Stanza Type Identification Using Systematization of Versification System of Hindi Poetry
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Authenticity of Standard Version of Dasam Granth: History and Its Text in Literature*
Authenticity of Standard Version of Dasam Granth: History and its Text in Literature* By: Jasbir Singh Mann M.D. Granths with title as Sri Dasam Granth/or Dasam Patshahi Sri Guru Granth Sahib Ji, also known as Standard Version of Dasam Granth has been seen since 1897 AD in Circulation in Title prints with fixed compositions/contents with and arrangement of contents in 1428 pages, which was published after correction of 32 Granths by a Sodhak committee 1896AD and in Print form since 1900AD. Review of Literature shows no such Granth with Title Sri Dasam Granth or Dasmi Patshahi Ka Granth (with fixed pattern of Compositions/contents and arrangement) was seen in Punjab or Delhi area Sikh institutions in 18th century. Indian sources, Persian sources & over 30 European sources were silent about this Granth during 18th Century. In Literature Title “Dasmi Patshahi Granth” was first time reported by Malcolm in 1810 AD (early 19th century). Then onwards in early 19th century, such Granths started appearing in Sikh institutions in Punjab, initially in hand written Birs and then in print form in 19th century. By 1895AD, over 32 versions, with variable patterns of compositions in hand written birs, including six printed versions were available in Punjab. Sodhak committee prepared final standard version in 1897 AD which has been extensively used in literature during 20th century (1900AD-2000AD). This Granth has always remained controversial among scholars and Sikh community and issues of authenticity of its compositions can be traced during Cunningham during Pre-Singhsabha /Singh Sabha period and from 1947AD onwards till 2013. -
Typesetting in Hindi, Sanskrit and Persian: a Beginner's Perspective
Typesetting in Hindi, Sanskrit and Persian: A Beginner’s Perspective Wagish Shukla Maths Department Indian Institute of Technology New Delhi, India [email protected] Amitabh Trehan Mahatma Gandhi Antarrashtriya Hindi Vishwavidyalaya (MGAHV) 16, 2nd floor, Siri Fort Road New Delhi, India [email protected] Abstract This paper describes our efforts to produce what is, to our knowledge, the first book typeset totally in an Indian language using LATEX: Chhand Chhand par Kumkum, published by Prabhat Prakashan for Mahatma Gandhi Antarrashtriya Hindi Vishwavidyalaya (MGAHV). We used the devnag package, which made it possible to encode each chapter, including verses, within a single set of \dn commands (much like an environment). Since then, we have also tried the sanskrit and ArabTEX packages and describe some of our experiences. Using devnag alone, typesetting a large file (a full- sized book) was a stable procedure. On the other hand, when using devnag and sanskrit together, even a small file can present problems. Using devnag/sanskrit in conjunction with ArabTEX is also problematic. Additionally, one large part of the text was used to test conversion to HTML via latex2html (l2h) which has led to substantial upgrades of l2h by Ross Moore, its maintainer. This exemplifies the advantages of the free software community we have begun to live in. Ultimately, l2h was used to typeset MGAHV’s website (http://www.hindivishwa.nic.in). The Beginning him as a student and welcomed the connectivity, came in handy. We picked up a lot of new ideas Our tryst with T X began around the beginning of E from the net, the airwaves and the brain waves and the year 2000 A.D. -
My HANUMAN CHALISA My HANUMAN CHALISA
my HANUMAN CHALISA my HANUMAN CHALISA DEVDUTT PATTANAIK Illustrations by the author Published by Rupa Publications India Pvt. Ltd 2017 7/16, Ansari Road, Daryaganj New Delhi 110002 Copyright © Devdutt Pattanaik 2017 Illustrations Copyright © Devdutt Pattanaik 2017 Cover illustration: Hanuman carrying the mountain bearing the Sanjivani herb while crushing the demon Kalanemi underfoot. The views and opinions expressed in this book are the author’s own and the facts are as reported by him which have been verified to the extent possible, and the publishers are not in any way liable for the same. All rights reserved. No part of this publication may be reproduced, transmitted, or stored in a retrieval system, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. ISBN: 978-81-291-3770-8 First impression 2017 10 9 8 7 6 5 4 3 2 1 The moral right of the author has been asserted. This edition is for sale in the Indian Subcontinent only. Design and typeset in Garamond by Special Effects, Mumbai This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated, without the publisher’s prior consent, in any form of binding or cover other than that in which it is published. To the trolls, without and within Contents Why My Hanuman Chalisa? The Text The Exploration Doha 1: Establishing the Mind-Temple Doha 2: Statement of Desire Chaupai 1: Why Monkey as God Chaupai 2: Son of Wind Chaupai 3: -
