DOCSLIB.ORG

Gerhart Hauptmann John Galsworthy a Parallel

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Gerhart Hauptmann John Galsworthy a Parallel 7 ’ ’ It is with pleasure I ackrfidwledge my 1 indebtedness to Professor Cornelius “f ey an d t in in m e fln in téi > g , first , for inspir g in o f or est modern drama , and sec nd , his I W n valuable counsel . ish also to tha k G . C . C F Professors hild and . E . Schell M r l ing , and . Kar Scholz for helpful sug gestion s . CONTE NTS I N TRODU CTI ON SUB J E CT MA TTE R ART T H E PARALLE L PLAY S Die Web er an d Str ife D er Biber p elz an d Th e Silver B 0x H a l m l r n h e es Hi m e f ah t a n d Th e Littl e Dr eam . ’ M ich a el Kr am er a n d A B it 0 L ove H AP R N I N C TE V . CO C LU S O B I B LI OGRAP H Y HA PTMAN N AND O HN GA W RT H GE R RT HAU J LS O Y , A PA A R LLE L . I . I N R D I O N T O UCT . Ioh n Galsworth has unc o nsciously created on the last page Of Th e ~ y Cou n tr y H ou s e a symbol of the relat ionship between Gerhart Hauptmann “ R M r P n d e : o f . e c and himself . Thus he puts it The faces the ector and y ff a n d were turned up at the same angle , and di erent as those faces figures n O f o f were in their eter al rivalry type , a sort essential likeness struck her w as with a feeling Of surprise . It as though a single spirit seeking for a two to body had met with these shapes , and becoming confused decided ” . on inhabit both The ast ishing thing is , not that a spiritual relationship x e should e ist between them , but that it should xpress itself in singular parallels in their works and their careers . Th e parallels in their careers take the form of interesting coincidences . F t irst , is the proximity of their ages . Then , is the fact tha , tho each r has travelled extensively, each has laid the scenes of his wo ks almost - x n . M t e clusively in his ative country oreover , each is pre occupied wi h H G D . his native district , auptmann in Sile sia and alsworthy with evon A s x nearly all o f the few e ceptions are the results of travels , it can readily be seen which countries have had the greatest influence upon them . These o i n H t o o r few excepti ns are , the case Of aup mann , laid wh lly partly , in 1 2 3 4 5 S G e A G Italy, witzerland , Poland , re ce and merica ; in the case Of als 6 7 8 9 1 0 in G A A . worthy , Italy , Tyrol , ermany , South frica and merica E ach , A t as A . o it should be noticed , h visited Italy and merica lth ugh nei her r O h etic — H would pose as a prophet , each has written a p p book auptmann , 1L P r om ethialen l o an d r s eld a s G i . 2 D er A t l pos e . 8 l E ga . ‘ D er B o en d es O sseu s an d r ech s ch er F r u h l n g dy G i i i g . l‘ At l a n ti s . °“ ” A Kn h t in V lla R u b ein a n d O th er Stor es Th e a r k F l ower W n in th e ig i i , D , i d ” “ ” Rocks an d Th e I n n o f T a n u ll t in Th e I n n o Tr an u ll t r q i i y f q i i y . 7“ ” V ll a Ru b ein a n d Th ttl Dr a m i e Li e e . 8 “ ” Th e Sa l at on o f a F o s th e in V lla R a be a a n d Oth er tor ies v i r y i i S . “ ” A W om an in M o tl e A y . 1 ” ” Th e S l en ce in V lla R u b ein an d Oth er Stor es an d Th at Ol d T m e la ce in i i i , i P Th e I n n o Tr a n u ll t f q i i y . I O Ger/t a r t Hau pt m a n n a nd Joh n Gal sw or thy A tl an ti th T n G Th e M o s before the sinking of e ita ic , alsworthy , b before the outbreak of the present war . E ach is well versed in painting an d e a f o n . music . E ach is a poet , a nov list , a dr matist inter ational repute w n n E ach has ritte prose sketches and comments , and an introductio to ’ w another s ork . Hauptmann and Galsworthy are not what might be called popu ” t n lar wri ers . Their work is far above the comprehe sion of the mass of f or . F or people , and much too universal , too tolerant the specialist the o r e t man who desires mere art , the man who desires m re amusement , hey n w h o n have a superabunda ce of thought ; for the man desires o ly ideas , ' “ ” t C f iir they are provokingly artis ic . onsequently they write wenige E dle , can F who appreciate both their art and their thought . rom this it must not b e ou t o f inferred that either is isolated in some back eddy, the current A t o f Th e th e . n modern life . reverse is nearer truth l ho not chan el break ar o f ers they e channel