Sara Lee Annual Report

Total Page:16

File Type:pdf, Size:1020Kb

Sara Lee Annual Report GIVING 1998| 1999 Cover: Lemons on a Pewter Plate (Les citrons au plat d’étain) by Henri Matisse, (1926, reworked 1929). A Millennium Gift of Sara Lee Corporation given to The Art Institute of Chicago. Our GIVING is focused on three areas: the arts, women and the special needs of those who are hungry, homeless and living in disadvantaged circumstances. In this way, Sara Lee is truly helping to nourish mind, spirit & body SARA LEE GIVING Contents Awakening our Mind page 7 Renewing our Spirit page 15 Energizing our Body page 23 Grant Recipient List page 29 Matching Grants List page 37 SARA LEE GIVING Sara Lee Corporation is a global manufacturer and marketer of high-quality, brand-name products for consumers throughout the world. Headquartered in Chicago, Sara Lee has operations in 40 countries and markets its products in more than 140 nations. Its 138,000 employees are committed to creating shareholder value and improving the quality of life in their communities. www.saralee.com The Sara Lee Foundation is the philanthropic arm of Sara Lee Corporation and is operated as a separate entity with its own board of directors. Through the Foundation, Sara Lee is committed to making a lasting and positive impact on the communities where its employees live and work. This is accomplished by giving at least 2% of Sara Lee Corporation’s annual U.S. pretax income, in cash and product contributions, to nonprofit organizations. www.saraleefoundation.org 2 Sara Lee Corporation 1998|1999 e at Sara Lee Corporation are fortunate to be part of a successful W enterprise that has ongoing profitable growth and loyal customers who enjoy our family of brands. Over the years, our business has evolved into a leading global corporation with major responsibilities, not the least of which is our duty to be a good corporate citizen and a contributing member of society. In this aspect of our business, we also take a leadership role by proudly embracing our obligation to give generously to communities where we do business. Indeed, the health of our business depends on the well-being of these communities and the vitality of life in our society. John H. Bryan Chairman and Chief Executive Officer Sara Lee Corporation 3 SARA LEE GIVING Sara Lee Corporation and the Sara Lee Foundation Giving Programs Fiscal Years 1998 and 1999 Total Cash and Product Donations $74.6 Million Total Cash Total Product Contributions Donations $35.6 Million $39.0 Million Total Cash Contributions Amount Contributed by the Sara Lee Foundation to Match Gifts Made by Employees Participating in Employee Matching Grants Program Cash Contributions $2.7 Million Other than Foundation Grants and Employee Total Sara Lee Matching Grants Program Foundation Grants $23.1 Million $9.8 Million Distribution by Program Area Cultural Organizations and Programs Programs Serving People 31% Who Are Disadvantaged 38% Miscellaneous 31% Sara Lee Corporation’s policy is to contribute at least 2% of its annual U.S. pretax income in the form of cash and product donations to nonprofit organizations that meet the requirements of our corporate giving initiatives. 4 Sara Lee Foundation 1998|1999 iving is the lifework of the Sara Lee Foundation, and Gwe are committed to funding organizations and causes at many levels. Through our direct grants, matching grants and awards, we will continue to support programs where we can effect the greatest positive change. During the past two years, our grants have supported a wide variety of organizations that have enriched the arts, aided women’s progress and improved the lives of those living in adverse circumstances. Michael E. Murphy President Sara Lee Foundation 5 1998|1999 Awakening our Mind “Sara Lee has supported the arts all across America . from the cakes they bake to the paintings they share, Sara Lee does, indeed, nourish the world.” United States President William Jefferson Clinton on the occasion of presenting the National Medal of Arts to Sara Lee Corporation on November 5, 1998. 7 SARA LEE GIVING Sara Lee Corporation receives 1998 Pegasus Players premieres The Lynching of Leo Frank National Medal Having just completed its 20th season, Pegasus Players has been receiving operating of Arts support from the Sara Lee Foundation since 1989. In 1998 the Foundation increased its support and sponsored the first staged Ongoing commitment production of The Lynching of Leo Frank. to the arts honored at Featuring Elizabeth Ledo and Mitchell J. Fain (pictured above), The Lynching of White House ceremony Leo Frank explored a disturbing historical case of anti-Semitism that took place in Atlanta in the early 1900s. Photo by Lisa Ebright ara Lee’s sustaining support of the arts was recognized in 1998 when it Swas awarded the prestigious National Medal of Arts, becoming only the seventh corporation ever to receive the nation’s highest honor for “outstanding contributions to the excellence, growth, support