Tulsidas-By-Swami-Yatiswarananda
Tulsidas By Swami Yatiswarananda (Reproduced from Vedanta Magazine –Vedanta Centre –London - UK – Jan-Feb 2002) The fundamental unity of religious India Our saints and sages, our holy men and holy women, were born in all parts of the country. They may speak different languages but they all place before us the ideal of realizing the eternal relation between the eternal soul and the eternal God. Their teachings form part of our entire spiritual heritage, our common spiritual knowledge. The more we recognize this the more our hearts will beat to the same spiritual tune and bring about a grand union, essential not only for the progress of India but for the whole world itself. Even from the most ancient times the worship of the Supreme Spirit in the aspects of Shiva and Vishnu has been prevalent both in the North and the South. The religious stream flowed from the North to the South and again from the South to the North. It is a remarkable phenomenon in the religious history of India that while Rama and Krishna - the two most popular incarnations of Vishnu -Êthe all- pervading Supreme Spirit - were born in North India, they came to be worshipped in South India also. In the post-Buddhistic revival of Hinduism, South India had become the storehouse of Hindu culture and gave birth to the three great Acharyas - Shankara, Ramanuja and Madhwa. All the three travelled to the North, preached their doctrines and greatly influenced the religious thought of North India. Sri Ramanuja is credited with having founded a Sri Vaishnava School at Varanasi during his visit there. -
Love and Mysticism in the Punjabi Qissas of The
LOVE AND MYSTICISM IN THE PUNJABI QISSAS OF THE SEVENTEENTH AND EIGHTEENTH CENTURIES JEEVAN SINGH DEOL 1996 THESIS SUBMITTED FOR THE DEGREE OF M.PHIL. OF THE UNIVERSITY OF LONDON SCHOOL OF ORIENTAL AND AFRICAN STUDIES LONDON ProQuest Number: 10731592 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10731592 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 ABSTRACT This thesis examines the tension between mystical ( haqTqT) and romantic (majazT) conceptions of love in the Punjabi qissa tradition before the end of the eighteenth century. All the texts under consideration date from before the third quarter of the eighteenth century and, therefore, both predate and inform the classical qissa tradition of the nineteenth century. The texts narrate three of the most commonly represented love stories in pre twentieth century Punjab, two of them versions of local folk legends and one an episode from the Quran. A total of six texts are considered in the thesis: Hafiz Barkhurdar's Mirza Sahiba, Siddlq Tail's Yusuf Zulatkha, and the versions of HTr by Ahmad, Muqbil and Varis Shah. -
Major Civilizations of the World Include S Indhu S Araswati, Vedic, Egyptian, Babylonian, Chinese, Roman and Greek Civilizations
1 Chapter - 1 M ajor Civilizations of the Wor l d 1.0 Aim 1.1 Preface 1.2 Origin of Man and Development . 1.2.1 Questions for Exercise 1.3. Sindhu Saraswati Civilization 1.3.1 Saraswati River 1.3.2 Indus Architecture 1. Town Planning 2. Great Bath and Great Grannary 3. Great Reservoir and Stadium 4. Great Dockyard. 1.3.3 Other Arts of Indus. Saraswati Civilization 1.3.4 Indus Script 1.3.5 Science 1.3.6 Economic Life. 1.3.7 Social Life 1.3.8 Religious life 1.3.9 Political Life 1.3.10 Cremation of the Dead 1.3.11 Questions for Exercise 1.4. Vedic Civilization 1. 4 .1 Language and Literary Richness 1.4.2 Political System 1.4.3 Social Life 1.4.4 Economic Life 1.4.5 Religious Life 1.4.6 Knowledge and Science 1.4.7 Questions for Exercise. 1.5. Ancient Civilization of Egypt 1.5.1 Political System 1.5.2 Social Condition 1.5.3 Economic Condition 1.5.4 Religious Life 1.5.5 Art 1.5.6 Knowledge and Science 1.5.7 Questions for Exercise 1.6 Ancient Babylonian Civilization 1.6.1 Political System - (1) Administration (2) Law (3) Judicial System 1.6.2 Social condition 1.6.3 Religious Life 1.6.4 Economic Condition 1.6.5 Art 1.6.6 Knowledge and Science 1.6.7 Questions for Exercise 1.7. Chinese Civilization 1.7.1 Royal Dynasties of China 1.7.2 Administrative System 1.7.3 Social Life. -
DASAM GRANTH All