makers . E ach is abreast modern development in both thought and technique . E ach is a leader in our renascent drama —“ which is renascent as Galsworthy says n ot because this or that ma n is i ” B H be o f n ew t . writing, but cause a sp ri oth auptmann and Galsworthy e n H emin ntly represent this new spirit , si ce auptmann is the foremost t o f Ge G O f r drama ist contemporary rmany, as alsworthy is contempora y E . o f an d ngland This fact , together with the importance drama , the uni versal interest in it at the present time , is the j ustification of the present study . The purpose of this paper is n ot to point ou t merely that this new spirit expresses itself in these tw o m en but more especially that it expresses itsel f similarly in these tw o men ; no t to prove any i n debtedn ess to any ou t n n O f author or movement , but to point the singular phe ome on paral ' l lism h A e b u t ow . ; not to show why they are alike , they are alike nalysis or critical appraisal of the work Of either author is not here attempted n M rather i terpretative comparison . oreover no claim is made that this study is either exhaustive o r complete . i While both Hauptmann and Galsworthy began to write at the en d of n n a r . the inetee th century, they e essentially writers of the twentieth This is because they look forward instead of backward or merely a round . The century j ust closed was one of change of incalculable significan ce in all ' — n t i phases Of li fe i dustry , poli cs , religion , ethics , art , due primarily to the P r t development of science . erhaps the g eatest change was wrough by the I n tr od u ction I I expansion Of the material side o f life . The introduction of improved u T e x machinery pr Od ced in dustrialism . his made lif more comple and An intense , and created plutocrats and industrial slaves . accompaniment o f this material expansion was the extension Of the democratic and social b F R spirit , given , as it was , its initial impetus y the rench evolution , and h b M x n S . T e later, acceleration y ar ia ocialism result was to place emphasis upon the individual and his right to political , economic and reli i u t O f g o s fre edom . Scarcely less important han the material expansion ’ li fe was the mental . I f science changed man s environment and mode of x n n t O f life , it likewise e te ded his mental horizo , by the introduc ion new ideas in practical ly every field of human endeavor. It made the world B ut smaller an d created a cosmopolitan spirit . the phase of science that A in re volutionized all things was the theory of evolution .
Load more

Recommended publications
  • JM Coetzee and Mathematics Peter Johnston
    1 'Presences of the Infinite': J. M. Coetzee and Mathematics Peter Johnston PhD Royal Holloway University of London 2 Declaration of Authorship I, Peter Johnston, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Dated: 3 Abstract This thesis articulates the resonances between J. M. Coetzee's lifelong engagement with mathematics and his practice as a novelist, critic, and poet. Though the critical discourse surrounding Coetzee's literary work continues to flourish, and though the basic details of his background in mathematics are now widely acknowledged, his inheritance from that background has not yet been the subject of a comprehensive and mathematically- literate account. In providing such an account, I propose that these two strands of his intellectual trajectory not only developed in parallel, but together engendered several of the characteristic qualities of his finest work. The structure of the thesis is essentially thematic, but is also broadly chronological. Chapter 1 focuses on Coetzee's poetry, charting the increasing involvement of mathematical concepts and methods in his practice and poetics between 1958 and 1979. Chapter 2 situates his master's thesis alongside archival materials from the early stages of his academic career, and thus traces the development of his philosophical interest in the migration of quantificatory metaphors into other conceptual domains. Concentrating on his doctoral thesis and a series of contemporaneous reviews, essays, and lecture notes, Chapter 3 details the calculated ambivalence with which he therein articulates, adopts, and challenges various statistical methods designed to disclose objective truth.
