April 21 Bulletin
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Smither's Hat in Ring St.Mary's SBP Race Develops
-..----------- -- - -- --- - ------- --------------------------------., THE OBSERVER sc vol. II, no. XLVII University of Notre Dame March 1, 1968 News In Brief: Smither's Hat In Ring Elect Chairmen The second organizational ca St.Mary's SBP Race Develops cuses for the 1968 Republican Mock Convention are scheduled BY FRAN SCHWARTZBERG other aspects of student government. She part of the candidates, is that the SMC for 7:00 and 8:00p.m. Sunday, sees her year's absence not as a handicap student does not feel that she is a part of Mar. 3. States listed alphebetic Two new candidates emerged late Wednes but as an asset. "We lived in a community the government. Davis added "She must be ally from Alabama to Missouri day night for SMC Student government posi which was very close to idea. Though -1 made to realize that it is the individual will meet in O'Shaughnessy Hall tions. They are Suzanne Smither, a junior · realize that 1500 students may not be able student who holds the power. All she has to at 7:00. The remainder of the , English major from Arlington Va. and Mary to attain the same degree of unity and do is use it." state delegations will meet at Kennedy, a physics major from South Bend, freedom as Angers' forty-five, there are - the later hour. Permanent dele Ind. Smither will oppose Therese Ambrusko, certain learning experiences which can be gation chairmen and representa previously announced SBP hopeful. Kennedy applied to this campus." 'Day Dogs?·' tives to the platform, rules, cre will oppose Sally Stoebel for the vice presi Smither views the roll of next year's dentials, and permanent organ dential slot. -
After Parkland Written and Directed by Emily Taguchi and Jake Lefferman
AFTER PARKLAND WRITTEN AND DIRECTED BY EMILY TAGUCHI AND JAKE LEFFERMAN OFFICIAL SELECTION – 2019 TRIBECA FILM FESTIVAL – WORLD PREMIERE In Select Theaters November 29, 2019 Produced By: ABC Documentaries Directors and Writers: Emily Taguchi and Jake Lefferman Producers: Emily Taguchi, Jake Lefferman, Stephanie Wash, Jeanmarie Condon and Steven Baker Subjects: Victoria Gonzalez, Sam Zeif, Dillon McCooty, David Hogg, Manuel Oliver, Patricia Oliver, Brooke Harrison, Andrew Pollack Editor: Brendan Cusack, Karl Dawson Co-Producer: Meagan Redman Cinematographer: Jake Lefferman Camera: Emily Taguchi, Stephanie Walsh Associate Producer: Samantha Sergi Supervising Editor: Doug Blush Execuve Producer: Beth Hoppe Assistant Editor: Alexandra Garcia Run Time: 92 minutes Website aPerparklandmovie.com Synopsis: In the days after the shooting at Marjory Stoneman Douglas High School in 2018 that killed 17 people and launched a nationwide student movement, filmmakers Emily Taguchi and Jake Lefferman embedded with students and families whose lives were forever transformed. They include senior David Hogg, who recorded his class during the attack and became the face of the Never Again movement; freshman Brooke Harrison, who was in the first classroom under attack; Sam Zeif, a senior who was locked down in the same building, texting with his little brother and unsure if they would ever see each other again; Andrew Pollack, the father of 18-year-old Meadow, who was killed after being shot nine times; and the loved ones of 17-year-old Joaquin Oliver, including his parents Manuel and Patricia, girlfriend Victoria Gonzalez, and best friend Dillon McCooty. The filmmakers developed trusting relationships with these students and families, who opened their doors during some of the most difficult moments of their lives, and followed their private journeys as they rose to challenge the nation to end gun violence. -
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Getting Real NOW: Documenting Press Freedom & Impact - Transcript Cassidy Dimon: Hello, everyone. Welcome to our panel. We're going to take a couple minutes here and let the room populate before we begin. Just hold tight. Thank you. Hello all. Again thank you for joining. I see a lot of you have joined recently. We're going to take just two more minutes here and let people get into the room. And we will get started at approximately 5:03. Thank you. Carrie Lozano: Good evening, everyone. I know some of you are still joining us tonight. But I'm so happy to kick off this conversation. I honestly can't imagine anywhere else I'd rather be right now. So thank you for joining us for this second installment of Getting Real Now. My name is Carrie Lozano. I am the director of IDA's Enterprise Documentary Fund. I would like to acknowledge that I am in northern California on Ohlone land. And as many of you might know, we are encircled by fire and smoke throughout the west coast. And I am just reminded that in Native tradition, it's the Earth's way of renewing its soil and making it fertile to burn. And while it might be uncomfortable for us, it's the planet's way of healing itself. And so I hope we can all hold space together and honor all that the planet is doing to correct itself. Before I introduce our speakers, I really want to thank all of the sponsors and supporters that make these conversations and getting real in the digital space possible. -