DASAM GRANTH All. Introductory Study by Dr. Sukhbir Singh Kapoor Vice Chanceller World Sikh University London Mrs. Mohinder Kaur Kapoor •.J.. Hemkunt Page 1 www.sikhbookclub.com ~---------------~----------- © Hemkunt Publishers (P) Ltd. First Published 2003 Reprinted 2009 ISBN: 81-7010-325-6 Publishedby: Hemkunt Publishers (P) Ltd. A-78 Naraina Indl. Area Phase I, New Delhi-28 Tel. 4141-2083.2579-5079 Fax 91-11-4540-4165 E-mail: [email protected] www.hemkuntpublishers.com Printed at: Process Press, D-20, South Extension-I, New Delhi- I 10049 Page 2 www.sikhbookclub.com Introduction to the First Edition The compilation ofthis book is a dream come true. We know that writing about the Dasam Granth is a very sentimental, delicate and emotional issue, but we have ventured to present to readers something, in our own style, which has not been presented in this format before. We have not gone into the controversy ofestablishing the authorship ofthe Granth. It is a valuable treatise, and in absence ofany solid evidence to prove or disapprove its authorship, let us evalu ate it as a Book. We are thankful to Dr. S.S. Kohli and Dr. Jodh Singh for the use ofEnglish translation ofa few selected compositions used in the book. Our thanks are also due to Ms. Poonam Kapoor for her help to complete this book in its present format. 23 rd January 2004 Dr. Sukhbir Singh Kapoor Mrs. Mohinder Kaur Kapoor Introduction to the Second Edition I am very thankful to my readers for appreciating my attempt to produce a book on Dasam Granth amongst floods ofcontroversies. -
Copyright by Jeffrey Michael Grimes 2008
Copyright by Jeffrey Michael Grimes 2008 The Dissertation Committee for Jeffrey Michael Grimes certifies that this is the approved version of the following dissertation: The Geography of Hindustani Music: The Influence of Region and Regionalism on The North Indian Classical Tradition Committee: ____________________________________ Stephen M. Slawek, Supervisor ____________________________________ Veit Erlmann ____________________________________ Ward Keeler ____________________________________ Robin Moore ____________________________________ Shanti Kumar The Geography of Hindustani Music: The Influence of Region and Regionalism on The North Indian Classical Tradition by Jeffrey Michael Grimes, M.M., B.M. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December 2008 Acknowledgements I would like to briefly thank a few individuals for making this project possible. The first are my parents, Tom and Kay Grimes, who have supported me emotionally and, as necessary, financially through the dissertation writing process (and earlier, as well). Next, I would like to thank my mentor and dissertation supervisor Dr. Stephen M. Slawek. All that I know of Indian music (even the things he didn’t teach me directly) is due to him, both as my academic adviser and as my long-time sitar Guru. Especially crucial for the current project, though, has been his unwavering moral and intellectual support. Dr. Slawek encouraged me from day one to pursue the work I wanted to pursue, and I cannot be more grateful for this. All of his advisees that he has shepherded through the process of writing a report or dissertation, I am sure, would say the same. -
Bundela Nobility and Chieftaincy Under the Mughals
BUNDELA NOBILITY AND CHIEFTAINCY UNDER THE MUGHALS THESIS SUBMITTED FOR THE AWARD OF THE DEGREE OF Boctor of Pjilostopfip IN HISTORY BY AMIR AHMAD Under the Supervision of Dr. APZAL HUSAIN (READER) CENTRE OF ADVANCED STUDY DEPARTMENT OF HISTORY ALIGARH MUSLIM UNIVERSITY ALIGARH (INDIA) 2000 7X"A1 L-T„/ • _J «f ^ ) Ace No V ^ — 9 NA? 2T.7 T5340 miMmmMim Wci^lmtceliM CENTRE OF ADVANCED STUDY DEPARTMENT OF HISTORY ALIGARH MUSLIM UNIVERSITY ALIGARH-202002 Certificate The thesis entitled Bundela Nobility and Chieftaincy Under the Mughals being submitted by Amir Ahmad for the award of the degree of Doctor of Philosophy in History to the Aligarh Muslim University, Aligarh, has been conducted under my supervision and embodies his own original work. U-" " •X Supervisor ACKNOWLEDGEMENT First of all, I wish to express my deep sense of gratitude to my revered supervisor Dr. Afzal Husain, Reader, Centre of Advanced Study, Department of History, A.M.U. Aligarh, for his keen interest, critical advice, valuable suggestions and cordial attitude during the entire period of the completion of this work. Without his constant guidance and stimulating assistance the work could not have been prepared in the present form. This work owes its complete dedication to Honourable Vice- Chancellor, Janab Manzoor Ahmad (IPS), Dr. B.R. Ambedkar University (formerly Agra University), Agra. As a matter of fact, I am lacking words to express my debt of gratitude to such a great philanthrope for his blessings. I am greatly indebted to my esteemed teachers Prof. S.P. Gupta, Chairman and Coordinator, Prof. Irfan Habib, Late Prof. -