and availability of the arts.” During the past 25 years, Sara Lee has guided millions of dollars in financial support to regional, national and international arts organizations. Millennium Park Chicago’s Mayor, Richard M. Daley, requested the assistance of Sara Lee’s “Our unwavering support of the arts has John H. Bryan to transform an old earned us recognition as an art patron,” rail yard into Millennium Park. The one-million-square-foot expansion of said John H. Bryan, chairman and chief Chicago’s Grant Park will provide executive officer, in accepting the award Chicagoans with year-round opportunities to enjoy gardens, ice rinks, concerts, dance during a ceremony on the south lawn of the performances, art fairs and festivals. The White House. “We believe that identifying site will feature a restoration of the historic Peristyle, a semi-circle of classical columns Sara Lee Corporation with the quality that was demolished in the 1950s. inherent in the world of art is a positive Illustration by Michael McCann thing for our company.” 8 AWAKENING OUR MIND President William Jefferson Clinton and First Lady Hillary Rodham Clinton with John H. Bryan, chairman and chief executive officer, Sara Lee Corporation, at the White House ceremony. Photo courtesy of the National Endowment for the Arts, Neshan Naltchayan, 1998 Mexican Fine Arts Center Museum Dedicated to the collection, preservation and exhibition of the rich and diverse arts of Mexico, the Mexican Fine Arts Center Sara Lee’s commitment to funding the arts Museum is the nation’s first Latino has included everything from commissioning museum to achieve full accreditation from the American Association of Museums. new work to providing general operating Having received general operating support support, to taking a special interest in from the Foundation since 1990, the museum benefited from Sara Lee’s projects and organizations that make art increased support and sponsorship of available to diverse audiences. Through its important exhibitions during the past two years: Images of the Spirit: Photographs by funding, Sara Lee sponsors plays, exhibitions Graciela Iturbide and Arte Contemporáneo and concerts, and promotes the growth Jaliscience: Works of Art from the Permanent Collection of the Museo de Las and development of the arts by funding Artes of the University of Guadalajara. projects that nourish new groups and Photo: Mujer angel (Angel Woman), Sonora Desert, 1979, gelatin silver print, creative ideas. Sara Lee’s giving programs © Graciela Iturbide. promote the arts in many communities Photo by Lynn Rosenthal, 1997 around the world, including those in which its employees live and work. 9 SARA LEE GIVING Monet to Moore The Millennium Gift of Sara Lee Corporation n 2000, the 52 finest works in At the Zoos, too Sara Lee’s celebrated corporate art Notable among Chicago’s many cultural institutions, Lincoln Park Zoo and Icollection will enter the permanent Brookfield Zoo are two popular collections of 40 museums around the destinations, hosting millions of visitors each year. Sara Lee’s continuing support world. This unprecedented Millennium Gift of general operations helps both zoos to the public and to the art world is rooted mount new exhibits and conduct various educational programs in addition to in Sara Lee’s traditions of philanthropy and nurturing the inhabitants, including arts support. Sara Lee’s involvement in Lincoln Park’s new lion cubs (pictured). Photo by Todd Rosenberg cultural activities reflects its core belief that society is enriched through creativity and that the arts comprise a unique international language. Before the artworks are dispersed to their new homes, the company is sponsoring a final exhibition of the collection traveling to the Singapore Art Museum, the National Gallery of Australia, the North Carolina Museum of Art, the Portland Art Museum in A new home for Sherwood Conservatory of Music Oregon and The Art Institute For more than 100 years, the Sherwood of Chicago. When the exhibition tour Conservatory of Music has been an ends in 2000, the works will be given to urban center for high quality music education for all, regardless of age, public museums, in celebration of the new ability or financial means. As a long-time millennium, for inclusion in their permanent supporter of Sherwood’s efforts, in 1999, the Sara Lee Foundation helped fund holdings so that these great artworks can be the opening activities of Sherwood’s enjoyed by future generations. much-needed new facility in Chicago’s South Loop. Photo: Student, Cecilia Jimenez, and Suzuki Harp Instructor, Dawn Punches enjoy Sherwood’s expanded educational facilities. (continued) Photo by William Franklin McMahon 10 AWAKENING OUR MIND The Garden (Le jardin), 1882-83, by Berthe Morisot, a Millennium Gift of Sara Lee Corporation given to The Art Institute of Chicago. Israel Festival Sara Lee Corporation provided sponsorship support for the Israel Festival, Jerusalem in both 1998 and 1999.