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from the 33rd Annual Camden Conference The Media Revolution: Changing the World Nicco Mele , Nic Newman , Joshua Tucker , Jeff Jarvis , Courtney Radsch , Maria Ressa , Lydia Cacho Ribeiro , Jason Rezaian, Yeganeh Rezaian, Kathleen Hall Jamieson, David Brancaccio 2020 BOARD OF DIRECTORS Matthew Storin, President Karin Look, Vice President Don Abbott, Treasurer Wayne Hobson, Secretary John Doughty Peter Fitzgerald James Hengerer Peter Imber Elaine Keyes Eric Lebson Emily Lusher Merlin Miller Jane Nyce Sandra Ruch Charlotte Singleton Ward Wickwire About the Camden Conference ow in its 33rd year, this midwinter event in Midcoast Maine is routinely cited ADVISORY COUNCIL as an outstanding example of civic engagement, as it brings in experts from Richard Anderson Naround the world to discuss and debate issues of international import. This David Babski past February, speaker Kathleen Hall Jamieson of the University of Pennsylvania Ann Beaudry hailed the Camden Conference as “democratic engagement in action.” John Bird The three-day event plays out before a capacity audience in the beautiful Camden Bruce Cole Opera House and is live-streamed to locations in Portland, Belfast, and Rockland, as John Davidson well as Hanover, N.H. Each of the Maine locations includes a contingent of students Thomas M. Deford from high schools and colleges throughout the state, who study the topic as part of Leslie Fillnow their curriculum in the months prior. Additional social and substantive activities are Will Galloway planned for those students in the various locations over the course of the weekend. Charlie Graham The Camden Conference is primarily a volunteer organization with just two paid Kathleen Hirsch staff members. -
2011 Annual Report Working for Civilians in Conflict Civcampaign for Innocent Victimsi Inc Conflict Working for Civilian Victims
2011 Annual Report Working for Civilians in Conflict CIVCampaign for Innocent VictimsI inC Conflict Working for Civilian Victims CIVIC works to make warring parties more responsible to civilians before, dur- Our Mission ing, and after armed conflict. We are advocates and advisers finding practical solutions to civilian suffering in war. We believe that warring parties should do everything in their power to avoid harming civilians and that it is never accept- able to walk away from the harm they do cause. Our Team Sarah Holewinski, executive director Marla B. Keenan, managing director Golzar Kheiltash, Making Amends Campaign director Kristèle Younès, director of field operations Liz Lucas, chief communications officer Peggy Hu, associate Shelly Clay-Robison, associate Rebecca Agule, consultant Nikolaus Grubeck, consultant 2011 Interns Daniela Arguello Jen Keene Alissa Cherry Kiri Milburn Kristin Corbett Kerri Murphy Dijana Elliott Stephanie Peguero Adam Gillenwater Daniel Ryan Masha Grigoryeva Ariadna Vallejo CIVIC offers special gratitutde this year for Chris Hondros, a brave photojournalist who lost his life in Misrata, Libya doing the work he loved. We remember his years of dedica- tion to civilians in conflicts worldwide. He will be missed. Front Cover In 2011, CIVIC began programs in Africa, responding to civilian harm in Libya and Somalia. Here, women and children wait for medical care in war-torn Mogadishu, Somalia. Kate Holt. Back Cover CIVIC’s work in Libya included documenting instances of civilians harmed by air- strikes. Families of those killed in Majer, Libya created a memorial inside a destroyed house display- ing photographs and mementos of the dead. Liz Lucas. -
UNESCO Condemns Killing of Journalists Assassinated Journalists in Libya
