ camaraderie, into a strange form of “Man Eden.” To cover the dramatic arc of Hetherington’s inspirational career leading up to his final day in Misrata, Sebastian Junger draws upon a wealth of visual material that Hetherington left behind, from his brilliant archive of still images, to visceral video footage from the world’s battlegrounds, to excerpts from his short film “Diary,” a hallucinatory trip through his war-addled mind as he tries to integrate his experiences overseas with his life at home. Included also are moving interviews with his family, friends and colleagues, including photojournalist James Brabazon (one of the film’s producers), who recount Hetherington’s unique perspective and compassionate spirit. Sebastian Junger is a New York-based writer, journalist and filmmaker. “Restrepo” marked his film debut. Junger’s accompanying book, “War,” spent over a month on bestseller list; his other books include “The Perfect Storm,” “Fire” and “A Death in Belmont.” Junger first reported from Afghanistan in 1996 and, four years later, was one of the last Westerners to accompany legendary guerrilla fighter Ahmed Shah Massoud during his war against the . Junger has reported for Vanity Fair magazine, where he is a contributing editor, from many war zones across the world. He was trapped in Monrovia during the Liberian civil war in 2003, caught in during the civil war of 2000, and very briefly held by “oil rebels” in the Niger Delta in 2006. “The Forensics of War,” his October 1999 article in Vanity Fair, won a National Magazine Award for Reporting. In 2012, in response to learning the news that Tim Hetherington could have possibly been saved from bleeding to death if someone with the proper training had attended to him, Sebastian Junger started a program called RISC (Reporters Instructed in Saving Colleagues, http://www.risctraining.org). The organization

4 provides free emergency medical training to freelance journalists so that they may be able to save lives in the battlefield. During the 2013 Sundance Film Festival, the Julie Nester Gallery will present an exhibition of photographs by Tim Hetherington. Opening Jan. 17, the exhibition will consist of photographs taken in Liberia and Afghanistan and will be on view through Jan. 30th. The gallery is located at 1280 Iron Horse Drive, Park City, Utah. The April HBO debut of WHICH WAY IS THE FRONT LINE FROM HERE? coincides with the publication of “Here I Am: The Story of Tim Hetherington, War Photographer” (Grove Press), a compelling portrait of the photojournalist by journalist and writer Alan Huffman. The family of Tim Hetherington has gifted The Estate of Tim Hetherington to The Tim Hetherington Charitable Trust. The Trust will use all proceeds from Hetherington’s photographs, exhibitions, books and films for humanitarian causes. Visit timhetherington.org for more information. WHICH WAY IS THE FRONT LINE FROM HERE? THE LIFE AND TIME OF TIM HETHERINGTON is an HBO Documentary Films presentation; A Goldcrest Films Production; directed by Sebastian Junger; produced by Nick Quested and James Brabazon; field photography by James Brabazon, Tim Hetherington and Sebastian Junger; edited by Geeta Gandbhir and Maya Mumma; supervising editor, Geeta Gandbhir; original music by Joel Goodman; co-produced by Gretchen McGowan. For HBO: supervising producer, Sara Bernstein; executive producer, Sheila Nevins.

5 HBO DOCUMENTARY FILMS WHICH WAY IS THE FRONT LINE FROM HERE? THE LIFE AND TIME OF TIM HETHERINGTON

DIRECTOR’S STATEMENT

I got the phone call late on the morning of April 20, 2011: My good friend and colleague, Tim Hetherington, was rumored to have been wounded in Libya. He and I had been slated to go there together to cover the civil war, but at the last moment I’d had to pull out, and Tim went on his own. I desperately started searching the Internet for any news of him and quickly confirmed on Twitter that he’d been killed in a mortar attack less than an hour earlier. Just like that, Tim was gone. In an attempt to understand what had happened to him, I interviewed journalists who’d been there during the attack when they came to New York for Tim’s memorial. Suddenly I was making a film.

Tim had documented his last day of life extensively with a video camera, and that material became the beginning of WHICH WAY IS THE FRONT LINE FROM HERE? Journalists are dying with greater and greater frequency in war zones, and their deaths are better and better documented because everyone, it seems — including rebel fighters — carries small video cameras. The well-recorded tragedy of my friend’s death, I thought, might be able to inform other journalists and the general public about the risks of the job.