Recommended publications
  • DOCUMENT RESUME Creative America. a Report to the President
    DOCUMENT RESUME ED 413 276 SO 028 483 TITLE Creative America. A Report to the President by the President's Committee on the Arts and the Humanities. INSTITUTION President's Committee on the Arts and the Humanities, Washington, DC. SPONS AGENCY AT&T Foundation, New York, NY.; J. Paul Getty Trust, Santa Monica, CA.; William and Flora Hewlett Foundation, Palo Alto, CA.; Andrew W. Mellon Foundation, New York, NY. PUB DATE 1997-02-00 NOTE 43p.; For related documents, see ED 371 973, ED 364 493, ED 356 992-993, ED 345 983-987, ED 319 670, and ED 241 407. Funding also provided by the Thomas S. Kenan Institute for the Arts, Sara Lee Corporation, Warner Brothers, and the following foundations: Horace W. Goldsmith, Betty R. Sheffer and Texaco. PUB TYPE Reports - Descriptive (141) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS *Culture; Drama; *Federal Aid; Financial Support; *Fine Arts; Fund Raising; *Humanities; Music; *Private Financial Support; Theater Arts; Visual Arts ABSTRACT This report was written by the President's Committeeon the Arts and Humanities and offers suggestions to the President of the United States on. ways to strengthen the system of support for the arts and the humanities in the United States. The document describesa vital cultural life as essential to a functioning democracy. It also examines the many aspects of the country's complex, interdependent support system which includes individual, foundation, and corporate support; governmentgrants; and the many creative ways in which cultural organizations earn income. Includedare over 50 recommendations in five categoriesor steps to the future: Educating our Youth for the Future; Investing in Cultural Capital; Renewing American Philanthropy; Affirming the Public Role; and Expanding InternationalCultural Relations.
    [Show full text]
  • 2007-09-28-CSUF 50Th Anniversary.Pdf
    2 CSUF 50th Anniversary www.fullerton.edu/50 The Daily Titan 3 Daily Titan Editors’ Note 50th Anniversary Special Section CO-EXECUTIVE EDITORS Jackie Kimmel and Raquel Stratton COPY CHIEF Johnathan Kroncke COPY EDITOR Joe Simmons JACKIE KIMMEL RAQUEL STRATTON PHOTO EDITOR Dear Readers: Cameron Pemstein It is our pleasure to bring to you the Daily Titan-produced Cal State Fullerton 50th PRODUCTION DESIGNERS Anniversary issue. Jackie Kimmel and Raquel Stratton We have spent over six months buried in the Pollak Library Archives and Oral History offices digging up as much information as we could find to produce this publication. EDITORIAL ADVISER Within these 48 pages you will get a review of some of the events that put CSUF on the map, like the elephant races, and be exposed to numerous stories that have been cleverly Tom Clanin hidden in the walls of the university. This year marks a celebration of achievement. Five decades of construction, innovation DIRECTOR OF ADVERTISING and perseverance have made this campus unique and truly unforgettable. Stephanie Birditt Our school’s history is filled with both good times and tragedies. We tried to bring a sensible balance of both in this edition. ASSISTANT DIRECTOR OF ADVERTISING To start this issue off we would like to give you a little background and trivia to help guide you through the pages to come. Sarah Oak In the last 50 years CSUF has had three name changes and one punctuation alteration. In 1957 Orange County State College was established, despite the fact that classes didn’t AD PRODUCTION/COVER DESIGN begin until 1959.