    [Show full text]
  • The Work of the Little Theatres
    TABLE OF CONTENTS PART THREE PAGE Dramatic Contests.144 I. Play Tournaments.144 1. Little Theatre Groups .... 149 Conditions Eavoring the Rise of Tournaments.150 How Expenses Are Met . -153 Qualifications of Competing Groups 156 Arranging the Tournament Pro¬ gram 157 Setting the Tournament Stage 160 Persons Who J udge . 163 Methods of Judging . 164 The Prizes . 167 Social Features . 170 2. College Dramatic Societies 172 3. High School Clubs and Classes 174 Florida University Extension Con¬ tests .... 175 Southern College, Lakeland, Florida 178 Northeast Missouri State Teachers College.179 New York University . .179 Williams School, Ithaca, New York 179 University of North Dakota . .180 Pawtucket High School . .180 4. Miscellaneous Non-Dramatic Asso¬ ciations .181 New York Community Dramatics Contests.181 New Jersey Federation of Women’s Clubs.185 Dramatic Work Suitable for Chil¬ dren .187 4 TABLE OF CONTENTS PAGE II. Play-Writing Contests . 188 1. Little Theatre Groups . 189 2. Universities and Colleges . I9I 3. Miscellaneous Groups . • 194 PART FOUR Selected Bibliography for Amateur Workers IN THE Drama.196 General.196 Production.197 Stagecraft: Settings, Lighting, and so forth . 199 Costuming.201 Make-up.203 Acting.204 Playwriting.205 Puppetry and Pantomime.205 School Dramatics. 207 Religious Dramatics.208 Addresses OF Publishers.210 Index OF Authors.214 5 LIST OF TABLES PAGE 1. Distribution of 789 Little Theatre Groups Listed in the Billboard of the Drama Magazine from October, 1925 through May, 1929, by Type of Organization . 22 2. Distribution by States of 1,000 Little Theatre Groups Listed in the Billboard from October, 1925 through June, 1931.25 3.
    [Show full text]
  • John Gassner
    John Gassner: An Inventory of His Collection at the Harry Ransom Center Descriptive Summary Creator: Gassner, John, 1903-1967 Title: John Gassner Papers Dates: 1894-1983 (bulk 1950-1967), undated Extent: 151 document boxes, 3 oversize boxes (65.51 linear feet), 22 galley folders (gf), 2 oversize folders (osf) Abstract: The papers of the Hungarian-born American theatre historian, critic, educator, and anthologist John Gassner contain manuscripts for numerous works, extensive correspondence, career and personal papers, research materials, and works by others, forming a notable record of Gassner’s contributions to theatre history. Call Number: Manuscript Collection MS-54109 Language: Chiefly English, with materials also in Dutch, French, German, Greek, Hebrew, Italian, Norwegian, Polish, Portuguese, Spanish, Swedish, and Turkish Access: Open for research Administrative Information Acquisition: Purchases and gifts, 1965-1986 (R2803, R3806, R6629, G436, G1774, G2780) Processed by: Joan Sibley and Amanda Reyes, 2017 Note: The Ransom Center gratefully acknowledges the assistance of the Gladys Krieble Delmas Foundation, which provided funds to support the processing and cataloging of this collection. Repository: The University of Texas at Austin, Harry Ransom Center Gassner, John, 1903-1967 Manuscript Collection MS-54109 Biographical Sketch John Gassner was a noted theatre critic, writer, and editor, a respected anthologist, and an esteemed professor of drama. He was born Jeno Waldhorn Gassner on January 30, 1903, in Máramarossziget, Hungary, and his family emigrated to the United States in 1911. He showed an early interest in theatre, appearing in a school production of Shakespeare’s The Tempest in 1915. Gassner attended Dewitt Clinton High School in New York City and was a supporter of socialism during this era.
    [Show full text]
  • The English and American Estimates of Galsworthy As a Novelist
    The English and American estimates of Galsworthy as a novelist Item Type text; Thesis-Reproduction (electronic) Authors Watson, Elizabeth Webster, 1912- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 05/10/2021 12:44:05 Link to Item http://hdl.handle.net/10150/551505 THE ENGLISH AND AMERICAN ESTIMATES OF GALSWORTHY AS A NOVELIST by Elizabeth Webster Watson A Thesis submitted to the faculty of the Department of English in partial fulfillment of the requirements for the degree of Master of Arts in the Graduate College University of Arizona 1 9 3 7 Approved: TABLE OF CONTENTS Chapter Page INTRODUCTION ........................... 1 I. THE PRE-WAR GALSWORTHY......................... 16 II. THE POST-WAR GALSWORTHY ....................... 30 III. THE HONORED GALSWORTHY......................... 43 IV. THE PERMANENCY OF GALSWORTHY................... 56 - CONCLUSION.................................. 69 BIBLIOGRAPHY................................... 71 11 INTRODUCTION John Galsworthy onoe said that he considered himself, first and foremost, a novelist, and that if he had to ohoose between novel-writing and play-writing, he would give up the latter."*" It would appear, then, that it is as a novel­ ist that Galsworthy would have wished his feme to endure. Only four years have passed since his death. A long back­ ward look we oanno t take, but we can study the writings of contemporary critics to find the account of his fame as it grew during his lifetime and as it has survived his death.
