FONDAZIONE NAZIONALE DELLA DANZA ATERBALLETTO - PRODUCTION CREDITS PRODUCTION CREDITS ROSSINI CARDS / CANTATA TIME 20:30 ROSSINI CARDS: CANTATA:

ATERBALLETTO Galili, Fabrizio Monteverde, Jacopo SUNDAY SEPTEMBER 30 : CHOREOGRAPHY: VOCALS, TAMMORRA, Artistic Director: Godani and Eugenio Scigliano, this STROVOLOS MUNICIPAL THEATRE Mauro Bigonzetti Mauro Bigonzetti TAMBOURINE: Cristina Bozzolini commitment grew stronger and the MUSIC: MUSIC: Enza Prestia artistic decisions have been motivated WEDNESDAY OCTOBER 3 Gioacchino Rossini Innovative and traditional music especially by the need and curiosity MUNICIPAL GARDEN THEATRE COSTUME DESIGN: Aterballetto is the principal producing of Southern Italy orchestrated by Helena Medeiros of exploring the various expressions of LIMASSOL MUSIC CONSULTANT: and touring Company in Italy. Bruno Moretti Gruppo Musicale Assurd* contemporary choreographic language. LIGHTING DESIGN: It is the first permanent -producing COSTUME DESIGN: VOCALS, CONCERTINA, Carlo Cerri organisation apart from the Opera House Helena Medeiros TAMMORRA: companies. Founded in 1979, Aterballetto believes in research which TICKETS: €15 / €10 begins from a "disciplined" body LIGHTING DESIGN: Cristina Vetrone * "Serenata" by Amerigo Ciervo - Kindly it is composed of solo dancers capable authorized by Amerigo and Marcello Ciervo that has a strong ballet technique in is homage to the elegance of ballet’s Carlo Cerri VOCALS, TAMBOURINE, of performing in various dance styles. (I Musicalia) Aterballetto has gained wide recognition discovering the potentials of movement preparatory positions, as well as being CASTANETS: on the international scene. and dynamics whilst turning them into a reflection on women’s physicality. Lorella Monti - Enza Pagliara an expression of contemporary reality, All the dancers sitting at a table transform After almost 18 years of direction by by means of the original vision of the Questo e un nodo avviluppato (from Amedeo Amodio, the artistic direction choreographers who interpret today’s "La Cenerentola") into a choreography was entrusted to Mauro Bigonzetti from reality through their imagination, taste, of entangled arms. The "grand finale" 1997 to 2007. Bigonzetti, a notable experiences, and human vision. It is a is set to the Overture from La Gazza international choreographer, renewed unique and original experience for the Ladra. the artistic identity of the company giving choreographer and the performers, and it an international profile. In 2008, Mauro one which is transferred directly CANTATA Bigonzetti left the artistic direction to to the audience. All this has been made ""Cantata" is a choreography bursting with dedicate more time to his creative talent possible thanks to the insight of the the typical vibrant colors of the South. and became Aterballetto’s principal Municipality of Reggio Emilia-Romagna It pays homage to the Italian culture and choreographer. The artistic direction was Region and the A.T.E.R. (Association of musical tradition, a popular work in the entrusted to Cristina Bozzolini, a former Theaters in Emilia-Romagna). highest sense of the term in which dance prima ballerina of the Maggio Musicale and music strongly intermingle." Fiorentino. ROSSINI CARDS Recorded Music An abstract creation, without a Mauro Bigonzetti Aterballetto has adopted the profile dramaturgic framework. Not a story, but PRODUCERS: of a contemporary ballet company. scenes from parallel lives, images, cards, The founding element of its artistic dramatic icons and comic situations. identity is the commitment to support An expression of Gioacchino Rossini’s and develop the art of choreography music, of its pressing, geometric and and the absolute language of dance, precise rhythm and, in the end, of a presented as dynamics and forms in Dionysian vitalism. A sort of space, an embodiment of expressive "divertissement" set to music of SUPPORTERS: and as aesthetic reverberations, and as Gioacchino Rossini, in which it is useful a dialectic with music. Throughout its to observe the gestural research. The pas recent history, thanks to the valuable de deux set to "Ouf! Les petits pois" is contribution of Mauro Bigonzetti a love dance expressed with sculptural and of other Italian and international forms of great effect. The female solo set choreographers who have collaborated to the Prelude fugasse pays homage to the with the company, such as Jiri Kylian, elegance of ballet’s preparatory positions. MEDIA SPONSOR: William Forsythe, Ohad Naharin, Iztik The duo set to Prelude inoffensive

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