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Ali Pirzadeh Exploring the Historical Roots of Culture, Economics, And
Arts, Research, Innovation and Society Ali Pirzadeh Iran Revisited Exploring the Historical Roots of Culture, Economics, and Society Arts, Research, Innovation and Society Series Editors Gerald Bast, University of Applied Arts, Vienna, Austria Elias G. Carayannis, George Washington University, Washington, DC, USA David F.J. Campbell, University of Applied Arts, Vienna, Austria Editors-in-Chief Gerald Bast and Elias G. Carayannis Chief Associate Editor David F.J. Campbell More information about this series at http://www.springer.com/series/11902 Ali Pirzadeh Iran Revisited Exploring the Historical Roots of Culture, Economics, and Society Ali Pirzadeh Washington , DC , USA Arts, Research, Innovation and Society ISBN 978-3-319-30483-0 ISBN 978-3-319-30485-4 (eBook) DOI 10.1007/978-3-319-30485-4 Library of Congress Control Number: 2016935406 © Springer International Publishing Switzerland 2016 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifi cally the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfi lms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specifi c statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. -
Irreverent Persia
Irreverent Persia IRANIAN IRANIAN SERIES SERIES Poetry expressing criticism of social, political and cultural life is a vital integral part of IRREVERENT PERSIA Persian literary history. Its principal genres – invective, satire and burlesque – have been INVECTIVE, SATIRICAL AND BURLESQUE POETRY very popular with authors in every age. Despite the rich uninterrupted tradition, such texts FROM THE ORIGINS TO THE TIMURID PERIOD have been little studied and rarely translated. Their irreverent tones range from subtle (10TH TO 15TH CENTURIES) irony to crude direct insults, at times involving the use of outrageous and obscene terms. This anthology includes both major and minor poets from the origins of Persian poetry RICCARDO ZIPOLI (10th century) up to the age of Jâmi (15th century), traditionally considered the last great classical Persian poet. In addition to their historical and linguistic interest, many of these poems deserve to be read for their technical and aesthetic accomplishments, setting them among the masterpieces of Persian literature. Riccardo Zipoli is professor of Persian Language and Literature at Ca’ Foscari University, Venice, where he also teaches Conceiving and Producing Photography. The western cliché about Persian poetry is that it deals with roses, nightingales, wine, hyperbolic love-longing, an awareness of the transience of our existence, and a delicate appreciation of life’s fleeting pleasures. And so a great deal of it does. But there is another side to Persian verse, one that is satirical, sardonic, often obscene, one that delights in ad hominem invective and no-holds barred diatribes. Perhaps surprisingly enough for the uninitiated reader it is frequently the same poets who write both kinds of verse. -
Staging Iranian Modernity: Authors in Search of New Forms
Copyright by Maryam Shariati 2016 The Dissertation Committee for Maryam Shariati certifies that this is the approved version of the following dissertation: Staging Iranian Modernity: Authors in Search of New Forms Committee: Elizabeth M. Richmond-Garza, Supervisor Mohammad R. Ghanoonparvar, Co-Supervisor Lynn R. Wilkinson Katherine M. Arens Sofian Merabet Staging Iranian Modernity: Authors in Search of New Forms by Maryam Shariati, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY The University of Texas at Austin May 2016 Dedication For my soulmate, Ehsan. For everything. Acknowledgements I wish to gratefully acknowledge the guidance and support I have received, intellectual and otherwise, throughout the process of composing and revising this dissertation. My first debt of gratitude is to my dissertation committee members and in particular my indefatigable supervisor, Professor Elizabeth Richmond-Garza, for her unflinching encouragement and infinite forbearance throughout my studies at The University of Texas at Austin. She has been an erudite mentor, critical commentator, and encouraging guide and I thank her for sharing her wealth of knowledge, invaluable insight and expertise in this project. To my co-supervisor, Professor Mohammad R. Ghanoonparvar, I owe immeasurable debt of gratitude for his intellectual guidance and strong commitment to my research—from the start to finish. His boundless enthusiasm, great knowledge, and unfathomable erudition opened an avenue to many stimulating discussions and enabled me to have a clear direction of my project. Another substantial acknowledgement must go to Professor Lynn Wilkinson for her instrumental role at every stage of my research: conceptualizing, researching, and writing. -
On the Modern Politicization of the Persian Poet Nezami Ganjavi
