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Proposal to Encode the 'Fravahar' Symbol in Unicode
L2/15-099 2015-03-30 Proposal to Encode the ‘Fravahar’ Symbol in Unicode Anshuman Pandey Department of Linguistics University of Californa, Berkeley Berkeley, California, U.S.A. [email protected] March 30, 2015 1 Introduction This is a proposal to encode a symbol associated with Zoroastrianism and the cultural legacy of Iran in Unicode. The character is proposed for inclusion in the block ‘Miscellaneous Symbols and Pictographs’ (U+1F300). Basic details of the character are as follows: glyph code point character name U+1F9xx FRAVAHAR The representative glyph is derived from an image available on Wikimedia Commons, which was released into the public domain: http://commons.wikimedia.org/wiki/File:Faravahar-Gold.svg. The actual code point will be determined if the proposal is approved. 2 Background In the proposal “Emoji Additions” (L2/14-174), authored by Mark Davis and Peter Edberg, five ‘religious symbols and structures’ among symbols of other categories were proposed for inclusion as part of the Emoji collection in Unicode. Shervin Afshar and Roozbeh Pournader proposed related symbols in “Emoji and Symbol Additions – Religious Symbols and Structures” (L2/14-235). These characters were approved for inclusion in the standard by the UTC in January 2015. No mention was made of symbols associated with Zoroastrianism, but these do exist. This proposal seeks to encode the , one of the most important and recognizable of Zoroastrian symbols. Encoding the in Unicode will enable Zoroastrians worldwide to represent a motif of their religious tradition on digital platforms on par with adherents of other religions. 1 Proposal to Encode the ‘Fravahar’ Symbol in Unicode Anshuman Pandey 3 Description The symbol proposed here is commonly known as fravahar in the Zoroastrian community in Iran and the Parsi community in India (Zoroastrians in India are commonly known as ‘Parsi’). -
Persianism in Antiquity
Oriens et Occidens – Band 25 Franz Steiner Verlag Sonderdruck aus: Persianism in Antiquity Edited by Rolf Strootman and Miguel John Versluys Franz Steiner Verlag, Stuttgart 2017 CONTENTS Acknowledgments . 7 Rolf Strootman & Miguel John Versluys From Culture to Concept: The Reception and Appropriation of Persia in Antiquity . 9 Part I: Persianization, Persomania, Perserie . 33 Albert de Jong Being Iranian in Antiquity (at Home and Abroad) . 35 Margaret C. Miller Quoting ‘Persia’ in Athens . 49 Lloyd Llewellyn-Jones ‘Open Sesame!’ Orientalist Fantasy and the Persian Court in Greek Art 430–330 BCE . 69 Omar Coloru Once were Persians: The Perception of Pre-Islamic Monuments in Iran from the 16th to the 19th Century . 87 Judith A. Lerner Ancient Persianisms in Nineteenth-Century Iran: The Revival of Persepolitan Imagery under the Qajars . 107 David Engels Is there a “Persian High Culture”? Critical Reflections on the Place of Ancient Iran in Oswald Spengler’s Philosophy of History . 121 Part II: The Hellenistic World . 145 Damien Agut-Labordère Persianism through Persianization: The Case of Ptolemaic Egypt . 147 Sonja Plischke Persianism under the early Seleukid Kings? The Royal Title ‘Great King’ . 163 Rolf Strootman Imperial Persianism: Seleukids, Arsakids and Fratarakā . 177 6 Contents Matthew Canepa Rival Images of Iranian Kingship and Persian Identity in Post-Achaemenid Western Asia . 201 Charlotte Lerouge-Cohen Persianism in the Kingdom of Pontic Kappadokia . The Genealogical Claims of the Mithridatids . 223 Bruno Jacobs Tradition oder Fiktion? Die „persischen“ Elemente in den Ausstattungs- programmen Antiochos’ I . von Kommagene . 235 Benedikt Eckhardt Memories of Persian Rule: Constructing History and Ideology in Hasmonean Judea . -
Staging Iranian Modernity: Authors in Search of New Forms