But Tim was much more than just a combat reporter. True, he initially made his name shooting video during the Liberian civil war and achieved widespread prominence with the documentary “Restrepo,” which he co-shot and co-directed with me in 2007 and 2008. But his ultimate value as an artist lay in his ability to integrate multiple media and transcend the limitations of his profession. He refused to even call himself a “photographer,” preferring the more ambiguous “image-maker.” That ambiguity allowed him to do almost anything he wanted, creatively speaking. In Liberia, for example, he was using still photography and video to explore the how young men in wars consciously imitate images of other young men that they have seen in films and in the press. There is a self- consciousness to young men in combat, Tim felt, which said an enormous amount about both young men and war.

The project was classic Tim: Taking something that is under all of our noses and using it to see the world in a completely new way. WHICH WAY IS THE FRONT LINE FROM HERE? chronicles Tim’s passage from a terrified and untested photographer in Liberia to one of the masters of his profession. By necessity it is very much a war movie, but it also strives — as Tim did — to defy the expectations of the genre. Some of Tim’s most courageous work did not take place in war zones but in the ridiculously creative enclaves of his mind. He never flinched from either. I hope I have made a film that does not flinch as well.

6 HBO DOCUMENTARY FILMS WHICH WAY IS THE FRONT LINE FROM HERE? THE LIFE AND TIME OF TIM HETHERINGTON

TIM HETHERINGTON

Tim Hetherington reported on conflict and human rights issues for more than ten years, photographing the experience of war from the perspective of the individual, mostly in and the Middle East.

Born in Liverpool in 1970, Hetherington studied literature and classics at Oxford University and worked as an editor and writer of children’s books. He went on to study at in 1996. He began his career in photography in 1997 as a staff photographer at The Big Issue, a newspaper sold by the homeless, and later for the Independent. After covering a Liberian football team traveling around the UK in 1999, Hetherington travelled to Liberia to document the team’s ongoing activities in their home country. There he developed his project “Healing Sport,” about young men and political conflict in West Africa.

He spent much of the early 2000s in West Africa, documenting political upheaval and its effects on daily life in Liberia, Sierra Leone, and other countries. During the 2003 Liberian Civil War, Hetherington and journalist James Brabazon were the only foreign journalists to live behind rebel lines, which earned them an execution order from then-Liberian President Charles Taylor. He was an assistant producer and cameraman on Brabazon and Jonathan Stack’s documentary LIBERIA: AN UNCIVIL WAR (2004), an assistant producer and cameraman on the BBC's VIOLENT COAST series about West Africa (2004), a producer/director on Channel 4's UNREPORTED WORLD – NIGERIA: FIRE IN THE DELTA (2006), and a cameraman on THE DEVIL CAME ON HORSEBACK (2007), about attacks across the border with by Sudanese militia.

Careful not to be pigeonholed as a photographer or a filmmaker, Hetherington worked across different, mixed visual media. His interest lay in creating diverse forms of visual communication, and his work ranged from multi-screen installations, to fly-poster exhibitions, to handheld device downloads. Known for his long-term documentary work, he lived and worked in West Africa for eight years, reporting on social and political issues worldwide. In 2006, Hetherington took a break from image-making to work as an investigator for the United Nations Security Council's Liberia Sanctions Committee.

In 2007, Hetherington and journalist Sebastian Junger began a year-long collaboration to report for Vanity Fair magazine on the conflict in Afghanistan by joining a battalion of American troops stationed in the Valley. The assignment would serve as the basis for the documentary RESTREPO, directed

7 and shot by Hetherington and Junger. The film was awarded the Grand Jury Prize at the 2010 Sundance Film Festival and was nominated for an Academy Award® in 2011. Hetherington’s photos from the assignment also earned him a number of awards, among them the of the Year for 2007, his third World Press prize. Other honors included a fellowship from the National Endowment for Science, Technology and the Arts, in the U.K., and a Hasselblad Foundation grant. Hetherington received a 2009 Alfred I. duPont Award in broadcast journalism, and the 2008 Rory Peck Features award for his broadcast work AFGHANISTAN: THE OTHER WAR, which aired on ABC's “.”

In 2009 Hetherington created and toured “Sleeping Soldiers,” a three-screen immersive video installation in which he juxtaposed chaotic scenes of combat with still images of soldiers at rest, allowing viewers to consider the uncertainty, stress, and physical toll of combat in Afghanistan. In 2010, Hetherington made the short film DIARY, a highly personal and experimental film that expresses the subjective experience of his work, which was made as an attempt to locate himself after ten years of reporting. It's a kaleidoscope of images that link our western reality to the seemingly distant worlds seen in the media.