Introduction
Introduction Poetry of Kings: The Classical Hindi Literature of Mughal India Allison Busch Print publication date: 2011 Print ISBN-13: 9780199765928 Published to Oxford Scholarship Online: January 2012 DOI: 10.1093/acprof:oso/9780199765928.001.0001 Introduction A Forgetting of Things Past Allison Busch DOI:10.1093/acprof:oso/9780199765928.003.0001 Abstract and Keywords This chapter introduces literature in Brajbhasha and outlines the premises of the book. One aim is to expose some of the fault lines in the historiography of premodern Hindi literature. One reason that Brajbhasha court literature has not attracted the kind of deep, sympathetic study it merits is because literary historians have been too quick to stamp the stigma of decadence on late precolonial traditions. The study of literature has been trapped in stale paradigms of Mughal decline that have long been discredited in other disciplines. This chapter proposes a new approach to classical Hindi literature that recognizes the value of this early modern archive both as literature and for Keywords: , Brajbhasha, historiography, court literature, Mughal, early modern Literature and its Discontents Imagine an English-literature classroom in which Milton was derided for retelling a story using the classical epic form. The remonstrating teacher would shake her head and scold the poet for imitating Virgil, dismiss his Latinate vocabulary and style as pure pedantry, and wonder why he did not derive his subject matter from personal observation, writing poems that expressed his inner feelings in the language of everyday speech. Or imagine reading a history of French literature that privileged fourteenth- and fifteenth-century hymnals or Page 1 of 22 PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). -
The Gujarati Lyrics of Kavi Dayarambhal
The Gujarati Lyrics of Kavi Dayarambhal Rachel Madeline Jackson Dwyer School of Oriental and African Studies Thesis presented to the University of London for the degree PhD July 1995 /f h. \ ProQuest Number: 10673087 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10673087 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 ABSTRACT Kavi Dayarambhal or Dayaram (1777-1852), considered to be one of the three greatest poets of Gujarati, brought to an end not only the age of the great bhakta- poets, but also the age of Gujarati medieval literature. After Dayaram, a new age of Gujarati literature and language began, influenced by Western education and thinking. The three chapters of Part I of the thesis look at the ways of approaching North Indian devotional literature which have informed all subsequent readings of Dayaram in the hundred and fifty years since his death. Chapter 1 is concerned with the treatment by Indologists of the Krsnaite literature in Braj Bhasa, which forms a significant part of Dayaram's literary antecedents. -
Basic Structure of Hindi Poetry Part 1- Structural Units of a Poem
http://www.kaavyaalaya.org Basic Structure of Hindi Poetry Part 1- Structural Units of a Poem VinodTewary (Co-Editor, Kaavyaalaya.org) Email address: [email protected] 1. Introduction Poetry is essentially an expression of feelings. Ability to feel is a human trait. We all have feelings. However, ability to express the feelings in a manner that other people can identify and relate to those feelings requires artistic skills. That is what distinguishes a great poet from the rest of us. It is not really possible to pinpoint a precise system or algorithm that would raise a piece of text to the higher level of a good poem. However, certain rules of structure and composition have been developed over the years that can make a text rhythmic and lyrical, which are important ingredients of poetry. In this article my attempt is to share my personal understanding of the craft of poetry with the readers of Kaavyaalaya. This article is based upon some books and magazine articles that I have been reading over the years. Since I am writing all this by memory, I cannot give specific references to what I write here. Even some of the technical terms that I have used, may not be authentic or universally accepted. Readers should consult a more professional and scholarly book for properly learning the craft of poetry. Presumably all languages have their own system of rules or structure for poetry. My subject matter of interest in these articles is limited to Hindi poetry. I will talk a little bit about Urdu poetry because of its intimate relationship with Hindi poetry.