    [Show full text]
  • Character and Self-Knowledge in Conrad and Schopenhauer
    UNDERSTANDING OURSELVES: CHARACTER AND SELF- KNOWLEDGE IN CONRAD AND SCHOPENHAUER By NORMAN STINCHCOMBE A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of Philosophy College of Arts and Law The University of Birmingham September 2010 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT That Conrad was familiar with Schopenhauer’s philosophy has been proposed by literary scholars and seconded, in passing, by philosophers. This has resulted in one-way studies of literary influence. This thesis is instead a two-way study in the philosophy of literature. It shows how Schopenhauer’s philosophy can illuminate Conrad’s fiction and how the fiction can become an analytical tool for exploring the philosophy. There are two strands in Schopenhauer’s philosophy. One is uncompromisingly concerned with salvation and will-denial. The second focuses on self- knowledge and character, which leads to self-fulfilment and accommodation with the world. It is the latter strand, with character at its core, where the interests of the philosopher and creative writer coincide. My methodology is different from previous studies in that I propose Conrad’s direct source for Schopenhauer was not The World as Will and Idea but his essays, which are directed more towards the worldly strand of his philosophy.
    [Show full text]
  • 2011 National Crime Victims' Rights Week Resource Guide
    At A GlAnce Introduction – Section 5: Landmarks in Victims’ Rights and 2011 national crime Victims’ Rights Week Services Resource Guide – Section 6: Statistical Overviews Dates: Sunday, April 10 – Saturday, April 16, 2011 – Section 7: Additional Resources Theme: “Reshaping the Future, Honoring the Past” Colors:* Teal: C=100, M=8, Y=35, K=35 • DVD: The enclosed 5-minute theme video features Yellow: C=0, M=12, Y=100, K=0 interviews with criminal justice personnel, advocates, Black: C=0, M=0, Y=0, K=100 and victims whose reflections honor the progress of the Fonts: Garamond (body text) victims’ rights field and present a provocative look at Gotham Ultra and Cactus Bold (artwork) issues that lay ahead. This Year’s Format Quick Planning tips As in years past, you will find a wide range of instructional ma- • Review all the contents of the Resource Guide before terials, updated statistics, and promotional items in the 2011 moving forward. NCVRW Resource Guide. Please note that the entire contents • Establish a planning committee to help share the work- of the Resource Guide may be found on the enclosed CD- load and tap into even more ideas. ROM. Peruse this wealth of information from your computer or print any materials you would like to distribute. • Develop a timetable detailing all activities and assign- ments leading up to your event(s). Hard copies of all NCVRW-related public awareness artwork and the popular public awareness posters are included in the • Decide what Resource Guide artwork and information mailed version of the Resource Guide. And, as in past years, you want to use and what other materials you might anyone who receives the Resource Guide will also receive the need to develop.