Official Digitized Version by Victoria Arakelova; with errata fixed from the print edition ON THE MODERN POLITICIZATION OF THE PERSIAN POET NEZAMI GANJAVI YEREVAN SERIES FOR ORIENTAL STUDIES Edited by Garnik S. Asatrian Vol.1 SIAVASH LORNEJAD ALI DOOSTZADEH ON THE MODERN POLITICIZATION OF THE PERSIAN POET NEZAMI GANJAVI Caucasian Centre for Iranian Studies Yerevan 2012 Siavash Lornejad, Ali Doostzadeh On the Modern Politicization of the Persian Poet Nezami Ganjavi Guest Editor of the Volume Victoria Arakelova The monograph examines several anachronisms, misinterpretations and outright distortions related to the great Persian poet Nezami Ganjavi, that have been introduced since the USSR campaign for Nezami‖s 800th anniversary in the 1930s and 1940s. The authors of the monograph provide a critical analysis of both the arguments and terms put forward primarily by Soviet Oriental school, and those introduced in modern nationalistic writings, which misrepresent the background and cultural heritage of Nezami. Outright forgeries, including those about an alleged Turkish Divan by Nezami Ganjavi and falsified verses first published in Azerbaijan SSR, which have found their way into Persian publications, are also in the focus of the authors‖ attention. An important contribution of the book is that it highlights three rare and previously neglected historical sources with regards to the population of Arran and Azerbaijan, which provide information on the social conditions and ethnography of the urban Iranian Muslim population of the area and are indispensable for serious study of the Persian literature and Iranian culture of the period. ISBN 978-99930-69-74-4 The first print of the book was published by the Caucasian Centre for Iranian Studies in 2012. -
Illumination of the Essence of the Concepts of Spirit
NOVATEUR PUBLICATIONS JournalNX- A Multidisciplinary Peer Reviewed Journal ISSN No: 2581 - 4230 VOLUME 7, ISSUE 6, June. -2021 ILLUMINATION OF THE ESSENCE OF THE CONCEPTS OF SPIRIT AND BODY IN THE RUBAIYATS OF OMAR KHAYYAM Yunusova Gulnoza Akramovna A Teacher of English Language Department Bukhara State Medical Institute ABSTRACT: INTRODUCTION: The Rubaiyat is a collection of four If we be two, we two are so line stanzas. Originally, it was written by As stiff twin-compasses are two; Omar Khayyam, a Persian poet, but later it Thy Soul, the fixt foot, makes no show was translated by Edward FitzGerald into To move, but does if the other do. English. It is translated version of The Rubaiyat actually is a stanza form FitzGerald, established in five editions that equal to a quatrain but the term is still known make the Rubaiyat widely known in the in the local use. He reflects on the frailty of world of literature, especially English human existence, the cruelty of fate and literature. This study deals with the 1859 ignorance of man. All of his ideas belong to the first edition. The Rubaiyat is the exposition concept of contemplation in Sufism, and these of Khayyam's contemplation of life and become one of the contributions to the world of Divinity, which is highly appreciated, and of literature. Therefore, it is proper for Khayyam's great importance in the world of literature Rubaiyat to be remembered by means of and a stepping progress to spirituality. analysis. Finally, it is hoped that this analysis Concerning the contemplation of Divine gives a gleam of sufi teaching. -
The Poetics of Commitment in Modern Persian: a Case of Three Revolutionary Poets in Iran
The Poetics of Commitment in Modern Persian: A Case of Three Revolutionary Poets in Iran by Samad Josef Alavi A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Near Eastern Studies in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Shahwali Ahmadi, Chair Professor Muhammad Siddiq Professor Robert Kaufman Fall 2013 Abstract The Poetics of Commitment in Modern Persian: A Case of Three Revolutionary Poets in Iran by Samad Josef Alavi Doctor of Philosophy in Near Eastern Studies University of California, Berkeley Professor Shahwali Ahmadi, Chair Modern Persian literary histories generally characterize the decades leading up to the Iranian Revolution of 1979 as a single episode of accumulating political anxieties in Persian poetics, as in other areas of cultural production. According to the dominant literary-historical narrative, calls for “committed poetry” (she‘r-e mota‘ahhed) grew louder over the course of the radical 1970s, crescendoed with the monarch’s ouster, and then faded shortly thereafter as the consolidation of the Islamic Republic shattered any hopes among the once-influential Iranian Left for a secular, socio-economically equitable political order. Such a narrative has proven useful for locating general trends in poetic discourses of the last five decades, but it does not account for the complex and often divergent ways in which poets and critics have reconciled their political and aesthetic commitments. This dissertation begins with the historical assumption that in Iran a question of how poetry must serve society and vice versa did in fact acquire a heightened sense of urgency sometime during the ideologically-charged years surrounding the revolution. -