Copyright by Maryam Shariati 2016 The Dissertation Committee for Maryam Shariati certifies that this is the approved version of the following dissertation: Staging Iranian Modernity: Authors in Search of New Forms Committee: Elizabeth M. Richmond-Garza, Supervisor Mohammad R. Ghanoonparvar, Co-Supervisor Lynn R. Wilkinson Katherine M. Arens Sofian Merabet Staging Iranian Modernity: Authors in Search of New Forms by Maryam Shariati, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY The University of Texas at Austin May 2016 Dedication For my soulmate, Ehsan. For everything. Acknowledgements I wish to gratefully acknowledge the guidance and support I have received, intellectual and otherwise, throughout the process of composing and revising this dissertation. My first debt of gratitude is to my dissertation committee members and in particular my indefatigable supervisor, Professor Elizabeth Richmond-Garza, for her unflinching encouragement and infinite forbearance throughout my studies at The University of Texas at Austin. She has been an erudite mentor, critical commentator, and encouraging guide and I thank her for sharing her wealth of knowledge, invaluable insight and expertise in this project. To my co-supervisor, Professor Mohammad R. Ghanoonparvar, I owe immeasurable debt of gratitude for his intellectual guidance and strong commitment to my research—from the start to finish. His boundless enthusiasm, great knowledge, and unfathomable erudition opened an avenue to many stimulating discussions and enabled me to have a clear direction of my project. Another substantial acknowledgement must go to Professor Lynn Wilkinson for her instrumental role at every stage of my research: conceptualizing, researching, and writing. -
The Poetics of Commitment in Modern Persian: a Case of Three Revolutionary Poets in Iran
The Poetics of Commitment in Modern Persian: A Case of Three Revolutionary Poets in Iran by Samad Josef Alavi A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Near Eastern Studies in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Shahwali Ahmadi, Chair Professor Muhammad Siddiq Professor Robert Kaufman Fall 2013 Abstract The Poetics of Commitment in Modern Persian: A Case of Three Revolutionary Poets in Iran by Samad Josef Alavi Doctor of Philosophy in Near Eastern Studies University of California, Berkeley Professor Shahwali Ahmadi, Chair Modern Persian literary histories generally characterize the decades leading up to the Iranian Revolution of 1979 as a single episode of accumulating political anxieties in Persian poetics, as in other areas of cultural production. According to the dominant literary-historical narrative, calls for “committed poetry” (she‘r-e mota‘ahhed) grew louder over the course of the radical 1970s, crescendoed with the monarch’s ouster, and then faded shortly thereafter as the consolidation of the Islamic Republic shattered any hopes among the once-influential Iranian Left for a secular, socio-economically equitable political order. Such a narrative has proven useful for locating general trends in poetic discourses of the last five decades, but it does not account for the complex and often divergent ways in which poets and critics have reconciled their political and aesthetic commitments. This dissertation begins with the historical assumption that in Iran a question of how poetry must serve society and vice versa did in fact acquire a heightened sense of urgency sometime during the ideologically-charged years surrounding the revolution. -
6 Day Mashhad & Neyshabur
6 DAY MASHHAD & NEYSHABUR 6 Day – 5 Night Type: Historical/Caltural/Discovery HIGHLIGHTS The holy shrine of Imam Reza, and Goharshad mosque a great sample of Islamic architecture Neyshabur city, visiting Attar and Kamal-ol-molk tomb and buying Turquoise Tous city and Ferdowsi tomb, the poet of Shahnameh Shandiz and Torghabeh, the country sides and experiencing delicious Shishlik kebab Special souveniers of Mashhad like: Saffron and Barberry Visit Mashhad the city of Ferdowsi, the famous Iranian poet of "Shah Nameh" and Imam Reza the eight Imam of Shia Muslims. Visit ancient places like museums, domes, mausoleums and the shrine. Bargain in the bazaars and take a wide