    [Show full text]
  • Art-Related Archival Materials in the Chicago Area
    ART-RELATED ARCHIVAL MATERIALS IN THE CHICAGO AREA Betty Blum Archives of American Art American Art-Portrait Gallery Building Smithsonian Institution 8th and G Streets, N.W. Washington, D.C. 20560 1991 TRUSTEES Chairman Emeritus Richard A. Manoogian Mrs. Otto L. Spaeth Mrs. Meyer P. Potamkin Mrs. Richard Roob President Mrs. John N. Rosekrans, Jr. Richard J. Schwartz Alan E. Schwartz A. Alfred Taubman Vice-Presidents John Wilmerding Mrs. Keith S. Wellin R. Frederick Woolworth Mrs. Robert F. Shapiro Max N. Berry HONORARY TRUSTEES Dr. Irving R. Burton Treasurer Howard W. Lipman Mrs. Abbott K. Schlain Russell Lynes Mrs. William L. Richards Secretary to the Board Mrs. Dana M. Raymond FOUNDING TRUSTEES Lawrence A. Fleischman honorary Officers Edgar P. Richardson (deceased) Mrs. Francis de Marneffe Mrs. Edsel B. Ford (deceased) Miss Julienne M. Michel EX-OFFICIO TRUSTEES Members Robert McCormick Adams Tom L. Freudenheim Charles Blitzer Marc J. Pachter Eli Broad Gerald E. Buck ARCHIVES STAFF Ms. Gabriella de Ferrari Gilbert S. Edelson Richard J. Wattenmaker, Director Mrs. Ahmet M. Ertegun Susan Hamilton, Deputy Director Mrs. Arthur A. Feder James B. Byers, Assistant Director for Miles Q. Fiterman Archival Programs Mrs. Daniel Fraad Elizabeth S. Kirwin, Southeast Regional Mrs. Eugenio Garza Laguera Collector Hugh Halff, Jr. Arthur J. Breton, Curator of Manuscripts John K. Howat Judith E. Throm, Reference Archivist Dr. Helen Jessup Robert F. Brown, New England Regional Mrs. Dwight M. Kendall Center Gilbert H. Kinney Judith A. Gustafson, Midwest
    [Show full text]
  • Broadcasting What the NAB Irgser Ds to Din Bout Sex and Violence
    A roundup of honors earned by broadcasting What the NAB irgser ds to din bout sex and violence BroadcastingThe newsweekly of broadcasting and allied arts Our 46th Year 1977 Arb,00n. Apnl%Moy'». rSA. AOH. Adv. 55.49. Mon. n. 6:00 AM.I9,00 Midnight. All dota ore .bmoMS and frblecl to srr.ty lhtation.. Mr. fñovPublic Television is proud to be the recipient of five George Foster Peabody Awards -the best showing in all of broadcasting: 1 An innovative series of original A series of varied cultural A documentary on the problems of television dramas by new American performances from Washington's water utilization, presented on the playwrights. Wolf Trap Farm Park. PBS "Americana" series. Protletanu["' Prad,onsteam. VCET /Los Angeles Protlocaam WETA/Washington st. KERA/Da Ilas A series of historical dramas spanning A special report on the PBS 200 years of American history. "USA: People & Politics" series. P`=,:n7WNET surtan: /New York Protlucstatans: WETA/Washington & WNET /New York AMERICA'S PUBLIC TELEVISION STATIONS PUBLIC BROADCASTING SERVICE BroadcastingNJul4 The Week in Brief MORE TEETH IN CODE The NAB boards, meeting last Shiben notes FCC's new standards for screening week in Williamsburg, Va., had a busy four days. Standing employment practices are superior to those used in out was the television board's resolution calling for petitioners' screening. PAGE 29. stronger language against unacceptable programing. PAGE 20. NONDUPLICATION HANGUP The FCC has an inter - bureau split over criteria to be used for waivers. PAGE 31. FAMILY -VIEWING APPEALS Parties aggrieved with Judge Ferguson verdict file appeals. Department of CBS READING PROJECT Cooperative effort with local Justice contends FCC, Chairman Wiley did not pressure school board that has been tried by three network -owned broadcasters into accepting the plan.