197 Comparative Literature in Iran
International Journal of Multidisciplinary Research and Development International Journal of Multidisciplinary Research and Development Online ISSN: 2349-4182, Print ISSN: 2349-5979, Impact Factor: RJIF 5.72 www.allsubjectjournal.com Volume 3; Issue 11; November 2016; Page No. 197-203 Comparative literature in Iran: Origin and development Mukhtar Ahmed Centre for Persian and Central Asian Studies/ SL/ JNU, New Delhi, India Abstract This paper seeks to trace the historical tracks of comparative literature in modern Iran. I am following the early footsteps of comparative literature of Iran through the life of Fatemeh Sayyah (1902-1947), who is credited to be the founder of the discipline of Comparative literature in Iran, which started off as discipline with the introduction of a literary program for the first time at Tehran University in 1938. The very first academic comparative work with respect to Persian literature was done by an Indian scholar Umar Bin Mohammad Daudpota almost 11 years before its introduction in Iranian university curriculum, in 1927 at Cambridge University, with the title of ‘The effect of Arabic poetry on Persian poetry’. As a discipline, throughout its journey that comparative literature encountered in Iran as far as its development is concerned has had to overcome obstacles in its way. Many a time the program faced its closures and reopening. The process of literary interaction with French literature, its impact on Iranian literature and the outcome of this process, which I believe is more out of a protest than anything else, though it was leveraged to some extent by Pahlavi dynasty in a bid to protect its claims for monarchy. -
Forugh Farrojzad Y Alejandra Pizarnik: Obra Literaria Y Contexto Social
UNIVERSIDAD AUTÓNOMA DE MADRID DEPARTAMENTO DE FILOLOGÍA ESPAÑOLA FORUGH FARROJZAD Y ALEJANDRA PIZARNIK: OBRA LITERARIA Y CONTEXTO SOCIAL. ESTUDIO COMPARATIVO TESIS DOCTORAL Presentada por: Nafiseh Zifan Dirigida por: Dra. Dña. Selena Millares Martín Madrid 2019 UNIVERSIDAD AUTÓNOMA DE MADRID FACULTAD DE FILOSOFÍA Y LETRAS DEPARTAMENTO DE FILOLOGÍA ESPAÑOLA FORUGH FARROJZAD Y ALEJANDRA PIZARNIK: OBRA LITERARIA Y CONTEXTO SOCIAL. ESTUDIO COMPARATIVO TESIS DOCTORAL Presentada por: Nafiseh Zifan Dirigida por: Dra. Dña. Selena Millares Martín Madrid 2019 A mis padres, me gustaría agradecérles de todo corazón, pero para ustedes, mi querida esperanza, mi corazón no tiene fondo. i AGRADECIMIENTOS A Dios, el ser omnipotente que me ha dado la vida y me lleva cada día de las manos, por las grandes oportunidades que me da irradiando. A la admirable profesora, Dra. Selena Millares Martín, por su confianza en mi trabajo, su sabia dirección, sus valiosas aportaciones y su apoyo constante, así como por la amabilidad y el cariño que ha mostrado durante esta larga andadura por los caminos del conocimiento y de la complicidad intelectual. A mis padres y hermanos, por su colaboración y compasión, y su apoyo incondicional en cumplir con excelencia el desarrollo de esta tesis. Espero que este diminuto trabajo pueda agradecer una pequeña parte de sus esfuerzos. A mi amiga Karina, por su compañía y atención en este trabajo. A todas aquellas personas que de una u otra forma estuvieron relacionadas y me apoyaron de manera desinteresada. A todos ellos muchas gracias. ii ÍNDICE INTRODUCCIÓN 1 I. LA POESÍA A ESCALA GLOBAL: SITUACIÓN SOCIAL E HISTÓRICA DE LAS POETAS CONTEMPORÁNEAS 1. -
Simin Daneshvar's Savushun: Examining Gender Under Patriarchy
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of New Orleans University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Summer 8-4-2011 Simin Daneshvar's Savushun: Examining Gender Under Patriarchy Yasaman Jahed University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Feminist, Gender, and Sexuality Studies Commons, and the Other Languages, Societies, and Cultures Commons Recommended Citation Jahed, Yasaman, "Simin Daneshvar's Savushun: Examining Gender Under Patriarchy" (2011). University of New Orleans Theses and Dissertations. 462. https://scholarworks.uno.edu/td/462 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Simin Daneshvar's Savushun: Examining Gender Under Patriarchy A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Arts in English American Literature by Yasaman Jahed B.A. -
Sa'di's Rose Garden