variety of traditional hand crafts, precious stones and Saffron as souvenirs. Savor flavorful and delicious Persian cuisine. Go to the northeast of Iran, A major oasis along the ancient Silk Road, where Kashmar rug a type of Persian rug is indigenous to this region. Visit the city of Ferdowsi, the Iranian poet of "Shah Nameh", which is considered to be the national epic of Iran. The hometown of some of the most significant Iranian literary figures and artists, Mohammadreza Shajarian and Akhavan sales. The city is most famous and revered for housing the tomb of Imam Reza the eighth Imam of Shia. Benefit from the proximity of the mountains, cool winters, pleasant springs, mild summers, and beautiful autumns. Rich in souvenir; dry fruits, salted nuts, Saffron, Iranian sweets like "Gaz" and "Sohaan", precious stones like agates, turquoise, intricately designed silver jewelry studded with rubies and emeralds, eighteen carat gold jewelry, perfumes, religious souvenirs, Trench coats, Scarves, Termeh, carpets and Rugs. -
Michael Craig Hillmann–Résumé Copy
Michael Craig Hillmann–Résumé, 1996-2017 3404 Perry Lane, Austin, Texas 78731, USA 512-451-4385 (home tel), 512-653-5152 (cell phone) UT Austin WMB 5.146 office: 512-475-6606 (tel) and 512-471-4197 (fax) [email protected] and [email protected] (e-mail addresses) Web sites: www.utexas.Academia.edu/MichaelHillmann, www.Issuu.com/MichaelHillmann Academic Training_____________________________________________________________________________________________ • Classics, College of the Holy Cross, Worcester (MA), 1958-59. • B.A., English literature, Loyola University Maryland, Baltimore, MD), 1962. • Postgraduate study, English literature, The Creighton University, Omaha (NB), 1962-64. • M.A., Near Eastern Languages and Civilizations, The University of Chicago, 1969. • Postgraduate study, Persian literature, University of Tehran, 1969-73. • Ph.D., Near Eastern Languages and Civilizations, The University of Chicago, 1974. • M.A., English Literature, Texas State University at San Marcos (1997). Professional Positions since 1996__________________________________________________________________________________ • Professor of Persian, The University of Texas at Austin, 1974- . • President, Persepolis Institute (non-academic Persian Language consultants), Austin, 1977- . Teaching since 1996____________________________________________________________________________________________ Language • Elementary Colloquial/Spoken and Bookish/Written Persian (First-year Persian 1 and 2) • Elementary Persian Reading for Iranian Heritage Speakers • Intermediate -
Script Épisode 1
Episode 1 : jane celle qui portait la culotte GENERIQUE DE DEBUT _________________________________________________________ Johanna : Vous voyez l'église de la Dalbade dans le quartier des Carmes à Toulouse ? Eh bien c'est là qu'elle est née. En 1851. "Elle", c'est Jeanne Magre. Une petite fille qui deviendra une grande dame : Jane Dieulafoy. Une des premières femmes françaises à recevoir la Légion d'Honneur, une pionnière de l’archéologie et celle qui a pu être autorisée à porter… - tenez vous bien - un pantalon ! Laissez-moi vous raconter l'histoire de Jane archéologue et romancière, oubliée de la grande Histoire. VIRGULE _________________________________________________________ Lancement : Johanna : Depuis toute petite, Jeanne a toujours aimé les trucs de garçon. Avec son grand frère, elle avait l'habitude de faire des promenades à cheval. Jane : ...des promenades à cheval. Mon papa et ma maman appartiennent à la bourgeoisie toulousaine. Papa fait du commerce, maman ne travaille pas. Moi, ce que j'aime, c'est le dessin et la peinture. Dès l'âge de onze ans, mes parents me placent dans un Institut catholique en banlieue parisienne. J'étudie la littérature, le latin, le grec, mais aussi … les civilisations anciennes. Ça devient une vraie passion. Vous verrez ;-) À 18 ans, je rencontre Marcel Dieulafoy et je tombe amoureuse de lui. Je vous en parle parce que c'est un élément important de mon récit. À cette époque, il travaille au service des édifices municipaux de la ville rose. Un an plus tard, en 1870, on se marie. Mais la même année, la guerre éclate entre la France et la Prusse. -