    [Show full text]
  • You Can Double Your Gift to Extra Mile Education Foundation. Many Companies Will Match Their Employee's Contribution. Below I
    You can double your gift to Extra Mile Education Foundation. Many companies will match their employee’s contribution. Below is a partial list of corporations and business who provide matching gifts. Please contact your Human Resource representative to help support children and their families seeking a values-based quality education. CBS GE Fund 3M CIGNA Foundation Gannett CNA Insurance Company Gap Foundation ADC Telecommunications, Inc. CNG General Electric AES Beaver Valley CR Bard General Mills AK Steel Corporation Cadence General Motors AMD Matching Gifts Program Design Systems, Inc. Gillette Company AMGEN Foundation (The) Capital Group Companies Charitable GlaxoSmithKline Foundation AT&T Casey Matching Gift Program Goldman, Sachs & Company Alcatel-Lucent Certain Teed Goodrich Corporation Alcoa Channel Craft Google Allegheny Energy Co., Inc. Chevron Texaco Corporation Allegheny Power Chicago Title & Trust Company H.J. Heinz Company Allegheny Technologies, Inc. Chubb & Son, Inc. Hamilton Sundstrand Alliant Techsystems Citigroup Harcourt, Inc. Altria Group, Inc. Citizens Bank Harsco Corporation Altria Program Cleveland H. Dodge Foundation, Inc. Hartford Steam Boiler Computer Associates International, Inc. American Express Financial Advisors Hewlett Packard Company Corning Incorporated American International Group Highmark Cyprus Amax Ameritech Hillman Company (The) Ameriprise Financial Home Depot, Inc. Del Monte Foods Company Aramark Honeywell Houghton Mifflin Deluxe Corporation Arco Chemical Company Dictaphone Corporation ARCO IBM Corporation Dominion Foundation Armco, Inc. International Minerals & Chemical Co. Astorino EQT Corporation Automatic Data Processing J.P. Morgan Chase ERICSSON AXA Financial/Equitable John Hancock Mutual Life Insurance. Co. East Suburban Medical Supply Johnson & Johnson Eaton Corporation B.F. Goodrich Johnson Controls Eli Lilly Company BNY Mellon Juniper Networks (The) Emerson Electric BP America Erie Insurance Group Baxter Allegiance Kaplan, Inc.
    [Show full text]
  • Membership Directory Is Designed to Help Connect You with AMI Staff and with Others in the Industry Who Have Also Chosen to Invest in the Institute
    SPRING 2010 Membership D i r e c t o r y AMERICAN MEAT INSTITUTE AMERICAN MEAT INSTITUTE J. Patrick Boyle President and CEO Dear AMI Member, For more than a century, the American Meat Institute (AMI) has strived to provide effective representation in Washington before Congress and the regulatory agencies. We also speak on behalf of the industry to the media, professional organizations and in other public forums. Our experts manage a comprehensive research agenda, advocate for free and open trade, and organize a host of educational and networking opportunities. While many things have changed in the 104 years since our founding, there are some constants too, like our commitment to represent this great industry of ours honestly and effectively in Washington DC. We are proud that the Institute is the industry’s oldest and largest trade association. Our longevity and our size can be attributed to the diversity amongst our member companies. While we are fortunate to represent many large, multi-national companies, our greatest strength and political credibility comes from our many small and medium sized companies who call AMI their association. In fact, 80 percent of our members are actually small and medium sized companies. We believe the industry benefits when diverse companies with unique ideas and expertise collaborate to make our industry better and our Institute stronger. This AMI membership directory is designed to help connect you with AMI staff and with others in the industry who have also chosen to invest in the Institute. We believe that we succeed when you succeed. Please let us know how we may be of service to you.
    [Show full text]
  • Annual Report 2009
    Bi-Annual 2009 - 2011 REPORT R MUSEUM OF ART UNIVERSITY OF FLORIDA CELEBRATING 20 YEARS Director’s Message With the celebration of the 20th anniversary of the Harn Museum of Art in 2010 we had many occasions to reflect on the remarkable growth of the institution in this relatively short period 1 Director’s Message 16 Financials of time. The building expanded in 2005 with the addition of the 18,000 square foot Mary Ann Harn Cofrin Pavilion and has grown once again with the March 2012 opening of the David A. 2 2009 - 2010 Highlighted Acquisitions 18 Support Cofrin Asian Art Wing. The staff has grown from 25 in 1990 to more than 50, of whom 35 are full time. In 2010, the total number of visitors to the museum reached more than one million. 4 2010 - 2011 Highlighted Acquisitions 30 2009 - 2010 Acquisitions Programs for university audiences and the wider community have expanded dramatically, including an internship program, which is a national model and the ever-popular Museum 6 Exhibitions and Corresponding Programs 48 2010 - 2011 Acquisitions Nights program that brings thousands of students and other visitors to the museum each year. Contents 12 Additional Programs 75 People at the Harn Of particular note, the size of the collections doubled from around 3,000 when the museum opened in 1990 to over 7,300 objects by 2010. The years covered by this report saw a burst 14 UF Partnerships of activity in donations and purchases of works of art in all of the museum’s core collecting areas—African, Asian, modern and contemporary art and photography.