A member of the London-based Network Photographers agency and later working with Panos Pictures, Hetherington's photography archive is posthumously represented by Magnum. His project “Healing Sport” was published by Thames and Hudson as part of group project “Tales of a Globalizing World” (Thames & Hudson 2003). “Long Story Bit By Bit: Liberia Retold” (Umbrage Editions 2009) narrates recent Liberian history by drawing on images and interviews made over a five-year period, and his book “Infidel” ( Ltd 2010), about the group of U.S. soldiers he documented in Afghanistan, continues the examination of young men and conflict.

On April 20, 2011, while covering the conflict in Libya, Tim Hetherington and fellow photographer Chris Hondros were killed by Libyan forces in a mortar attack on the besieged city of Misrata.

8 HBO DOCUMENTARY FILMS WHICH WAY IS THE FRONT LINE FROM HERE? THE LIFE AND TIME OF TIM HETHERINGTON

FILMMAKER BIOS

Sebastian Junger, Director New York-based writer and journalist Sebastian Junger first ventured into film with the documentary RESTREPO, which he shot and directed with colleague Tim Hetherington. RESTREPO chronicles one year at an American combat outpost in eastern Afghanistan; the film won the 2010 Sundance Grand Jury Prize for best documentary and was also nominated for an Oscar®. Junger’s accompanying book, “War,” spent over a month on the New York Times bestseller list; his other books include “The Perfect Storm,” “Fire” and “A Death in Belmont.” Junger first reported from Afghanistan in 1996 and, four years later, was one of the last Westerners to accompany legendary guerrilla fighter Ahmed Shah Massoud during his war against the Taliban. Junger has reported for Vanity Fair magazine, where he is a contributing editor, from many war zones across the world: he was trapped in Monrovia during the Liberian civil war in 2003, caught in Sierra Leone during the civil war of 2000, and very briefly held by “oil rebels” in the Niger Delta in 2006. His October 1999 article in Vanity Fair, “The Forensics of War,” won a National Magazine Award for Reporting.

Nick Quested, Producer Nick Quested is executive director of Goldcrest Films, which has been key to the financing of projects such as TWILIGHT, TROPIC THUNDER, EAGLE EYE, REVOLUTIONARY ROAD and 2012’s Academy Award®-winning THE IRON LADY. Nick was the producer of ELVIS & ANABELLE (2007), which was directed by Will Geiger and starred Blake Lively and Max Minghella. His credits as an executive producer include THE WINNING SEASON (starring Sam Rockwell and Emma Roberts, 2009); RESTREPO (Sundance Grand Jury Documentary Winner, 2010); HOMEWORK (Sundance Narrative Selection 2011, starring Emma Roberts and Freddie Highmore); ON THE ICE (Berlin Film Festival Crystal Bear Generation 14Plus and Best First Feature Winner, 2011); CHEERFUL WEATHER FOR THE WEDDING (starring Felicity Jones and Elizabeth McGovern, 2012); THE GIRL (starring Abbie Cornish, 2011); and DARK HORSE (starring Christopher Walken and Mia Farrow 2011). Quested is currently directing CON ARTISTES, a documentary about the theatre program in Sing Sing Prison.

James Brabazon, Producer James Brabazon is a journalist and documentary filmmaker. Based in the UK, he has traveled to over 70 countries, investigating and filming in the world’s most hostile environments. Brabazon was the only journalist to access the LURD rebel group fighting to overthrow President Charles Taylor in Liberia. He filmed with the rebels over a two-year period for the award-winning documentary projects

9 LIBERIA: A JOURNEY WITHOUT MAPS (2002) and the Emmy®-nominated LIBERIA: AN UNCIVIL WAR (2003), on which he collaborated with his friend Tim Hetherington. Since 2003 he has worked on independent commissions with Discovery, the BBC and Channel 4, where he has made 18 films in the critically acclaimed UNREPORTED WORLD series (2004-2012) and where he regularly directs documentaries for Dispatches, including the BAFTA-nominated : THE RECKONING (2005). Brabazon’s work in conflict has won the IDA Courage Under Fire Award (2004) and the Rory Peck International Impact Award (2003). He is the author of the memoir “My Friend the Mercenary” (Canongate, 2009), which recounts his experiences of the Equatorial Guinea coup plot. Brabazon lectures on the ethics and practicalities of journalism in hostile environments and has been called as an expert witness in two war-crimes trials.