“Transfer” XIV: 1-2 (2019), Pp. 49-72. ISSN: 1886-554
“Transfer” XIV: 1-2 (2019), pp. 49-72. ISSN: 1886-554 “SOMETHING FOREIGN IN IT”: A STUDY OF AN IRANIAN TRANSLATION OF WHITMAN’S IMAGE Behnam M. Fomeshi (ORCID: 0000-0001-6821-9699) TU Dortmund University (Germany) Reception date: 02/02/2018; Acceptance date: 15/03/2018 Introduction What happens to Whitman when he enters Iran? What does the Persian Whitman look like? What does his Persianness or his foreignness tell us about Whitman, Iran, and the interaction between the two? This essay answers these questions to elaborate on the dialogue created between American poetry and contemporary Iran through translating Whitman. Studies of the reception of a writer in another culture primarily deal with the translation of the works into the target language. Such studies usually ignore the translation of the writer’s image. The present essay focuses on the translation of an American writer’s image into a contemporary Iranian context. In this study, “image” refers both to visual representations, such as pictures or photographs, and the mental conceptions held in common by members of a group, such as is the subject of imagology. Walt Whitman (1819-1892), commonly referred to as the father of American free verse and the American poet of democracy, has frequently been studied in terms of his reputation, reception, and influence in other countries. Blodgett’s 1934 book, Walt Whitman in England, the first formal reception study of the poet in an international context, was followed by Betsy Erkkila’s Walt Whitman among the French: Poet and Myth (1980), Walter Grunzweig’s 49 “Transfer” XIV: 1-2 (2019), pp. -
The Land of Glory and Beauties
IRAN The Land of Glory and Beauties Iranian Cultural Heritage, Handicrafts and Tourism Organization www.tourismiran.ir Iran is the land of four seasons, history and culture, souvenir and authenticity. This is not a tourism slogan, this is the reality inferred from the experience of visitors who have been impressed by Iran’s beauties and amazing attractions. Antiquity and richness of its culture and civilization, the variety of natural and geographical attractions, four - season climate, diverse cultural sites in addition to different tribes with different and fascinating traditions and customs have made Iran as a treasury of tangible and intangible heritage. Different climates can be found simultaneously in Iran. Some cities have summer weather in winter, or have spring or autumn weather; at the same time in summer you might find some regions covered with snow, icicles or experiencing rain and breeze of spring. Iran is the land of history and culture, not only because of its Pasargad and Persepolis, Chogha Zanbil, Naqsh-e Jahan Square, Yazd and Shiraz, Khuzestan and Isfahan, and its tangible heritage inscribed in the UNESCO World Heritage List; indeed its millennial civilization and thousands historical and archeological monuments and sites demonstrate variety and value of religious and spiritual heritage, rituals, intact traditions of this country as a sign of authenticity and splendor. Today we have inherited the knowledge and science from scientists, scholars and elites such as Hafez, Saadi Shirazi, Omar Khayyam, Ibn Khaldun, Farabi, IRAN The Land of Glory and Beauties Ibn Sina (Avicenna), Ferdowsi and Jalal ad-Din Muhammad Rumi. Iran is the land of souvenirs with a lot of Bazars and traditional markets. -
Hosseini, Mahrokhsadat.Pdf