    [Show full text]
  • The Man of Property
    The Man of Property John Galsworthy The Man of Property Table of Contents The Man of Property................................................................................................................................................1 John Galsworthy............................................................................................................................................1 i The Man of Property John Galsworthy VOLUME I OF THE FORSYTE SAGA TO MY WIFE: I DEDICATE THE FORSYTE SAGA IN ITS ENTIRETY, BELIEVING IT TO BE OF ALL MY WORKS THE LEAST UNWORTHY OF ONE WITHOUT WHOSE ENCOURAGEMENT, SYMPATHY AND CRITICISM COULD NEVER HAVE BECOME EVEN SUCH A WRITER AS I AM. PREFACE: "The Forsyte Saga" was the title originally destined for that part of it which is called "The Man of Property"; and to adopt it for the collected chronicles of the Forsyte family has indulged the Forsytean tenacity that is in all of us. The word Saga might be objected to on the ground that it connotes the heroic and that there is little heroism in these pages. But it is used with a suitable irony; and, after all, this long tale, though it may deal with folk in frock coats, furbelows, and a gilt−edged period, is not devoid of the essential beat of conflict. Discounting for the gigantic stature and blood−thirstiness of old days, as they have come down to us in fairy−tale and legend, the folk of the old Sagas were Forsytes, assuredly, in their possessive instincts, and as little proof against the inroads of beauty and passion as Swithin, Soames, or even Young
    [Show full text]
  • Notes on the Abolition of the English Grand Jury Nathan T
    Journal of Criminal Law and Criminology Volume 29 Article 2 Issue 1 May-June Summer 1938 Notes on the Abolition of the English Grand Jury Nathan T. Elliff Follow this and additional works at: https://scholarlycommons.law.northwestern.edu/jclc Part of the Criminal Law Commons, Criminology Commons, and the Criminology and Criminal Justice Commons Recommended Citation Nathan T. Elliff, Notes on the Abolition of the English Grand Jury, 29 Am. Inst. Crim. L. & Criminology 3 (1938-1939) This Article is brought to you for free and open access by Northwestern University School of Law Scholarly Commons. It has been accepted for inclusion in Journal of Criminal Law and Criminology by an authorized editor of Northwestern University School of Law Scholarly Commons. NOTES ON THE ABOLITION OF THE ENGLISH GRAND JURY 1 NATHAN T. ELLIFF INTRODUCTION The obituary of the English grand jury might well read: "Born in 1166 to increase accusations of crime, lived to be termed the palladium of justice, and died in 1933 of inutility on a wave of economy." Today, in the words of a London K. C., nobody mentions it, nobody regrets it, nobody is any the worse off. Yet Blackstone *considered it an essential safeguard of liberty and wrote that no one would ever be so hardy as to attack it. The reason for this change is found in the history of English criminal law and procedure. Henry II crieated the grand jury in 1166 by the Assize of Clar- endon as a prosecuting rather than a protecting body. It merely supplemented private accusation (appeals).
    [Show full text]
  • Christmas Quiz 1 : Nobel Prize for Literature Set by Mr Blackhead 26 Writers Who Write in English Have Won the Nobel Prize for Literature
    Christmas 2007 Quiz Supplement Answers to both quizzes and the crossword will be printed in the Spring Newsletter Christmas Quiz 1 : Nobel Prize for Literature Set by Mr Blackhead 26 writers who write in English have won the Nobel Prize for Literature. Match the first lines of these works with the writer. Writers 12. Time present and time past / Are both Rudyard Kipling; WB Yeats; GB Shaw; Sinclair perhaps present in time future / And time Lewis; John Galsworthy; Eugene O’Neill; Pearl S future contained in time past. Buck; TS Eliot; William Faulkner; Bertrand 13. Nothing to be done. Russell; Winston Churchill; Ernest Hemingway; 14. As your Chairman has told you, the subject John Steinbeck; Samuel Beckett; Patrick White; about which I am going to speak to you Saul Bellow; William Golding; Wole Soyinka; tonight is ‘Why I am not a Christian’. Nadine Gordimer; Derek Walcott; Toni Morrison; Seamus Heaney; VS Naipaul; JM Coetzee; 15. ‘This is how, one sunrise, we cut down them Harold Pinter; Doris Lessing. canoes’. / Philoctetes smiles for the tourists, who try taking / his soul with their cameras. Quotations 16. The first thing the midwife noticed about ----- 1. It was Wang Lung’s marriage day. --- --------- when she helped him out of his 2. This is America – a town of a few thousand, mother into the world was that he had a hare in a region of wheat and corn and dairies and lip. little groves. 17. ‘If I am out of my mind, it’s all right with 3. A clearing on the edge of the market, me,’ thought M----- H----.