Gretchen McGowan, Co-Producer Gretchen McGowan is currently producing a slate of three to four films each year as head of production for Goldcrest Features. Last year’s releases include the Fox Searchlight release THE ART OF GETTING BY and Todd Solondz’s DARK HORSE. This year, Gretchen completed David Riker’s THE GIRL, which filmed on location in and Texas, and Sebastian Junger’s WHICH WAY IS THE FRONT LINE FROM HERE? for HBO. McGowan oversaw production, post- production and delivery of the Academy Award®-nominated RESTREPO and James Ivory’s THE CITY OF YOUR FINAL DESTINATION. She produced Jim Jarmusch’s THE LIMITS OF CONTROL and prior to that oversaw and produced more than 25 films as head of production for HDNet Films, Open City Films, Blow Up Pictures and as an independent producer. Titles include Alex Gibney’s ENRON: THE SMARTEST GUYS IN THE ROOM, Zoe Cassavetes’ BROKEN ENGLISH, Jarmusch’s COFFEE AND CIGARETTES, Brian De Palma’s REDACTED and Mary Harron’s .

Geeta Gandbhir, Supervising Editor Geeta Gandbhir has more than 19 years of varied experience in the fields of film, television and animation. She has been nominated for three Emmy® Awards and has won two. The films she edited have won one Academy Award® and three Peabody Awards. Most recently, her film GOD IS THE BIGGER ELVIS, with director Rebecca Cammisa, was nominated for a 2012 Academy Award®. Recent notable works include the PBS series AFRICAN AMERICAN LIVES WITH HENRY LEWIS GATES, HBO’s WHEN THE LEVEES BROKE: A REQUIEM IN FOUR ACTS (Emmy® Award for Best Editing), WHATʼS GOING ON: THE LIFE OF MARVIN GAYE, HBO’s IF GOD IS WILLING AND DA CREEK DON'T RISE, HBO’s BY THE PEOPLE: THE ELECTION OF BARACK OBAMA (Emmy® Award), HBO’s MUSIC BY PRUDENCE (2010 Oscar® for Best Short Documentary), BUDRUS (Silver at the 2010 Berlin Film Festival and Special Jury Mention Prize 2010 Tribeca Film Festival), HBO’s THE EDUCATION OF DEE DEE RICKS, and AMERICAN PROMISE, which is premiering at Sundance in 2013. Her current projects include a documentary for actor Robert De Niro on his father's artistic career, a documentary on rehabilitation in national prisons, and a film on female

10 UN Peacekeepers slated to begin production in 2013. Gandbhir has also taught documentary filmmaking at NYU's Tisch School of the Art's Graduate program.

Maya Mumma, Editor/Associate Producer Maya Mumma was the associate editor on RESTREPO, directed by Tim Hetherington and Sebastian Junger. The film received the Sundance Grand Jury Prize, an Academy Award® nomination, and won a News and Documentary Emmy® Award for Outstanding Editing. In addition to editing, she has taught filmmaking to public school students and their teachers, and her short documentaries with the collective Profluence Productions have screened at such festivals as Hot Docs, Big Sky, and Dokufest in . Originally from Oklahoma, Mumma has a BA in Social Anthropology from University and an MA in Media Studies from The New School.

Joel Goodman, Music Emmy®-winning composer Joel Goodman has scored four Oscar®-nominated films and more than 20 Emmy®-nominated TV programs and documentaries. He composed the main theme for the critically acclaimed PBS series "American Experience," for which he also scored more than a dozen episodes. He has scored more than 30 films for HBO, most notably BORN RICH, WARTORN 1961-2010, HEAR AND NOW, A SMALL ACT and SAVING PELICAN 895, for which he received an Emmy®. BEING ELMO, the crowd-pleasing documentary about the man behind the Muppet, is one of several films featuring Goodman’s music to see theatrical release. He has scored more than 100 films overall and has been fortunate to work with such acclaimed filmmakers as Wong Kar-wai, Barbara Kopple, Albert Maysles, , Andrew Jarecki, Marshall Curry, Oren Jacoby and Michael Epstein.

11 HBO DOCUMENTARY FILMS WHICH WAY IS THE FRONT LINE FROM HERE? THE LIFE AND TIME OF TIM HETHERINGTON

CREDITS

Directed By Sebastian Junger

Produced By Nick Quested James Brabazon

Edited By Geeta Gandbhir Maya Mumma

Supervising Editor Geeta Gandbhir

Field Camera James Brabazon Tim Hetherington Sebastian Junger

Studio Camera Topaz Adizes Jake Clennell Philip Clyde-Smith Graham Smith Kristana Textor Phil Tidy Jeremiah Zagar

Music By Joel Goodman

Associate Producer Maya Mumma

Co-Producer Gretchen McGowan

Assistant Producer, Sasha Joelle Achilli

12 Field Producer, Liberia Katie Gilbert

Editing & Post-Production Assistants Emily Allen Elizabeth McDonough Mariah Rehmet

Additional Camera, Misrata Michael Christopher Brown Guillermo Cervera Stephanie Lamorre Andre Liohn

Additional Camera, Liberia Nick Quested

PICTURE AND SOUND FINISHING Goldcrest Post Productions Colorist John J. Dowdell III DI Finishing Artist Katie Hinsen Pete Heady Video Technician Michelle Ambruz Technical Supervisor Tim Spitzer DI Producer Jeanne Sison

Supervising Sound Editor Mike Suarez Re-Recording Mixer Mike Suarez Sound Effects Editor Mark Amicucci

FOR GOLDCREST PRODUCTION SERVICES Head Of Production Gretchen McGowan Head of Business Affairs Claire Warnes Assistant to Mr. Quested David Kennedy Production Assistants

13 Jamison Hermann Matthew Guarneri Chase Horton Colin Bright

Studio Rental Goldcrest Post New York & London

Transcripts Kathryn Drury Mariah Rehmet

Additional Legal Services Marc Chamlin Karen Shatzkin

ARCHIVAL FOOTAGE

Tim Hetherington Footage Provided By The Tim Hetherington Estate Nathan Lee Bush Christian Aid The FADER Magazine The Frontline Club Shoshana Guy Idil Ibrahim Laura Kim National Geographic New York Photo Festival Objective Reality Foundation Steve Boulton Productions Linda Sills, BBC David Snider, The Photography Channel Time Inc

Additional Footage AP Archive Shingo Urier

PHOTO CREDITS

Tim Hetherington, Guillermo Cervera

14 Ben Curtis, AP Images Ann Doherty Balazs Gardi Shoshana Guy Idil Ibrahim Lucas Jackson, Laura Kim Finbarr O’Reilly, Reuters Christof Schuerpf

MUSIC CREDITS

"A Medley of Rhodope Songs" "Bludclot Artattack" Performed by The Rhodope Bagpipe Orchestra Performed by Ed Rush Produced by Gega New Ltd Written by Nicholas "Nico" Kristian Sykes Traditional Folk Melody Produced by No U-Turn Records Courtesy of Gega New Ltd Courtesy of Virus Recordings

"Kothbiro" "Makambo" Performed by Ayub Ogada Written & Performed by Geoffrey Oryema Written by Ayub Ogada and Mbarak Achieng Published by Womad Music Ltd Published by Womad Music Courtesy of Real world Records Ltd Courtesy of Real World Records Ltd www.realworldrecords.com

"Land of Anaka" “In A Strange Land” Written & Performed by Geoffrey Oryema Composed and Performed by Joel Goodman Published by Womad Music Ltd Published by Idnar Music Courtesy of Real World Records Ltd ASCAP

“Time Heals All Wounds” “Danny Boy” Composed and Performed by James Harrah (Traditional, arr, Shane MacGowan)Courtesy of Published by Box of Music Universal Music ASCAP Performed by Shane MacGowan And The Popes Courtesy of Universal Music From the ZTT album ‘The Rare Oul Stuff’ Courtesy of ZTT Records

THE PRODUCERS WISH TO THANK

Peter Bouckaert Caroline Irby Dante Paradiso The Bronx Documentary Center Colin Jacobson Daniela Petrova Max Cavanaugh Jamie Johnson Robin Prime Barbara Caver Laura Kim Ahmad Radwan Bill Chase Stuart Krichevsky Jan Innes Radwan Lesley Coffin Jean Lane Johanna Ramos-Boyer Sekou Conneh Michael Levine John T. Richardson Zubin Cooper Mamba Point Hotel Jihan Robinson Adrian Evans James Maparyan Marcus Rose

15 Liza Faktor Jennifer Matthews Howie Sanders Kanani Fong Veronica Matushaj Sam Sapin Robert Forlenza Daniel Meadows Cathy Saypol Joe Gbalah Milton Margai School for the Blind Anne Segars Max Houghton Paul Moakley Mamaya Sesay (aka Black Diamond) Lily Hindy Paul Moreira Varma Shafore Dylan Howitt Peter Mozarsky Benjamin Spatz Theodore Hudson Susan Norget Adama Talawale (aka Black and White) Human Rights Watch Brendan O’Byrne Sabina-Elease Utley Idil Ibrahim Charlie Olsky Jenkins Vaneghn Katie Orlinsky

VERY SPECIAL THANKS

Judith and Alistair Hetherington Guy and Victoria Hetherington The Tim Hetherington Estate Chris Anderson Magali Charrier Mike Kamber

FOR HBO

Supervising Producer Sara Bernstein

Executive Producer Sheila Nevins

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