UNESCO Condemns Killing of Journalists Assassinated Journalists in Libya Musa Abdul Kareem (Libyan) Journalist at Sabbha-based newspaper Fasanea Killed on 31 July 2018 UNESCO Statement Jeroen Oerlemans (Dutch) Veteran war photographer Killed in Libya on 2 October 2016 [UNESCO Statement] Abdelqadir Fassouk (Libyan) Photojournalist and correspondent for satellite news channel Arraed TV Killed in Libya on 21 July 2016 [UNESCO Statement] Khaled al-Zintani (Libyan) Freelance journalist Killed in Libya on 23 June 2016 [UNESCO Statement] Mohamed Jalal (Egyptian) Photographer Killed in Libya on 27 April 2015 [UNESCO Statement] Yousef Kader Boh (Libyan) Journalist for Barqa TV Killed in Libya on 27 April 2015 1 UNESCO Condemns Killing of Journalists Assassinated Journalists in Libya [UNESCO Statement] Abdallah Al Karkaai (Libyan) Journalist for Barqa TV Killed in Libya on 27 April 2015 [UNESCO Statement] Younes Al Mabruk Al Nawfali (Libyan) Journalist for Barqa TV Killed in Libya on 27 April 2015 [UNESCO Statement] khaled Al Sobhi (Libyan) Journalist for Barqa TV Killed in Libya on 27 April 2015 [UNESCO Statement] Muftah al-Qatrani (Libyan) Journalist for Libya Al-Wataniya TV Killed in Libya on 22 April 2015 [UNESCO Statement] Moatasem Billah Werfali (Libyan) Freelance journalist and presenter for Libya Alwatan radio Killed in Libya on 8 October 2014 [UNESCO Statement] Tayeb Issa Hamouda 2 UNESCO Condemns Killing of Journalists Assassinated Journalists in Libya (Libyan) One of the founders of the Touareg cultural television channel Tomast Killed -
February 15, 2021 Ms. Irene Khan Special Rapporteur on The
February 15, 2021 Ms. Irene Khan Special Rapporteur on the promotion and protection of the right to freedom of opinion and expression OHCHR-UNOG 8-14 Avenue de la Paix 1211 Geneve 10, Switzerland Re: UN Special Rapporteur’s Annual Thematic Report to be Presented to the Human Rights Council at its 47th Session in June 2021 To the UN Special Rapporteur on the promotion and protection of the right to freedom of opinion and expression, The Technology and Social Change Team submits the following comment in response to the UN Special Rapporteur’s call for inputs regarding the upcoming report to the Human Rights Council, to be presented in June 2021. The Technology and Social Change team (TaSC) researches media manipulation and disinformation at scale. TaSC conducts research, develops methods, and facilitates workshops for students, journalists, policy makers, technologists, and civil society organizations on how to detect, document, and debunk media manipulation campaigns that seek to control public conversation, derail democracy, and disrupt society. TaSC is led by sociologist Joan Donovan, PhD, Research Director of Harvard Kennedy School's Shorenstein Center, and a field leading expert in online extremism, media manipulation, and disinformation. DISINFORMATION AT SCALE THREATENS FREEDOM OF EXPRESSION WORLDWIDE Comment of Joan Donovan, Emily Dreyfuss, Gabrielle Lim, and Brian Friedberg of The Technology and Social Change Team at the Harvard Shorenstein Center1 The human right to freedom of expression includes the right to have access to such expression. Increasingly, that access is threatened by social inequalities and the technological systems that hold the world’s information. Within the fragmented media ecosystem of the 21st century, opaque algorithms, policies, and enforcement mechanisms determine what information is available to whom. -
Chronicling the Soldier's Life in Afghanistan Transcript
Perspective Shifts Interviewer So today is May the third— Sebastian Junger Yeah. Interviewer 2011.  We’re in the studios of West Point Center for Oral History with Sebastian Junger.  And Sebastian, I would like to ask you—you know, there’s a lot of material we can go into, but since we’re here at West Point I’d like to focus on your most recent work, and ask you to tell me when you first got interested in war. Sebastian Junger I mean, I just have the assumption that every little boy is interested in war.  I remember growing up, you know, and all the adults that I knew had fought in World War II.  And when we played war, some of the boys had to play Germans, and no one wanted to play Germans, and everyone wanted to be Americans.  And the Vietnam War was going on, and so it started deploying with that.  But you know, like I—since I was a little boy, I mean it’s just—it’s exciting to pick up a crooked stick and pretend to shoot it at somebody.  I mean it says terrible things about the human species, I suppose, but that’s what little boys do—or a lot of them. Sebastian Junger And—but then after Vietnam, the Vietnam War was so controversial, and I—you know, I came from a part of society—Massachusetts, pretty liberal background—that was very, very against the war.  And the whole enterprise and the military and everything, I was just—found really unpleasant and distasteful, and that started to change after I started covering wars myself. -