    [Show full text]
  • The Bruce & Barbara Feldacker Labor Art Collection Reference Library
    The Bruce & Barbara Feldacker Labor Art Collection Reference Library Note: These books can be accessed through the Mercantile Library Rare Book Reading Room. Please phone 314-516-7247 for assistance. Author Title Publication Info. Notes Call Number/links to catalogue The Painter's America: Rural and Urban Life, In association with the Whitney Museum of Hills, Patricia 1810-1910 New York: Praeger Publishers, 1974 American Art UMSL MERC REF ND210 .H47 1974 Selections from the Penny and Elton Yasuna Surrealism in America During the 1930s and Collection; Essays by Martica Sawin and William Jeffett, William, ed. (curator) 1940s FL: Salvador Dali Museum Jeffett UMSL MERC REF N6512.5.S87 S796 1998 New York: Harry N. Abrams, Inc., With an essay by Guy Davenport; from the Castleman, Riva (ed.) Art of the Forties 1994 Museum of Modern Art, New York UMSL MERC REF N6493 1940 .A77 1991 Los Angeles: The Wheatley Press, In association with the University of Washington DeNoon, Christopher Posters of the WPA 1987 Press, Seattle UMSL MERC REF NC1807.U5 D413 1987 Social Concern and Urban Realism: American Publication Center Cultural Hills, Patricia Painting of the 1930s Resources, 1983 With an essay by Raphael Soyer UMSL MERC REF ND212.5.S57 H5 1983 Precisionism in America 1915-1941: New York: Harry N. Abrams, Inc., Murphy, Diana Reordering Reality 1995 In association with the Montclair Art Museum UMSL MERC REF N6512.5.P67 P7 1994 Kent, Norman (ed.) Drawings by American Artists New York: Bonanza Books, 1970 UMSL MERC REF NC1070 .K4 1968 Slatkin, Charles E. and New York: Oxford University Press, Shoolman, Regina Treasury of American Drawings 1947 UMSL MERC REF NC1070 .S55 1947 National Art Society, American Art Today National Art Society, 1939 UMSL MERC REF N4784 1939 .A3 Eyes on America: The United States as seen New York: The Studio Publications, Introduction and commentary on the illustrations Hall, W.S.
    [Show full text]
  • The History of Wake Forest University (1983–2005)
    The History of Wake Forest University (1983–2005) Volume 6 | The Hearn Years The History of Wake Forest University (1983–2005) Volume 6 | The Hearn Years Samuel Templeman Gladding wake forest university winston-salem, north carolina Publisher’s Cataloging-in-Publication data Names: Gladding, Samuel T., author. Title: History of Wake Forest University Volume 6 / Samuel Templeman Gladding. Description: First hardcover original edition. | Winston-Salem [North Carolina]: Library Partners Press, 2016. | Includes index. Identifiers: ISBN 978-1-61846-013-4. | LCCN 201591616. Subjects: LCSH: Wake Forest University–History–United States. | Hearn, Thomas K. | Wake Forest University–Presidents–Biography. | Education, Higher–North Carolina–Winston-Salem. |. Classification: LCCLD5721.W523. | First Edition Copyright © 2016 by Samuel Templeman Gladding Book jacket photography courtesy of Ken Bennett, Wake Forest University Photographer ISBN 978-1-61846-013-4 | LCCN 201591616 All rights reserved, including the right of reproduction, in whole or in part, in any form. Produced and Distributed By: Library Partners Press ZSR Library Wake Forest University 1834 Wake Forest Road Winston-Salem, North Carolina 27106 www.librarypartnerspress.org Manufactured in the United States of America To the thousands of Wake Foresters who, through being “constant and true” to the University’s motto, Pro Humanitate, have made the world better, To Claire, my wife, whose patience, support, kindness, humor, and goodwill encouraged me to persevere and bring this book into being, and To Tom Hearn, whose spirit and impact still lives at Wake Forest in ways that influence the University every day and whose invitation to me to come back to my alma mater positively changed the course of my life.