Sa’di’s Rose Garden: a Paean to Reconciliation ‘An Exploration of Socio-Political Relations, Human Interactions, Integration, Peace and Harmony’ Mohamad Ahmadian Cherkawani (Iman) Doctor of Philosophy in International Relations Department of Politics School of Geography, Politics, Sociology 01/2018 i ii Abstract The core purpose of this PhD has been to investigate the reconciliatory thought of a 13th century Persian poet named Sa’di Shirazi. Although Sa’di’s prose poetry is not set out in the systematic form of a comprehensive political theory, profound insights were extracted from it that convey a powerful message regarding the necessities of harmonious behaviour as a precondition for a healthy society, and the dangers of not adhering to it. The Rose Garden of Sa’di, his most prized work and a pillar of Persian literature which is one of the oldest in the world, was the focus of this thesis. I revealed that deep within the Rose Garden, there exists a concept of human integration or reconciliation leading towards an ideal state that Sa’di envisions and the name of the book denotes. This concept lies at the heart of his concern for human well-being and prosperity. The thesis is developed in five stages: first, I describe Sa’di’s personality and life experiences; second, I show how recently there has been an aesthetic turn and a local turn in our understanding of present-day politics and peace, demonstrating how poetry, especially indigenous poetry, can have a significant impact on political behaviour and understanding; third, I deal with -
The Socioeconomics of State Formation in Medieval Afghanistan
The Socioeconomics of State Formation in Medieval Afghanistan George Fiske Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2012 © 2012 George Fiske All rights reserved ABSTRACT The Socioeconomics of State Formation in Medieval Afghanistan George Fiske This study examines the socioeconomics of state formation in medieval Afghanistan in historical and historiographic terms. It outlines the thousand year history of Ghaznavid historiography by treating primary and secondary sources as a continuum of perspectives, demonstrating the persistent problems of dynastic and political thinking across periods and cultures. It conceptualizes the geography of Ghaznavid origins by framing their rise within specific landscapes and histories of state formation, favoring time over space as much as possible and reintegrating their experience with the general histories of Iran, Central Asia, and India. Once the grand narrative is illustrated, the scope narrows to the dual process of monetization and urbanization in Samanid territory in order to approach Ghaznavid obstacles to state formation. The socioeconomic narrative then shifts to political and military specifics to demythologize the rise of the Ghaznavids in terms of the framing contexts described in the previous chapters. Finally, the study specifies the exact combination of culture and history which the Ghaznavids exemplified to show their particular and universal character and suggest future paths for research. The Socioeconomics of State Formation in Medieval Afghanistan I. General Introduction II. Perspectives on the Ghaznavid Age History of the literature Entrance into western European discourse Reevaluations of the last century Historiographic rethinking Synopsis III. -
The Implications of the Iranian Reform Movement's Islamization Of
The Implications of the Iranian Reform Movement’s Islamization of Secularism for a Post-Authoritarian Middle East by James Matthew Glassman An honors thesis submitted in partial fulfillment of the requirements for the degree of Bachelor of Arts with honors designation in International Affairs Examining Committee: Dr. Jessica Martin, Primary Thesis Advisor International Affairs Dr. John Willis, Secondary Thesis Advisor History Dr. Vicki Hunter, Honors Committee Advisor International Affairs UNIVERSITY OF COLORADO AT BOULDER DEFENDED APRIL 3, 2014 For over the soul God can and will let no one rule but Himself. Therefore, where temporal power presumes to proscribe laws for the soul, it encroaches upon God’s government and only misleads and destroys souls. ~ خداوند منی تواند و اجازه خنواهد داد که هیچ کس به غری از خودش بر روح انسان تسلط داش ته ابشد. در نتیجه هر جایی که قدرت دنیوی سعی کند قواننی روحاین را مقرر کند، این مس ئهل یک جتاوز به حکومت الهیی می ابشد که فقط موجب گمراهی و ویراین روح می شود. ~ Martin Luther 1523 AD - i - To my parents, Rick and Nancy, and my grandfather, Edward Olivari. Without your love and support, none of this would have been possible. and To Dr. J. Thank you for believing in me and for giving me a second chance at the opportunity of a lifetime. - ii - Table of Contents Glossary of Essential Terms in Persian ...................................................................................... iv A Note on the Transliteration ..................................................................................................... vi Abstract ...................................................................................................................................... vii Introduction: The Emergence of a Secular and Islamic Democratic Discourse in Iran ........ 1 Chapter One – Historical Framework Part One: Post-Colonial Secular and Islamic Thought in Iran 1953 - 1989 ........................................................................................................