    [Show full text]
  • Thomas Mann, World Author: Representation and Autonomy in the World Republic of Letters
    7KRPDV0DQQ:RUOG$XWKRU5HSUHVHQWDWLRQDQG$XWRQRP\ LQWKH:RUOG5HSXEOLFRI/HWWHUV 7RELDV%RHV Seminar: A Journal of Germanic Studies, Volume 51, Number 2, May 2015, pp. 132-147 (Article) 3XEOLVKHGE\8QLYHUVLW\RI7RURQWR3UHVV For additional information about this article http://muse.jhu.edu/journals/smr/summary/v051/51.2.boes.html Access provided by University of Notre Dame (5 Dec 2015 22:19 GMT) Thomas Mann, World Author: Representation and Autonomy in the World Republic of Letters Tobias Boes University of Notre Dame In her influential study The World Republic of Letters, Pascale Casanova draws a firm line between what she calls “national” and “international” writers. For national writers, “literary aesthetics (because they are connected with political questions) are necessarily neonaturalistic.” International writers, on the other hand, are described as “cosmopolitans and polyglots who, owing to their knowl- edge of the revolutions that have taken place in the freest territories of the literary world, attempt to introduce new norms” (110–11). There are a number of different criticisms that could be levelled at this dis- tinction. Here, I want simply to point out the striking similarities between what Casanova alleges are universal sociological categories, on the one hand, and a particular historicizing narrative about literary modernism, on the other. Casa- nova insists, for instance, that the struggle for “autonomy,” which she defines as “literary emancipation in the face of political (and national) claims to authority” (39), represents the most distinctive characteristic of international writing. She thereby echoes claims that have been made about “modern” art since at least the late nineteenth century (for an overview of these debates, see Goldstone).
    [Show full text]
  • Philosophy in Literature
    Syracuse University SURFACE Books Document Types 1949 Philosophy in Literature Julian L. Ross Allegheny College Follow this and additional works at: https://surface.syr.edu/books Part of the Philosophy Commons Recommended Citation Ross, Julian L., "Philosophy in Literature" (1949). Books. 4. https://surface.syr.edu/books/4 This Book is brought to you for free and open access by the Document Types at SURFACE. It has been accepted for inclusion in Books by an authorized administrator of SURFACE. For more information, please contact [email protected]. OU_168123>3 ib VOOK t'l hvtent <J/ie tyovevnment //te ^United cf ai o an f.r^^fnto iii and yccdwl c/ tie llnited faaart/* *J/ie L/eofile of jf'ti OSMANIA UNIVERSITY LIBRARY CallNo. 9ol//k?/^ Accession No. < Author ""jj^vv JLj. This book should be returned on or before the date last marked below. PHILOSOPHY IN LITERATURE PHILOSOPHY IN LITERATURE JULIAN L. ROSS Professor of English, Allegheny College SYRACUSE UNIVERSITY PRESS IN COOPERATION WITH ALLEGHENY COLLEGE Copyright, 1949 SYRACUSE UNIVERSITY PRESS Only literature can describe experience, for the excellent reason that the terms of experience are moral and literary from the beginning. Mind is incorrigibly poetical: not be- cause it is not attentive to material facts and practical exigencies, but because, being intensely attentive to them, it turns them into pleasures and pains, and into many-colored ideas. GEORGE SANTAYANA TO CAROL MOODEY ROSS INTRODUCTION The most important questions of our time are philosoph- ical. All about us we see the clash of ideas and ideologies. Yet the formal study of philosophy has been losing rather than gaining ground.
    [Show full text]
  • Statistics Concerning Printings of Galsworthy's Novels in Britain, Germany, Austria and France
    Appendix: Statistics Concerning Printings of Galsworthy's Novels in Britain, Germany, Austria and France UNITED KINGDOM Mr Charles Pick, Managing Director, William Heinemann, and Mr R. Davies, Sales Manager, Penguin Books, provided the following information and figures. It is quite astonishing to note the number of copies of Galsworthy novels printed in recent years, compared with similar figures for other contemporary writers. On 11 November 1970, Mr Pick wrote: We have always had The Forsyte Saga, A Modern Comedy and End of the Chapter (the Forsyte trilogies) in print. Up to the time of the first showing of the TV series we were selling a steady 2,000/2,500 copies a year of the Forsyte Saga. Since 1 January 1967 we have sold 107,000 copies and 42,000 copies of A Modern Comedy and 28,000 copies of End of the Chapter. In addition Penguin have sold 1.8 million copies of the nine individual titles (we did not give them the trilogy rights). As a result of the increase in the reading of the Forsyte Chronicles, we have now put back into print as single volumes the following titles: Beyond, The Country House, The Dark Flower, Fraternity, The Island Pharisees, The Man of Property and Saint's Progress. I understand in other countries where the TV films were being shown, sales of the Forsyte Chronicles have been just as dramatic and all publishers seem to comment on the fact that young people have taken to reading Galsworthy again. 205 206 Appendix Penguin books (dates in brackets are those of the first Penguin editions) Title 1967 1968 1969 1970
    [Show full text]