    [Show full text]
  • Finding Aid to the Historymakers ® Video Oral History with Elynor Williams
    Finding Aid to The HistoryMakers ® Video Oral History with Elynor Williams Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Williams, Elynor, 1946- Title: The HistoryMakers® Video Oral History Interview with Elynor Williams, Dates: April 19, 2012 Bulk Dates: 2012 Physical 7 uncompressed MOV digital video files (3:19:26). Description: Abstract: Corporate executive Elynor Williams (1946 - ) became Sara Lee Corporation’s first African American corporate officer serving as vice president for public responsibility. Williams was interviewed by The HistoryMakers® on April 19, 2012, in Chicago, Illinois. This collection is comprised of the original video footage of the interview. Identification: A2012_048 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Corporate executive Elynor A. Williams was born on October 27, 1946 in Baton Rouge, Louisiana to Albert and Naomi Williams. She graduated from Central Academy in Palatka, Florida before receiving her B.A. degree in home economics from Spelman College in 1966. Williams then joined Eugene Butler High School in Jacksonville, Florida as a home economics teacher. In 1968, she became an editor and publicist for General Foods Corporation in White Plains, New York. Williams received her M.A. degree in communication arts from Cornell University in 1973. At Cornell, she worked as a tutor for special education projects. Following the completion of her education, Williams became a communication specialist for North Carolina Agricultural Extension Service. In 1977, she became a senior public relations specialist for Western Electric Company in Greensboro, North Carolina. Williams served as director of corporate affairs for Sara Lee Corporation’s Hanes Group in Winston-Salem, North Carolina from 1983 to 1986 and director of public affairs for the Sara Lee Corporation in Chicago, Illinois from 1985 to 1990.
    [Show full text]
  • Networks, Institutions, Strategy, and Structure
    How did we get The Coming from here… …to here… Collapse of the Corporation …and where Prof. Jerry Davis do we Chinese Economists Society 15 March 2015 go next? 1889-2012* ~2007-2011 The high water mark of corporate capitalism in the United States: 1973 The golden era of corporate society • “The big enterprise is the true symbol of our social order…In the industrial enterprise the structure which actually underlies all our society can be seen…” (Drucker, 1950) • “The whole labor force of the modern corporation is, insofar as possible, turned into a corps of lifetime employees, with great emphasis on stability of employment” and thus “Increasingly, membership in the modern corporation becomes the single strongest social force shaping its career members…” (Kaysen, 1957) • “Organizations are the key to society because large organizations have absorbed society. They have vacuumed up a good part of what we have always thought of as society, and made organizations, once a part of society, into a surrogate of society” (Perrow, 1991) 3 1 Some premises of the corporate-centered society 1. The typical corporation makes tangible products 2. Corporate ownership is broadly dispersed 3. Corporate control is concentrated 4. Corporations aim to grow bigger in assets and 1.The typical corporation makes number of employees 5. Corporations live a long time tangible products 5 6 Manufacturing employment is increasingly rare The largest employers have shifted from manufacturing to retail and other services 10 Largest US Corporate Employers, 1960-2010 Since January 2001, the US has shed 5 1960 1980 2010 million jobs in GM AT&T WAL-MART Wal-Mart now manufacturing– AT&T GM TARGET employs roughly ~ one in three FORD FORD UPS GE GE KROGER as many US STEEL SEARS SEARS HLDGS Americans as the As of March 2009, SEARS IBM “AT&T” 20 largest more Americans were A&P ITT HOME DEPOT manufacturers unemployed than EXXON KMART WALGREEN combined Proportion of US private labor force employed in were employed in BETH.
    [Show full text]
  • NEA Chronology Final
    THE NATIONAL ENDOWMENT FOR THE ARTS 1965 2000 A BRIEF CHRONOLOGY OF FEDERAL SUPPORT FOR THE ARTS President Johnson signs the National Foundation on the Arts and the Humanities Act, establishing the National Endowment for the Arts and the National Endowment for the Humanities, on September 29, 1965. Foreword he National Foundation on the Arts and the Humanities Act The thirty-five year public investment in the arts has paid tremen­ Twas passed by Congress and signed into law by President dous dividends. Since 1965, the Endowment has awarded more Johnson in 1965. It states, “While no government can call a great than 111,000 grants to arts organizations and artists in all 50 states artist or scholar into existence, it is necessary and appropriate for and the six U.S. jurisdictions. The number of state and jurisdic­ the Federal Government to help create and sustain not only a tional arts agencies has grown from 5 to 56. Local arts agencies climate encouraging freedom of thought, imagination, and now number over 4,000 – up from 400. Nonprofit theaters have inquiry, but also the material conditions facilitating the release of grown from 56 to 340, symphony orchestras have nearly doubled this creative talent.” On September 29 of that year, the National in number from 980 to 1,800, opera companies have multiplied Endowment for the Arts – a new public agency dedicated to from 27 to 113, and now there are 18 times as many dance com­ strengthening the artistic life of this country – was created. panies as there were in 1965.
    [Show full text]