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C M Y K 5 95 C M Y K 95 JOURNALISM TRAGEDY WE DEPEND ON them for truth, for glimpses into he fi rst attracted notice almost a decade earlier in Sierra Le- human vileness, even as we cut their jobs and cut one, where he won a World Press Award for a moving photo their space and treat their work as if it’s the most essay about blind children. “A lot of the children had their eyes disposable part of the ever-shrinking media. When photo- gouged out or were blinded by the rebels,” recalls Corinne journalists Tim Hetherington and Chris Hondros were killed Dufka, a former photojournalist. “[Tim] had a relationship last week in Libya, it made you furious. First, furious at the with these kids . He kept going back there for years.” madmen who took their lives. Th en furious at a world so James Brabazon, a documentary fi lmmaker who met bloody fatigued by war that Tim and Chris were two of the Hetherington in Liberia in 2003, recalls the photographer’s last on the scene to see it to its horrible conclusion. War cor- steady nerves. “I’ve seen people witnessing combat for the respondents—in particular, combat photographers—have al- fi rst time soil their pants . run away, scream, melt down, ways worked with their lives on the line. But in the last few have terrible and understandably normal visceral reactions decades the body count has risen dramatically. Since 1992, to the prospect that they’re about to get killed,” Brabazon 861 journalists have been killed in the fi eld, according to says. -
OLLI at USM Newsletter April 2020
Osher Lifelong Learning Institute USM O L L I N E W S L E T T E R April 2020 www.usm.maine.edu/olli OLLI Adjusts Special Section on the In so many ways OLLI keeps us con- Camden Conference nected and engaged. While the coronavi- rus pandemic has caused the cancellation Report on the of face-to-face classes, we’re busy behind the scenes with ideas about how we can ensure that our OLLI serves you. Conference We are training a group of OLLI faculty who want to experi- Page 6 ment with us in providing distance learning. This is NOT a dreary Note on the sort of online learning but a lively, social, and easy-to-use strategy using Zoom conferencing, teleconferencing/PDF or Google slides, Conference e-mail, and perhaps even Facebook. Page 9 This is our game plan moving forward: Our top priority is to move forward with the 15 to 20 courses and workshops that we hope to conduct via distance learning— IN THIS ISSUE through Zoom, teleconferencing, e-mail, or some other technique (such as Facebook instruction if the instructors are familiar with [Hint: Click on these to it). Training occurred during the weeks of March 16 and 23, for jump to their page.] classes starting the week of March 30. Your instructor should have been in touch with you with options on how to proceed. Social distance Our second priority will be to add content by developing a sec- Community Com- ond wave of classes offered by faculty who want to regenerate mittee News classes or offer new ones. -
Toward Peace in the Southern Philippines
UNITED STATES InsTITUTE OF PEACE www.usip.org SPECIAL REPORT 1200 17th Street NW • Washington, DC 20036 • 202.457.1700 • fax 202.429.6063 ABOUT THE REPORT G. Eugene Martin and Astrid S. Tuminez In 2003 the U.S. Department of State asked the United States Institute of Peace (USIP) to undertake a project to help expedite a peace agreement between the government of the Republic of the Philippines (GRP) and the Moro Islamic Liberation Front (MILF). The MILF has been engaged in a rebellion against the GRP for more than three decades, Toward Peace in the with the conflict concentrated on the southern island of Mindanao and the Sulu Archipelago. This report highlights USIP activities in the Philippines from 2003 to 2007. It Southern Philippines describes the conflict and its background, the substance of ongoing negotiations, USIP efforts to “facilitate” the peace process, and insights on potentially constructive steps for A Summary and Assessment of the USIP moving the Philippine peace talks forward. It concludes with a few lessons learned from USIP’s engagement in this Philippine Facilitation Project, 2003–2007 specific conflict, as well as general observations about the potential value of a quasi-governmental entity such as USIP in facilitating negotiations in other conflicts. G. Eugene Martin was the executive director of the Philippine Facilitation Project. He is a retired Foreign Summary Service officer who served as deputy chief of mission at the • The Muslim inhabitants of Mindanao and Sulu in the southern Philippines, known U.S. Embassy in Manila. Astrid S. Tuminez served as the project’s senior research associate. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S.