A University of Sussex PhD thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details Iranian Women’s Poetry from the Constitutional Revolution to the Post-Revolution by Mahrokhsadat Hosseini Submitted for Examination for the Degree of Doctor of Philosophy in Gender Studies University of Sussex November 2017 2 Submission Statement I hereby declare that this thesis has not been, and will not be, submitted in whole or in part to another University for the award of any other degree. Mahrokhsadat Hosseini Signature: . Date: . 3 University of Sussex Mahrokhsadat Hosseini For the degree of Doctor of Philosophy in Gender Studies Iranian Women’s Poetry from the Constitutional Revolution to the Post- Revolution Summary This thesis challenges the silenced voices of women in the Iranian written literary tradition and proposes a fresh evaluation of contemporary Iranian women’s poetry. Because the presence of female poets in Iranian literature is a relatively recent phenomenon, there are few published studies describing and analysing Iranian women’s poetry; most of the critical studies that do exist were completed in the last three decades after the Revolution in 1979. -
Simin Behbahani, the “Lioness of Iran” the Economist, Aug 30Th 2014 | from the Print Edition Simin Behbahani, Poet, Died on August 19Th, Aged 87
Simin Behbahani, the “Lioness of Iran” The Economist, Aug 30th 2014 | From the print edition Simin Behbahani, poet, died on August 19th, aged 87 EVEN as a child, she knew how poetry should sound. The rhythm of the rhyme her teacher gave her to recite—“I am a yellow rose, the Sultan of all the flowers, the Sultan of all the flowers”—was wrong. She envied the verse bestowed upon a friend, which scanned so much more sweetly, as much as she coveted the red ruffles of her dress, so much finer than her own yellow organdy. So, at the age of 12, Simin Behbahani began writing her own rhymes. She wrote in the style of the old Persian poets: Hafez, Rumi and Sa’adi. Her contemporaries had abandoned traditional forms such as the ghazal, a sonnet of sorts, with its stiff, restrictive structure. With heads full of modernism they used rhymeless, formless verses to criticise their country and its rulers. But she embraced the old ways. After all, that was the sort of poetry that Iranians knew, the sort they could recite from memory, the cadences of their history. She borrowed the styles of the masters, but not their substance. They wrote of goblets of wine, and nightingales, and laments for their beloved. She wrote of love, too, but also of politics and of life’s darker realities. “O moaning starving masses, what will you do? O poor anguished nation, what will you do?” asked the first line of her first published poem. Later she wrote about prostitutes hustling in the streets of Tehran, and about the pain of a mother unable to afford pistachios for her son. -
Selbstentwürfe in Der Fremde. Der
Bamberger 11 Orientstudien Selbstentwürfe in der Fremde Der iranische Schriftsteller Bozorg Alavi im deutschen Exil Roja Dehdarian 11 Bamberger Orientstudien Bamberger Orientstudien hg. von Lale Behzadi, Patrick Franke, Geoffrey Haig, Christoph Herzog, Birgitt Hoffmann, Lorenz Korn und Susanne Talabardon Band 11 2018 Selbstentwürfe in der Fremde Der iranische Schriftsteller Bozorg Alavi im deutschen Exil von Roja Dehdarian 2018 Bibliographische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deut- schen Nationalbibliographie; detaillierte bibliographische Informationen sind im Internet über http://dnb.d-nb.de/ abrufbar. Diese Arbeit hat der Fakultät Geistes- und Kulturwissenschaften der Otto-Friedrich-Universität Bamberg als Dissertation vorgelegen. Gutachterin: Prof. Dr. Birgitt Hoffmann Gutachterin: PD Dr. Roxane Haag-Higuchi Tag der mündlichen Prüfung: 13.01.2016 Dieses Werk ist als freie Onlineversion über den Hochschulschriften-Server (OPUS; http://www.opus-bayern.de/uni-bamberg/) der Universitätsbiblio- thek Bamberg erreichbar. Kopien und Ausdrucke dürfen nur zum privaten und sonstigen eigenen Gebrauch angefertigt werden. Herstellung und Druck: docupoint Magdeburg Umschlaggestaltung: University of Bamberg Press, Larissa Günther Umschlagbild: Bozorg Alevi © University of Bamberg Press Bamberg, 2018 http://www.uni-bamberg.de/ubp/ ISSN: 2193-3723 ISBN: 978-3-86309-493-5 (Druckausgabe) eISBN: 978-3-86309-494-2 (Online-Ausgabe) URN: urn:nbn:de:bvb:473-opus4-492538 DOI: