A4 D R 0 R DQ I MO Vol A24 Pg Mag Folio C MYK of themof freelancers. year,almostwerehalf photographers cameramen,or many this far so deathsmedia 21 the right. Of own its historic in morbidly be to upshaping is year this Iraq.But in them of 2007,whenand 2006 morejournalists than200 mostdied, ProtectCommitteeJournalists.tothe Th fi the in killed been have journalists 861 dramatically.risen has countbody 1992, Sincethe decades waysworked withtheir lives line.theonlastthe But in few respondents—inparticular, combatphotographers—have al- last on the scene to see it to its horrible conclusion. War cor- werethe twoChris of fatiguedandbloody warTimthat by Th lives. their took who madmen lastLibya,week in madeyouit furious. First, thefuriousat journalists and Chris Hondros were killed ever-shrinkingphoto-Whenthe media. of disposablepart aboutAmerican troopsAfghanistan’s in Korengal Valley. But Awardmy for catedto the principle truth-through-proximity.of say colleagues, they were driven by a sense of mission, dedi- confl in comfort of feeling curious shutter,the througha history seeing of thrill motivatedly manywanderlust,bythings: the doubtedly have answered yes. Th anyone’slife?” really worth it Is lives? people our of one worth it Is “Do care? days. for conditions tal in Libya last month and held under often bru- three with tured cap- was who photographer war longtime a Lynsey Addario, a close friend of Hondros and says worthit?” it is think, and pause I course of happens, this like something “When ings. kill- and kidnappings rather for targets but legitimate observers untouchable sidered con- of confl temporary lines front murky the On safe. are even the most experienced combat journalists war,not of chaos the in that too, reminders, mortality—and of reminders as serve phers l’ lvs n oe f h ms itmt mmns and moments, intimate most recordhistory.” the of some in lives ple’s I’mfortunate . . . whatdo is enoughthis I peo- getto see to Yeah,it? certainly, do most again, wouldI all itbecause do attemptself-justifiatan was the get to history, of admittedreasonmessagehe evensaid,thisthat as heout,” edge the on be to always was tion “Myfrontlines.keptthatmotiva-the drawing to back him fi Washington,D.C.,recovering,where is he Silva recalledhis in Center Medical Army WalterReed from Speaking stan. Afghani- in U.S.troops with embedded while mine land a rt fi rst JOURNALISM JOURNALISM NewYork Times Hetherington,by birth a Brit, was nominated for an Acade- HetheringtonBothHondros wouldun-and Th dah o to ia yug photogra- young vital two of deaths e refi their space and treat their work as if it’s the most the it’s if as work their treat and space their cut and jobs their cut we as even vileness, human WE DEPEND ON ON DEPEND WE gtte xiaain te err ad h clarity the and terror, the exhilaration, ght—the

Restrepo, icts, they are no longer con- longer no are they icts, New YorkNew Times TRAGEDY photographerJoãoSilva tolegs both lost an impassioneddocumentary2010an them for truth, for glimpses into glimpses for truth, for them cation. “If I could go back and backgo could I “Ifcation. ey were sure- en furious at a world so world a at furious en ict zones. But aboveall, But zones. ict journalists e worstyearswere e ed acrig to according eld, 5 Newsweek On the edge of history: of edge the On 24 May 2, 2011 2, May where U.S. forces captured Saddam Hussein in 2003. in Hussein Saddam captured forces U.S. where with these kids.He kept going back there for years.” relationship photojournalist.a former had a “[Tim]Dufka, rebels,”Corinnerecallsthe byblindedwere or gougedout essay about blind children. “A lot one,where wonWorldhea Press Award movingfora photo fi he hands.” the future of Joseph Duo is, for the fi Th for and horror of bloodshedaretoo toheal,”deep Hondros lifetime wroteessay an in a of scars the “Maybe tuition. his paidcomputer-training and a school in place a him found Duo—then with bridge the revisited Hondros jobless. and 28-year-old commander, Joseph Duo, now decommissioned the downtracked and peacetime during to turned combatphotographers.of ranks top Twoyearslater, re- he rocket-propelled a shootinggrenade the to catapulted him river. Hondros’s photo of a commander jumping for joy after men”who were fi being on a bridge with a platoon of “drugged-upmilitia- . . . of both victims and perpetrators, Hondros later wrote about the 2003 during meltdown. Liberia Known for his in intimate, empathetic also wasimages Baghdad, to Kosovo from therewas nopoint being there the in fi says. “As far as he was concerned, if we didn’t have the tapes,fi of overjumpedarcwall “Heinto ran an the and footage. his all containing car, the in videotapes left fi zonleapt from vehicle a that had come under machine-gun while fi says.“He justkept working.” Afterdays ambushedbeing of Brabazon killed,” get to aboutthey’re that prospect the to haveunderstandablyterribleand normalvisceralreactions fi the forcombat witnessing steady peoplenerves. “I’veseen Hetheringtonrecallsphotographer’sthe2003, in Liberia in re. Ducking behind a wall, Hetherington remembered he’d rst time soil their pants . . . run away,run . . pantstheir . soil timerst scream,down,melt ae Baao, dcmnay fi documentary a Brabazon, James Hondros, an American whose career spanned war zoneswar spanned career whose American an Hondros, rstattracted notice almostdecade earliera Sierra in Le- e Digital e Journalist. “Butanymaybecase, in not.And 95 lming close-range combat, Hetherington and Braba- Hondros clowns around in the “spider hole” hole” “spider the in around clowns Hondros ringrebelson theon opposite bank theof of the children had their eyes rst time ever, in his own rstplace.” lmkr h met who lmmaker re,”Brabazon

CLOCKWISE FROM LEFT: TYLER HICKS, PHOTOGRAPH BY TIM HETHERINGTON—PANOS, CHRIS HONDROS— C MYK War is hell: Warhell: is on a vehicle bearing down on them, only to discover they had killed the parents of 5-year-old Samar Hassan. Neither Neither Hassan. Samar 5-year-old of parents the killed had they discover to only them, on down bearing vehicle a on Press Photo of the Year. The shot below was taken by Hondros in Tal Afar, Iraq, in 2005 after U.S. troops fi troops U.S. after Tal 2005 in in Afar, Iraq, Hondros by taken was Year. below the of shot The Photo Press picture is easy to look at, but the intense human moments they capture also make it diffi it make also capture they moments human intense the but at, look to easy is picture In a bunker at Restrepo, Hetherington shot the photograph above, which went on to be named the World the named be to on went which above, photograph the shot Hetherington Restrepo, at bunker a In 95 cult to look away. look to cult red red A5 D R 0 R DR I MO Vol A25 Pg Mag Folio